Power Point Presentation by Chairman of Communications
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The Way We Shop 改變我們的購物方式
Change The Way We Shop 改變我們的購物方式 ANNUAL REPORT 2016 年報 HONG KONG TELEVISION NETWORK LIMITED 香港電視網絡有限公司 SEHK 香港交易所股份編號: 1137 HKTVmall aims to be the largest & diversified 24-hour online shopping mall. Currently, we have about 1,300 stores, selling more than Change 135,000 products, including leading brands, international brands, as well as products & The Way We Shop food directly delivered from Japan & Korea. To serve our customers better, HKTVmall sets up 改變我們的購物方式 logistics centres in Kowloon Bay and Tsing Yi, manages its own delivery team to ensure ANNUAL REPORT 2016 年報 punctual delivery of quality products and services directly to our customers. HKTVmall 目標是成為香港最大型、「包羅 萬有」的24小時網上購物商場。現時,我們 的商場有約1,300家商店營運,售賣超過 135,000件貨品,當中包括本地各行業的領 導品牌、國際品牌、日本及韓國直送的貨 品及食品等。為確保每一個環節都做到最合 客戶心意,HKTVmall 於九龍灣及青衣設立 物流中心,擁有自己的物流及送貨團隊, 確保準時送貨,將優質貨品與服務,直接送 到客戶手上。 HKTV 2016ar cover_8 op.pdf 2 3/4/2017 8:49 PM C M Y CM MY CY CMY K Contents 03 / Financial Highlights 04 / Major Milestones and Events 09 / Chairman’s Statement 13 / Management’s Discussion and Analysis 24 / Profile of Directors and Senior Management Nowadays, e-commerce is one of the growth momentum of the global economy. Hong Kong, praised as Shopping Paradise, however, is lagging behind in this aspect compared to neighbourhood areas. HKTVmall endeavors to be the engine of local e-commerce development. By keeping evolve to create value for customers, and encouraging them to learn and try, we hope to become an indispensable part of lives, and remain the competitiveness of Hong Kong. Financial Information -
2014-2015 Report on Police Violence in the Umbrella Movement
! ! ! ! ! 2014-2015 Report on Police Violence in the Umbrella Movement A report of the State Violence Database Project in Hong Kong Compiled by The Professional Commons and Hong Kong In-Media ! ! ! Table!of!Contents! ! About!us! ! About!the!research! ! Maps!/!Glossary! ! Executive!Summary! ! 1.! Report!on!physical!injury!and!mental!trauma!...........................................................................................!13! 1.1! Physical!injury!....................................................................................................................................!13! 1.1.1! Injury!caused!by!police’s!direct!smacking,!beating!and!disperse!actions!..................................!14! 1.1.2! Excessive!use!of!force!during!the!arrest!process!.......................................................................!24! 1.1.3! Connivance!at!violence,!causing!injury!to!many!.......................................................................!28! 1.1.4! Delay!of!rescue!and!assault!on!medical!volunteers!..................................................................!33! 1.1.5! Police’s!use!of!violence!or!connivance!at!violence!against!journalists!......................................!35! 1.2! Psychological!trauma!.........................................................................................................................!39! 1.2.1! Psychological!trauma!caused!by!use!of!tear!gas!by!the!police!..................................................!39! 1.2.2! Psychological!trauma!resulting!from!violence!...........................................................................!41! -
PDF Full Report
Heightening Sense of Crises over Press Freedom in Hong Kong: Advancing “Shrinkage” 20 Years after Returning to China April 2018 YAMADA Ken-ichi NHK Broadcasting Culture Research Institute Media Research & Studies _____________________________ *This article is based on the same authors’ article Hong Kong no “Hodo no Jiyu” ni Takamaru Kikikan ~Chugoku Henkan kara 20nen de Susumu “Ishuku”~, originally published in the December 2017 issue of “Hoso Kenkyu to Chosa [The NHK Monthly Report on Broadcast Research]”. Full text in Japanese may be accessed at http://www.nhk.or.jp/bunken/research/oversea/pdf/20171201_7.pdf 1 Introduction Twenty years have passed since Hong Kong was returned to China from British rule. At the time of the 1997 reversion, there were concerns that Hong Kong, which has a laissez-faire market economy, would lose its economic vigor once the territory is put under the Chinese Communist