ARRB Deposition of Robert Groden

Total Page:16

File Type:pdf, Size:1020Kb

ARRB Deposition of Robert Groden InThe Matter Of= Assassination Records Review Board Re: President John E Kennedy Deposition of RobertJ Groden July &I996 Miller- Reporting Company 507 C Street, N.E. Washington, DC 20002 (202) 54666666 Origitaul File 0702GRODASC, 167 Pages Min-U-Smp~ File m: 4140073227 Word Index included with this Min-U-Scrip&~ . Assassination Records Review +;ird Deposition of R&&t J.$iroden Re: President John F. Kennedy Juh &I996 Page 1 BEFORE THE Page 4 ASSASSINATION RECORDS REVtEW BOARD [II at the Review BoardAso present in the room is L In Re: [21Mr. Charles Mayn, who is affiliated with the PRESIDENT JOHN F. KENNEDY : Claymont, Delaware pi NationalArchives. Tuesday, Juty 2.1996 PI Mr. Groden, I would like to remind you, as The deposttiin of ROBERT J. GRODEN, cakd [51we discussed shortly before the deposition began, for examination by counsel for the Board in the aboveentltled matter, pursuant to notice. at the [61that this deposition is being conducted pursuant Wilmington Httton. 630 Naamarrs Road, Ctaymorrt. m both to the subpoena that was issued to you, as Delaware, convened at lo:12 am. belore Robert H. PI Haines. a notary public. when were present on well as being under the auspices of the federal behan Of the parties: PI perjury statute. It is important during the course Page 2 lq of the deposition that-. you tell the truth and the APPEARANCES: III whole truth, as you have sworn. On Behalt of the PtatntUt: Mr. Groden, do you mmemberthatIhave T. JEREMY GUNN. ESQ. 19 General Counsel 131 informed you that you are entitled to have counsel Assassinatiin Records Review Board 141 here to&y? 600 E Street, N.W., Second Floor Washington, D.C. 2O!&l IS] A: Yes. (202) 724-0033 IsI Q: And did you make the decision not to have ALSO PRESENT: 17jcounsel? * CHARLES W. MAYN, ESQ. U.S. Nattonal Archives lq A: Well, I certainly can’t afford counsel. LAURA DENK and DOUGLAS HORNE IS]So, even if1 wanted to, I couldn’t. Assassinatiin Records Review Board q Q: Mr. Groden, could you describe for me the CONTENTS MAMINATION BY COUNSEL FOR !I] general background you have in areas related to WtTNESS ARRB 9 photographic record related to the Kennedy L Robert Groden 3 GRODEN DEPOSITION EXHIBITS MARKED Page 5 37 ExhlbR No. 1 [II assassination? Exhbn No. 2 3s Exhbn No. 3 39 tz~ A: Well, President Kennedy was shot on my Exhlbll No. 4 60 [31eighteenth birthday, November 22nd, 1%3.And Exhi~t No. 5 126 [All exhhb retained by Mr. GUM.] f41smrdng with the early issues of Life magazine, I Page 3 ~slwas Fascinatedby the fact that the photographic dl PROCEEDINGS pq record did exist. Back in the beginning, we had no M Whereupon, m concept-nobody had any concept of how many parts pl ROBERTJ. GRODBN te] of the photographic record actuaIly existed. [4] was called for as a witness and, having been first (q duly sworn, was examined and testified as follows: PI And through the years, as time went by and PI EXAMINATION BY COUNSEL FOR THE lq more and more started to surface, being a m ASSASSINATION RECORDS REVIEW BOARD III photographer and being interested in photographic PI BY MR. GUNN: IZI images and the history of the case,I-as probably PI Q: Would you state your name for the record, 1101please? 131every other researcher in the case-wanted to IIll A: Robert Jacob Groden. 141 examine those items. But they were not available. 1121 Q: What is your address? ISI I had called up UPI, and asked to examine A: 212 Emily Lane: Boothwyn, Pennsylvania I131 iq the Nix and Muchmore filmsThey, of course, [14] 19061. 1151 Q: Mr. Groden, I am a representative of the II refused.They said they would charge $10,000 just 1161 AssassinationRecords Review Board. My name is 161to inspect the films-just to look at themAnd (171Jeremy Gunn. I am the general counsel and the L 1181associate director for research and analysis for 1q the Zapruder film was locked up in Life magazine’s IIS] the Review Board. q possessionAnd none of them were available to any 120) I’m accompanied here today by Laura Denk, !11researcher or any member of the public. PII who is a senior analyst with the Review Board, as WI well as by Douglas Home, who is a senior analyst Ql In 1%9, I started working for a 000002 Miller Reporting Company (202) 5466666 Min-U-Script@ (3) Page 1 - Page 5 uqos~uon of nooert J. Grodeq ~ssasstin Fords Review Board WY 291996 Re: President John F. Kennedy - Page 6 Page 6 * VI photographic-I’m