DOCSLIB.ORG

Asfacts Oct18.Pub

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Asfacts Oct18.Pub BEST DRAMATIC PRESENTATION: Bambi, BEST EDITOR: John W. Campbell, BEST PROFESSIONAL ARTIST: Virgil Finlay, BEST FANZINE: Le Zombie, and BEST FAN WRIT- ER: Forrest J Ackerman (The late Jack Speer of Albu- querque was nominated). 2018 During the San Jose Worldcon, The Science Fiction & Fantasy Conventions of New Zealand Incorporated (SFFCONZ, Inc.) non-profit society won the bid to host Winners for the Hugo Awards and for the John W. the 78th World Science Convention at the TSB Bank Campbell Award for Best New Writer were announced Arena and Michael Fowler Centre in Wellington, New by Worldcon 76, the 76th World Science Fiction Con- Zealand July 29-August 2, 2020, receiving 643 of the 726 vention, on August 19 during a ceremony held at the San votes cast. There were no other registered candidates. Jose McEnery Convention Center in San Jose, CA. Re- Santa Fe’s George RR Martin will be the toastmaster. becca Roanhorse, NM author and Bubonicon 50 partici- And the Utah Fandom Organization won the bid to pant, won in two categories: host the 13th North American Science Fiction Conven- BEST NOVEL: The Stone Sky by N.K. Jemisin, BEST tion (NASFiC) at the Davis Conference Center in Layton, NOVELLA: All Systems Red by Martha Wells, BEST NOV- UT July 4-7, 2019, receiving 171 of the 192 votes cast. ELETTE: “The Secret Life of Bots” by Suzanne Palmer, There were no other registered candidates. NASFiC hap- BEST SHORT STORY: “Welcome to your Authentic Indian pens whenever a Worldcon is held outside of North Experience™” by Rebecca Roanhorse, BEST RELATED America (as in the case of Worldcon 77, which will be WORK: No Time to Spare: Thinking About What Matters held in Dublin, Ireland). NASFiC 2019 will be held in by Ursula K. Le Guin, conjunction with Westercon 72. For more information, BEST GRAPHIC STORY: Monstress Volume 2: The see the Utah for 2019 website. Blood by Marjorie Liu with art by Sana Takeda, BEST Voting for both sites was open to members of World- DRAMATIC PRESENTATION - LONG: Wonder Woman, con 76 who paid voting fees. BEST DRAMATIC PRESENTATION - SHORT: The Good Place: “The Trolley Problem,” BEST EDITOR SHORT FORM: Lynne M. Thomas & Michael Damian Thomas, BEST EDITOR LONG FORM: Sheila E. Gilbert, BEST SE- Tananarive Due received the Octavia Butler/L.A. RIES: World of the Five Gods by Lois McMaster Bujold, Banks Memorial Award from the United California Afri- BEST PROFESSIONAL ARTIST: Sana Takeda, BEST can-American Bookclubs (UCAAB) during the 12th an- SEMIPROZINE: Uncanny, BEST FANZINE: File 770, BEST FANCAST: Ditch Diggers, BEST FAN WRITER: Sarah Gai- ley, BEST FAN ARTIST: Geneva Benton, JOHN W. CAMP- PCOMING EETINGS BELL AWARD FOR BEST NEW WRITER [Not a Hugo U ASFS M Award]: Rebecca Roanhorse, and THE WORLD SCIENCE • TV Ghosts Talk & Club Elections Tonight! FICTION SOCIETY (WSFS) AWARD FOR BEST YOUNG Investigator Benjamin Radford is here to talk ADULT BOOK: Akata Warrior by Nnedi Okorafor. about his behind-the-scene experiences on a Ghost Hunter-style TV show with visual aids. 1943 RETRO HUGO WINNERS And then, 3 Offices need to be filled for January- December 2019, and the “theme/challenge ingre- Winners for the 1943 Retro Hugo Awards, honoring dient” for December chosen. work from 1942, were announced by Worldcon 76, dur- • November 9: Walter Jon Williams visit! ing an award ceremony held at the San Jose McEnery • December 14: The 14th ASFS Dessert Cook- Convention Center in San Jose, CA: Off, and short SF-oriented holiday films. Plus, BEST NOVEL: Beyond This Horizon by Anson Mac- the annual issue of SITHFACTS will be distributed Donald (Robert A. Heinlein), BEST NOVELLA: “Waldo” (deadline Mon, Dec 10). Clean-up help wanted! by