Party’s one-party rule. But the Hong Kong economy has achieved generally steady growth while forming closer ties with the mainland. However, new concerns are rising that the “One Country, Two Systems” principle that guarantees Hong Kong a different social system from that of China is wavering and press freedom, which does not exist in the mainland and has been one of the attractions of Hong Kong, is shrinking. On the rankings of press freedom compiled by the international journalists’ group Reporters Without Borders, Hong Kong fell to 73rd place in 2017 from 18th in 2002.1 This article looks at how press freedom has been affected by a series of cases in the Hong Kong media that occurred during these two decades, in line with findings from the author’s weeklong field trip in mid-September 2017. -
HKTV Has Finally Made Its Long-Awaited Debut Online. Arthur
Licence to thrill HKTV has finally made its long-awaited debut online. Arthur Tam goes outside the box and finds out what it means for the future of IM MCEVENUE T television in our city ILLUSTRATION BY BY ILLUSTRATION 28 timeout.com.hk esides being a hub for the finance, dropped in recent years,” he counters. Commerce and Economic Development, fashion and film industries over “But this is also due to the fact that people Greg So Kam-leung, has revealed any Bthe years, Hong Kong also has a have switched to different devices for sort of answer after he stated that a proud history in TV. The city’s thriving viewing. If you add it all up, there is consultant’s report – not released to the television scene has been an undying actually an increase in viewership.” public – claimed that Hong Kong couldn’t source of cultural influence – both locally sustain more than four TV stations. and internationally. It’s nothing short The days that followed last year’s of amazing that a small territory with rejection saw public outcry. Angry a market of just seven million people TV viewers called for the government can regularly produce TV shows with to be transparent about its decision. budgets similar to those made in the WE ARE THE An estimated 100,000 people amassed US that have a market of more than 300 outside the Legislative Council in protest million people. Ever since the conception VICTIMS OF OUR on October 20. So, not one to give up, of HK’s first free-to-air station, TVB, Wong then made a move to acquire China which launched on November 19, OWN SUCCESS Mobile Hong Kong for $142 million and 1967, we’ve been producing quality just proceeded to forge ahead with his TV programming that not only reaches local With the stage set and audiences network regardless. -
ENCROACHMENTS on PRESS FREEDOM in HONG KONG Threatened Harbor Encroachments on Press Freedom in Hong Kong
THREATENED HARBOR ENCROACHMENTS ON PRESS FREEDOM IN HONG KONG Threatened Harbor Encroachments on Press Freedom in Hong Kong January 16, 2015 © PEN American Center 2015 All rights reserved PEN American Center is the largest branch of PEN International, the world’s leading literary and human rights organization. PEN works in more than 100 countries to protect free expression and to defend writers and journalists who are imprisoned, threatened, persecuted, or attacked in the course of their profession. PEN America’s 3,700 members stand together with more than 20,000 PEN writers worldwide in international literary fellowship to carry on the achievements of such past members as James Baldwin, Robert Frost, Allen Ginsberg, Langston Hughes, Arthur Miller, Eugene O’Neill, Susan Sontag, and John Steinbeck. For more information, please visit www.pen.org. Cover photograph: © Gareth Hayes, Creative Commons CONTENTS Introduction 4 Report Framework and Methodology 6 Legal Framework 7 Challenges to Press Freedom in Hong Kong 9 Physical Assaults on Journalists 9 Attacks on and Obstruction of Media During the Pro-Democracy Protests 11 Threats to Free Expression Online 14 Politically Motivated Censorship and Removal of Media Figures 17 Politically Motivated Economic Pressures on Media Outlets 20 Recommendations 22 References 23 Appendix: Alleged Incidents of Violence Against Journalists During the 2014 Pro-Democracy Protests As Reported to the Hong Kong Journalists Association 23 INTRODUCTION Hong Kong has long enjoyed a vibrant, diverse, and independent passed in 1990 by the Chinese National People’s Congress, also media and a unique position as a window into mainland China. explicitly protects the rights of Hong Kong’s residents through Local and foreign correspondents make use of Hong Kong’s the year 2047, including the freedom of speech, freedom of unique geopolitical position, cosmopolitanism, and strong the press, and freedom of assembly. -
