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Raluca SAS MARINESCU TYPOLOGIES OF
Typologies of everyday theatricality – a game and a movie 43 Raluca SAS MARINESCU TYPOLOGIES OF EVERYDAY THEATRICALITY – A GAME AND A MOVIE Abstract. This paper studies the virtual theatricality as Virtual theatricality a part of everyday theatricality, through a specific number Theatricality is the use of the term of case studies: a computer game and a movie. Virtual theatricality is the type of role assumption produced at the theatrical imagination to describe the level of the individual imaginary; here, communication is quality of the dramatic art to transform split by an interface; the virtual role assumption is perfectly the imitation of an action into a new conscious and allows the interaction with the character creative experience, a vision and a reve- created by the one with whom the communication is carried lation shared both by the actor and by out, but never with the individual as such. the audience. Key words. theatricality, RPG, Charlie Kaufman, audiences Virtual theatricality is the type of role assumption produced at the level of the individual imaginary; here, commu- nication is split by an interface; the virtual role assumption is perfectly conscious and allows the interaction with the character created by the one with whom the communication is carried out, but never with the individual as such. This is one of the most pervasive and easily identifiable typologies of theatricality, preceding in principle the invention of the technology that has generated the virtual media. For instance, a great part of the classic epistolary novels use EKPHRASIS, 3/2010 the techniques of the imaginary role Representation, Reality construction and of their deconstruction and Illusion in Visual Culture pp. -
Concerts Private Lessons Ensemble Membership Programs Courses
Music 1 MUSIC Ensemble Membership Membership in the Hopkins Symphony Orchestra, the Johns Hopkins http://www.krieger.jhu.edu/music (http://www.krieger.jhu.edu/music/) University Band, and the Hopkins Glee Club, all of which rehearse and perform on the Homewood campus, is open to all university students. The Peabody Institute of The Johns Hopkins University is an Membership in the Hopkins Symphony Orchestra is by audition on a internationally acclaimed music conservatory. The Peabody campus, space-available basis. Seating is limited, especially in the winds. Contact located at historic Mount Vernon Place, is on the university shuttle the HSO Office in Shriver Hall at 410-516-6542 for audition information, bus route between Homewood campus and the medical institutions in which can also be found online at http://www.jhu.edu/jhso/about/ East Baltimore. Faculty of the Peabody Institute offer classes on the audition _info.html (http://www.jhu.edu/jhso/). Homewood campus that are open to all undergraduates. Participation in the Peabody-Hopkins Chorus and Peabody Singers Qualified Hopkins undergraduates may, for no extra charge, register is open to all university students upon completion of a satisfactory for classes in music history, music theory, music education, recording audition. Please contact Ensemble Coordinator, 667-208-6628 (email techniques, and computer music offered on the Peabody campus. There TBA), if you wish to schedule an audition or would like additional are also limited opportunities to take private lessons and participate in information. ensembles. Advanced instrumentalists who wish to be considered for membership Concerts in Peabody’s large instrumental ensembles—the Peabody Symphony Orchestra, Peabody Concert Orchestra, Peabody Wind Ensemble, Homewood students are welcome to attend Peabody’s many concerts Peabody Camerata (contemporary music), Peabody Improvisation and and are entitled to one complimentary ticket per concert, excluding opera Multimedia Ensemble, and Peabody Jazz Orchestra—are welcome to take and dance productions. -
September 17, 1998