Anson MacDonald (Robert A. Heinlein), BEST NOV- • January 11, 2019: Club round-table discussion ELETTE: “Foundation” by Isaac Asimov, BEST SHORT of what members read in 2018... STORY: “The Twonky” by C.L. Moore & Henry Kuttner, nual Fall Into Fiction conference, held September 21-22, 2018 at the Long Beach Marriott in Long Beach, CA. The award includes a trophy in the shape of California In a ceremony August 25 at Bubonicon 50 at the Al- and was presented to Due by Steven Barnes. buquerque Marriott Uptown Hotel, Green Slime Mistress “UCAAB was created as a way for African- Jessica L. Coyle (with assistance from the Slime Time American book clubs in California to network, support, Puppets) presented the following with recognition of and promote our reading groups, black-owned independ- their wretchedness in the last 12 months: ent bookstores, and the authors we love to read.” For REGULAR TELEVISION: Marvel’s Inhumans (Pilot more information, see the UCAAB site. was needlessly shown in expensive IMAX. It seems slapped together, and is incoherent and a cheap-looking SF BOOK GROUP READS ON mess. The worst Marvel adaptation in years. Bad writing, with cheap sets & costumes.) The Droids & Dragons SF Book Group meets 7:30 COMING ATTRACTIONS: DC Titans (Too Grimdark, pm Monday, October 15, at Jason’s Deli (northwest cor- bad costumes and makeup, and DC wants a $8.00 a ner of Louisiana & America’s Parkway NE) to discuss month to watch the series on their streaming service.) Ninefox Gambit by Yoon Ha Lee. The group then meets ADULT MOVIE: Winchester (Tired funhouse horror November 19 to talk about The Three Body Problem by with no shocks. The script is batty and clichéd. It’s a Cixin Liu. waste of Helen Mirren.) Meetings of D&D are open to all interested readers KIDS MOVIE: Show Dogs (Seems way longer than it on the 3rd Monday each month. Books for discussion are really is, and is really bad. It has odd CGI mouths on the chosen two months in advance, and group members re- animals, and a lot of inappropriate humor in a “kids” ceive a 20% discount on them. For more info: Leah at movie [bikini waxing?].) [email protected] or Craig at 266-8905. TOYS: Star Wars Dive Characters and Crazy Foam Wonder Woman (Not sure what the manufacturers were BARNES WINS FORRY AWARD thinking – these both look like “adult” toys or “personal massagers.”) The Los Angeles Science Fantasy Society (LASFS) selected Steven Barnes as this year’s recipient of the For- 2018 DRAGON AWARDS WINNERS ry Award for lifetime achievement in the SF field Locus Online reported mid-September. The award, named for Winners of the 2018 Dragon Awards were an- Forrest J Ackerman, has been presented annually since nounced at Dragon Con on September 1 in Atlanta GA: 1966. Past winners include Ray Bradbury, Andre Norton, BEST SCIENCE FICTION NOVEL: Artemis by Andy Roger Zelazny, and Connie Willis. [Info from File 770] Weir, BEST FANTASY NOVEL: Oathbringer by Brandon Sanderson, BEST YOUNG ADULT/MIDDLE GRADE NOV- GRR MARTIN CONVERSES WITH EL: Children of Blood and Bone by Tomi Adeyemi, BEST MILITARY SCIENCE FICTION OR FANTASY NOVEL: A Call JOHN PICACIO FOR SF IN SF to Vengeance by David Weber, Timothy Zahn & Thomas Pope, BEST ALTERNATE HISTORY NOVEL: Uncharted by Santa Fe’s George RR Martin appeared on stage in Kevin J. Anderson & Sarah A. Hoyt, BEST MEDIA TIE-IN conversation with artist John Picacio on August 14 at the NOVEL: Leia: Princess of Alderaan by Claudia Gray, historic Fox Theatre in Redwood City, CA, reports Locus BEST HORROR NOVEL: Sleeping Beauties by Stephen Online. The event was hosted by SF in SF, with proceeds King & Owen King, from ticket sales benefitting the Locus Science Fiction BEST COMIC BOOK: Mighty Thor by Jason Aaron & Foundation. An audience of nearly 600 (including vari- Russell Dauterman, BEST GRAPHIC NOVEL: Brandon ous genre luminaries in town for Worldcon) gathered for Sanderson’s White Sand: Volume 1 by Brandon Sander- a wide-ranging discussion that stretched over more than son, Rik Hoskin & Julius M. Gopez, BEST TV SERIES: two hours (with a Q&A period). Game of Thrones, and BEST SCIENCE FICTION OR FANTA- Picacio and Martin covered topics including Game of SY MOVIE: Black Panther. Thrones and other media adaptations of Martin’s work, Finalists in various gaming-related categories were his love for SF art, his writing process, his early success- also announced. es and setbacks, his work in the Wild Cards shared uni- verse, his views on the importance of Worldcon, and ad- TH vice for young writers. (When Picacio asked how the 44 SATURN AWARD WINNERS forthcoming Song of Ice and Fire volume The Winds of Wikipedia – The 44th Saturn Awards, presented by Winter is going, Martin roared, “I’m working on it!” to the Academy of Science Fiction, Fantasy and Horror applause.) Soma FM recorded the discussion for a future Films and honoring the best in science fiction, fantasy, episode of their SF in SF podcast. Page 2 ASFACTS, October 2018 horror, and other genres belonging to genre fiction in Desrocher-Romero, revealed that he had left “nearly 50 film, television, home media releases, and local theatre scripts” when he died, any of which “could one day be productions were held in June 27, 2018, in Burbank, CA. developed into films.” Nominations were announced on March 15. In film, Dan Klaus is currently rewriting The Living Dead, a Black Panther led the nominations with 14, the third novel that Romero had been writing before his death, and most nominations in the awards' history as the film Desrocher-Romero says that a movie he had been work- scored nominations in every eligible category; it was fol- ing on called Road Of The Dead is still happening lowed by Star Wars: The Last Jedi with 13, and Blade (though it has “sputtered” recently).
Load more

Recommended publications
  • Writing the High Fantasy Film Ryan Mccue
    Writing the High Fantasy Film Ryan McCue Faculty Mentor: Dr. Kelly Younger Loyola Marymount University Abstract: As the fantasy genre reaches ever greater heights in Hollywood, the high fantasy film ​ ​ continues to struggle. This research explores one of the most challenging subgenres in film, and puts forward fairy tales as one possible means of revitalizing it. I begin by exploring what constitutes a fantasy film as well as the recent history of fantasy in Hollywood. Then, I consider the merit of the high fantasy film as both escapism and as a means of dealing with social trauma. Finally, I consider how fairy tales—with their timeless and wide appeal—may assist filmmakers in writing more effective high fantasy films. By analyzing a selection of high fantasy films on the basis of how well they fit fairy-tale paradigms, I expect to find that the films which fall more in line with fairy-tale conventions also achieved greater success, whether that is critically, commercially, or in lasting cultural impact. Finally, I propose utilizing the results of the research to write my own original high fantasy film. McCue 2 Narrative Introduction: Currently, it can be said that Hollywood is an empire of fantasy. Year-to-year the most successful films—whether that be a superhero movie or a new Pixar film—are those that weave fantastical elements into their narratives (Box Office Mojo). Yet despite the recent success ​ ​ fantasy has found in Hollywood, there is a certain type of fantasy film that continues to struggle: the high fantasy film. While high fantasy has found success in animation and television, in the ​ ​ realm of live-action film these stories have become incredibly rare.
