Navigating Covid-19 a Guide for Brands to Survive and Thrive

Total Page:16

File Type:pdf, Size:1020Kb

Navigating Covid-19 a Guide for Brands to Survive and Thrive NAVIGATING COVID-19 A GUIDE FOR BRANDS TO SURVIVE AND THRIVE Dentsu Aegis Network Hong Kong March 2020 In a few short months, COVID-19 has ravaged global economies and panicked entire populations. For Hong Kong, the disease has amplified an already unprecedented deterioration of its economy that began with the social unrest of 2019. Public health and safety has never been more of a significant concern, with entire cities quarantined and travel restrictions implemented the world over. Even places of work and education have closed to stem infection. The economic and social impact is shocking and will certainly last longer than with SARS. The future of COVID-19 is uncertain, so it is essential that brands understand the facts of today, learn from the past and implement strategies now to survive. Dentsu Aegis Network Hong Kong created this indispensable guide to provide insights and guidance for you to successfully navigate COVID-19. We hope you find it helpful. Regards, Dentsu Aegis Network Hong Kong DENTSU AEGIS NETWORK 2 CONTENTS • The Economy vs. The Epidemic 04 Transform your brand experience today and be prepared for the future. • Industry and Business Insights 16 Define your strategy based on your industry and business position. • Brand and Marketing Insights 27 Consumer-driven strategies and actions that help your business and brand thrive and survive. DENTSU AEGIS NETWORK 3 THE ECONOMY VS. THE EPIDEMIC The two will forever change the consumer landscape of Hong Kong. Transform your brand experience today and be prepared for the future. DENTSU AEGIS NETWORK 4 COVID-19 – AN EPIDEMIC ON THE RISE Jan 31, 2020 Feb 6, 2020 Feb 8, 2020 Feb 11, 2020 WHO announce PHEIC Dec 31, 2019 Jiangxi Province lockdown while Number of deaths exceeded WHO renamed 2019-nCoV to COVID-19 Tianjin City restricted entry SARS Shenzhen 72 countries implemented travel bans to WHO received alert notification semi-lockdown China GLOBAL Jan 7, 2020 Jan 29, 2020 2019-nCoV named by WHO First US citizens evacuated Feb 9, 2020 Corporations shutdown for 1 more week Feb 5, 2020 Feb 7, 2020 CHINA Dec 30, 2019 Liaoning Province lockdown, Death of Dr. Li Dr Li and 7 others received the warning affected 50Million people. Hubei Province and Anhui Casinos in Macau shut down for Province lockdown Feb 10, 2020 2 weeks Chongqing restricts entry Beijing and Shanghai restricted entry, Jan 29, 2020 4 municipality cities impacted. CNN: Postponed working day until Feb 10 over 80 cities lockdown, 400 Million people under quarantine Dec 1, 2019 Jan 9, 2020 Jan 23, 2020 First confirmed case First death case Wuhan City lockdown Jan 26, 2020 Jan 22, 2020 Except for HK residents, Feb 4, 2020 Feb 8, 2020 Feb 9, 2020 Feb 15, 2020 First confirmed case all visitors that have been First death in the city World Dream cruise ship Protests against quarantine camp Protests against the listing in Hong Kong to Hubei Province are now Completes quarantine period site location in multiple districts of designated flu clinics in denied entry into the city multiple districts Jan 25, 2020 Feb 9, 2020 Feb 12, 2020 HK Government declares highest warning 9 new recorded cases linked Nurses general union takes industrial tier for outbreak in Wuhan to the “Hot Pot Family” cluster action to demand better protective equipment for nurses Jan 30, 2020 Feb 5, 2020 HK Government suspends 4 land border crossings to mainland All visitors from the Mainland are subject Mainland flights reduced by 50% to 14 days of mandatory self-quarantine Feb 12, 2020 City’s first recovered patient discharged from hospital Feb 3, 2020 