http://breezejmu.edu Knowledge is Liberty" VOL. 76, NO.6 M M A D N INSIDE TOOAY'S WEATHER pg. 3: Figuring out the Isolated (storms, high Y2K problem 83°F,low63°F. p. 20-21: All banged up Extended forecast on page 2 in the 'Burg BREEZE p.31:POTW U N I V E R S r mmumtHmmmMHi mmmm JAMES MArJlSON UNIVERSITY l&Wf THURSDAY,SEPTEMBER 17 i9')H HARRBONBURG. VA 22207 Alcohol violations on decline that on-campus enrollment was ing each program to make it Five Most Common Judicial Judicial Affairs down slightly, which may more effective." account for the decrease. The programs are modified Violations, 1997-1998 credits education JMU is a leader among uni- each year, Way said. versities across the nation in Impact One is a roundtable for recent drop educating students on safety, discussion designed for stu- Substance Abuse- by Brian Westley including the risks of alcohol dents with judicial charges for alcohol: 581 abuse, Way said. minor alcohol violations or stu- staff writer "We're at the forefront of [edu- dents who are found in the pres- Noncompliance This is the first of two articles cating students] compared with ence of alcohol. about the judicial process. Part one other universities across the Impact Two is a two-hour with an official includes information about alcohol nation," Way said. "Other risk reduction program that is request: 117 Disorderly violations, while part two examines schools are doing some of what designed to give students prac- conduct: 70 the judicial process. we're doing, but not all of it." tical tips to avoid the negative More than half of all student "We're very deliberate about consequences of alcohol. -
Taco Bell Quarterly
2 Taco Bell Quarterly Volume 1 August 2019 3 Taco Bell Quarterly www.tacobellquarterly.org Editor Grande Supreme: M.M. CARRIGAN ESTABLISHED IN 2019 PUBLISHED WHENEVER WE FEEL LIKE IT With Special Thanks To: @cdcurtiss who tweeted at me, “I would submit to Taco Bell Quarterly (TBQ) in a heartbeat” and thus named this brilliant tome of work. Cover Photo: LOUIS CLEARVIEW 4 Table of Contents Letter from Editor Grande Supreme 8 Fiction A Completely False Rumor / Carman C. Curton 10 Blue Dumpster Confession / Jeff Barker 13 Cravings / Emily Costa 15 In the Fold / Catherine Moore 19 Goodbye Surfing, Hello Taco Bell / DW Becknar 22 A Taste Deferred / Natasha Cabot 24 The Taco Bell at the End of the World / Reed Schmitz 26 The Meatamorphosis / Marla Eizik 31 Poetry The Shredded Chicken Quesarito / Josh Olsen 38 I’ve Been Afraid of Changing So I Cried into a Cheesy Gordita Crunch / Rosie Accola 39 Aubade With Baja Blast Spiked with Gin / Derek Berry 41 Blackout Poems / Brooke Kolcow 44 Ghazaling Down the Menu / JC Reilly 49 Taco Bell Romance / JC Reilly 50 Grad School Days / JC Reilly 51 Seven Layers of Satisfaction / Adrian Slonaker 52 The United States of Taco Bell / John Homan 54 Caramel Apple Empanada / John Homan 55 Joy in a Five Dollar Box / John Homan 56 Crust and Criterion / Arturo Desimone 57 5 Taco Bell V. A Mother’s Love / Cody Rukasin 60 Dreams from the Bell / Alana Saltz 62 An Ode to Nacho Fries / Alana Saltz 63 Bell of the Bowl / K Weber 64 Taco Bell of Yore. -
Rutgers University Glee Club Fall 2020 – Audition Results Tenor 1
Rutgers University Glee Club Fall 2020 – Audition results Congratulations and welcome to the start of a great new year of music making. Please register for the Rutgers University Glee Club immediately – Course 07 701 349. If you are a music major and have any issues with registration please contact Ms. Leibowitz. Non majors with questions please email Dr. Gardner – [email protected]. Glee Club rehearases on Weds nights from 7 to 10 pm and Fridays from 2:50 to 4:10 pm on-line. The zoom link and syllabus is available in Canvas. First rehearsal is this coming Wednesday, September 9th. See you there! Tenor 1 Tenor 2 Baritone Bass Maxwell Domanchich Billy Colletto III Ryan Acevedo James Carson Tin Fung Sean Dekhayser Kyle Cao John DeMarco Jonathan Germosen Steve Franklin Jeffrey Greiner Duff Heitmann Joseph Maldonado James Hwang Tristan Kilper Jonathan Ho Khuti Moses Benjamin Kritz Brian Kong Emerson Katz-Justice