DOCSLIB.ORG

September 17, 1998

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
September 17, 1998 http://breezejmu.edu Knowledge is Liberty" VOL. 76, NO.6 M M A D N INSIDE TOOAY'S WEATHER pg. 3: Figuring out the Isolated (storms, high Y2K problem 83°F,low63°F. p. 20-21: All banged up Extended forecast on page 2 in the 'Burg BREEZE p.31:POTW U N I V E R S r mmumtHmmmMHi mmmm JAMES MArJlSON UNIVERSITY l&Wf THURSDAY,SEPTEMBER 17 i9')H HARRBONBURG. VA 22207 Alcohol violations on decline that on-campus enrollment was ing each program to make it Five Most Common Judicial Judicial Affairs down slightly, which may more effective." account for the decrease. The programs are modified Violations, 1997-1998 credits education JMU is a leader among uni- each year, Way said. versities across the nation in Impact One is a roundtable for recent drop educating students on safety, discussion designed for stu- Substance Abuse- by Brian Westley including the risks of alcohol dents with judicial charges for alcohol: 581 abuse, Way said. minor alcohol violations or stu- staff writer "We're at the forefront of [edu- dents who are found in the pres- Noncompliance This is the first of two articles cating students] compared with ence of alcohol. about the judicial process. Part one other universities across the Impact Two is a two-hour with an official includes information about alcohol nation," Way said. "Other risk reduction program that is request: 117 Disorderly violations, while part two examines schools are doing some of what designed to give students prac- conduct: 70 the judicial process. we're doing, but not all of it." tical tips to avoid the negative More than half of all student "We're very deliberate about consequences of alcohol. This judicial violations last year our eduction programs," Way program is for students with were alcohol related, but the said. "The number of programs minor judicial violations percentage was down from the we have ranging from fire safety involving alcohol. Failure to year before. programs to student values' pro- Junior David Cousins said he comply with Sixty-three percent of judicial grams; the breadth of our pro- thought programs wouldn't be disciplinary violations were alcohol related grams sets us apart." helpful to students. last year, compared with 68 per- In an effort to change students' "I think it's ignorant to have decision: 60 cent the year before, according to perceptions about alcohol, JMU is to go to programs because I statistical data from the 1997-'98 offering a three-level alcohol edu- doubt it would stop anyone judicial records. cation program titled Impact. from underage drinking," Mike Way, director of judi- Each level's intensity increases as Cousins said. cial affairs, said he hopes vigor- the severity of alcohol violations Impact Three is a four-week ous education programs increase. account for the decrease in the "I believe this is our third see PROCESS page 7 percentage of alcohol viola- year with this program," Way RELATED STORY: Alcohol abuse tions, but he also pointed out said. "We are constantly assess- trends on college campuses, page 7 REBECCA DOUGHERTY/jrap/iics editor Plus/minus syste m legal; students question fairness the council didn't make it clear ty to change its rules. They're by Brad Jenkins enough that the change would not-going back and changing news editor be applied to students under calculations of grades." past catalogs. Senior Brannen Edge said he With a new grading policy in Teresa Gonzales, associate agreed that there is no problem effect, sophomores, juniors and vice president for academic with the university changing the seniors will find the new system affairs, said in the Sept. 14 issue policy. contradicts what is listed in their of The Breeze that the catalog is "A lot of changes have been Undergraduate Catalogs. "not a legal contract." made here at JMU," Edge said. "Plus or minus symbols may Senior Seth Lieberman said "I think it's a good change. Peo- be added to A, B and C grades," the change is frustrating. "[Gon- ple are upset because it's not the catalogs before this year state. zales] says our catalog is not way it's been done before." "These will appear on the stu- legally binding, however, we're The Catalog further states that dent's transcript but have no told to always follow our cata- any changes to the Catalog "may effect on grade-point average." log," he said. "This is just a affect all currently enrolled stu- But beginning this year, all loophole in the system." dents. Every effort is made to students' pluses and minuses Gonzalez said yesterday she alert students to these changes will count toward GPA. The sys- couldn't comment on the policy. through the academic advising tem is not retroactive, but