sorry-motion picture optical 111time because of the degree of blowup. PI effects house in NewYork City, called EFX PI And it is my impression that they made d PI Unlimited. Over a period of several months, my PI several negatives for Life magazine.They did not 141 employer and I discovered that we had a mutual 141 keep any of the negativesAl they had was one ISIinterest in the Kennedy assassinationas a historic [SItest print that had come back. ISI investigation. [q Q: Just so I’m clear here.There were m And after sevetzl months, he had showed me m several-it was your understanding that there were PI that he had been, in fact, employed by Life ISIseveral negatives made fromthe original-camera-original [sl magazine-byTime-Life, Incorporated to blow up the M Zapruderfilm? 1i01original eight millimeter Glm of the assassination 101 A: Right. On the roll itself, it said “third 1111to 35 millimeter, with the object being a 111take”.Onthisparticularprint,itsaid’third 1121documentary that Time-Life was considering doing. 121take”. So,I assumethat they made at least three MI Q: Could I interrupt you the& for a moment? ISI negatives. probably at different exposures, to get 1741 A: sure. 141 the best exposure. 1151 Q: What was the name of the person for whom ISI Q: And would it be fair to say that you have rfq you worked at EFX Unlimited? iq never seen any ofthe originals taken directly from P71 A: His name was MOWeitzman.And he showed 171the camera-original Zapruder fil@ [MI me the copy that he had kept-the mechanic’s copy rel A: I have seen the Secret Service copy.The ~91 that was left over from the work that they had done 191HSCA people told me that it was the Secret i201tothefilm. zq Service’s original duplicate copy. p11 Q: If I can interrupt you again. 211 Q: Okay. PI A: Sure. zq A: Let’s see.Anyway, Mr. Weitzman showed me d Page 7 Page 9 III Q: Was the mechanic’s copy a 35 millimeter? [II the film-hand-he1d.A 21-second film in n A: Yes, it was. rz~35 millimeter is virmally impossible to project. PI Q: And was that a positive or a negative? PI It’s very, very difficult, and goes by very, very PI A: Positive. [41quickly.The original film was shot at 18.3 frames PI Q: Was it your understanding that that 35 m per secondAnd all 35 millimeter projectors play 1s)millimeter positive was taken-or copied directly [q back at 24. So, it would play back at about a m from the original, or was there an intermediary m thirdtoahalfagainasf&tasitwasoriginally PI step? lq taken. A: There would be a negative involved. PI PI Anyway, Mr. We&man granted me accessto m Q: So,the mechanic’s copy would have a been iq the print, to make optical effects copies.What I [I 11a second generation. Would that be fair to say? 111did is, I stabilized the -The original (121 A: That’s correct. It would be- It was a 121Zapruder film is very shaky. WI test print from the copies that they had made from 131 You know,Abraham Zapruder was an older ~141 the original.At that time no one, to my 141 man. He had vertigo. He had to be held up by his IISI knowledge, had ever taken an eight millimeter 151secretary, Marilyn, to keep him from falling over. [iq film-an original, regular eight millimeter f&n 16) So,the President, in successive frames, [VI and blown it up to 35 millimeter. 17)would appear all over the fihn.And it made it WI They had described the steps that they ‘181virtually impossible for anybody to examine what [lq went through, in order to make it-how involved it rq was going on. BYIwasThey had to take the bellows off the camera, m What I did is, I stabilized it. I zoomed d ~$1extend it beyond its usual range, refocus it, and 211 in, as close as I could get; and I re-photographed pq shoot it in the dark at a very, very long exposure ZI the Glm one frame at a time, and repositioned the Page 6 - Page 9 (4) Miss-U-Scripi~ Miller Reporting Company (202) 546-6666 Deposition of Robert J. Groden . Af+ssinati.onRecords~ewBoar~ Ret P&&dent-Jqhn 7. Kennedy,.. JufyW996 - Page 10 Page 12 111President, so that he was now rock steady in the 111 the mind to perceive what’s going on in the film. L 121center of the image. Now, for the first time, you r21 So, by double framing it, I slowed it down to half p] could actually see what was happening to him. r31 speed.And, therefore, it’s as if the car were I41 The eye didn’t have to travel all over the b41 going slower, and the mind can more easily grasp rq screen, because by the time you got to where he was [q what’s going on.
