Cantatas Flyer 2007

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Sunday 21st January Sunday 4th February Sunday 18th February Cantatas 33, 77, 164 Cantatas 113, 179, 199 Works for unaccompanied Violin Lynda Lee - Soprano Lynda Lee - Soprano Alison Browner - Contralto Alison Browner - Contralto Sonata No. 2 in A minor, Robin Tritschler - Tenor Robin Tritschler - Tenor BWV 1003 Jeffrey Ledwidge - Bass Nigel Williams - Bass Partita No. 2 in D minor, BWV 1004 The Palestrina Choir Canticum Novum Choir Orchestra of St Cecilia Orchestra of St Cecilia Soloist Conductor Conductor Alan Smale Christoph Wolff Geoffrey Spratt Leader RTÉ NSO Sunday 28th January Sunday 11th February Sunday 25th February Cantatas 94, 105, 168 Cantatas 46, 101, 102 Cantatas 45, 136, 178 Lynda Lee - Soprano Lynda Lee - Soprano Lynda Lee - Soprano Alison Browner - Contralto Alison Browner - Contralto Alison Browner - Contralto Robin Tritschler - Tenor Robin Tritschler - Tenor Robin Tritschler - Tenor Nigel Williams - Bass Martin Higgins - Bass Nigel Williams - Bass Choir of St Patrick’s Cathedral Mornington Singers Dublin Bach Singers Orchestra of St Cecilia Orchestra of St Cecilia Orchestra of St Cecilia Conductor Conductor Conductor Peter Barley Orla Flanagan Brian MacKay The Church Cantatas of J.S. Bach constitute Sunday 4th March the greatest single compositional achieve- Cantatas 35, 69a, 137 ment of Western music, yet the large major- Bach ity of the 200 or so surviving cantatas had never been performed in Ireland until the Lynda Lee - Soprano Orchestra of St Cecilia began presenting ALL of these masterpieces over a ten year Alison Browner - Contralto period. Cantatas John Elwes - Tenor The first six series in 2001-2006 were an Nigel Williams - Bass outstanding success and the seventh series David Leigh - Organ Soloist will take place in January to March 2007. The plan is to work through the cantatas, 20 07 John Dexter Harmony grouping them together in programmes following the days of the church year. Orchestra of St Cecilia Progressing at the rate of six concerts per Conductor year, it will take no less than sixty concerts John Dexter to complete the project by 2010! Tickets per concert If you would like to be associated with this truly unique musical odyssey, Orchestra of St Cecilia €17 you are invited to become a Concession €14 PATRON or a FRIEND of Bach Cantatas 2007. Complete Church Cantatas Season Ticket €100 Further details can be obtained from 7th Series Concession €80 Lindsay Armstrong 9 Bass Place St Ann’s Church, From Dublin 2 Dawson Street, Dublin Opus 2 Each Sunday South Great George’s St. Tel/Fax: (01) 6621683 21st January to 4th March Email: [email protected] Dublin 2 Web Site: www.orchestrastcecilia.ie At 3.30 pm CC (01) 6778571 SPONSOR or at door Donations of €250 and over are eligible for tax relief Seats Unreserved .

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Ernst Toch Papers, Ca
http://oac.cdlib.org/findaid/ark:/13030/ft0z09n428 No online items Ernst Toch papers, ca. 1835-1988 Finding aid prepared by UCLA Library Special Collections staff and Kendra Wittreich; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] ©2008 The Regents of the University of California. All rights reserved. Ernst Toch papers, ca. 1835-1988 PASC-M 1 1 Title: Ernst Toch papers Collection number: PASC-M 1 Contributing Institution: UCLA Library Special Collections Language of Material: German Physical Description: 44.0 linear ft.(88 boxes) Date (inclusive): ca. 1835-1988 Abstract: The Collection consists of materials relating to the Austrian-American composer, Ernst Toch. Included are music manuscripts and scores, books of his personal library, manuscripts, biographical material, correspondence, articles, essays, speeches, lectures, programs, clippings, photographs, sound recordings, financial records, and memorabilia. Also included are manuscripts and published works of other composers, as well as Lilly Toch's letters and lectures. Language of Materials: Materials are in English. Physical Location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library Special Collections Reference Desk for paging information. Creator: Toch, Ernst 1887-1964 Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library Special Collections.
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Is Bach Best? | Gramophone.Co.Uk
Is Bach best? Was Bach a genius? Or simply a superb technical craftsman? Simon Heighes tries to pin down Bach's genius with a little help from some friends On one thing most musicians are generally agreed: Bach was probably the greatest of all. Explaining his elusive genius, though, is not so easy. Asked why, in Dylan Thomas's words, 'Bach is best', even seasoned professionals find themselves struggling. 'It's impossible,' says Dietrich Fischer-Dieskau. 'His music is the language of the soul, so we can never fully understand him.' Soprano Nancy Argenta is prepared to have a go, though. 'The key to Bach is the spiritual dimension. He was further along the line of godliness than most of us. For me, Bach is a seer, a wise man, a beacon along the path.' For conductor Helmuth Rilling — who has recorded more music by Bach than most — his genius had a more earthly foundation. 'He was the great consolidator, summing up the best of what had gone before, refining the best ideas of his own time.' The true extent of Bach's genius, Rilling believes, is only now becoming apparent. It's not enough, he says, simply to look at Bach's own work alone. 'He's the teacher par excellence. His music has influenced every later generation of composers and musicians — a heritage that continues right up to our own time. My friend Krzysztof Penderecki told me that without Bach he would never have written his own St Luke Passion.' Canadian pianist Angela Hewitt marvels at the way Bach's music still sounds so fresh and vital.
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Pfitzner Palestrina
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Music History Lecture Notes Renaissance & Reformation 1450 AD – 1600 AD
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P Ales Trina
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AGNUS DEI (From Missa Papae Marcelli) Giovanni Pierluigi Da Palestrina (1562) 2
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THE REFORMATION Beginnings of Modernity
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Palestrina (C.1525-1594) I
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