Robert Roberts, professor of process, individual reports of instead will only be applied to political science, said the grade academic progress and various grades beginning this year. change is akin to the recent campus publications." The University Council Honor Code changes. "The University Registrar Sherry Hood said the new policy wasn't approved the change at its Dec. Honor Code is quite different printed on reports of academic 4,1997 meeting. now than the one [upperclass- progress because the policy was Upperclassmen this week men] came under," he said. discussed "thoroughly" last spring. have expressed concern about Even so, the new code applies to DYLAN BOUCHERLE/pfotfo editor Arch Harris, faculty senate the new system, saying it goes all students, he said. SMOKIN': A mulch fire outside Zane Showker Hall damaged $150 of speaker, said the new grading against their catalog. Several, shubbery Monday. Flames reached 10 feet in the air, and was extin- "There's no problem chang- system "wasn't something that guished by Officer Sid Hartman with two fire extinguishers. This is including the Student Govern- ing regulations," Roberts said. the seventh mulch fire since classes started. See story, page 9. ment Association president, said "The university has the authori- see GRADES page 7 The Breeze Thursday, Sept. 17, 1998 3 Presidential assistant named JMU President Linwood Rose named Geoff Polglase to be his assistant Tuesday. Keeping the faith Potejiase, a JMU graduate C85), joined alumni relations in 1990 and has served as director of alumni relations since 1994. Students gather, pray for campus, country Sherry King, assistant alumni director, will be the acting director of the office until hearts of rrujiy students. a new director is named. by Lisa Rosato Students focused much of their praying Polglase's appointment is effective staff writer on the country and President Clinton's immediately. current troubles. Going around the circle The sun rose steadily behind Wilson Strickler execution post- many students prayed for Clinton, poned Hall yesterday at 7 a.m. as a group of Congress and Clinton's daughter, Chelsea. about 20 students gathered in front of the They asked God to remind the country of The United States Supreme Court flag pole near Wilson's steps to pray. morals in this time of controversy. granted a stay of execution for the man "I was praying that people would get Other students at the vigil prayed for convicted of murdering a JMU student in up," said Heidi Perrin, a junior in the their professors, fellow students and lead- 1990. Baptist Student Union and the event's ers of campus organizations. Tommy David Strickler was sched- coordinator. "We are praying for our classmates at uled to be executed yesterday for the Jan. According to Perrin, "See You at the JMU and also for our nation and the trou- 5, 1990 murder of 19-year-old Leann Whrtjock. Pole" is an event that occurs in many other bles that are going on with the White The Court schools across the United States as well as House right now," freshman Mike made no com- in other countries. Salvatierra said. merits about the ■ _ ■ Z The event is always at 7a.m. local time, Sophomore Jessica Nicholas said, "We postponement. I"| KriPf and is a big focus in many junior high and believe that if we lift our prayers and peti- Whitlock was ■■■ -*■ ■**■ high schools, Perrin said. tions to God, he will hear us. Nothing is abducted from "Does anyone feel like singing or is it too small [to pray forj." Valley Mali. She way too early?" Perrin asked the group. After going around the circle, giving was then robbed and killed by blows to With no hesitation, the group gathered each participant a chance to pray, the the head that came from a 69-pound in a circle and began with the song, "Oh group sang again. With joined hands and rock. God, You are My God." voices raised in unison, the group sang Whitlock was missing for several days After breaking the early morning three songs, including the hymn before her nude body was found in silence of the Quad, which was empty, "Amazing Grace." Waynesboro. Perrin started praying. "We all believe God is sovereign in this According to the Sept. 15 issue of the With her head bowed and her eyes world," senior Dawn Schraftenberger said. Daily News-Record, Strickler filed a peti- closed, Perrin thanked God for the oppor- tion for writ of certiorari and a motion for "If we turn from sin, he will heal the land stay of execution on Sept 1. tunity to meet and pray in public. [and] heal our campus." However, because the Court granted "I'm happy that we have such freedom Jessica Ruggieri, a sophomore, said, LISA ROSATO/contributing photographer the stay, it doesnt mean it will automati- to do this," Perrin said.