Recommended publications
  • Sourcenotes 01-02.07
    Source Notes ABBREVIATIONS AFIP, Armed Forces Institute of Pathology ARRB, Assassination Records Review Board ARRB MD, Assassination Records Review Board, Medical Deposition ASAIC, assistant special agent-in-charge (Secret Service) CD, Warren Commission document CE, Warren Commission exhibit DA, district attorney DMA, Dallas Municipal Archives DOJ, Department of Justice DOJCD, Department of Justice, Criminal Division DPD, Dallas Police Department FOIA, Freedom of Information Act H, Warren Commission hearings and exhibits (volumes 1–15 are testimony; volumes 16–26 are exhibits) HPSCI, House Permanent Select Committee on Intelligence HSCA, House Select Committee on Assassinations JCS, Joint Chiefs of Staff LBJ, Lyndon Baines Johnson NARA, National Archives and Records Administration NAS-CBA, National Academy of Science’s Committee on Ballistic Acoustics NSA, National Security Agency ONI, Office of Naval Intelligence SA, special agent SAC, special agent-in-charge (FBI) SAIC, special agent-in-charge (Secret Service) SSCIA, Senate Select Committee on the CIA WC, Warren Commission WCT, Warren Commission testimony WR, Warren Report Z, Zapruder film 1 INTRODUCTION 1. Stephen Ambrose, quoted in John Broder, “Greatness in the Eye of the Beholder?” Los Angeles Times, November 22, 1993, pp.1, 10. 2. O’Donnell and Powers with McCarthy, Johnny, We Hardly Knew Ye, p.472. 3. Ambrose, quoted in Broder, “Greatness in the Eye of the Beholder?” Los Angeles Times, Novem- ber 22, 1993, pp.1, 10. 4. USA Today, November 22, 1993. 5. Dallas Morning News, November 17, 2003, p.14. 6. New York Times, November 4, 2004, p.4; Phillips, “Fat City,” p.49. 7. Ashley Powers, “The Mythical Man of Camelot,” Dallas Morning News, November 16, 2003, pp.1A, 18A.
    [Show full text]
  • United States of America Assassination
    UNITED STATES OF AMERICA ASSASSINATION RECORDS REVIEW BOARD *** PUBLIC HEARING Federal Building 1100 Commerce Room 7A23 Dallas, Texas Friday, November 18, 1994 The above-entitled proceedings commenced, pursuant to notice, at 10:00 a.m., John R. Tunheim, chairman, presiding. PRESENT FOR ASSASSINATION RECORDS REVIEW BOARD: JOHN R. TUNHEIM, Chairman HENRY F. GRAFF, Member KERMIT L. HALL, Member WILLIAM L. JOYCE, Member ANNA K. NELSON, Member DAVID G. MARWELL, Executive Director WITNESSES: JIM MARRS DAVID J. MURRAH ADELE E.U. EDISEN GARY MACK ROBERT VERNON THOMAS WILSON WALLACE MILAM BEVERLY OLIVER MASSEGEE STEVE OSBORN PHILIP TenBRINK JOHN McLAUGHLIN GARY L. AGUILAR HAL VERB THOMAS MEROS LAWRENCE SUTHERLAND JOSEPH BACKES MARTIN SHACKELFORD ROY SCHAEFFER 2 KENNETH SMITH 3 P R O C E E D I N G S [10:05 a.m.] CHAIRMAN TUNHEIM: Good morning everyone, and welcome everyone to this public hearing held today in Dallas by the Assassination Records Review Board. The Review Board is an independent Federal agency that was established by Congress for a very important purpose, to identify and secure all the materials and documentation regarding the assassination of President John Kennedy and its aftermath. The purpose is to provide to the American public a complete record of this national tragedy, a record that is fully accessible to anyone who wishes to go see it. The members of the Review Board, which is a part-time citizen panel, were nominated by President Clinton and confirmed by the United States Senate. I am John Tunheim, Chair of the Board, I am also the Chief Deputy Attorney General from Minnesota.
