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The Monona Grove School District School Board Members
February 26, 2018 To: The Monona Grove School District School Board Members RE: Instruction Materials Complaint We are submitting this formal appeal for the Instructional Materials Compliant that was submitted on December 21, 2017 regarding the book To Kill a Mockingbird being removed from the English 9 Curriculum. This appeal is being submitted on the bases that school board policy 9130 was not properly executed on the part of the school district. And because the committee failed to perform due diligence and execution of their duties as a committee by not fully addressing the objections written in the complaint or following the criteria outlined in school board policy 9130 in their analysis of the book. To begin with, we are still not able to locate administrative guidelines outlined by the Superintendent as it is stated in policy 9130 “to ensure that students and parents are adequately informed each year regarding their right to inspect instructional materials used as a part of the educational curriculum and the procedure for completing such an inspection.” And to the date of this submission, we still have not received or been directed to these administrative guidelines even after making a request at the School Board meeting on February 14, 2018. In the pursuit of this curriculum we have contacted teachers regarding specific curricular items and have inquired at 2 Principal/Parent forum meetings with Dr. Brost. At the January 15th meeting Dr. Brost told us that all teachers should have their curriculum with standards and objectives posted on their district websites or another website that parents should have access to; however, none of our son’s teacher have it posted. -
Thar She Blows! Moby-Dick Meets the Digital Generation Spring 2018 Wednesdays, 5–6.30 P.M., SR34K1 (Attemsgasse 25, Basement) Dr
Topics in Anglophone Literary Studies Thar She Blows! Moby-Dick Meets the Digital Generation Spring 2018 Wednesdays, 5–6.30 p.m., SR34K1 (Attemsgasse 25, basement) Dr. Michael Fuchs 1. About the Course “Call me Ishmael.” Even if you haven’t read Moby-Dick, you will probably know the novel’s iconic open- ing line. Likewise, even if you haven’t read Moby-Dick, you will have a rough idea as to what its story is about—Captain Ahab’s frantic hunt of a white sperm whale. The very fact that people know about Moby-Dick without knowing Moby-Dick testifies to the book’s cultural relevance and power. Indeed, as we will see, Moby-Dick is about so much more than the mere conflict between man and nature. This undergraduate seminar will consist of two main parts: In the first half of the semester, we will engage in a close reading of what many literary scholars and also the general public consider one of the (if not the) “great American novels.” In the second half of the semester, we will look at the presence of Moby-Dick in popular culture. Accordingly, we will watch movie adaptations, read comic adaptations, listen to music adaptations, but also explore some other texts in which Moby-Dick (and/or Moby Dick) plays a dominant role. Since the first part of this undergraduate seminar will pursue a close reading of Moby-Dick, the main objective here will be that students gain a deeper understanding of Moby-Dick and its socio- economic environment; in particular, students will come to understand (and appreciate) what might be termed Moby-Dick’s postmodernism avant la lettre, its rhetorical strategies, its ecological subtexts, its engagement with scientific discourse, and nineteenth-century whale-hunting. -
Reproduce, Reuse, Recycle: the End of the Future, Salvage, and China Miéville’S Railsea