Load more

Recommended publications
  • Raluca SAS MARINESCU TYPOLOGIES OF
    Typologies of everyday theatricality – a game and a movie 43 Raluca SAS MARINESCU TYPOLOGIES OF EVERYDAY THEATRICALITY – A GAME AND A MOVIE Abstract. This paper studies the virtual theatricality as Virtual theatricality a part of everyday theatricality, through a specific number Theatricality is the use of the term of case studies: a computer game and a movie. Virtual theatricality is the type of role assumption produced at the theatrical imagination to describe the level of the individual imaginary; here, communication is quality of the dramatic art to transform split by an interface; the virtual role assumption is perfectly the imitation of an action into a new conscious and allows the interaction with the character creative experience, a vision and a reve- created by the one with whom the communication is carried lation shared both by the actor and by out, but never with the individual as such. the audience. Key words. theatricality, RPG, Charlie Kaufman, audiences Virtual theatricality is the type of role assumption produced at the level of the individual imaginary; here, commu- nication is split by an interface; the virtual role assumption is perfectly conscious and allows the interaction with the character created by the one with whom the communication is carried out, but never with the individual as such. This is one of the most pervasive and easily identifiable typologies of theatricality, preceding in principle the invention of the technology that has generated the virtual media. For instance, a great part of the classic epistolary novels use EKPHRASIS, 3/2010 the techniques of the imaginary role Representation, Reality construction and of their deconstruction and Illusion in Visual Culture pp.
    [Show full text]
  • Concerts Private Lessons Ensemble Membership Programs Courses
    Music 1 MUSIC Ensemble Membership Membership in the Hopkins Symphony Orchestra, the Johns Hopkins http://www.krieger.jhu.edu/music (http://www.krieger.jhu.edu/music/) University Band, and the Hopkins Glee Club, all of which rehearse and perform on the Homewood campus, is open to all university students. The Peabody Institute of The Johns Hopkins University is an Membership in the Hopkins Symphony Orchestra is by audition on a internationally acclaimed music conservatory. The Peabody campus, space-available basis. Seating is limited, especially in the winds. Contact located at historic Mount Vernon Place, is on the university shuttle the HSO Office in Shriver Hall at 410-516-6542 for audition information, bus route between Homewood campus and the medical institutions in which can also be found online at http://www.jhu.edu/jhso/about/ East Baltimore. Faculty of the Peabody Institute offer classes on the audition _info.html (http://www.jhu.edu/jhso/). Homewood campus that are open to all undergraduates. Participation in the Peabody-Hopkins Chorus and Peabody Singers Qualified Hopkins undergraduates may, for no extra charge, register is open to all university students upon completion of a satisfactory for classes in music history, music theory, music education, recording audition. Please contact Ensemble Coordinator, 667-208-6628 (email techniques, and computer music offered on the Peabody campus. There TBA), if you wish to schedule an audition or would like additional are also limited opportunities to take private lessons and participate in information. ensembles. Advanced instrumentalists who wish to be considered for membership Concerts in Peabody’s large instrumental ensembles—the Peabody Symphony Orchestra, Peabody Concert Orchestra, Peabody Wind Ensemble, Homewood students are welcome to attend Peabody’s many concerts Peabody Camerata (contemporary music), Peabody Improvisation and and are entitled to one complimentary ticket per concert, excluding opera Multimedia Ensemble, and Peabody Jazz Orchestra—are welcome to take and dance productions.
