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EMR 12669 Schubert Stabat Mater MF
Stabat Mater Wind Band / Concert Band / Harmonie / Blasorchester / Fanfare Arr.: John Glenesk Mortimer Franz Schubert EMR 12669 st 1 Score 2 1 Trombone + st nd 4 1 Flute 2 2 Trombone + nd 4 2 Flute 1 Bass Trombone + 1 Oboe (optional) 2 Baritone + 1 Bassoon (optional) 2 E Bass 1 E Clarinet (optional) 2 B Bass 5 1st B Clarinet 2 Tuba 4 2nd B Clarinet 1 String Bass (optional) 4 3rd B Clarinet 1 Piano Reduction (optional) 1 B Bass Clarinet (optional) 1 B Soprano Saxophone (optional) 2 1st E Alto Saxophone Special Parts Fanfare Parts 2 2nd E Alto Saxophone 1 1st B Trombone 2 1st Flugelhorn 2 B Tenor Saxophone 1 2nd B Trombone 2 2nd Flugelhorn 1 E Baritone Saxophone (optional) 1 B Bass Trombone 2 3rd Flugelhorn 1 E Trumpet / Cornet (optional) 1 B Baritone 3 1st B Trumpet / Cornet 1 E Tuba 3 2nd B Trumpet / Cornet 1 B Tuba 3 3rd B Trumpet / Cornet 2 1st F & E Horn 2 2nd F & E Horn 2 3rd F & E Horn Print & Listen Drucken & Anhören Imprimer & Ecouter≤ www.reift.ch Route du Golf 150 CH-3963 Crans-Montana (Switzerland) Tel. +41 (0) 27 483 12 00 Fax +41 (0) 27 483 42 43 E-Mail : [email protected] www.reift.ch Recorded on CD - Auf CD aufgenommen - Enregistré sur CD | Franz Schubert Photocopying Stabat Mater is illegal! Arr.: John Glenesk Mortimer 34 5 6 78 Largo q = 50 1st Flute fp p sost. fp f 2nd Flute fp p sost. fp f Oboe fp p sost. -
Sibelius Society
UNITED KINGDOM SIBELIUS SOCIETY www.sibeliussociety.info NEWSLETTER No. 84 ISSN 1-473-4206 United Kingdom Sibelius Society Newsletter - Issue 84 (January 2019) - CONTENTS - Page 1. Editorial ........................................................................................... 4 2. An Honour for our President by S H P Steadman ..................... 5 3. The Music of What isby Angela Burton ...................................... 7 4. The Seventh Symphonyby Edward Clark ................................... 11 5. Two forthcoming Society concerts by Edward Clark ............... 12 6. Delights and Revelations from Maestro Records by Edward Clark ............................................................................ 13 7. Music You Might Like by Simon Coombs .................................... 20 8. Desert Island Sibelius by Peter Frankland .................................. 25 9. Eugene Ormandy by David Lowe ................................................. 34 10. The Third Symphony and an enduring friendship by Edward Clark ............................................................................. 38 11. Interesting Sibelians on Record by Edward Clark ...................... 42 12. Concert Reviews ............................................................................. 47 13. The Power and the Gloryby Edward Clark ................................ 47 14. A debut Concert by Edward Clark ............................................... 51 15. Music from WW1 by Edward Clark ............................................ 53 16. A -
82890-5 First Book Dvorak Jb.Indd 3 8/22/18 12:09 PM Pastorale from Czech Suite Op
Contents Author’s Note i v Pastorale 1 Kyrie 2 Symphony No. 9, Mvt. IV (Theme) 3 Silhouettes 4 String Quintet No. 12 5 Prague Waltzes 6 Romance 7 Symphony No. 8, Mvt. IV (Theme) 8 Waltz 9 Romantic Pieces 1 0 Symphony No. 9, Mvt. I (Theme) 1 1 Song to the Moon 1 2 In a Ring! 1 4 Bacchanale 1 6 Songs My Mother Taught Me 1 7 Mazurka 1 8 Cypresses 2 0 Cello Concerto 2 1 Grandpa Dances with Grandma 2 2 Mazurka 2 4 Stabat Mater 2 6 The Question 2 7 Chorus of the Water Nymphs 2 8 Capriccio 2 9 The Water Goblin 3 0 Ballade 3 1 Serenade for Strings 3 2 Dumka 3 3 The Noon Witch 3 4 Symphony No. 9, Mvt. II (Largo) 3 6 Serenade for Wind Instruments 3 7 Slavonic Dances 3 8 Violin Concerto Mvt. I 3 9 Violin Concerto Mvt. II 4 0 Six Piano Pieces 4 2 Humoresque 4 4 82890-5 First Book Dvorak jb.indd 3 8/22/18 12:09 PM Pastorale from Czech Suite Op. 39 A pastorale is a musical composition intended to evoke images of nature and the countryside. This rustic melody is supported by a static left hand playing an open fifth (C–G). The effect is known as a drone and is reminiscent of old folk instruments. 1 82890-5 First Book Dvorak jb.indd 1 8/22/18 12:09 PM Kyrie from Mass Op. 86 The Kyrie is the traditional first movement of the Mass. -
A Conductor's Analysis of Amaral Vieira's Stabat Mater, Op.240: an Approach Between Music and Rhetoric Vladimir A