    [Show full text]
  • A Legal-Scientific Analysis of the Warren Commission's Single Bullet
    The Magic Bullet: A Legal-Scientific analysis of the Warren Commission’s Single Bullet Theory Andrew M. Mason1 Since its publication in 1964, the Report of the President’s Commission on the Assassination of President John F. Kennedy 2 has been mired in controversy. In reaching its conclusion that President Kennedy was the victim of a lone assassin, the Warren Commission adopted the “single bullet theory” to explain the sequence of three shots directed at the President’s limousine. Three of the seven Commission members apparently disagreed with the theory on the grounds that the evidence did not support it. The lack of clear evidence for the theory and its inconsistency with key eyewitness testimony has provided fertile ground for conspiracy theorists who allege that the explanation was concocted to support the Commission’s conclusion that all shots were fired from Oswald’s rifle.3 According to the single bullet theory, a one-inch long, copper jacketed, lead core 6.5 millimeter rifle bullet fired from the sixth floor of the Texas School Book Depository passed through President Kennedy’s neck, Governor Connally’s chest and wrist and embedded itself in the Governor’s thigh. In doing so, the bullet traversed 19 layers of clothing, 7 layers of skin, approximately 15 inches of tissue, struck a tie knot, removed 4 inches of rib and shattered a radius bone. Despite leaving several small particles of lead behind in the Governor’s wounds, the missile emerged from its tortuous journey remarkably unscathed. The bullet that is supposed to have done all this damage was found on Governor Connally’s stretcher in the corridor at the Parkland Hospital in Dallas.
    [Show full text]
  • Wagner Review 2.Pdf
    1 IN THE COURTROOM WITH ROBERT WAGNER by David W. Mantik, MD, PhD The Mantik View February 18, 2018 Revised August 27, 2018 NOTE: This is my second review of Wagner’s 2016 book; the first was dated December 4, 2017.1 My first review, and Wagner’s response to it, can be found at my website: http://themantikview.com/ 2 § Dr. Mantik states: “It is unique for me to write a second review, but too much remained unsaid after the first review. Wagner’s book clearly required more attention, especially since his profound mistakes are so often duplicated by the unenlightened mainstream media.” § “German judges, very respectable people, who rolled the dice before sentencing, issued sentences 50% longer when the dice showed a high number, without being conscious of it.” -The Black Swan: The Impact of the Highly Improbable (2010), Nassim Nicholas Taleb § “If logic and reason, the hard, cold products of the mind, can be relied upon to deliver justice or produce the truth, how is it that these brain-heavy judges rarely agree? Five-to- four decisions are the rule, not the exception. Nearly half of the court must be unjust and wrong nearly half of the time. Each decision, whether the majority or minority, exudes logic and reason like the obfuscating ink from a jellyfish, and in language as opaque. The minority could have as easily become the decision of the court. At once we realize that logic, no matter how pretty and neat, that reason, no matter how seemingly profound and deep, does not necessarily produce truth, much less justice.