    [Show full text]
  • Audition Notice
    Audition Notice: SH-BOOM! LIFE COULD BE A DREAM Written and Created by Roger Bean Director: Jay Coffman Music Director: Ben Chumley Choreographer: April Kibbe Synopsis: Meet Denny and the Dreamers, a fledgling doo-wop singing group preparing to enter the Big Whopper Radio contest to realize their dreams of making it to the big time! Trouble comes in the form of Lois, who arrives to put some polish on the boys. Denny falls in love, Wally falls in line, Eugene falls apart, and along comes handsome heartthrob Duke to send the whole situation spinning. The '60s hits say it all: “Fools Fall in Love,” “Tears on my Pillow,” “Runaround Sue,” “Earth Angel,” “Stay,” “Unchained Melody,” “Lonely Teardrops,” and “The Glory of Love.” Winner of the Los Angeles Drama Critics Circle Best Musical Award, Sh-Boom! Life Could Be a Dream will leave you laughing, singing, and cheering— let’s hear it for the boys! Audition Dates/Times: Sunday, June 27: 6 pm – 8 pm Monday, June 28: 7 pm – 9 pm Audition Location: Chapman Cultural Center 200 East St. John Street Spartanburg, SC 29306 Rehearsal Dates: Late July 2021 – opening Performance Dates: September 17-26, 2021 To Signup: Auditions by appointment only: SIGN-UP HERE Audition Policy: All roles, unless otherwise announced, are open. SLT encourages anyone who is interested to audition and is always eager to welcome new faces and fresh talent to its stage. The Spartanburg Little Theatre has a non-discrimination casting policy, open to members of all ages, ethnic/national origins, races, sexes, creeds, orientations, and abilities.
    [Show full text]
  • Rutgers University Glee Club Fall 2020 – Audition Results Tenor 1
    Rutgers University Glee Club Fall 2020 – Audition results Congratulations and welcome to the start of a great new year of music making. Please register for the Rutgers University Glee Club immediately – Course 07 701 349. If you are a music major and have any issues with registration please contact Ms. Leibowitz. Non majors with questions please email Dr. Gardner – [email protected]. Glee Club rehearases on Weds nights from 7 to 10 pm and Fridays from 2:50 to 4:10 pm on-line. The zoom link and syllabus is available in Canvas. First rehearsal is this coming Wednesday, September 9th. See you there! Tenor 1 Tenor 2 Baritone Bass Maxwell Domanchich Billy Colletto III Ryan Acevedo James Carson Tin Fung Sean Dekhayser Kyle Cao John DeMarco Jonathan Germosen Steve Franklin Jeffrey Greiner Duff Heitmann Joseph Maldonado James Hwang Tristan Kilper Jonathan Ho Khuti Moses Benjamin Kritz Brian Kong Emerson Katz-Justice Aditya Nibhanupudi Matthew Mallick Matthew Lacognata Seonuk Kim Michael O'Neill Amartya Mani Michael Lazarow Allen Li Michael Schaming Gene Masso Ryan Leibowitz Gabriel Lukijaniuk Xerxes Tata Conor Wall Carl Muhler Sean McBurney Harry Thomas Bobby Weil Julian Perelman Joseph Mezza Zachary Wang John Wilson Caleb Schneider AJ Pandey Nathaniel Barnett Samuel Wilson Gianmarco Scotti Thomas Piatkowski Josh Gonzalez Patrick Cascia Kolter Yagual-Ralston Guillermo Pineiro Kyle Casem Nicholas Casey Nathaniel Eck Ross Ferguson Sachin Boteju Mike Semancik Michael Munza Evan Dickonson Soroush Gharavi Jason Bedianko Colin Smith Benjamin Shanofsky .