Aditya Nibhanupudi Matthew Mallick Matthew Lacognata Seonuk Kim Michael O'Neill Amartya Mani Michael Lazarow Allen Li Michael Schaming Gene Masso Ryan Leibowitz Gabriel Lukijaniuk Xerxes Tata Conor Wall Carl Muhler Sean McBurney Harry Thomas Bobby Weil Julian Perelman Joseph Mezza Zachary Wang John Wilson Caleb Schneider AJ Pandey Nathaniel Barnett Samuel Wilson Gianmarco Scotti Thomas Piatkowski Josh Gonzalez Patrick Cascia Kolter Yagual-Ralston Guillermo Pineiro Kyle Casem Nicholas Casey Nathaniel Eck Ross Ferguson Sachin Boteju Mike Semancik Michael Munza Evan Dickonson Soroush Gharavi Jason Bedianko Colin Smith Benjamin Shanofsky . -
Sammy Strain Story, Part 4: Little Anthony & the Imperials
The Sammy Strain Story Part 4 Little Anthony & the Imperials by Charlie Horner with contributions from Pamela Horner Sammy Strain’s remarkable lifework in music spanned almost 49 years. What started out as street corner singing with some friends in Brooklyn turned into a lifelong career as a professional entertainer. Now retired, Sammy recently reflected on his life accomplishments. “I’ve been inducted into the Rock & Roll Hall of Fame twice (2005 with the O’Jays and 2009 with Little (Photo from the Classic Urban Harmony Archives) Anthony & the Imperials), the Vocal Group Hall of Fame (with both groups), the Pioneer R&B Hall of Fame (with Little An- today. The next day we went back to Ernie Martinelli and said thony & the Imperials) and the NAACP Hall of Fame (with the we were back together. Our first gig was to be a week-long O’Jays). Not a day goes by when I don’t hear one of the songs engagement at the Town Hill Supper Club, a place that I had I recorded on the radio. I’ve been very, very, very blessed.” once played with the Fantastics. We had two weeks before we Over the past year, we’ve documented Sammy opened. From the time we did that show at Town Hill, the Strain’s career with a series of articles on the Chips (Echoes of group never stopped working. “ the Past #101), the Fantastics (Echoes of the Past #102) and The Town Hall Supper Club was a well known venue the Imperials without Little Anthony (Echoes of the Past at Bedford Avenue and the Eastern Parkway in the Crown #103). -
The Warren M. Angell College of Fine Arts Oklahoma Baptist University
Drawing Fibers Ceramics Animation Painting Photography Typography Printmaking Stained Glass Illustration Graphic Design Speech Communication Argumentation Debate Persuasion Media Audio Journalism Mass Communication News Writing Broadcast Journalism Television Newspaper Yearbook Theatre Acting Stage Dance Costume Makeup Directing Lighting Playwriting Music Worship Theory Composition Keyboard Conducting Handbell Organ Arranging Marching Band Vocal Music Theater Pedagogy Piano Woodwind Brass Percussion Opera String Choral Jazz Drawing Fibers Ceramics Animation Painting Photography Typography Printmaking Stained Glass Illustration Graphic Design Speech Communication Argumentation Debate Persuasion Media Audio Journalism Mass Communication News Writing Broadcast Journalism Television Newspaper Yearbook Theatre Acting Stage Dance Costume Makeup Directing Lighting Playwriting Music Worship Theory Composition Keyboard Conducting Handbell Organ Arranging Marching Band Vocal Music Theater Pedagogy Piano Woodwind Brass Percussion Opera String Choral Jazz Drawing Fibers Ceramics Animation Painting Photography Typography Printmaking Stained Glass Illustration Graphic Design Speech Communication Argumentation Debate Persuasion Media Audio Journalism Mass Communication News Writing Broadcast Journalism Television Newspaper Yearbook Theatre Acting Stage Dance Costume Makeup Directing Lighting Playwriting Music Worship Theory Composition Keyboard Conducting Handbell Organ Arranging Marching Band Vocal Music Theater Pedagogy Piano Woodwind Brass Percussion -
2016-2017 Detailed Choral Audition Info