    [Show full text]
  • Sophistic Synthesis in JFK Assassination Rhetoric. 24P
    DOCUMENT RESUME ED 400 532 CS 215 483 AUTHOR Gilles, Roger TITLE Sophistic Synthesis in JFK Assassination Rhetoric. PUB DATE Apr 93 NOTE 24p.; Paper presented at the Annual Meeting of the Conference on College Composition and Communication (44th, San Diego, CA, April 1-3, 1993). PUB TYPE Reports Evaluative/Feasibility (142) Speeches /Conference Papers (150) Historical Materials (060) EDRS PRICE MF01/PC01 Plus Postage. DESCRIPTORS Higher Education; Historiography; Popular Culture; *Presidents of the United States; *Rhetorical Criticism; *Rhetorical Theory; *United States History IDENTIFIERS 1960s; *Assassinations; Classical Rhetoric; Garrison (Jim); *Kennedy (John F); Rhetorical Stance; Social Needs ABSTRACT The rhetoric surrounding the assassination of John F. Kennedy offers a unique testing ground for theories about the construction of knowledge in society. One dilemma, however, is the lack of academic theorizing about the assassination. The Kennedy assassination has been left almost exclusively in the hands of "nonhistorians," i.e., politicians, filmmakers, and novelists. Their struggle to reach consensus is an opportunity to consider recent issues in rhetorical theory, issues of knowledge and belief, argument and narrative, history and myth. In "Rereading the Sophists: Classical Rhetoric Refigured," Susan C. Jarratt uses the sophists and their focus on "nomos" to propose "an alternative analytic to the mythos/logos antithesis" characteristic of more Aristotelian forms of rhetorical analysis. Two basic features of sophistic historiography interest Jarratt: (1) the use of narrative structures along with or opposed to argumentative structures; and (2) the rhetorical focus on history to creative broad cultural meaning in the present rather than irrefutable fact,about the past. Jarratt's book lends itself to a 2-part reading of Jim Garrison's "On the Trail of the Assassins"--a rational or Aristotelian reading and a nomos-driven or myth-making reading.
    [Show full text]
  • Grassy Knoll Shots? Limousine Slowdown? Donald E
    Digital Commons @ Georgia Law Popular Media Faculty Scholarship 4-26-2017 Grassy Knoll Shots? Limousine Slowdown? Donald E. Wilkes Jr. University of Georgia School of Law, [email protected] Repository Citation Wilkes, Donald E. Jr., "Grassy Knoll Shots? Limousine Slowdown?" (2017). Popular Media. 279. https://digitalcommons.law.uga.edu/fac_pm/279 This Article is brought to you for free and open access by the Faculty Scholarship at Digital Commons @ Georgia Law. It has been accepted for inclusion in Popular Media by an authorized administrator of Digital Commons @ Georgia Law. Please share how you have benefited from this access For more information, please contact [email protected]. Grassy Knoll Shots? Limousine Slowdown? By Donald E. Wilkes, Jr. “It is difficult to understand why the [presidential limousine] came to a complete stop after the first shot. The natural inclination… would be to step on the gas and accelerate as quickly as possible. However, if the driver were under the impression that the shots were from the front, one could understand his hesitation in not wanting to drive closer to the sniper or snipers.”—Mark Lane “The most productive mindset you can have is simply this: always, always, always have a belief system that doesn’t resist change. Go wherever the information leads you, without fear, because surely the truth is never something to dread.” —Darryl Sloan The Zapruder Film Only one person filmed from start to finish the assassination of President John F. Kennedy, which occurred in a matter of seconds at 12:30 p.m. on Nov. 22, 1963 on Elm Street in Dealey Plaza in downtown Dallas, TX.
    [Show full text]
  • The JFK Assassination and the Politics and Culture of Conspiracy Theory
    A Paranoid Style? : The JFK Assassination and the Politics and Culture of Conspiracy Theory Joseph Broadbent Degree of Masters of Arts by Research University of East Anglia School of American Studies January 2014 This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that use of any information derived there from must be in accordance with current UK Copyright Law. In addition, any quotation or extract must include full attribution. 2 Abstract This thesis analyses the phenomenon of conspiracy theory, using the assassination of President John F. Kennedy as a case study. Doubt is the root cause of conspiracy theory, stemming from both the innate biases all humans exhibit, and a traumatic experience – in this case the assassination of JFK. This thesis argues that conspiracy theories are created and take hold because of a predisposition toward conspiracy theory, a misinterpretation of a central piece of evidence, such as the Zapruder film, and agency panic, where dispossession causes one to feel as if their agency is under threat. Conspiracy theory can provide believers with many emotions which appear to the individual to not be available elsewhere, namely closure, comfort, control, and a sense of leisure. Using the assassination of JFK, this thesis examines the role of conspiracy theory in modern American society. It weighs up the benefits of conspiracy theory, such as it is an example of free speech and it can aid transparency, with the negatives: that it can possibly cause harm to its adherents and their dependants because of a belief in ends justifying the means.