See discussions, stats, and author profiles for this publication at: https://www.researchgate.net/publication/317175893 Reproduce, Reuse, Recycle: the End of the Future, Salvage, and China Miéville’s Railsea Article · January 2014 CITATION READS 1 97 1 author: Zak Bronson The University of Western Ontario 5 PUBLICATIONS 1 CITATION SEE PROFILE All content following this page was uploaded by Zak Bronson on 27 May 2017. The user has requested enhancement of the downloaded file. Reproduce, Reuse, Recycle: The End of the Future, Salvage, and China Miéville’s Railsea Zak Bronson University of Western Ontario Abstract Set in a post-apocalyptic land devoid of life and littered with refuse, China Miéville’s Railsea (2012) provides a dystopian image of late capitalism’s eradication of the future. By portraying a world at the tail end of economic disaster in which a resuscitated economy leads to catastrophe, it provides a critique of late capitalism’s dependence upon continual accumulation. However, rather than simply envisioning this disaster, Miéville’s novel simultaneously explores the possibilities of thinking outside of constant growth. Drawing upon Evan Calder Williams’s recent discussion of salvagepunk, this article explores Railsea as a salvage of the past that picks through the garbage, hoping to find something useful within. Rather than using leftover waste to regenerate the social order before the apocalypse, Miéville’s novel taps into the utopian possibilities of repurposing and recreating the world anew out of the wreckage that remains. What are we waiting for when we no longer need to wait in order to arrive? We are waiting for the arrival of what remains. -
A Selection of Children's and YA Fantasy Books Cashore, Kristin
A Selection of Children's and YA Fantasy Books Cashore, Kristin Graceling Fire Bitterblue Cashore's novels are complex. since her protagonists must reconcile themselves their undesired powers and the responsibilities their skills impose. Graceling focuses on a young woman, Katsa, whose special talent, or "grace," makes her almnost undefeatable in combat. All "graced" persons must serve the king, and Katsa, from childhood, has been groomed as her royal uncle's personal assassin. She slowly realizes that she can use her skill to protect Bitterblue, the daughter of a neighboring kingdom's sadistic king, Leck. The second novel--the most intensely- realized of the three--focuses on Fire, a woman of the kingdom where Leck was born, who must come to terms with her inherited power of irresistible attraction and to discern the threat the child Leck presents to her country. Bitterblue continues the story of the rescued princess. Collins, Suzanne The Hunger Games Catching Fire Mockingjay The "Hunger Games" series, for which she is best known, is set in a dystopic North America in which political discipline is maintained the twelve (official) districts by annual gladiatorial competitions to the death among young people chosen by lot. The protagonist, Katniss Everdeen, must use her survival skills and struggle between ruthlessness and her humane instincts to become an active exemplar of a movement for social change. Collins is unrelentingly honest in her depictions of decadence and oppressive powers. Cooper, Susan Dawn of Fear Over Sea, Under Stone* The Dark is Rising* Greenwitch* The Grey King* Silver on the Tree* Jethro and the Jumbie The Boggart The Boggart and the Monster King of Shadows Cooper is one of the most accomplished contemporary writers of fantasy. -
Mechanical Reproduction in the Age of Immediacy by Daniel Patrick
Mechanical Reproduction in the Age of Immediacy By Daniel Patrick Clinton A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Samuel Otter, Chair Professor Celeste Langan Professor David Henkin Fall 2013 1 Abstract Mechanical Reproduction in the Age of Immediacy by Daniel Patrick Clinton Doctor of Philosophy in English University of California, Berkeley Professor Samuel Otter, Chair “Mechanical Reproduction in the Age of Immediacy” examines the influence of technical media on the aesthetic categories that antebellum American authors inherited from British Romanticism. I argue that Edgar Allan Poe, Herman Melville, and Nathaniel Hawthorne turned to the optical devices of copyists and showmen as models for literary form, with the result that, in their writing, the reflective mind comes to resemble a machine. The viewing machines of nineteenth century popular culture — the diorama, the camera obscura, the daguerreotype — figuratively recast the imaginative eye of Romanticism as a construction to be scrutinized, disassembled, and tested. I argue that insistent invocation of technical media in the writing of America’s second-generation Romantics reveals a changing conception of literary form as less a record of experience than an objectification of the mind’s faculties at work. My first chapter, an introduction, traces the central place of copies and repetition in the Romantic aesthetic theory that formed the basis for antebellum American writing, and in particular the poetics of Wordsworth and Coleridge, for whom imagination always departs from simple duplication. After tracing their theories in the work of Ralph Waldo Emerson, I make the case that the theory of photography offers a particularly useful model of study for the American authors who followed Emerson (or resisted him). -
