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THE TAKING of AMERICA, 1-2-3 by Richard E
THE TAKING OF AMERICA, 1-2-3 by Richard E. Sprague Richard E. Sprague 1976 Limited First Edition 1976 Revised Second Edition 1979 Updated Third Edition 1985 About the Author 2 Publisher's Word 3 Introduction 4 1. The Overview and the 1976 Election 5 2. The Power Control Group 8 3. You Can Fool the People 10 4. How It All BeganÐThe U-2 and the Bay of Pigs 18 5. The Assassination of John Kennedy 22 6. The Assassinations of Robert Kennedy and Dr. Martin Luther King and Lyndon B. Johnson's Withdrawal in 1968 34 7. The Control of the KennedysÐThreats & Chappaquiddick 37 8. 1972ÐMuskie, Wallace and McGovern 41 9. Control of the MediaÐ1967 to 1976 44 10. Techniques and Weapons and 100 Dead Conspirators and Witnesses 72 11. The Pardon and the Tapes 77 12. The Second Line of Defense and Cover-Ups in 1975-1976 84 13. The 1976 Election and Conspiracy Fever 88 14. Congress and the People 90 15. The Select Committee on Assassinations, The Intelligence Community and The News Media 93 16. 1984 Here We ComeÐ 110 17. The Final Cover-Up: How The CIA Controlled The House Select Committee on Assassinations 122 Appendix 133 -2- About the Author Richard E. Sprague is a pioneer in the ®eld of electronic computers and a leading American authority on Electronic Funds Transfer Systems (EFTS). Receiving his BSEE degreee from Purdue University in 1942, his computing career began when he was employed as an engineer for the computer group at Northrup Aircraft. He co-founded the Computer Research Corporation of Hawthorne, California in 1950, and by 1953, serving as Vice President of Sales, the company had sold more computers than any competitor. -
Zapruder Film
Zapruder Film Books - Articles - Videos - Collections - Oral Histories - YouTube - Websites Visit our Library Catalog for complete list of books, magazines, and videos. Books Bugliosi, Vincent. Four Days in November: The Assassination of President Kennedy. New York: W.W. Norton, 2007. Chambers, Paul G. Head Shot: The Science Behind the John F. Kennedy Assassination. New York: Prometheus, 2010. Fagin, Stephen. Assassination and Commemoration: JFK, Dallas and The Sixth Floor Museum at Dealey Plaza. Oklahoma: University of Oklahoma Press, 2013. Phillips, Sandra S. and Simon Baker. Exposed: Voyeurism, Surveillance and the Camera Since 1870. San Francisco: Yale University Press, 2010. Sullivan, Robert ed. The Day Kennedy Died: 50 years Later LIFE Remembers the Man and the Moment. New York: LIFE, 2013. Trask, Richard B. National Nightmare on Six Feet of Film: Mr. Zapruder's Home Movie and the Murder of President Kennedy. Danvers, MA: Yeoman Press, 2005. The Witnesses: The Highlights of Hearings before the Warren Commission of the Assassination of President Kennedy. New York: Bantam Books, 1964. Wrone, David R. The Zapruder Film: Reframing JFK's Assassination. Lawrence, KS: University Press of Kansas, 2003. United States. The President's Commission on the Assassination of President Kennedy. Report of the President's Commission on the Assassination of President Kennedy. Washington, D.C.: U.S. Government Printing Office, 1964. [Available online at http://www.archives.gov/research/jfk/] Vagnes, Oyvind. Zaprudered: The Kennedy Assassination Film in Visual Culture. Austin: University of Texas Press, 2011. Young, Anne M. ed. Rights & Reproductions: A Handbook for Cultural Institutions. Indianapolis: American Alliance of Museums, 2015. Articles “Did Oswald Act Alone? A Matter of Reasonable Doubt: Frame 230 from the Film.” LIFE 25 Nov. -
Zapruder Film
Zapruder film From Wikipedia, the free encyclopedia Jump to: navigation, search Frame 150 from the Zapruder Film The Zapruder film is a silent, 8 mm color home movie shot by Abraham Zapruder in Dallas, Texas, in Dealey Plaza while standing near "the grassy knoll" during the assassination of President John F. Kennedy on November 22, 1963. It is the definitive, most authoritative footage of the assassination. Contents [hide] • 1 Background • 2 History • 3 Use in "JFK" • 4 External links [edit] Background Zapruder filmed the scene with a Model 414 PD Bell & Howell Zoomatic Director Series Camera that operated via a spring-wound mechanism at an average tested speed of 18.3 frames-per-second. The