    [Show full text]
  • 19.05.21 Notable Industry Recognition Awards List • ADC Advertising
    19.05.21 Notable Industry Recognition Awards List • ADC Advertising Awards • AFI Awards • AICE & AICP (US) • Akil Koci Prize • American Academy of Arts and Letters Gold Medal in Music • American Cinema Editors • Angers Premier Plans • Annie Awards • APAs Awards • Argentine Academy of Cinematography Arts and Sciences Awards • ARIA Music Awards (Australian Recording Industry Association) Ariel • Art Directors Guild Awards • Arthur C. Clarke Award • Artios Awards • ASCAP awards (American Society of Composers, Authors and Publishers) • Asia Pacific Screen Awards • ASTRA Awards • Australian Academy of Cinema and Television Arts (AACTS) • Australian Production Design Guild • Awit Awards (Philippine Association of the Record Industry) • BAA British Arrow Awards (British Advertising Awards) • Berlin International Film Festival • BET Awards (Black Entertainment Television, United States) • BFI London Film Festival • Bodil Awards • Brit Awards • British Composer Awards – For excellence in classical and jazz music • Brooklyn International Film Festival • Busan International Film Festival • Cairo International Film Festival • Canadian Screen Awards • Cannes International Film Festival / Festival de Cannes • Cannes Lions Awards • Chicago International Film Festival • Ciclope Awards • Cinedays – Skopje International Film Festival (European First and Second Films) • Cinema Audio Society Awards Cinema Jove International Film Festival • CinemaCon’s International • Classic Rock Roll of Honour Awards – An annual awards program bestowed by Classic Rock Clio
    [Show full text]
  • (Murderbot Diaries 06) Martha Wells No, I Didn't Kill the Dead Human. If I
    Fugitive Telemetry (Murderbot Diaries 06) Martha Wells No, I didn’t kill the dead human. If I had, I wouldn’t dump the body in the station mall. When Murderbot discovers a dead body on Preservation Station, it knows it is going to have to assist station security to determine who the body is (was), how they were killed (that should be relatively straightforward, at least), and why (because apparently that matters to a lot of people – who knew?) Yes, the unthinkable is about to happen: Murderbot must voluntarily speak to humans! Again! This sixth entry into the series is a standalone novella, set before All Systems Red. Love, love, love it! Cannot recommend highly enough! (If you want one, but we don’t have any in the shop – please, do order one, to stake your claim on the stock we will receive!) If you haven’t read the preceding books in Wells’ fab series – then start with All Systems Red (HC, $29.99) (see #2). Science fiction novella | HC | $29.99 All Systems Red (Murderbot Diaries 01) Martha Wells In a corporate-dominated, spacefaring future, planetary missions must be approved and supplied by the Company. Exploratory teams are accompanied by Company-supplied security androids, for their own safety. But in a society where contracts are awarded to the lowest bidder, safety isn’t a primary concern. On a distant planet, a team of scientists are conducting surface tests, shadowed by their Company-supplied ’droid – a self-aware SecUnit that has hacked its own governor module, and refers to itself (though, never out loud) as ‘Murderbot’.
    [Show full text]
  • Abstracts and Backgrounds
    Abstracts and Backgrounds NAVY Con TABLE OF CONTENTS DESTINATION UNKNOWN ................................................................................. 3 WAR AND SOCIETY ............................................................................................. 5 MATT BUCHER – POTEMKIN PARADISE: THE UNITED FEDERATION IN THE 24TH CENTURY ............ 5 ELSA B. KANIA – BEYOND LOYALTY, DUTY, HONOR: COMPETING PARADIGMS OF PROFESSIONALISM IN THE CIVIL-MILITARY RELATIONS OF BABYLON 5 ............................................ 6 S.H. HARRISON – STAR CULTURE WARS: THE NEGATIVE IMPACT OF POLITICS AND IMPERIALISM ON IMPERIAL NAVAL CAPABILITY IN STAR WARS ................................................................................ 6 MATTHEW ADER – THE ARISTOCRATS STRIKE BACK: RE-ECALUATING THE POLITICAL COMPOSITION OF THE ALLIANCE TO RESTORE THE REPUBLIC ......................................................... 7 LT COL BREE FRAM, USSF – LEADERSHIP IN TRANSITION: LESSONS FROM TRILL .......................... 7 PAST AND FUTURE COMPETITION ................................................................ 8 WILLIAM J. PROM – THE ONCE AND FUTURE KING OF BATTLE: ARTILLERY (AND ITS ABSENCE) IN SCIENCE FICTION .......................................................................................................................... 8 TOM SHUGART – ALL ABOUT EVE: WHAT VIRTUAL FOREVER WARS CAN TEACH US ABOUT THE FUTURE OF COMBAT ................................................................................................................... 10
    [Show full text]
  • Discussion About Edwardian/Pulp Era Science Fiction