Audition Information 2016-2017 UNI has 5 Choral Ensembles: Concert Chorale, UNI Singers, Cantorei, Women's Chorus, and the Varsity Men's Glee Club. Choral auditions for all students new to UNI Choir ensembles will be held August 19-21 (Friday-Sunday) in PAC 30. (If necessary, Concert Chorale callbacks and additional auditions for UNI Singers will be held on Monday, August 22). All Music Majors with Voice as the Primary Instrument and/or Choral Education majors who have been accepted into the School of Music (BM, BME, and BA degrees) will be assigned an audition time. Assignments will be provided via email by August 12, 2016. Students unable to attend their assigned time due to required military duty or veteran status and legally mandated absences, such as jury duty, should contact Dr. Kotsonis by August 15 to reschedule their audition. Students who wish to reschedule for personal reasons (such as family weddings) should contact Dr. Kotsonis by August 17 to request a different audition time. Music Majors (voice) who do not participate in choral auditions will not be admitted into a large ensemble. Non Music Majors should can up for auditions by choosing the most convenient time available on Saturday or Sunday. Sign up sheets will be posted outside GBPAC 46 by Monday, August 15. There are separate audition procedures for varying choirs. UNI Singers Auditions Process: 1) Vocalization 2) Sing 'My Country 'Tis of Thee' 3) Sightsinging 4) Pitch Memory Women’s Chorus Auditions Placement Audition Only - All Members Accepted Process: 1) Vocalization 2) Sing 'My Country 'Tis of Thee' UNI Varsity Men's Glee Club No audition is required for admittance to Glee Club. -
Karaoke Mietsystem Songlist
Karaoke Mietsystem Songlist Ein Karaokesystem der Firma Showtronic Solutions AG in Zusammenarbeit mit Karafun. Karaoke-Katalog Update vom: 13/10/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Skandal im Sperrbezirk - Spider Murphy Gang Griechischer Wein - Udo Jürgens Verdammt, Ich Lieb' Dich - Matthias Reim Dancing Queen - ABBA Dance Monkey - Tones and I Breaking Free - High School Musical In The Ghetto - Elvis Presley Angels - Robbie Williams Hulapalu - Andreas Gabalier Someone Like You - Adele 99 Luftballons - Nena Tage wie diese - Die Toten Hosen Ring of Fire - Johnny Cash Lemon Tree - Fool's Garden Ohne Dich (schlaf' ich heut' nacht nicht ein) - You Are the Reason - Calum Scott Perfect - Ed Sheeran Münchener Freiheit Stand by Me - Ben E. King Im Wagen Vor Mir - Henry Valentino And Uschi Let It Go - Idina Menzel Can You Feel The Love Tonight - The Lion King Atemlos durch die Nacht - Helene Fischer Roller - Apache 207 Someone You Loved - Lewis Capaldi I Want It That Way - Backstreet Boys Über Sieben Brücken Musst Du Gehn - Peter Maffay Summer Of '69 - Bryan Adams Cordula grün - Die Draufgänger Tequila - The Champs ...Baby One More Time - Britney Spears All of Me - John Legend Barbie Girl - Aqua Chasing Cars - Snow Patrol My Way - Frank Sinatra Hallelujah - Alexandra Burke Aber Bitte Mit Sahne - Udo Jürgens Bohemian Rhapsody - Queen Wannabe - Spice Girls Schrei nach Liebe - Die Ärzte Can't Help Falling In Love - Elvis Presley Country Roads - Hermes House Band Westerland - Die Ärzte Warum hast du nicht nein gesagt - Roland Kaiser Ich war noch niemals in New York - Ich War Noch Marmor, Stein Und Eisen Bricht - Drafi Deutscher Zombie - The Cranberries Niemals In New York Ich wollte nie erwachsen sein (Nessajas Lied) - Don't Stop Believing - Journey EXPLICIT Kann Texte enthalten, die nicht für Kinder und Jugendliche geeignet sind. -
Drama Audition Male/Female Junior Monologues