Feb 5, 2020 Feb 11, 2020 HK hospital workers go on strike to demand full closure of Mainland border. Panic-buying sees thousands queue Residents evacuated from Tsing Yi HK HK Government suspends all but 3 ports for inbound travel from Mainland for surgical masks public housing estate block with 2 consecutively diagnosed cases DENTSU AEGIS NETWORK UpdatedUpdated Time: Time: 2020.03.04 2020.02.17 11:00am14:00 55 IN LATE FEBRUARY, SOCIAL UNREST BEGAN TO RESURRECT HK Feb 24, 2020 HK Government issues Red Feb 17, 2020 Feb 20, 2020 Feb 22, 2020 Outbound Travel Alert on Korea Number of confirmed cases CDC issues travel guidelines HK Government confirms 68 cases of infected HK Feb 27, 2020 reaches 60 For Hong Kong residents Aboard the Diamond Princess cruise ship Manufacturer Gilead to introduce Remdesivir, Feb 29, 2020 medicine for Covid-19, to Hong Kong by First anti-government protest mid-March the earliest. turned violent in Prince Edward Feb 25, 2020 since the Covid-19 outbreak began Education Bureau announces class resumption on April 20 the earliest Feb 21, 2020 LegCo passes bill of 30 Billion Feb 23, 2020 dollars for anti-epidemic fund Centre for Health Protection Feb 19, 2020 announces multiple confirmed cases linked to a Buddhist hall in North Point District Second death in the city Feb 26, 2020 Feb 28, 2020 Department of Health publishes online list HK Government announces arrangements Feb 19, 2020 of buildings where mandatorily self-quarantined for chartered flights to return HK residents Unemployment rate rises to 3,4%, highest since 2017 residents are staying stranded in Wuhan DENTSU AEGIS NETWORK Updated Time: 2020.03.04 14:00 6 THE NEW NORM IS HERE. KEEP UP OR CATCH UP. The perpetual good times of Hong Kong’s past decades is over. Recommendations: The new norm is a rapidly changing environment that brands must tackle headfirst with agility or risk having to re-win the Transform. Be consumer-centric and focus on hearts and minds of an ever-shifting consumer base. experience by reimagining and redesigning how your brand remains connected with reluctant consumers. THE NEW NORM BEGAN 6 MONTHS AGO The trickle of social unrest that began in the latter part of 2019 eventually turned into a flood of disruption that hit both the Q3 2019 Q1 2020 Q2 2020 Q3 2020 retail and tourism-related industries hard. TIMELINE ENTER COVID-19 An already weakened economy is further impacted, turning SOCIAL UNREST toward negative territory for the first time in decades. Its recovery is expected to be a tough process. COVID-19 POST RECOVERY OUTBREAK 2.9% ↓25% SOCIETAL RECOVERY Q4 GDP CONTRACTION RETAIL SALES DROPPED EPIDEMIC SUPRESS (BY QUARTER) (BY QUARTER) DENTSU AEGIS NETWORK Source: Census and Statistic Department, Hong Kong 2020 7 THE REAL WORLD IS REAL SCARY COVID-19 DRIVES DIGITAL EXPERIENCES COVID-19 is a highly infectious virus with a list of DISEASE FATALITY RATE RO* INCUBATION PERIOD possible symptoms. When everyone around you is a potential carrier and everything you touch could be COVID-19 2% 2.2-3.77 2-14 days contaminated, the physical world becomes a dangerous place. SARS 9.50% 1.85 2-7 days MERS 36% 3.5-6 Many found solace online, meaning customers no FLU 0.50% 0.9-2.1 longer come to your physical stores. *R0: The expected transmission rate directly generated by 1 individual. 