Volume 1 Issue 2
FANTASTIKA Fantastika Journal | Volume 1 | Issue 2 | December 2017 EDITOR’S NOTE “Fantastika” – a term appropriated from a range of Slavonic languages by John Clute – embraces the genres of Fantasy, Science Fiction, and Horror, but can also include Alternative Histories, Gothic, Steampunk, Young Adult Dystopian Fiction, or any other radically imaginative narrative space. The third annual Fantastika conference – Global Fantastika – held at Lancaster University, UK on July 4 & 5, 2016, considered a range of Global topics: productions of Fantastika globally; themes of contact within and across nations and borders; fictional and real empires; themes of globalization and global networks, mobilities, and migrations; and (post)colonial texts and readings, including no- tions of the ‘other.’ Some of the articles in this second issue of Fantastika Journal originate from the conference. The issue also includes articles and reviews from a range of international scholars, some of which are inspired by this Global theme. We are especially pleased to feature editorials from all of the keynotes speakers of the Global Fantastika conference. We hope this special Fantastika issue will stimulate discussion and contemplation of topics that are becoming so crucial and imperative in the world today, as we become a truly global community. Charul (Chuckie) Palmer-Patel HEAD EDITOR 1 Fantastika Journal | Volume 1 | Issue 2 | December 2017 ACKNOWLEDGEMENTS HEAD EDITOR Charul (Chuckie) Palmer-Patel CRITICAL CO-EDITORS AND NON-FICTION REVIEWS EDITORS Francis Gene-Rowe, Donna Mitchell FICTION AND NON-FICTION REVIEWS EDITOR Kerry Dodd ASSISTANT FICTION REVIEWS EDITORS Antonia Spencer, Monica Guerrasio DESIGN EDITOR AND COVER DESIGNER Sing Yun Lee CURRENT BOARD OF ADVISERS (IN ALPHABETICAL ORDER) Xavier Aldana Reyes Brian Baker Sarah Dillon Matt Foley Veronica Hollinger Rob Maslen Lorna Piatti-Farnell Adam Roberts Catherine Spooner Sherryl Vint We would also like to thank our peer reviewers and board of advisors for their kind consideration and efforts with this issue. -
MOBY-DICK TOOLKIT Table of Contents
TOOLKIT 2019/20 Season Manik Choksi and the cast of of Moby-Dick in rehearsal Photo: Maria Baranova Photo: Welcome! This Toolkit contains resources meant to encourage a deep dive into Moby- Dick, which sails into the A.R.T. in December 2019. This new musical, written and composed by Dave Malloy and directed by Rachel Chavkin, is an adaptation of Herman Melville’s classic American novel. After publishing Moby-Dick in 1851, Melville went from reputed author to one facing a great deal of criticism from the literary community. However, over 150 years later, his book is considered one of the great American novels. This production of Moby-Dick uplifts the genius of Melville’s novel while also bringing contemporary conversations to the story through music, dance, puppetry, and more. The articles, resources, and activities in this Toolkit are curated for the use of learners of all ages, in and out of the classroom, who are looking to take a close look into the world of Moby-Dick. Inside these pages, you will find materials on the development and context of Moby-Dick, including insights from the playwright and an overview of the play, as well as information about the set, costumes, and history of whaling. See you at the theater! BRENNA NICELY ALEXANDRA DANIELS Education & Engagement Education Apprentice Director JULIA SCHACHNIK KATIE HEVERAN Community Engagement Education Intern Apprentice 2 MOBY-DICK TOOLKIT Table of Contents MOBY-DICK: IN PRODUCTION Moby-Dick Summary...................................................................................................................5 -
What Happens When Social Scientific