Charting a Postcolonial Hong Kong Identity Through the Tv Screen
NARRATIVES / AESTHETICS / CRITICISM DECODING THE TRADING FLOOR: CHARTING A POSTCOLONIAL HONG KONG IDENTITY THROUGH THE TV SCREEN WINNIE L. M. YEE Name Winnie L. M. Yee ABSTRACT Academic centre University of Hong Kong This article adds to the analysis of Hong Kong TV culture E-mail address [email protected] by investigating recent trends in television production. It demonstrates that the small screen has become a means KEYWORDS of grappling with postcolonial Hong Kong identity, most Hong Kong; Financial Crime Thriller; Postcolonial Identity; noticeable in its reinvention of the genre of the financial Local; Transnational. crime thriller. This analysis must be considered against the background of two new developments in television: the growth of transnational collaborations intended to appeal to the Asian market, and the advent of TV series that replicate the experimentation of American shows and dispense with the traditional episodic narrative. 83 SERIES VOLUME V, Nº 2, WINTER 2019: 83-94 DOI https://doi.org/10.6092/issn.2421-454X/9159 INTERNATIONAL JOURNAL OF TV SERIAL NARRATIVES ISSN 2421-454X SERIALS IN EAST ASIA NARRATIVES / AESTHETICS / CRITICISM > WINNIE L. M. YEE DECODING THE TRADING FLOOR 1. INTRODUCTION After providing a brief background of Hong Kong tele- vision culture, this article will focus on two shows that deal TV dramas are not among the most widely researched with financial issues, The Greed of Man (1992) and The Trading products of Hong Kong popular culture. But we should not Floor (2018). The controversial 1992 TV drama The Greed of therefore assume there are fewer TV viewers than cinema Man (translated also as Great Times, Dashidai) created new audience members, or that Hong Kong TV does not appeal expectations in Hong Kong audiences and served as a proto- to a shared sense of Chineseness. -
China Media Bulletin
CHINA MEDIA BULLETIN A biweekly update of press freedom and censorship news related to the People’s Republic of China Issue 95: October 29, 2013 Headlines Paper forced to retreat after bold defense of detained journalist Peking University fires dissident scholar Xia Yeliang Social media mum on Yuyao flooding, blogger crackdown cited Overlooking censorship, foreign media leaders flock to Chinese summit Beijing blocks criticism at UN rights review PHOTO OF THE WEEK: A BOLDFACE CRY FOR FREEDOM Credit: Sina Weibo BROADCAST / PRINT MEDIA NEWS Paper forced to retreat after bold defense of detained journalist On October 18, journalist Chen Yongzhou of New Express newspaper in Guangzhou, Guangdong Province, was summoned by local police and then turned over to authorities from Changsha, Hunan Province. He was accused of “damaging the business reputation” of Zoomlion, one of the country’s largest construction machinery businesses, which is partly owned by the Hunan government. After several days of quiet attempts to secure Chen’s release, New Express published a full front-page editorial with the headline “Please Release Him.” It defended Chen’s reporting, claiming that staff had reviewed his 15 articles about Zoomlion and discovered only one minor error. The editorial was a rare example of Chinese media directly appealing to the public over the unfair treatment of one of their journalists. In an outcry reminiscent of the January protest against censorship at Guangzhou’s Southern Weekly (see CMB special), New Express garnered support from prominent bloggers and business figures. The Central Propaganda Department reportedly instructed media not to cover the incident, but several commercial papers published statements of solidarity. -
Hong Kong * Freedomhouse.Org