1 COVID-19 carrier can spread the infection to 2 additional people. Recommendations: COVID-19 COVID-19 COVID-19 Post Outbreak Sustaining Recovery Recovery Digital experiences are no longer just a convenience. You must refine the Contactless Experience so After staying at home homebound consumers can interact with your brand Home confinement Epidemic slows down. TAs The epidemic is over. for months, TAs begin return to work/school, but online. gives TV, social, TA recovers but is still attending events. news, video activities are limited to cautious and will not go However, social unrest entertainment and necessities such as offices, out unless necessary. may continue to Plan for the unexpected. Integrate design experience games a boost. homes, supermarkets and impact the TA’s with COVID-19 scenario planning to ensure your transportation. mobility. brand can respond, remediate and recover fast. DENTSU AEGIS NETWORK Sources: University of Minnesota, Centre For Infectious Disease Research and Policy New England Journal of Medicine – COVID 19 Navigating the Unchartered, Feb 2020 8 THE PHYSICAL IMPACT SO FAR As of February 27, 2020, the number of confirmed cases: GLOBALLY MAINLAND CHINA HONG KONG 109,270 80,735 114 The number of new infections in China remains 74% of total global confirmed cases. 112 people hospitalized with 2 fatalities. steady. However, new areas such as Iran, Italy, The number of new confirmed cases is South Korea and Japan's increase in outbreaks expected to increase. Experts estimate become a topic of concern. peak outbreak to occur in March. DENTSU AEGIS NETWORK Source: Worldometers.com, Hong Kong Centre of Health and Protection 2020 Time as of 9th March 2020 9 HONG KONGERS ARE FEARFUL. FEEL THEIR PAIN, THEN BE THE CURE. Recommendations: Now is the time for brands to fill a void. By providing tools, services, information and convenience to ease the public's pain points and needs, your brand will provide them much needed confidence. Something they won't soon forget. FEAR OF CONTRACTING THE VIRUS up to 72% VS 61% 11% Female Male Of HK adult population were Affected by depression in 2019 67% 82% VS 44% have expressed fears Aged 18-24 Aged 55+ 53% over contracting COVID-19 drop 74% VS 63% Public Sentiment compared to 2019 With kids <18 Without kids DENTSU AEGIS NETWORK DENTSU AEGIS NETWORK Source: YouGovHK (Feb 12, 2020) - Results based on 2,081 Hong Kongers surveyed by YouGov OmnibusSources: Hong Kong Public Opinion Research Institute 10 NEW HEALTH MEASURES, NEW MARKETING CHALLENGES Estimated WFH Percentage SCHOOL SUSPENSION AND WORK FROM HOME BEGAN AND IS EXPECTED TO CONTINUE TILL THE 60% END OF MARCH.
Recommended publications
  • The Way We Shop 改變我們的購物方式
    Change The Way We Shop 改變我們的購物方式 ANNUAL REPORT 2016 年報 HONG KONG TELEVISION NETWORK LIMITED 香港電視網絡有限公司 SEHK 香港交易所股份編號: 1137 HKTVmall aims to be the largest & diversified 24-hour online shopping mall. Currently, we have about 1,300 stores, selling more than Change 135,000 products, including leading brands, international brands, as well as products & The Way We Shop food directly delivered from Japan & Korea. To serve our customers better, HKTVmall sets up 改變我們的購物方式 logistics centres in Kowloon Bay and Tsing Yi, manages its own delivery team to ensure ANNUAL REPORT 2016 年報 punctual delivery of quality products and services directly to our customers. HKTVmall 目標是成為香港最大型、「包羅 萬有」的24小時網上購物商場。現時,我們 的商場有約1,300家商店營運,售賣超過 135,000件貨品,當中包括本地各行業的領 導品牌、國際品牌、日本及韓國直送的貨 品及食品等。為確保每一個環節都做到最合 客戶心意,HKTVmall 於九龍灣及青衣設立 物流中心,擁有自己的物流及送貨團隊, 確保準時送貨,將優質貨品與服務,直接送 到客戶手上。 HKTV 2016ar cover_8 op.pdf 2 3/4/2017 8:49 PM C M Y CM MY CY CMY K Contents 03 / Financial Highlights 04 / Major Milestones and Events 09 / Chairman’s Statement 13 / Management’s Discussion and Analysis 24 / Profile of Directors and Senior Management Nowadays, e-commerce is one of the growth momentum of the global economy. Hong Kong, praised as Shopping Paradise, however, is lagging behind in this aspect compared to neighbourhood areas. HKTVmall endeavors to be the engine of local e-commerce development. By keeping evolve to create value for customers, and encouraging them to learn and try, we hope to become an indispensable part of lives, and remain the competitiveness of Hong Kong. Financial Information