The Functions of the Embassy in the World-Making Experiments of China Miéville Abstract: What happens when social scientific theorising seeks to take instruction from Science Fiction and Fantasy writing rather than using it as a source of convenient examples? This paper discusses the ways in which the figure of the ‘embassy’ and ambassadorial functions operate within the work of China Miéville. Focusing in particular on three key novels – The City and The City, Kraken and Embassytown – the paper reads the secondary worlds constructed by Miéville as offering their own self-contained problematics of relevance to social science. These concerns the mechanisms of territorial distinction, the nature of communication and the organization of spatio-temporal relations. The embassy emerges as an embodied site for the mediation of specialized communicative relations that are fundamentally irreconcilable, but which nevertheless offer the hope of reaching outside of human temporality. The relevance of these considerations for a social science of the Anthropocene and the Chthulucene are outlined. The British author China Miéville has written twelve novels and novellas, a number of collections of short stories, along with comic and picture books, and a separate strand of non- fiction works. Although his work is nominally placed within the genre of Fantasy and Science Fiction (or ‘Speculative Fiction’), Miéville has declared an ambition to write a book in every established genre of fiction (see Edwards & Venezia, 2015). Some of his writing – including Un Lun Dun and Railsea – is aimed at young adult readers. He is based in London, the inspiration for King Rat and Kraken, both of which draw on a tradition of regional and metropolitan writing that experiments with the ‘mystic’ and ‘secret’ history of the capital, principally developed in the work of Michael Moorcock and Iain Sinclair. -
Notable SF&F Books
Notable SF&F Books Version 2.0.13 Publication information listed is generally the first trade publication, excluding earlier limited releases. Series information is usually via ISFDB. Aaronovitch, Ben Broken Homes Gollancz, 2013 HC $14.99 \Rivers of London" #4. Aaronovitch, Ben Foxglove Summer Gollancz, 2014 HC $14.99 \Rivers of London" #5. Aaronovitch, Ben The Hanging Tree Gollancz, 2016 HC $14.99 \Rivers of London" #6. Aaronovitch, Ben Moon Over Soho Del Rey, 2011 PB $7.99 \Rivers of London" #2. Aaronovitch, Ben Rivers of London Gollancz, 2011 HC $12.99 \Rivers of London" #1. Aaronovitch, Ben Whispers Under Ground Gollancz, 2012 HC $12.99 \Rivers of London" #3. Adams, Douglas Dirk Gently's Holistic Detective Agency Heinemann, 1987 HC $9.95 \Dirk Gently" #1. Adams, Douglas The Hitch Hiker's Guide to the Galaxy Pan Books, 1979 PB $0.80 \Hitchhiker's Guide to the Galaxy" #1. Adams, Douglas Life, the Universe, and Everything Pan Books, 1982 PB $1.50 \Hitchhiker's Guide to the Galaxy" #3. Adams, Douglas Mostly Harmless Heinemann, 1992 HC $12.99 \Hitchhiker's Guide to the Galaxy" #5. Adams, Douglas The Long Dark Tea-Time of the Soul Heinemann, 1988 HC $10.95 \Dirk Gently" #2. Adams, Douglas The Restaurant at the End of the Universe Pan Books, 1980 PB $0.95 \Hitchhiker's Guide to the Galaxy" #2. Adams, Douglas So Long and Thanks for All the Fish Pan Books, 1984 HC $6.95 \Hitchhiker's Guide to the Galaxy" #4. Adams, Richard Watership Down Rex Collins, 1972 HC $3.95 Carnegie Medal. -
Booklist's 1000 Best Young Adult Books Since 2000
Booklist’s 1000 Best Young Adult Books since 2000 www.alastore.ala.org 1000 BEST SINCE 2000 ALA Editions purchases fund advocacy, awareness, and accreditation programs for library professionals worldwide. www.alastore.ala.org BOOKLIST’S 1000 BEST YOUNG ADULT BOOKS SINCE 2000 Edited by Gillian Engberg and Ian Chipman Foreword by Michael Cart ALA Editions purchases fund advocacy, awareness, and accreditation programs for library professionals worldwide. CHICAGO 2014 www.alastore.ala.org © 2014 by the American Library Association Printed in the United States of America 18 17 16 15 14 5 4 3 2 1 Extensive effort has gone into ensuring the reliability of the information in this book; however, the publisher makes no warranty, express or implied, with respect to the material contained herein. ISBNs: 978-0-8389-1150-1 (paper); 978-0-8389-1950-7 (PDF); 978-0-8389-1951-4 (ePub); 978-0-8389-1952-1 (Kindle). For more information on digital formats, visit the ALA Store at alastore.ala.org and select eEditions. Library of Congress Cataloging-in-Publication Data Booklist’s 1000 best young adult books since 2000 / edited by Gillian Engberg and Ian Chipman ; foreword by Michael Cart. pages cm Includes bibliographical references and indexes. ISBN 978-0-8389-1150-1 (alk. paper) 1. Young adult literature—21st century—Bibliography. 