    [Show full text]
  • The Warren M. Angell College of Fine Arts Oklahoma Baptist University
    Drawing Fibers Ceramics Animation Painting Photography Typography Printmaking Stained Glass Illustration Graphic Design Speech Communication Argumentation Debate Persuasion Media Audio Journalism Mass Communication News Writing Broadcast Journalism Television Newspaper Yearbook Theatre Acting Stage Dance Costume Makeup Directing Lighting Playwriting Music Worship Theory Composition Keyboard Conducting Handbell Organ Arranging Marching Band Vocal Music Theater Pedagogy Piano Woodwind Brass Percussion Opera String Choral Jazz Drawing Fibers Ceramics Animation Painting Photography Typography Printmaking Stained Glass Illustration Graphic Design Speech Communication Argumentation Debate Persuasion Media Audio Journalism Mass Communication News Writing Broadcast Journalism Television Newspaper Yearbook Theatre Acting Stage Dance Costume Makeup Directing Lighting Playwriting Music Worship Theory Composition Keyboard Conducting Handbell Organ Arranging Marching Band Vocal Music Theater Pedagogy Piano Woodwind Brass Percussion Opera String Choral Jazz Drawing Fibers Ceramics Animation Painting Photography Typography Printmaking Stained Glass Illustration Graphic Design Speech Communication Argumentation Debate Persuasion Media Audio Journalism Mass Communication News Writing Broadcast Journalism Television Newspaper Yearbook Theatre Acting Stage Dance Costume Makeup Directing Lighting Playwriting Music Worship Theory Composition Keyboard Conducting Handbell Organ Arranging Marching Band Vocal Music Theater Pedagogy Piano Woodwind Brass Percussion
    [Show full text]
  • 2016-2017 Detailed Choral Audition Info
    Audition Information 2016-2017 UNI has 5 Choral Ensembles: Concert Chorale, UNI Singers, Cantorei, Women's Chorus, and the Varsity Men's Glee Club. Choral auditions for all students new to UNI Choir ensembles will be held August 19-21 (Friday-Sunday) in PAC 30. (If necessary, Concert Chorale callbacks and additional auditions for UNI Singers will be held on Monday, August 22). All Music Majors with Voice as the Primary Instrument and/or Choral Education majors who have been accepted into the School of Music (BM, BME, and BA degrees) will be assigned an audition time. Assignments will be provided via email by August 12, 2016. Students unable to attend their assigned time due to required military duty or veteran status and legally mandated absences, such as jury duty, should contact Dr. Kotsonis by August 15 to reschedule their audition. Students who wish to reschedule for personal reasons (such as family weddings) should contact Dr. Kotsonis by August 17 to request a different audition time. Music Majors (voice) who do not participate in choral auditions will not be admitted into a large ensemble. Non Music Majors should can up for auditions by choosing the most convenient time available on Saturday or Sunday. Sign up sheets will be posted outside GBPAC 46 by Monday, August 15. There are separate audition procedures for varying choirs. UNI Singers Auditions Process: 1) Vocalization 2) Sing 'My Country 'Tis of Thee' 3) Sightsinging 4) Pitch Memory Women’s Chorus Auditions Placement Audition Only - All Members Accepted Process: 1) Vocalization 2) Sing 'My Country 'Tis of Thee' UNI Varsity Men's Glee Club No audition is required for admittance to Glee Club.
    [Show full text]
  • Drama Audition Male/Female Junior Monologues
    Drama Audition Male/Female Junior Monologues Northmead Creative & Performing Arts High School Classical and contemporary audition pieces. Imagine, Endeavour , A c h i e v e Northmead CAPAHS Campbell Street Northmead N S W 2 1 5 2 02 96304116 P r i n c i p a l - N . V a z q u e z Northmead Creative & Performing Arts High- Drama Audition The following pieces have been chosen from standard editions of the works. You may use the equivalent monologue from a different edition of the play, for example, if you have access to a different edition of the Shakespeare plays. For translated works, we have chosen a particular translation. However, you may use another translation if that is the version available to you. If you cannot access the Australian plays through your local library, bookshop or bookshops on our suggested list, published editions of the Australian plays are generally available through Currency Press. Audition Process You will be required to choose one monologue from the list provided to perform. Please note the delivery time of a monologue may vary depending on your interpretation of the chosen piece. Usual estimated time is between three to eight minutes. So please make sure your monologue is within this time frame. You may be asked to deliver your chosen piece more than once. You will also be tested for improvisation skills. So be prepared to use your imagination and creativity. A script may be handed to you during the audition. So be prepared for a cold read and once again use your imagination in showing how you would interpret the script reading.