    [Show full text]
  • BOA Paper 8/2011 (For Information on 20.5.2011) Updates on Complaints for the Quarter 1 – 3/2011 (Position As at 6.5.2011) A
    BOA Paper 8/2011 (For information on 20.5.2011) Updates on Complaints for the Quarter 1 – 3/20111 (Position as at 6.5.2011) A. Complaints dealt with by the Broadcasting Authority Complaints Committee and considered by the Broadcasting Authority Title No. of Substance of Complaint Decision Complaints Radio Programme "Ordinary Done 1 - Three members of the public - the BA noted that the programme was a talk show Seriously" complained about the captioned broadcast on Saturday afternoons. In a segment (尋常事認真做) radio programme. The substance of entitled " 名 DJ 打比你" (English translation: the complaints was that the random Famous DJs Calling You), the hosts made random (RTHK Radio 2, 20 & 27 November prank calls by the programme hosts phone calls to members of the public, asked if 2010, 4 & 11 December 2010, would exert a bad influence on the they were aware that the hosts were famous DJs, 4:00pm-6:00pm) public and promote prank playing. and chatted about their listening habits. It was noted that most people who received the phone calls simply hung up when they found themselves engaged in nuisance calls from strangers. - the BA noted that although this type of "candid camera" presentation was not uncommon on television and radio programmes, some people found the calls obnoxious and offending. The hosts' remarks and discussion after making the calls were often frivolous, sometimes preceded by a burst of laughter, and seemingly complacent over the meaningless jokes on others. The frivolous tone and presentation of the hosts might give listeners an impression that it was harmless to make prank calls or ridicule people in such a 1 Content of this paper is extracted from the homepage of the Broadcasting Authority: http://www.hkba.hk/en/complaints/archives.html P.1 manner.
    [Show full text]
  • 2014-2015 Report on Police Violence in the Umbrella Movement
    ! ! ! ! ! 2014-2015 Report on Police Violence in the Umbrella Movement A report of the State Violence Database Project in Hong Kong Compiled by The Professional Commons and Hong Kong In-Media ! ! ! Table!of!Contents! ! About!us! ! About!the!research! ! Maps!/!Glossary! ! Executive!Summary! ! 1.! Report!on!physical!injury!and!mental!trauma!...........................................................................................!13! 1.1! Physical!injury!....................................................................................................................................!13! 1.1.1! Injury!caused!by!police’s!direct!smacking,!beating!and!disperse!actions!..................................!14! 1.1.2! Excessive!use!of!force!during!the!arrest!process!.......................................................................!24! 1.1.3! Connivance!at!violence,!causing!injury!to!many!.......................................................................!28! 1.1.4! Delay!of!rescue!and!assault!on!medical!volunteers!..................................................................!33! 1.1.5! Police’s!use!of!violence!or!connivance!at!violence!against!journalists!......................................!35! 1.2! Psychological!trauma!.........................................................................................................................!39! 1.2.1! Psychological!trauma!caused!by!use!of!tear!gas!by!the!police!..................................................!39! 1.2.2! Psychological!trauma!resulting!from!violence!...........................................................................!41!