    [Show full text]
  • `JFK' Premiere • JFK Slayers `Found' on Grassy Knoll
    Pate l ci 6 Stone, guests JFK slayers make plans for `found' on `JFK' premiere • grassy knoll By Jane Sumner By Mark Potok (t-14-?1 sir Write of The Wks Morning Fews OF THE TIMES HERALD STAFF 1FR, the film that Variety calls "an You may too sure political conspiracy not be incendiary what Tom Wilson is showing thriller," premieres in Dallas at a ben- you when he starts his video, efit screening Dec. 19 at General but it's hard to ignore the re- Cinema's NorthPark 1 and 11 theatres- tired engineer's words. Oscar-winning di rector Oliver "You are looking right now Stone and guests will attend a recap. into the eye of the assassin of President Kennedy," he says FILM evenly as the tape rolls. tion at Newport's in The Brewery, 703 "You're looking at a mole on McKinney Ave.. after the 7 p.m. his cheek. screening. Gary Oldinan, who plays "1 can tell you right now, Lee Harvey Oswald in the three-hour his eyes are brown." film, has been mentioned as one of the Using sophisticated tech- stars who may accompany Mr. Stone. nologies known as "image JFK, which filmed in Dallas in processing" and "spectral April and May, stars Kevin Costner as analysis," Wilson, 59, has Jim Garrison, the New Orleans district spent three years examining attorney who prosecuted the only some of the most famous criminal case connected with the mur- photographs and films of the der. Others in the all-star cast include world's most famous assassi- Sissy Spacek, Tommy Lee Jones, Joe nation.
    [Show full text]
  • Novenq-,R 25, 1993 Rebecca Sinkler 4 Yawkey Way Editor Fenway Park
    Novenq-,r 25, 1993 Rebecca Sinkler 4 Yawkey Way editor Fenway Park The New York Times Book Review Boston, MA 02215 229 West 43rd Street New York, NY 10036 Dear Editor: The purpose of this letter is to issue a respectful but firm dissent to the recent flurry of endorsements of Mr. Gerald Posner's book, Case Closed. Mr. Posner's book is not the "compelling account... of what probably did happen in Dallas," as heralded in the review by Mr. Geoffrey C. Ward in The New York Times, Sunday, November 21, 1993. Neither is it an "always conclusive destruction of one Kennedy assassination conspiracy theory after another," as Tom Wicker writes on the jacket cover. In fact, Case Closed is factually innaccurate and misleading, despite the acclaim granted to Mr. Posner during the last several months in both the electronic and print media. In reality, Case Closed is no less a sham than many books published on both sides of the conspiracy issue since the events in Dallas, 1963. Allow me to demonstrate: The Single Bullet Theory Of all the assassination theories, the Single Bullet Theory is certainly the grandest of them all. It is the cornerstone of any case against Lee Harvey Oswald or any other lone gunman. Conspiracy or not, all scholars of the case can not ignore the inescapable fact that the Single Bullet Theory is, itself, only a theory, not a fact. It is almost universally accepted that the lone gunman scenario requires no more than three shots. It also asks that one bullet be responsible for multiple wounds and physical damage in two men: An entrance and exit wound in the president; an entrance wound beneath the right rear armpit in Governor Connally; a fractured rib in the Governor; an exit wound out the Governors chest; an entrance wound in his wrist; a fractured wrist; an exit wound from his hand; and still a final entrance wound (superficial) in his thigh.
    [Show full text]
  • HSCA Volume I: 9/6/78
    62 Sir, will you stand and raise your right hand to be sworn. Do you solemnly swear the testimony you will give before this committee is the truth, the whole truth and nothing but the truth, so help you God? Mr. GRODEN. I do. Chairman STOKES. Thank you. You may be seated. TESTIMONY OF ROBERT GRODEN Chairman STOKES. The Chair recognizes Mr. Mickey Goldsmith, counsel for the committee . Mr. GOLDSMITH. Mr. Groden, would you please state your name and occupation for the record? Mr. GRODEN. Robert Groden, photo-optics technician. Mr. GOLDSMrrH. Mr. Groden, would you move the mike closer to you. Thank you. Now, Mr. Groden, in your capacity as a consultant to this com- mittee, what has been your major responsibility? Mr. GRODEN. My major responsibility was to present to the com- mittee those issues dealing with photographic evidence that it was felt could be scientifically addressed, perhaps improved upon as the knowledge of the critics has lasted through these years and per- haps give new information relating to those particular photographs and films. Mr. GOLDSMITH. Mr. Groden, to what extent, if any, has the information you have been giving to this committee been limited to those issues that you personally thought to have merit? Mr. GRODEN. No, all of the issues to which I felt there was merit, I was given freedom to address, but also, additional issues which, perhaps, were not of my belief but certainly were raised by credible critics as well. Mr. GOLDSMITH. So basically, then, you saw your responsibilities as a consultant to advise the committee generally, and not just with regard to those issues with which you had worked; is that correct? Mr.