entire Dealey Plaza exposed film frames lasts 26.6 seconds, with the presidential assassination sequence occupying 19.3 seconds. There are 486 frames altogether. The sequence is recorded on Kodak Kodachrome II 8 mm movie safety film. Zapruder, who suffered from vertigo, made the film while being steadied by his receptionist, Marilyn Sitzman, standing on the most western of two concrete pedestals which extend from the John Neely Bryan north pergola cement structure, overlooking Elm street in Dealey Plaza. President Kennedy's automobile was below and almost exactly in front of Zapruder on Elm Street, at the time of his fatal wound to the head. The film has been used by the Warren Commission and all subsequent investigations of the assassination. The Zapruder frames used by the Commission consist of exhibits 889–899 plus exhibits 901 and 902 (totaling less than 1 second of the actual 26.6 second film), published in the commission supporting volume XVIII. -
The Closest Living Witness: Mary Moorman
DOES THE TIMING OF MARY MOORMAN’S PHOTOGRAPH HELP PROVE THE DOUBLE HEAD SHOT THEORY OF PRESIDENT KENNEDY’S ASSASSINATION? Roger Bruce Feinman, Esq. Photogrammetry by W. Anthony Marsh Copyright 1999 by Roger Bruce Feinman. Portions copyright by W. Anthony Marsh. All Rights Reserved THE CLOSEST LIVING WITNESS: MARY MOORMAN DOES THE TIMING OF HER PHOTOGRAPH HELP PROVE THE DOUBLE HEAD SHOT THEORY OF PRESIDENT KENNEDY’S ASSASSINATION? 1 THE GENESIS OF THIS PAPER At the end of August 1999, Dr. Cyril H. Wecht sent me a copy of a privately circulated essay about “Moorman Photo #5,” written by an assassination researcher from Youngstown, OH, with a request for comments. “Moorman Photo #5” refers to the very well known black-and-white Polaroid snapshot that was taken by Mrs. Mary Moorman during President Kennedy’s assassina- tion in Dallas. Moorman was one of the witnesses on Elm Street who stood closest to the Presi- dent’s limousine in the midst of gunfire, and at the very moment he received his fatal injuries. The focus of the researcher’s interest is the timing of the photograph in relation to the fatal wounding of the president. I will presently define his issue more specifically; discuss the issue’s significance to the assassination controversy; and then resolve it. THE ISSUE The researcher wonders whether Mrs. Moorman snapped her photograph immediately before or immediately after President Kennedy sustained a wound to his head. He also raises a question whether it makes a difference either way. He correctly notes that the timing issue appears to be another bone of contention between critics and proponents of the lone gunman thesis . -
ARRB Deposition of Robert Groden
InThe Matter Of= Assassination Records Review Board Re: President John E Kennedy Deposition of RobertJ Groden July &I996 Miller- Reporting Company 507 C Street, N.E. Washington, DC 20002 (202) 54666666 Origitaul File 0702GRODASC, 167 Pages Min-U-Smp~ File m: 4140073227 Word Index included with this Min-U-Scrip&~ . Assassination Records Review +;ird Deposition of R&&t J.$iroden Re: President John F. Kennedy Juh &I996 Page 1 BEFORE THE Page 4 ASSASSINATION RECORDS REVtEW BOARD [II at the Review BoardAso present in the room is L In Re: [21Mr. Charles Mayn, who is affiliated with the PRESIDENT JOHN F. KENNEDY : Claymont, Delaware pi NationalArchives. Tuesday, Juty 2.1996 PI Mr. Groden, I would like to remind you, as The deposttiin of ROBERT J. GRODEN, cakd [51we discussed shortly before the deposition began, for examination by counsel for the Board in the aboveentltled matter, pursuant to notice. at the [61that this deposition is being conducted pursuant Wilmington Httton. 630 Naamarrs Road, Ctaymorrt. m both to the subpoena that was issued to you, as Delaware, convened at lo:12 am. belore Robert H. PI Haines. a notary public. when were present on well as being under the auspices of the federal behan Of the parties: PI perjury statute. It is important during the course Page 2 lq of the deposition that-. you tell the truth and the APPEARANCES: III whole truth, as you have sworn. On Behalt of the PtatntUt: Mr. Groden, do you mmemberthatIhave T. JEREMY GUNN. ESQ. 19 General Counsel 131 informed you that you are entitled to have counsel Assassinatiin Records Review Board 141 here to&y? 600 E Street, N.W., Second Floor Washington, D.C. -