Drama Audition Male/Female Junior Monologues Northmead Creative & Performing Arts High School Classical and contemporary audition pieces. Imagine, Endeavour , A c h i e v e Northmead CAPAHS Campbell Street Northmead N S W 2 1 5 2 02 96304116 P r i n c i p a l - N . V a z q u e z Northmead Creative & Performing Arts High- Drama Audition The following pieces have been chosen from standard editions of the works. You may use the equivalent monologue from a different edition of the play, for example, if you have access to a different edition of the Shakespeare plays. For translated works, we have chosen a particular translation. However, you may use another translation if that is the version available to you. If you cannot access the Australian plays through your local library, bookshop or bookshops on our suggested list, published editions of the Australian plays are generally available through Currency Press. Audition Process You will be required to choose one monologue from the list provided to perform. Please note the delivery time of a monologue may vary depending on your interpretation of the chosen piece. Usual estimated time is between three to eight minutes. So please make sure your monologue is within this time frame. You may be asked to deliver your chosen piece more than once. You will also be tested for improvisation skills. So be prepared to use your imagination and creativity. A script may be handed to you during the audition. So be prepared for a cold read and once again use your imagination in showing how you would interpret the script reading. -
Lista Dal Nostro Repertorio Di Musica Dal Vivo – Controlla Le Novita’ Direttamente Sul Sito
SITO: WWW.MUSICADENTRO.IT – POSTA: [email protected] – TEL. 338 2692022 (Whatsapp) LISTA DAL NOSTRO REPERTORIO DI MUSICA DAL VIVO – CONTROLLA LE NOVITA’ DIRETTAMENTE SUL SITO ...PER CERCARE LA TUA CANZONE PREFERITA USA IL TASTO RICERCA DEL TUO LETTORE PDF E DIGITA UNA PAROLA I'M NOT IN LOVE 10CC WHAT'S UP 4 NON BLONDES BELLA VERA 883 - MAX PEZZALI CI SONO ANCH'IO 883 - MAX PEZZALI CISONOANCHIO 883 - MAX PEZZALI COME DEVE ANDARE 883 - MAX PEZZALI COME MAI 883 - MAX PEZZALI ECCOTI 883 - MAX PEZZALI GRAZIE MILLE 883 - MAX PEZZALI HANNO UCCISO L'UOMO RAGNO 883 - MAX PEZZALI IL MONDO INSIEME A TE 883 - MAX PEZZALI IO CI SARÒ 883 - MAX PEZZALI LA REGOLA DELL’AMICO 883 - MAX PEZZALI LASCIATI TOCCARE 883 - MAX PEZZALI LO STRANO PERCORSO 883 - MAX PEZZALI L’UNIVERSO TRANNE NOI 883 - MAX PEZZALI NELLA NOTTE 883 - MAX PEZZALI NESSUN RIMPIANTO 883 - MAX PEZZALI NORD SUD OVEST EST 883 - MAX PEZZALI ROTTA PER CASA DI DIO 883 - MAX PEZZALI SEI UN MITO 883 - MAX PEZZALI SENZA AVERTI QUI 883 - MAX PEZZALI TE LA TIRI 883 - MAX PEZZALI TIENI IL TEMPO 883 - MAX PEZZALI UNA CANZONE D'AMORE 883 - MAX PEZZALI VIAGGIO AL CENTRO DEL MONDO 883 - MAX PEZZALI ‘A CITTA’ E PULECENELLA AA.VV. (NAPOLI) COMME FACETTE MAMMETA AA.VV. (NAPOLI) DICITENCELLO VUJE AA.VV. (NAPOLI) FUNICOLI’ FUNICULA’ AA.VV. (NAPOLI) LA LUNA MEZZ’O MARE AA.VV. (NAPOLI) LUNA CAPRESE AA.VV. (NAPOLI) MALAFEMMENA AA.VV. (NAPOLI) MUNASTERIO E SANTA CHIARA AA.VV. (NAPOLI) NINI' TIRABUCIO' AA.VV. (NAPOLI) NUN E' PECCATO AA.VV. -
Below Are a Few Selected Scenes with Characters Indicated
Below are a few selected scenes with characters indicated. This play has literally no monologues so all of the scenes had multiple characters. I apologize that the text de-formatted when I transferred it from the script. I did the best I could to cobble it back together. You may use one of these, bring something else prepared, read cold when you come..your choice. I am sure that David will keep folks at the audition for a while to read in groups. If you submit a video audition from this material have a friend read the other parts to prompt you. We want your audition experience to be a good one so please contact us if you have questions or problerms…..a [email protected] FOR WALLIS ETHRIDGE (WITH JAMIE, NUBBIE AND CASSIE) (WALLIS ETHRIDGE enters the hotel, a bombastic middle-aged author. With him is his much younger wife, LETTY, beautiful and wild. Wallis pounds the bell at the front desk.) WALLIS Anybody work here? CASSIE Hang on. I’ll git the manager ... (shouting loudly) Hey, Jamie! Somebody want a room!! WALLIS How are you fine people this evening? (They stare in silence for a beat, then Nubbie says ... ) NUBBIE Is he talkin’ to us? (Jamie enters.) JAMIE Can I help you? WALLIS You’re the manager? JAMIE Yes. WALLIS You look more like a bellboy. JAMIE Yeah, well we don’t have a bellboy. Just a manager. And that would be me. WALLIS You seem like an honest lad. Tell me ... are the rooms habitable? JAMIE Have a look if you want.