    Science Fiction Book Club Interview with Jess Nevins July 2019 Jess Nevins is the author of “the Encyclopedia of Fantastic Victoriana” and other works on Victoriana and pulp fiction. He has also written original fiction. He is employed as a reference librarian at Lone Star College-Tomball. Nevins has annotated several comics, including Alan Moore’s The League of Extraordinary Gentlemen, Elseworlds, Kingdom Come and JLA: The Nail. Gary Denton: In America, we had Hugo Gernsback who founded science fiction magazines, who were the equivalents in other countries? The sort of science fiction magazine that Gernsback established, in which the stories were all science fiction and in which no other genres appeared, and which were by different authors, were slow to appear in other countries and really only began in earnest after World War Two ended. (In Great Britain there was briefly Scoops, which only 20 issues published in 1934, and Tales of Wonder, which ran from 1937 to 1942). What you had instead were newspapers, dime novels, pulp magazines, and mainstream magazines which regularly published science fiction mixed in alongside other genres. The idea of a magazine featuring stories by different authors but all of one genre didn’t really begin in Europe until after World War One, and science fiction magazines in those countries lagged far behind mysteries, romances, and Westerns, so that it wasn’t until the late 1940s that purely science fiction magazines began appearing in Europe and Great Britain in earnest. Gary Denton: Although he was mainly known for Sherlock Holmes, Arthur Conan Doyle also created the Professor Challenger stories like The Lost World.
    [Show full text]
  • The Dracula Film Adaptations
    DRACULA IN THE DARK DRACULA IN THE DARK The Dracula Film Adaptations JAMES CRAIG HOLTE Contributions to the Study of Science Fiction and Fantasy, Number 73 Donald Palumbo, Series Adviser GREENWOOD PRESS Westport, Connecticut • London Recent Titles in Contributions to the Study of Science Fiction and Fantasy Robbe-Grillet and the Fantastic: A Collection of Essays Virginia Harger-Grinling and Tony Chadwick, editors The Dystopian Impulse in Modern Literature: Fiction as Social Criticism M. Keith Booker The Company of Camelot: Arthurian Characters in Romance and Fantasy Charlotte Spivack and Roberta Lynne Staples Science Fiction Fandom Joe Sanders, editor Philip K. Dick: Contemporary Critical Interpretations Samuel J. Umland, editor Lord Dunsany: Master of the Anglo-Irish Imagination S. T. Joshi Modes of the Fantastic: Selected Essays from the Twelfth International Conference on the Fantastic in the Arts Robert A. Latham and Robert A. Collins, editors Functions of the Fantastic: Selected Essays from the Thirteenth International Conference on the Fantastic in the Arts Joe Sanders, editor Cosmic Engineers: A Study of Hard Science Fiction Gary Westfahl The Fantastic Sublime: Romanticism and Transcendence in Nineteenth-Century Children’s Fantasy Literature David Sandner Visions of the Fantastic: Selected Essays from the Fifteenth International Conference on the Fantastic in the Arts Allienne R. Becker, editor The Dark Fantastic: Selected Essays from the Ninth International Conference on the Fantastic in the Arts C. W. Sullivan III, editor Library of Congress Cataloging-in-Publication Data Holte, James Craig. Dracula in the dark : the Dracula film adaptations / James Craig Holte. p. cm.—(Contributions to the study of science fiction and fantasy, ISSN 0193–6875 ; no.
    [Show full text]
  • Teacher's Notes
    Teacher’s Notes: The Maximus Black Files The Only Game in the Galaxy By Paul Collins Synopsis The Only Game in the Galaxy is the final book in the series The Maximus Black Files . The trilogy includes the previously published and very successful, Mole Hunt as well as the intriguing Dyson’s Drop. Author Paul Collins imbues his characters and settings with detailed descriptions of futuristic worlds. The story is set in a far away galaxy in a time where life on earth is a distant memory. Maximus Black is a Special Agent for RIM, an intergalactic law enforcement agency. Previously, he had set out to kill Anneke Longshadow who was his sworn enemy and also an agent at RIM. She is just as smart, just as talented, and also prepared to do just about anything to survive. Unlike Maximus however, she is loyal to RIM. She survives Max’s attempt on her life but suffers a strange type of amnesia. Whilst Max curses about her survival he is determined to ‘use’ her on a dangerous mission that should lead her to a hapless death. These main characters, Maximus Black and his nemesis, Anneke Longshadow, continue their rampant dislike of each other. However, this story also includes events where they are dependent upon each other not only for their own survival but also the protection of their family and future. They travel back in time encountering strange and dangerous virus-infected planets, grossly fierce and ugly beings, as well as attempting to solve the code that will fulfil their destiny.