    [Show full text]
  • Power Point Presentation by Chairman of Communications
    Overview of the Development of Broadcasting & Telecommunications Sectors in 2016/17 Communications Authority 9 February 2017 Overview of the Development of the Broadcasting Market in 2016 TV Programme Services (up to December 2016) The two domestic free TV programme service licensees provided: • 8 free TV channels • The coverage rate reached 99% The three domestic pay TV programme service licensees provided: • Over 400 pay TV programme channels • The penetration rate was over 90% In January 2014, Radio Television Hong Kong (“RTHK”) commenced a trial run of its digital channels Sound Broadcasting Services (up to December 2016) The two broadcasting licensees and RTHK provided 13 analogue channels and 5 digital channels The coverage rate of digital sound broadcasting services reached about 83% 2 Overview of the Development of the Telecommunications Market in 2016 300% Penetration流動電話服務用戶滲透率 Rate of Mobile Subscribers Mobile Services 233% 250% Penetration3G/4G服務用戶滲透率 Rate of 3G/4G 200% The number of mobile subscribers has 210% reached 17.15 million, representing a 150% penetration rate of 233% 100% The number of 3G and 4G mobile 50% 按人口計算的用戶滲透率 subscribers has reached 15.45 Population) (by Rate Penetration 0% million, representing a penetration 2006 2008 2010 2012 2014 2016 rate of 210% Oct All the four mobile network operators 2,000 每名用戶的Monthly Mobile offer 4G services, with certain 每月流動數據用量Data Usage 1,456 1,500 networks supporting a download Per Customer speed up to 450 Mbps 1,000 MBytes Monthly mobile data usage per 兆字節 500
    [Show full text]
  • Rate Card 10Dec20 FA
    Entertainment packs and channels START WITH BASIC ASTRO FAMILY PACK / CHUEN MIN PACK Astro Family Pack With HD 104 Astro Ria HD* 300 iQIYI 503 CGTN 707 TLC HD* 101 TV1 147 NTV7 375 CCTV4 631 Astro Ceria 105 Astro Prima HD 303 Go Shop 2 550 Nat Geo Wild HD* 708 Food Network HD* 102 TV2 148 8TV 391 KBS World 721 AXN 106 Astro OASIS HD 304 Astro Xiao Tai Yang HD* 611 Astro Ceria HD* 709 Asian Food Network HD* 103 TV3 149 TV9 501 Astro Awani 723 FOXlife 116 Colors Hindi HD* 305 TVB Classic 701 AXN HD* 710 Nat Geo People HD* 114 TV AlHijrah 200 Self Service Portal 502 Bernama 727 TLC 118 Go Shop RUUMA 306 Astro AEC HD* 702 Hello 800 eGG Network* 124 Astro Ria 202 Astro Vellithirai 570 Nat Geo Wild 729 Asian Food Network 120 Go Shop GAAYA 308 Astro Quan Jia HD* 703 FOXlife HD* 802 Astro Arena HD* 125 Astro Prima 203 Makkal TV 601 Astro Tutor TV UPSR 801 Astro Arena 122 TVS 335 CCTV4 HD* 704 FOX HD* 817 FOX SPORTS 3 HD* 126 Astro OASIS 321 CCM 602 Astro Tutor TV PT3 852 – 882 27 Digital Radio Stations 201 Astro Vaanavil HD 392 KBS World HD* 705 KIX HD* 129 ART 344 Astro Xiao Tai Yang 603 Astro Tutor TV SPM 231 Astro Vinmeen HD* 393 ONE HD* 706 HITS HD* 146 TV Okey 346 Astro AEC 610 Astro TVIQ Chuen Min Pack A variant of the Astro Family Pack which includes more Chinese channels Includes Excludes 309 | 349 Celestial Movies HD* / Celestial Movies 316 CTI Asia 323 TVBS News 326 Phoenix InfoNews 104 | 124 Astro Ria HD* / Astro Ria 105 | 125 Astro Prima HD / Astro Prima 201 Astro Vaanavil HD 203 Makkal TV PRIME PACKS PLUS PACKS MINI PACKS Dynasty
    [Show full text]
  • PDF Full Report
    Heightening Sense of Crises over Press Freedom in Hong Kong: Advancing “Shrinkage” 20 Years after Returning to China April 2018 YAMADA Ken-ichi NHK Broadcasting Culture Research Institute Media Research & Studies _____________________________ *This article is based on the same authors’ article Hong Kong no “Hodo no Jiyu” ni Takamaru Kikikan ~Chugoku Henkan kara 20nen de Susumu “Ishuku”~, originally published in the December 2017 issue of “Hoso Kenkyu to Chosa [The NHK Monthly Report on Broadcast Research]”. Full text in Japanese may be accessed at http://www.nhk.or.jp/bunken/research/oversea/pdf/20171201_7.pdf 1 Introduction Twenty years have passed since Hong Kong was returned to China from British rule. At the time of the 1997 reversion, there were concerns that Hong Kong, which has a laissez-faire market economy, would lose its economic vigor once the territory is put under the Chinese Communist Party’s one-party rule. But the Hong Kong economy has achieved generally steady growth while forming closer ties