212 Pl 9-3232/Esquire
A88 MADISON AVENUE/NEW YORK, N.Y. 10022/TEL: 212 PL 9-3232/ESQUIRE HOLD FOR RELEASE FOR NOVEMBER 15, A.M. NEWSPAPERS POSSIBLE SECOND KENNEDY ASSASSIN APPEARS IN NEWLY DISCOVERED PHOTOGRAPH NEW YORK, November 15 ---- A newly discovered photograph of what may be a man aiming a rifle at President Kennedy's car at the site of the assassination appears to confirm the existence of an assassin now at large. (Please request Photo # N X P 1404338 from United Press International, New York Bureau.) The photograph is printed for the first time in the DeceMber issue of Esquire Magazine published today. It is an enlargement of a frame from an 8-mm. color movie film of the assassination made by Orville Nix, a resident of Dallas. Six frames from the film were published in the Warren Commission's volumes of exhibits but not the frame from which this photograph was made. If the picture is indeed of a man aiming a rifle at the President, it would support the widely-held theory that more than one man was involved in the assassination. The theory of two or more assassins conflicts with the findings of the Warren Commission that the assassination of President Kennedy was the work of one man, Lee Harvey Oswald. The Nix film was found in the UPI film library by an independent investi- gator of the assassination who was particularly interested in one of the frames, because it showed more sharply than any other frame a mysterious object behind the wall on the grassy knoll. When a film specialist enlarged the frame, it became clear that the object was a vehicle, and it appeared that a man was leaning against it and aiming a rifle at the President's car. -
The Closest Living Witness: Mary Moorman
DOES THE TIMING OF MARY MOORMAN’S PHOTOGRAPH HELP PROVE THE DOUBLE HEAD SHOT THEORY OF PRESIDENT KENNEDY’S ASSASSINATION? Roger Bruce Feinman, Esq. Photogrammetry by W. Anthony Marsh Copyright 1999 by Roger Bruce Feinman. Portions copyright by W. Anthony Marsh. All Rights Reserved THE CLOSEST LIVING WITNESS: MARY MOORMAN DOES THE TIMING OF HER PHOTOGRAPH HELP PROVE THE DOUBLE HEAD SHOT THEORY OF PRESIDENT KENNEDY’S ASSASSINATION? 1 THE GENESIS OF THIS PAPER At the end of August 1999, Dr. Cyril H. Wecht sent me a copy of a privately circulated essay about “Moorman Photo #5,” written by an assassination researcher from Youngstown, OH, with a request for comments. “Moorman Photo #5” refers to the very well known black-and-white Polaroid snapshot that was taken by Mrs. Mary Moorman during President Kennedy’s assassina- tion in Dallas. Moorman was one of the witnesses on Elm Street who stood closest to the Presi- dent’s limousine in the midst of gunfire, and at the very moment he received his fatal injuries. The focus of the researcher’s interest is the timing of the photograph in relation to the fatal wounding of the president. I will presently define his issue more specifically; discuss the issue’s significance to the assassination controversy; and then resolve it. THE ISSUE The researcher wonders whether Mrs. Moorman snapped her photograph immediately before or immediately after President Kennedy sustained a wound to his head. He also raises a question whether it makes a difference either way. He correctly notes that the timing issue appears to be another bone of contention between critics and proponents of the lone gunman thesis . -
Motorcade 63”8
Technical Reference Handbook Version 2.3 – 2021-07-17 ii Legal Copyright (C) 2019-2021 Mark Tyler All Rights Reserved. This document is a piece of factual research and author commen- tary published on a pro bono basis. It includes references to other peoples work via citations and images in order to make a particular point. This has been done using the conventions of “fair use”1,“fair dealing”2, and “right to quote”3. Each of these items has been cited in the text, a footnote, or appendix G. I am happy for anyone to share verbatim copies of this document for non-commercial activities using the Creative Commons4 license (CC BY-NC-ND 4.0)5 6. For any other kind of reproduction of this document (in whole or part), you will need my permission in writing via email7. 