https://freedomhouse.org/report/freedom-press/2014/hong-kong#.VUk1eRqhizo.cleanprint Hong Kong * freedomhouse.org Freedom of expression is protected by law, and Hong Kong media remained lively in their criticism of the territory’s government and to a lesser extent the Chinese central government in 2013. However, press freedom was threatened by mainland China’s growing economic power, which has allowed it to exert greater influence over the media in Hong Kong. Over the course of the year, government restrictions on access to information persisted, and violent attacks against journalists and media executives increased significantly, with many cases remaining unsolved. Under Article 27 of the Basic Law, Hong Kong residents enjoy freedoms of speech, press, and publication, and these rights are generally upheld by the territory’s independent courts. However, they risk being undermined by the power of the National People’s Congress (NPC), China’s rubber-stamp parliament, to make final interpretations of the Basic Law, as well as by Chinese surveillance in the territory and the mainland economic interests of local media owners. Hong Kong’s Defamation Ordinance outlines defamation as a civil offense punishable by a fine. Although the ordinance includes a definition of criminal libel, that clause has rarely been used in court. In February 2013, the territory’s top leader, Chief Executive Leung Chun-ying, demanded the retraction of a news article that he considered “defamatory.” Hong Kong has no freedom of information (FOI) law. An administrative code is intended to ensure open access to government information, but official adherence is inconsistent, prompting local journalists and watchdog groups to urge the government to give freedom of information requirements the force of law. -
Navigating Covid-19 a Guide for Brands to Survive and Thrive
NAVIGATING COVID-19 A GUIDE FOR BRANDS TO SURVIVE AND THRIVE Dentsu Aegis Network Hong Kong March 2020 In a few short months, COVID-19 has ravaged global economies and panicked entire populations. For Hong Kong, the disease has amplified an already unprecedented deterioration of its economy that began with the social unrest of 2019. Public health and safety has never been more of a significant concern, with entire cities quarantined and travel restrictions implemented the world over. Even places of work and education have closed to stem infection. The economic and social impact is shocking and will certainly last longer than with SARS. The future of COVID-19 is uncertain, so it is essential that brands understand the facts of today, learn from the past and implement strategies now to survive. Dentsu Aegis Network Hong Kong created this indispensable guide to provide insights and guidance for you to successfully navigate COVID-19. We hope you find it helpful. Regards, Dentsu Aegis Network Hong Kong DENTSU AEGIS NETWORK 2 CONTENTS • The Economy vs. The Epidemic 04 Transform your brand experience today and be prepared for the future. • Industry and Business Insights 16 Define your strategy based on your industry and business position. • Brand and Marketing Insights 27 Consumer-driven strategies and actions that help your business and brand thrive and survive. DENTSU AEGIS NETWORK 3 THE ECONOMY VS. THE EPIDEMIC The two will forever change the consumer landscape of Hong Kong. Transform your brand experience today and be prepared for the future. -
Paper Number: 130 April 2017 Looking Through Headliner – Can RTHK Become “Hong Kong's BBC”? Hei Ting WONG University Of
Paper Number: 130 April 2017 Looking Through Headliner – Can RTHK Become “Hong Kong’s BBC”? Hei Ting WONG University of Pittsburgh Wong Hei Ting is a Scholar-in-Residence at the David C. Lam Institute for East-West Studies, Hong Kong Baptist University and a Ph.D. student in Ethnomusicology at the University of Pittsburgh. She received her bachelor’s degrees in Sociology and Applied Mathematics from the Chinese University of Hong Kong and the University of Oregon respectively, as well as an M.A. in Ethnomusicology from the University of Pittsburgh. Her research interests include: Chinese popular music in relation to identity construction, media and new media development, and political influences in post-colonial Hong Kong; Mandarin popular and rock music in Taiwan; and music-related educational issues. David C. Lam Institute for East-West Studies (LEWI) Hong Kong Baptist University (HKBU) LEWI Working Paper Series is an endeavour of David C. Lam Institute for East-West Studies (LEWI), a