    [Show full text]
  • Below Are a Few Selected Scenes with Characters Indicated
    Below are a few selected scenes with characters indicated. This play has literally no monologues so all of the scenes had multiple characters. I apologize that the text de-formatted when I transferred it from the script. I did the best I could to cobble it back together. You may use one of these, bring something else prepared, read cold when you come..your choice. I am sure that David will keep folks at the audition for a while to read in groups. If you submit a video audition from this material have a friend read the other parts to prompt you. We want your audition experience to be a good one so please contact us if you have questions or problerms…..a [email protected] FOR WALLIS ETHRIDGE (WITH JAMIE, NUBBIE AND CASSIE) (WALLIS ETHRIDGE enters the hotel, a bombastic middle-aged author. With him is his much younger wife, LETTY, beautiful and wild. Wallis pounds the bell at the front desk.) WALLIS Anybody work here? CASSIE Hang on. I’ll git the manager ... (shouting loudly) Hey, Jamie! Somebody want a room!! WALLIS How are you fine people this evening? (They stare in silence for a beat, then Nubbie says ... ) NUBBIE Is he talkin’ to us? (Jamie enters.) JAMIE Can I help you? WALLIS You’re the manager? JAMIE Yes. WALLIS You look more like a bellboy. JAMIE Yeah, well we don’t have a bellboy. Just a manager. And that would be me. WALLIS You seem like an honest lad. Tell me ... are the rooms habitable? JAMIE Have a look if you want.
    [Show full text]
  • Audition Repertoire, Please Contact the Music Department at 812.941.2655 Or by E-Mail at AUDITION REQUIREMENTS for VARIOUS DEGREE CONCENTRATIONS
    1 AUDITION GUIDE AND SUGGESTED REPERTOIRE 1 2 TABLE OF CONTENTS AUDITION REQUIREMENTS AND GUIDE . 3 SUGGESTED REPERTOIRE Piano/Keyboard . 5 STRINGS Violin . 6 Viola . 7 Cello . 8 String Bass . 10 WOODWINDS Flute . 12 Oboe . 13 Bassoon . 14 Clarinet . 15 Alto Saxophone . 16 Tenor Saxophone . 17 BRASS Trumpet/Cornet . 18 Horn . 19 Trombone . 20 Euphonium/Baritone . 21 Tuba/Sousaphone . 21 PERCUSSION Drum Set . 23 Xylophone-Marimba-Vibraphone . 23 Snare Drum . 24 Timpani . 26 Multiple Percussion . 26 Multi-Tenor . 27 VOICE Female Voice . 28 Male Voice . 30 Guitar . 33 2 3 The repertoire lists which follow should be used as a guide when choosing audition selections. There are no required selections. However, the following lists illustrate Students wishing to pursue the Instrumental or Vocal Performancethe genres, styles, degrees and difficulty are strongly levels encouraged of music that to adhereis typically closely expected to the of repertoire a student suggestionspursuing a music in this degree. list. Students pursuing the Sound Engineering, Music Business and Music Composition degrees may select repertoire that is slightly less demanding, but should select compositions that are similar to the selections on this list. If you have [email protected] questions about. this list or whether or not a specific piece is acceptable audition repertoire, please contact the Music Department at 812.941.2655 or by e-mail at AUDITION REQUIREMENTS FOR VARIOUS DEGREE CONCENTRATIONS All students applying for admission to the Music Department must complete a performance audition regardless of the student’s intended degree concentration. However, the performance standards and appropriaterequirements audition do vary repertoire.depending on which concentration the student intends to pursue.
    [Show full text]
  • Please Take Our Reader Survey to Help Us Improve TACTUS. Hover Over “Reader Survey” for the Link
    Please take our reader survey to help us improve TACTUS. Hover over “reader survey” for the link. If it doesn’t work, paste this address into your browser: docs.google.com/forms/d/1H-qAufdMhJVy_4wO7Kp0fEZs_LisQI3oEFfGJqmz0z8/viewform Anna Hamre Executive Board Over 140 applications to President President perform or present were submitted Anna Hamre for the 2016 Western Division ACDA Teeth, recently Director of Choral Activities, Conference in Pasadena: How can propelled to Cal State Fresno I keep from Singing? It was a international [email protected] stunning number, requiring the acclaim, and the Vice President, Exhibits Chair, energies of numerous committees incomparable Program Ads devoting many hours over the past jazz group M-Pact. two months. Steve Hodson Closing the conference will be Professor of Music, The WD Board has become noted composer Ola Gjeilo performing Westmont College increasingly excited as it has with the renowned Voces8, and the [email protected] developed the framework for a esteemed Pacific Chorale, conducted President-Elect remarkable conference. Those by John Alexander. Travis Rogers submitting applications will be An exciting new development will Napa High School contacted before the July 1 be an [email protected] notification evening deadline. Treasurer Make plans now to be in session Barbara Hobbs The entirely [email protected] board Pasadena February 24-27! devoted to Website anticipates performances by over 30 exploring the a cappella movement Bret Peppo choral groups, including divisional currently sweeping the collegiate scene. Director of Choral Activities, choirs of all ages, honor choirs, Participants will be able to learn music Diablo Valley College professional choirs, and two and techniques from successful [email protected] traveling international ensembles.