1https://en:wikipedia:org/wiki/Fair_use 2https://en:wikipedia:org/wiki/Fair_dealing 3https://en:wikipedia:org/wiki/Right_to_quote 4https://creativecommons:org 5https://creativecommons:org/licenses/by-nc-nd/4:0 6https://creativecommons:org/licenses/by-nc-nd/4:0/legalcode 7mailto:jfk@marktyler:org iii Preface This document outlines my animation “Motorcade 63”8. The in- tended audience is those interested in researching the assassina- tion of John F. Kennedy who want to understand more fully what I have created, how I went about building it, and why I was moti- vated to start this project. Due to the technical nature of this work readers are expected to have extensive experience with assassina- tion research. As with all of my published work9 I welcome feedback from people who want to make a constructive contribution, whether that be to correct small nitpicking errors (e.g. -
Dealey Plaza Eyewitnesses
Dealey Plaza Eyewitnesses Books - Articles - Videos - Collections - Oral Histories - YouTube - Websites Visit our Library Catalog for complete list of books, magazines, and videos. Books Aynesworth, Hugh. November 22, 1963: Witness to History. Dallas: Brown Books, 2013. Brennan, Howard L. Eyewitness to History: The Kennedy Assassination as Seen by Howard L. Brennan. Waco, TX: Texian Press, 1987. Bugliosi, Vincent. Reclaiming History: The Assassination of President John F. Kennedy. New York: W.W. Norton, 2007. Connally, John B. In History's Shadow: An American Odyssey. New York: Hyperion, 1993. Connally, Nellie. From Love Field: Our Final Hours with President John F. Kennedy. New York: Rugged Land, 2003. Crenshaw, Charles A., Jens Hensen and Gary Shaw. JFK Conspiracy of Silence. New York: Signet, 1992. Curry, Jesse E. Retired Dallas Police Chief, Jesse Curry, Reveals His Personal JFK Assassination File. Dallas: 1969. Dallas Morning News. JFK Assassination: The Reporter’s Notes. Canada: Pediment, 2013. Hampton, Wilborn. Kennedy Assassinated! The World Mourns: A Reporter's Story. Cambridge, MA: Candlewick Press, 1997. Hill, Clint and Lisa McCubbin. Five Days in November. New York: Gallery Books, 2013. Hlavach, Laura. Reporting the Kennedy Assassination: Journalists Who Were There Recall Their Experiences. Dallas, TX: Three Forks Press, 1996. Oliver, Beverly. Nightmare in Dallas. Pennsylvania: Starburst Publishers, 1994. Read, Julian. JFK’s Final Hours in Texas: An Eyewitness Remembers the Tragedy and Its Aftermath. Austin: University of Texas at Austin, 2013. Smith, Merriman. The Murder of the Young President. Washington D.C.: United Press International, 1963. Sneed, Larry A. No More Silence: An Oral History of the Assassination of President Kennedy. -
For a Further Review of the Zapruder and Nix Films and Rn Initial Review of the Muchmore Film
, • 3 C Atice,,44- 3(.44-V144 OV:i • ,••■•••7 rt. .,. • • 4 erwm• • ?..1.1fr• 'r • 4'.;"tt'e4fr; "".• 41.0Z‘. *". •6: 461.11iii:406,4,0•'•,.....- • -4 r. ZAPRIZ;IP CMERA AND FILM , --1 . ..r■ •••.: • •■•• • • • Mr. Abraham Zapruder, Dallas, Texas, made photographs:•:,y •.' of the presidential motorcade in an area on Elm Street lust west cf the intersection of Elm and Houston Streets, using Bell t Ilowell 8 millimeter Zoom lens camera loaded with color film. He started photographing the motorcade after it made • turn onto Elm Street. He started taking pictures prior to the,,r :. ,_; first swat. that was fired and continued making pictures until -the motorcade disappeared to his right. ; - . _ , • . f:.." _ took the film to Jamieson Film Company • for pioc2ssing and stayed with it during the processing. From the orii;•:..nnl print he had three copies made. He subsequently,,,%:...-.:, •• turnecr over two copies to the Secret Service and sold the original hnd one copy to Life Magazine. • . - • . : Zapruderts camera was examined in the Laboratory • .o operate at an average speed of.18.3 frames per. • . • , . • • '!.1,.71.-•-••,`.12. C r , . • ':;71. • LTrn Ty e SLIDES • 4 ...n 2/25/64 Mr. Herbert G. Orth, Assistant Chief of --1-- -., .ife. "..:„cr.:_ne- l s Photographic Laboratory, provided the original'-: 41: of 1.'..:.'7-. -Juder film for review at The President's Commission :..:-.,.... .... '•' 1-"-!-•• --,2• -^-^^tatives of the Commission, Secret Service and THI..:*:,.1-2F-; ::., • .„..metv.r..) If.:.1- - •■ ••,!ilt• of this conference, Mr. Orth offered to make 36 suir.7:75 ::;;= ,1,- lidea..of pertinent frames (171 through 343). -