2. Teenagers—Books and reading—United States. 3. Young adults’ libraries—Book lists. 4. Best books—United States. I. Engberg, Gillian. II. Chipman, Ian. III. Booklist (Chicago, Ill. : 1969) Z1037.B72195 2014 015.73062΄5—dc23 2013044904 Cover design by Casey Bayer. Text design by Adrianna Sutton in the Arno Pro and DIN Pro typefaces. -
26 China Miéville, Embassytown (2011) 519
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Publikationsserver der Universität Tübingen Raphael Zähringer 26 China Miéville, Embassytown (2011) Abstract: The contribution discusses China Miéville’s Science Fiction novel Embassy- town (2011). In the first section (Context: Author, Œuvre, Movement), after a brief over- view of Miéville’s writing, it sketches the literary history of Weird Fiction and attempts to place both writer and novel in this context. Section two (Basic Coordinates: Central Topics and Concerns) focusses on Embassytown’s obsession with language and on its blend of space opera and (post)colonial notions. The third section (Aesthetics: Nar- rative and Literary Strategies) sheds light on the novel’s narrative strategies, most importantly its intricate design of sequential pieces and its refusal to describe the indescribable – both of which are, as will be demonstrated, again conducive to the text’s linguistic concerns. The final section (Reception and Theoretical Perspectives) provides a survey of contemporary research on Miéville’s œuvre by emphasising his exchanges with the academic world as well as the impact of fan culture attempts to discuss and visualise his work. Keywords: Weird Fiction, Science Fiction, postcolonialism, cognitive estrangement, language 1 Context: Author, Œuvre, Movement The first striking aspect about Miéville as a writer is his double-tracked career. On the one hand, he is a significant figure in the academic and political left-wing domain: besides being a member of the International Socialist Organisation and one of the editors of the Marxist journal Historical Materialism, this side of Miéville is probably best known through his PhD thesis entitled Between Equal Rights: A Marxist Theory of International Law (2005). -
Computer Science and Generalities
July 2012 Adult Materials 000 - Computer Science and Generalities Western Fiction 100 - Philosophy and Psychology Foreign Languages 200 - Religion Genealogy 300 - Social Sciences Large Print 400 - Language Graphic Novels 500 - Science Music Scores 600 - Technology Newspaper Room 700 - Art 800 - Literature Audiovisual Materials 900 - History Books on CD Biography Music CDs Fiction DVD/Videorecording Mystery Fiction eAudioBooks and eBooks Science Fiction MP3 Fiction Return to Index Call Number Author Title FIC/ADIGA Adiga, Aravind. The white tiger : a novel FIC/ALCOTT Alcott, Kate. The dressmaker : a novel FIC/ALDRICH Aldrich, Bess Streeter, 1881-1954.Journey into Christmas and other stories FIC/AMANTE Amante, Julia. Say you'll be mine FIC/ANNECHINO Annechino, D. M. Resuscitation FIC/ANTHONY Anthony, Piers. Jumper cable FIC/ARCHER Archer, Jeffrey, 1940- Only time will tell FIC/ARDIES Ardies, Tom. Marching at the Chi Chi Club : a novel FIC/ARDIES Ardies, Tom. Palmetto : a novella FIC/ARDIES Ardies, Tom. Quick river : a novella FIC/ARSENAULT Arsenault, Emily. The broken teaglass : a novel FIC/AUDUA. OLAFSDOTTIR Auður A. Ólafsdóttir, 1958- The greenhouse FIC/AUSTER Auster, Paul, 1947- Sunset Park FIC/BALDACCI Baldacci, David. Zero day : a novel FIC/BARAGER Barager, Richard. Altamont Augie : [a novel] FIC/BARBIERI Barbieri, Heather Doran, 1963- The lace makers of Glenmara : a novel FIC/BARRATT Barratt, Pamelia. An ostentation : a novel FIC/BARRERRA Barrera, Alberto. The sickness FIC/BERENSON Berenson, Alex. The shadow patrol FIC/BERG Berg, Elizabeth. We are all welcome here : a novel FIC/BERGSMA Bergsma, Harold M Cries in the night : Mimi's travail FIC/BERTLING Bertlng, Carolina Ramirez.