    [Show full text]
  • Kurt Hummel's Language Features in Glee Television
    PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI KURT HUMMEL’S LANGUAGE FEATURES IN GLEE TELEVISION SERIES SEASON 1: A SOCIOLINGUISTIC ANALYSIS A SARJANA PENDIDIKAN THESIS Presented as Partial Fulfillment of the Requirements to Obtain the Sarjana Pendidikan Degree in English Language Education By Yustina Rostyaningtyas Student Number: 131214113 ENGLISH LANGUAGE EDUCATION STUDY PROGRAM DEPARTMENT OF LANGUAGE AND ARTS EDUCATION FACULTY OF TEACHERS TRAINING AND EDUCATION SANATA DHARMA UNIVERSITY YOGYAKARTA 2017 i PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI “There is no substitute for hard work.” Thomas A. Edison This thesis is dedicated to: Antonius Wiryono, Yuliana Saryati, and myself iv PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI ABSTRACT Rostyaningtyas, Yustina. 2017. Kurt Hummel’s Language Features in Glee Television Series Season 1: A Sociolinguistic Analysis. Yogyakarta: English Language Education Study Program, Sanata Dharma University. The use of language by individuals is influenced by many factors. Gender is one factor that influences the use of language. In this research, gender is seen to be different from sex. It is seen as a social construction rather than as a fixed category. As a result, women and men do not stick to one language style but change it based on their social context. Therefore, the researcher was interested in analyzing the women’s language used by a feminine man named Kurt Hummel in Glee Television Series Season 1. In conducting the research, a research question was formulated: What women’s language features does Kurt Hummel use in his speech in Glee Television Series Season 1? The research was qualitative research in which discourse analysis was employed to analyze the data.
    [Show full text]
  • Music (MUSIC) 1
    Music (MUSIC) 1 MUSIC-128 The Hyperbolic World of Opera in 25 Episodes -- An MUSIC (MUSIC) Introduction to Western Classical Opera from the Renaissance to the Present Day 100-Level Courses Not Scheduled for This Year. Credits: 4 This course begins with the birth of opera at the end of the Renaissance MUSIC-100 Rudiments of Music Period, and ends with some of the most successful operas in the past Fall and Spring. Credits: 2 decade. Our investigation includes operas in English, French, German, In this half-semester course students will become familiar with the Italian and Russian. Alongside an introduction to the materials of opera, elements of music notation (staves, clefs, pitch names, note and from vocal fachs, forms, and styles, to vocal virtuosity, the course rest values) and with some of the basic skills necessary for college- situates opera as a cultural phenomenon by considering the unique set of level music instruction (e.g., construction and identification of scales, historical, intellectual, social, political and economic conditions of each intervals, triads, and basic diatonic functions). work of art. The course includes some opera projections; each one is Applies to requirement(s): Meets No Distribution Requirement preceded by an introduction of the period in which it was first performed T. Ng, D. Sanford, L. Schipull and is followed by class discussion. Notes: Meets for only the first half of the semester. Applies to requirement(s): Humanities MUSIC-102 Music and Technology T. Ng Fall and Spring. Credits: 4 MUSIC-131 Basic Musicianship It is now possible to record, manipulate, and compose music with a Fall.
    [Show full text]