with the mainland. However, new concerns are rising that the “One Country, Two Systems” principle that guarantees Hong Kong a different social system from that of China is wavering and press freedom, which does not exist in the mainland and has been one of the attractions of Hong Kong, is shrinking. On the rankings of press freedom compiled by the international journalists’ group Reporters Without Borders, Hong Kong fell to 73rd place in 2017 from 18th in 2002.1 This article looks at how press freedom has been affected by a series of cases in the Hong Kong media that occurred during these two decades, in line with findings from the author’s weeklong field trip in mid-September 2017.
    [Show full text]
  • HKTV Has Finally Made Its Long-Awaited Debut Online. Arthur
    Licence to thrill HKTV has finally made its long-awaited debut online. Arthur Tam goes outside the box and finds out what it means for the future of IM MCEVENUE T television in our city ILLUSTRATION BY BY ILLUSTRATION 28 timeout.com.hk esides being a hub for the finance, dropped in recent years,” he counters. Commerce and Economic Development, fashion and film industries over “But this is also due to the fact that people Greg So Kam-leung, has revealed any Bthe years, Hong Kong also has a have switched to different devices for sort of answer after he stated that a proud history in TV. The city’s thriving viewing. If you add it all up, there is consultant’s report – not released to the television scene has been an undying actually an increase in viewership.” public – claimed that Hong Kong couldn’t source of cultural influence – both locally sustain more than four TV stations. and internationally. It’s nothing short The days that followed last year’s of amazing that a small territory with rejection saw public outcry. Angry a market of just seven million people TV viewers called for the government can regularly produce TV shows with to be transparent about its decision. budgets similar to those made in the WE ARE THE An estimated 100,000 people amassed US that have a market of more than 300 outside the Legislative Council in protest million people. Ever since the conception VICTIMS OF OUR on October 20. So, not one to give up, of HK’s first free-to-air station, TVB, Wong then made a move to acquire China which launched on November 19, OWN SUCCESS Mobile Hong Kong for $142 million and 1967, we’ve been producing quality just proceeded to forge ahead with his TV programming that not only reaches local With the stage set and audiences network regardless.
    [Show full text]
  • Summary of Complaints Dealt with by the Broadcasting Authority (2000 - 2002)
    CB(1)2197/02-03(01) Summary of Complaints Dealt With by the Broadcasting Authority (2000 - 2002) 1. Advice 1.1 Complaint Cases Related to Programmes Broadcast Programme Title Channel Contravention Date 29.11.1999 The Simpsons ATV World The crude language used in the programme was generally unacceptable for broadcast in the family viewing hours. 29.8.2001 Enlightenment Of Who ATV Home The programme provided an incorrect answer Wants To Be A to a question on the meaning of the three- Millionaire asterisks on the Hong Kong Identity Card of an adult. 8-10.10.2001 Broadcast of Teloped ATV Home The repeated and continuous rolling of teloped Message messages not related to the programmes in which they were screened would disrupt viewing pleasure. 6.8.2002 Meteor Garden ATV Home The end credits of the programme contained a sponsor's name which was a foul expression unacceptable for broadcast. 3.11.2002 Cultural Roots Of ATV Home The footage which described in detail the Hong Kong methods of raising a ghost child was unnerving to children and was not suitable for broadcast during the family viewing hours. 8.5.2000 J.S.G. Song Video TVB Jade The music video portrayed a dangerous act Corner which might invite imitation by children, and should not be broadcast within the family viewing hours. 9.6.2000 My Father My Hero TVB Pearl Cantonese instead of English, which was the designated language of TVB Pearl, was transmitted on the conventional sound channel for about four minutes. 14.6.2000 Mojacko TVB Jade The animation was a children’s programme which failed to convey a clear message to children viewers that gambling was undesirable.