    [Show full text]
  • THE TAKING of AMERICA, 1-2-3 by Richard E
    THE TAKING OF AMERICA, 1-2-3 by Richard E. Sprague Richard E. Sprague 1976 Limited First Edition 1976 Revised Second Edition 1979 Updated Third Edition 1985 About the Author 2 Publisher's Word 3 Introduction 4 1. The Overview and the 1976 Election 5 2. The Power Control Group 8 3. You Can Fool the People 10 4. How It All BeganÐThe U-2 and the Bay of Pigs 18 5. The Assassination of John Kennedy 22 6. The Assassinations of Robert Kennedy and Dr. Martin Luther King and Lyndon B. Johnson's Withdrawal in 1968 34 7. The Control of the KennedysÐThreats & Chappaquiddick 37 8. 1972ÐMuskie, Wallace and McGovern 41 9. Control of the MediaÐ1967 to 1976 44 10. Techniques and Weapons and 100 Dead Conspirators and Witnesses 72 11. The Pardon and the Tapes 77 12. The Second Line of Defense and Cover-Ups in 1975-1976 84 13. The 1976 Election and Conspiracy Fever 88 14. Congress and the People 90 15. The Select Committee on Assassinations, The Intelligence Community and The News Media 93 16. 1984 Here We ComeÐ 110 17. The Final Cover-Up: How The CIA Controlled The House Select Committee on Assassinations 122 Appendix 133 -2- About the Author Richard E. Sprague is a pioneer in the ®eld of electronic computers and a leading American authority on Electronic Funds Transfer Systems (EFTS). Receiving his BSEE degreee from Purdue University in 1942, his computing career began when he was employed as an engineer for the computer group at Northrup Aircraft. He co-founded the Computer Research Corporation of Hawthorne, California in 1950, and by 1953, serving as Vice President of Sales, the company had sold more computers than any competitor.
    [Show full text]
  • Zapruder Film
    Zapruder Film Books - Articles - Videos - Collections - Oral Histories - YouTube - Websites Visit our Library Catalog for complete list of books, magazines, and videos. Books Bugliosi, Vincent. Four Days in November: The Assassination of President Kennedy. New York: W.W. Norton, 2007. Chambers, Paul G. Head Shot: The Science Behind the John F. Kennedy Assassination. New York: Prometheus, 2010. Fagin, Stephen. Assassination and Commemoration: JFK, Dallas and The Sixth Floor Museum at Dealey Plaza. Oklahoma: University of Oklahoma Press, 2013. Phillips, Sandra S. and Simon Baker. Exposed: Voyeurism, Surveillance and the Camera Since 1870. San Francisco: Yale University Press, 2010. Sullivan, Robert ed. The Day Kennedy Died: 50 years Later LIFE Remembers the Man and the Moment. New York: LIFE, 2013. Trask, Richard B. National Nightmare on Six Feet of Film: Mr. Zapruder's Home Movie and the Murder of President Kennedy. Danvers, MA: Yeoman Press, 2005. The Witnesses: The Highlights of Hearings before the Warren Commission of the Assassination of President Kennedy. New York: Bantam Books, 1964. Wrone, David R. The Zapruder Film: Reframing JFK's Assassination. Lawrence, KS: University Press of Kansas, 2003. United States. The President's Commission on the Assassination of President Kennedy. Report of the President's Commission on the Assassination of President Kennedy. Washington, D.C.: U.S. Government Printing Office, 1964. [Available online at http://www.archives.gov/research/jfk/] Vagnes, Oyvind. Zaprudered: The Kennedy Assassination Film in Visual Culture. Austin: University of Texas Press, 2011. Young, Anne M. ed. Rights & Reproductions: A Handbook for Cultural Institutions. Indianapolis: American Alliance of Museums, 2015. Articles “Did Oswald Act Alone? A Matter of Reasonable Doubt: Frame 230 from the Film.” LIFE 25 Nov.
    [Show full text]