    [Show full text]
  • The Eddie Awards Issue
    THE MAGAZINE FOR FILM & TELEVISION EDITORS, ASSISTANTS & POST- PRODUCTION PROFESSIONALS THE EDDIE AWARDS ISSUE IN THIS ISSUE Golden Eddie Honoree GUILLERMO DEL TORO Career Achievement Honorees JERROLD L. LUDWIG, ACE and CRAIG MCKAY, ACE PLUS ALL THE WINNERS... FEATURING DUMBO HOW TO TRAIN YOUR DRAGON: THE HIDDEN WORLD AND MUCH MORE! US $8.95 / Canada $8.95 QTR 1 / 2019 / VOL 69 Veteran editor Lisa Zeno Churgin switched to Adobe Premiere Pro CC to cut Why this pro chose to switch e Old Man & the Gun. See how Adobe tools were crucial to her work ow and to Premiere Pro. how integration with other Adobe apps like A er E ects CC helped post-production go o without a hitch. adobe.com/go/stories © 2019 Adobe. All rights reserved. Adobe, the Adobe logo, Adobe Premiere, and A er E ects are either registered trademarks or trademarks of Adobe in the United States and/or other countries. All other trademarks are the property of their respective owners. Veteran editor Lisa Zeno Churgin switched to Adobe Premiere Pro CC to cut Why this pro chose to switch e Old Man & the Gun. See how Adobe tools were crucial to her work ow and to Premiere Pro. how integration with other Adobe apps like A er E ects CC helped post-production go o without a hitch. adobe.com/go/stories © 2019 Adobe. All rights reserved. Adobe, the Adobe logo, Adobe Premiere, and A er E ects are either registered trademarks or trademarks of Adobe in the United States and/or other countries.
    [Show full text]
  • Pretty Good Quality
    Contents Digging up the Future ....................................................................................................3 Registration .................................................................................................................4 Volunteering................................................................................................................4 Opening and Closing Ceremonies.....................................................................................4 Convention Policies.......................................................................................................5 Kids’ Programming ........................................................................................................5 Alastair Reynolds – Writer Guest of Honor .........................................................................7 Wayne Douglas Barlowe – Artist Guest of Honor ............................................................... 11 Shawna McCarthy – Editor Guest of Honor....................................................................... 15 Nate Bucklin – Fan Guest of Honor ................................................................................ 16 Programming ............................................................................................................. 19 Film Room ................................................................................................................ 28 Concert Schedule.......................................................................................................
    [Show full text]
  • Part One: 'Science Fiction Versus Mundane Culture', 'The Overlap Between Science Fiction and Other Genres' and 'Horror Motifs' Transcript
    Part One: 'Science Fiction versus Mundane Culture', 'The overlap between Science Fiction and other genres' and 'Horror Motifs' Transcript Date: Thursday, 8 May 2008 - 11:00AM Location: Royal College of Surgeons SCIENCE FICTION VERSUS MUNDANE CULTURE Neal Stephenson When the Gresham Professors Michael Mainelli and Tim Connell did me the honour of inviting me to this Symposium, I cautioned them that I would have to attend as a sort of Idiot Savant: an idiot because I am not a scholar or even a particularly accomplished reader of SF, and a Savant because I get paid to write it. So if this were a lecture, the purpose of which is to impart erudition, I would have to decline. Instead though, it is a seminar, which feels more like a conversation, and all I suppose I need to do is to get people talking, which is almost easier for an idiot than for a Savant. I am going to come back to this Idiot Savant theme in part three of this four-part, forty minute talk, when I speak about the distinction between vegging out and geeking out, two quintessentially modern ways of spending ones time. 1. The Standard Model If you don't run with this crowd, you might assume that when I say 'SF', I am using an abbreviation of 'Science Fiction', but here, it means Speculative Fiction. The coinage is a way to cope with the problem that Science Fiction is mysteriously and inextricably joined with the seemingly unrelated literature of Fantasy. Many who are fond of one are fond of the other, to the point where they perceive them as the same thing, in spite of the fact that they seem quite different to non-fans.