    [Show full text]
  • ENCROACHMENTS on PRESS FREEDOM in HONG KONG Threatened Harbor Encroachments on Press Freedom in Hong Kong
    THREATENED HARBOR ENCROACHMENTS ON PRESS FREEDOM IN HONG KONG Threatened Harbor Encroachments on Press Freedom in Hong Kong January 16, 2015 © PEN American Center 2015 All rights reserved PEN American Center is the largest branch of PEN International, the world’s leading literary and human rights organization. PEN works in more than 100 countries to protect free expression and to defend writers and journalists who are imprisoned, threatened, persecuted, or attacked in the course of their profession. PEN America’s 3,700 members stand together with more than 20,000 PEN writers worldwide in international literary fellowship to carry on the achievements of such past members as James Baldwin, Robert Frost, Allen Ginsberg, Langston Hughes, Arthur Miller, Eugene O’Neill, Susan Sontag, and John Steinbeck. For more information, please visit www.pen.org. Cover photograph: © Gareth Hayes, Creative Commons CONTENTS Introduction 4 Report Framework and Methodology 6 Legal Framework 7 Challenges to Press Freedom in Hong Kong 9 Physical Assaults on Journalists 9 Attacks on and Obstruction of Media During the Pro-Democracy Protests 11 Threats to Free Expression Online 14 Politically Motivated Censorship and Removal of Media Figures 17 Politically Motivated Economic Pressures on Media Outlets 20 Recommendations 22 References 23 Appendix: Alleged Incidents of Violence Against Journalists During the 2014 Pro-Democracy Protests As Reported to the Hong Kong Journalists Association 23 INTRODUCTION Hong Kong has long enjoyed a vibrant, diverse, and independent passed in 1990 by the Chinese National People’s Congress, also media and a unique position as a window into mainland China. explicitly protects the rights of Hong Kong’s residents through Local and foreign correspondents make use of Hong Kong’s the year 2047, including the freedom of speech, freedom of unique geopolitical position, cosmopolitanism, and strong the press, and freedom of assembly.
    [Show full text]
  • Charting a Postcolonial Hong Kong Identity Through the Tv Screen
    NARRATIVES / AESTHETICS / CRITICISM DECODING THE TRADING FLOOR: CHARTING A POSTCOLONIAL HONG KONG IDENTITY THROUGH THE TV SCREEN WINNIE L. M. YEE Name Winnie L. M. Yee ABSTRACT Academic centre University of Hong Kong This article adds to the analysis of Hong Kong TV culture E-mail address [email protected] by investigating recent trends in television production. It demonstrates that the small screen has become a means KEYWORDS of grappling with postcolonial Hong Kong identity, most Hong Kong; Financial Crime Thriller; Postcolonial Identity; noticeable in its reinvention of the genre of the financial Local; Transnational. crime thriller. This analysis must be considered against the background of two new developments in television: the growth of transnational collaborations intended to appeal to the Asian market, and the advent of TV series that replicate the experimentation of American shows and dispense with the traditional episodic narrative. 83 SERIES VOLUME V, Nº 2, WINTER 2019: 83-94 DOI https://doi.org/10.6092/issn.2421-454X/9159 INTERNATIONAL JOURNAL OF TV SERIAL NARRATIVES ISSN 2421-454X SERIALS IN EAST ASIA NARRATIVES / AESTHETICS / CRITICISM > WINNIE L. M. YEE DECODING THE TRADING FLOOR 1. INTRODUCTION After providing a brief background of Hong Kong tele- vision culture, this article will focus on two shows that deal TV dramas are not among the most widely researched with financial issues, The Greed of Man (1992) and The Trading products of Hong Kong popular culture. But we should not Floor (2018). The controversial 1992 TV drama The Greed of therefore assume there are fewer TV viewers than cinema Man (translated also as Great Times, Dashidai) created new audience members, or that Hong Kong TV does not appeal expectations in Hong Kong audiences and served as a proto- to a shared sense of Chineseness.