consortium with 28 member universities, to foster dialogue among scholars in the field of East-West studies. Globalisation has multiplied and accelerated inter-cultural, inter-ethnic, and inter-religious encounters, intentionally or not. In a world where time and place are increasingly compressed and interaction between East and West grows in density, numbers, and spread, East-West studies has gained a renewed mandate. LEWI’s Working Paper Series provides a forum for the speedy and informal exchange of ideas, as scholars and academic institutions attempt to grapple with issues of an inter-cultural and global nature. Circulation of this series is free of charge. -
Complaints Dealt with by the Communications Authority (“CA”) (Released on 28 February 2019)
Complaints dealt with by the Communications Authority (“CA”) (released on 28 February 2019) The CA considered the following case which had been deliberated by the Broadcast Complaints Committee (“BCC”) – Complaint Case Television Advertisement for “HKTV Mall Thankful Festival” (HKTV Mall感謝祭) broadcast by Television Broadcasts Limited (“TVB”) The CA also considered cases of dissatisfaction with the decisions of the Director-General of Communications (“DG Com”) on complaint cases. Having considered the recommendations of the BCC, the CA decided– 1. that the complaints against the television advertisement for “HKTV Mall Thankful Festival” (HKTV Mall感謝祭) were unsubstantiated and no further action should be taken against TVB; and 2. to uphold the decisions of the DG Com on two cases of dissatisfaction with the decisions of the DG Com. The list of the cases is available in the Appendix. 28 February 2019 Case – Television Advertisement for “HKTV Mall Thankful Festival” (HKTV Mall 感謝祭) broadcast at various time slots from 11 October to 4 November 2018 on Jade Channel and News Channel of Television Broadcasts Limited (“TVB”) The Communications Authority (“CA”) received 12 public complaints against the captioned advertisement. The substance of the complaints was that the portrayal of a woman jumping through a glass window was dangerous, of a bad theme and unsuitable for children, exerted a bad influence on children and would invite imitation, notwithstanding that the caption “觀眾切勿模仿” was superimposed on the screen. The CA’s Findings In line with the established practice, the CA considered the complaint case and the representations of TVB and the advertiser in detail. The CA took into account the relevant aspects of the case, including the following – Details of the Case (a) the 20-second advertisement under complaint was an advertisement for the promotional offers available on an online shopping platform. -
C Ntentasia 2014
17-30 NOVEMber C NTENTASIA 2014 www.contentasia.tv l https://www.facebook.com/contentasia?fref=ts facebook.com/contentasia l @contentasia l www.asiacontentwatch.com Celestial picks up HKTV Canto drama for cHK channel Acquisition boosts Astro’s programme syndication plan Regional channel operator Celestial Ti- ger Entertainment has added a slate of Ricky Wong’s Hong Kong Television Net- work (HKTV) drama to its cHK channel, giving yet another stamp of approval to the content ambitions of Hong Kong’s controversial would-be broadcast boss. The Singapore rights to shows from HKTV subsidiary, Hong Kong Media Production Company Limited, were acquired from Malaysia’s Astro. Astro said at the end of October that it had secured exclusive Southeast Asia rights to HKTV drama, including The Bor- derline, Paranormal Mind, Once Upon a Song, Love in Time, Hidden Faces and Beyond the Rainbow. The cHK slate airing in Singapore in- cludes The Borderline, which airs on cHK on SingTel Mio TV in Mandarin with the option of a Cantonese sound-track with- in 24 hours of its Hong Kong broadcast. SingTel is running a free preview of the channel until 1 December. The Borderline, the story of a disgraced undercover cop who partners with a criminal to correct wrongdoings, is stripped Monday to Fridays at 10pm. The series stars veteran actors, Liu Kai-chi and Dominic Lam. CTE’s HKTV acquisitions for cHK also in- clude Hidden Faces, Love in Time and Hakka Sisters, starring Prudence Liew and Maggie Cheung as two sisters through whom the changing relationship be- tween China and Hong Kong in the past 30 years is examined.