    [Show full text]
  • Why Read Science Fiction and How to Help Those Who Do Chat Transcript
    Why Read Science Fiction and How to Help Those Who Do Chat Transcript 1:29 PM Welcome everyone! Thanks for joining early. We will get started at the top of the hour. 1:39 PM Hello everyone! 1:46 PM "Hello from Salt Lake City! We're reading Station Eleven for our United We Read book, and I'm loving it so far." 1:47 PM "I've heard it has Sci-Fi elements, but I haven't gotten that far yet." 1:47 PM That's great Tanya. Thanks for sharing. 1:48 PM "Hi, I'm Kirsten from Boston. A science fiction book that I've read and enjoyed recently was Space Opera by Catherynne Valente. I'm currently reading Becky Chambers' Record of a Spaceborn Few and am enjoying it!" 1:49 PM "Hello from Fresno County Public Library!. I don't read much scifi. In fact, I have a hard time differentiating it from fantasy. I'm looking forward to learning how to approach our scifi-reading patrons." 1:50 PM "Hello from FCDL in Lancaster, Ohio" 1:50 PM "Hi, I'm Denice from Louisiana. " 1:50 PM "Hi! I'm Heather from Eckhart Public Library. My reading is always varied, but my most recent sci-fi reads have been the Murderbot Diaries series by Martha Wells." 1:50 PM I am Jo at Dallas Public Library. I like some Science Fiction especially Fantasy other worlds. 1:51 PM I do fondly recall my 6th grade teacher reading THE WHITE MOUNTAINS to our class. Anyone read the Tripods series? 1:51 PM The Man in the High Castle 1:51 PM Is there aurdio right now? I'm testing my sound and don't hearg anythin 1:51 PM I love Ender's Game; I wish we had one of those Freeze weapons to zap at kids running in the library.
    [Show full text]
  • OF the POSTHUMAN SUBJECT, ABJECTION, and the BREACH in MIND/BODY DUALISM John Perham John Perham, [email protected]
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by CSUSB ScholarWorks California State University, San Bernardino CSUSB ScholarWorks Electronic Theses, Projects, and Dissertations Office of Graduate Studies 3-2016 SCIENCEFRICTION: OF THE POSTHUMAN SUBJECT, ABJECTION, AND THE BREACH IN MIND/BODY DUALISM John Perham John Perham, [email protected] Follow this and additional works at: http://scholarworks.lib.csusb.edu/etd Part of the Other English Language and Literature Commons Recommended Citation Perham, John, "SCIENCEFRICTION: OF THE POSTHUMAN SUBJECT, ABJECTION, AND THE BREACH IN MIND/BODY DUALISM" (2016). Electronic Theses, Projects, and Dissertations. Paper 268. This Thesis is brought to you for free and open access by the Office of Graduate Studies at CSUSB ScholarWorks. It has been accepted for inclusion in Electronic Theses, Projects, and Dissertations by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. SCIENCEFRICTION: OF THE POSTHUMAN SUBJECT, ABJECTION, AND THE BREACH IN MIND/BODY DUALISM A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English Composition: English Composition and English Literature by John Perham March 2016 SCIENCEFRICTION: OF THE POSTHUMAN SUBJECT, ABJECTION, AND THE BREACH IN MIND/BODY DUALISM A Thesis Presented to the Faculty of California State University, San Bernardino by John Perham March 2016 Approved by: Dr. Jacqueline Rhodes, Committee Chair, English Dr. Caroline Vickers, Committee Member Sunny Hyon, Department Chair © 2016 John Perham ABSTRACT This thesis investigates the multiple readings that arise when the division between the biological and technological is interrupted--here abjection is key because the binary between abjection and gadgetry gives multiple meanings to other binaries, including male/female.
    [Show full text]