    [Show full text]
  • China Media Bulletin
    CHINA MEDIA BULLETIN A biweekly update of press freedom and censorship news related to the People’s Republic of China Issue 95: October 29, 2013 Headlines Paper forced to retreat after bold defense of detained journalist Peking University fires dissident scholar Xia Yeliang Social media mum on Yuyao flooding, blogger crackdown cited Overlooking censorship, foreign media leaders flock to Chinese summit Beijing blocks criticism at UN rights review PHOTO OF THE WEEK: A BOLDFACE CRY FOR FREEDOM Credit: Sina Weibo BROADCAST / PRINT MEDIA NEWS Paper forced to retreat after bold defense of detained journalist On October 18, journalist Chen Yongzhou of New Express newspaper in Guangzhou, Guangdong Province, was summoned by local police and then turned over to authorities from Changsha, Hunan Province. He was accused of “damaging the business reputation” of Zoomlion, one of the country’s largest construction machinery businesses, which is partly owned by the Hunan government. After several days of quiet attempts to secure Chen’s release, New Express published a full front-page editorial with the headline “Please Release Him.” It defended Chen’s reporting, claiming that staff had reviewed his 15 articles about Zoomlion and discovered only one minor error. The editorial was a rare example of Chinese media directly appealing to the public over the unfair treatment of one of their journalists. In an outcry reminiscent of the January protest against censorship at Guangzhou’s Southern Weekly (see CMB special), New Express garnered support from prominent bloggers and business figures. The Central Propaganda Department reportedly instructed media not to cover the incident, but several commercial papers published statements of solidarity.
    [Show full text]
  • Estructura Mediática En China, Rusia E India Media Structures in China
    Revista TELOS (Cuadernos de Comunicación e Innovación) - www.telos.es Autores invitados Autor/es: Ramón Reig y Antonio Javier Martín Ávila La comunicación en los países emergentes Estructura mediática en China, Rusia e India Communications in Emerging Nations Media Structures in China, Rusia and India RESUMEN: El propósito de este trabajo es establecer un mapa estructural de la situación comunicativa en China, Rusia e India, tres grandes potencias que de forma progresiva se han ido posicionando en el mercado mediático global. Palabras clave: Medios de comunicación, China, Rusia, India, Mercado ABSTRACT: The intention of this work is to establish a structural map of the communicative situation in China, Rusia and India, three big powers that progressive form haver been taking positioning in the media global market. Keywords: Mass media, China, Rusia, India, Market China Hasta el año 2004, las actividades de producción y gestión de radio y televisión, así como la producción cinematográfica de compañías de capital extranjero pertenecían a la categoría de ‘restringidas' y podía haber participación externa sin necesidad de un socio chino que tuviera un porcentaje accionarial mayoritario. A partir de 2007, en cambio, estas actividades han pasado a estar prohibidas. Con esta medida se limita el número de compañías extranjeras que pueden intervenir en el mercado chino y se preserva un margen de control para el gobierno. China Radio, Film and Television Group (CRFTG) El conglomerado mediático estatal China Radio, Film and Television Group (CRFTG) nació en el año 2001 con la intención de aglutinar todas las estaciones de difusión, compañías e instituciones que controla el State Administration of Radio, Film and Television (SARFT), es decir, el organismo chino encargado de que el sistema informativo del país funcione bajo los intereses del gobierno.
    [Show full text]