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2005 A conductor's analysis of Amaral Vieira's Stabat Mater, op.240: an approach between music and rhetoric Vladimir A. Pereira Silva Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Pereira Silva, Vladimir A., "A conductor's analysis of Amaral Vieira's Stabat Mater, op.240: an approach between music and rhetoric" (2005). LSU Doctoral Dissertations. 3618. https://digitalcommons.lsu.edu/gradschool_dissertations/3618 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. A CONDUCTOR’S ANALYSIS OF AMARAL VIEIRA’S STABAT MATER, OP. 240: AN APPROACH BETWEEN MUSIC AND RHETORIC A Monograph Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in The School of Music by Vladimir A. Pereira Silva B.M.E., Universidade Federal da Paraíba, 1992 M. Mus., Universidade Federal da Bahia, 1999 May, 2005 © Copyright 2005 Vladimir A. Pereira Silva All rights reserved ii In principio erat Verbum et Verbum erat apud Deum et Deus erat Verbum. Evangelium Secundum Iohannem, Caput 1:1 iii ACKNOWLEDGMENTS This dissertation would have not been possible without the support of many people and institutions throughout the last several years, and I would like to thank them all for a great graduate school experience. -
Download Program Notes
Symphony No. 2 in D major, Op. 43 Jean Sibelius hanks to benefactions arranged by Axel four tone poems based on characters from TCarpelan, a Finnish man-about-the-arts Dante’s Divine Comedy . But once Sibelius re - and the eventual dedicatee of this work, Jean turned to Finland that June, he began to rec - Sibelius and his family were able to undertake ognize that what was forming out of his a trip to Italy from February to April 1901. So sketches was instead a full-fledged sym - it was that much of the Second Symphony phony — one that would end up exhibiting was sketched in the Italian cities of Florence an extraordinary degree of unity among its and, especially, Rapallo, where Sibelius sections. With his goal now clarified, Sibelius rented a composing studio apart from the worked assiduously through the summer and home in which his family was lodging. fall and reached a provisional completion of Aspects of the piece had already begun to his symphony in November 1901. Then he form in his mind almost two years earlier, al - had second thoughts, revised the piece pro - though at that point Sibelius seems to have foundly, and definitively concluded the Sec - assumed that his sketches would end up in ond Symphony in January 1902. various separate compositions rather than in The work’s premiere, two months later, a single unified symphony. Even in Rapallo marked a signal success, as did three sold-out he was focused on writing a tone poem. He performances during the ensuing week. The reported that on February 11, 1901, he enter - conductor Robert Kajanus, who would be - tained a fantasy that the villa in which his come a distinguished interpreter of Sibelius’s studio was located was the fanciful palace of works, was in attendance, and he insisted Don Juan and that he himself was the that the Helsinki audiences had understood amorous, amoral protagonist of that legend. -
EMR 12386 Stabat Mater WB
Stabat Mater Wind Band / Concert Band / Harmonie / Blasorchester / Fanfare Arr.: John Glenesk Mortimer Giovanni Battista Pergolesi EMR 12386 st 1 Score 2 1 Trombone + st nd 4 1 Flute 2 2 Trombone + nd 4 2 Flute 1 Bass Trombone + 1 Oboe (optional) 2 Baritone + 1 Bassoon (optional) 2 E Bass 1 E Clarinet (optional) 2 B Bass 5 1st B Clarinet 2 Tuba 4 2nd B Clarinet 1 String Bass (optional) 4 3rd B Clarinet 1 Piano Reduction (optional) 1 B Bass Clarinet (optional) 1 Timpani 1 B Soprano Saxophone (optional) st 2 1 E Alto Saxophone 1 2nd E Alto Saxophone Special Parts Fanfare Parts st 2 1 B Tenor Saxophone 1 1st B Trombone 2 1st Flugelhorn 1 2nd B Tenor Saxophone 1 2nd B Trombone 2 2nd Flugelhorn 1 E Baritone Saxophone (optional) 1 B Bass Trombone 2 3rd Flugelhorn 1 E Trumpet / Cornet (optional) 1 B Baritone 3 1st B Trumpet / Cornet 1 E Tuba 3 2nd B Trumpet / Cornet 1 B Tuba 3 3rd B Trumpet / Cornet 2 1st F & E Horn 2 2nd F & E Horn 2 3rd F & E Horn Print & Listen Drucken & Anhören Imprimer & Ecouter≤ www.reift.ch Route du Golf 150 CH-3963 Crans-Montana (Switzerland) Tel. +41 (0) 27 483 12 00 Fax +41 (0) 27 483 42 43 E-Mail : [email protected] www.reift.ch DISCOGRAPHY Baroque Splendour Volume 2 Track Titel / Title Time N° EMR N° EMR N° (Komponist / Composer) Blasorchester Brass Band Concert Band 1 Rondeau (Les Indes Galantes) (Rameau) 1’51 EMR 12220 EMR 32124 2 Le Basque (Marais) 2’24 EMR 12611 EMR 32125 3 Tambourin (Dardanus) (Rameau) 2’29 EMR 12213 EMR 32126 4 Marche Royale (Lully) 2’18 EMR 12226 EMR 9855 5 Symphonies pour -
Jean Sibelius (1865-1957) Symphonic Poems and Cantatas Mp3, Flac, Wma
Jean Sibelius (1865-1957) Symphonic Poems and Cantatas mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Symphonic Poems and Cantatas MP3 version RAR size: 1158 mb FLAC version RAR size: 1232 mb WMA version RAR size: 1143 mb Rating: 4.2 Votes: 668 Other Formats: MP4 AAC AHX MP3 MOD DXD DTS Tracklist 1 Cd 1: Kullervo - symphonic poem for soloists, chorus and orchestra Op.7 (Kalevala) [78:29] Cd2: Nightride and Sunrise Op. 55 [14:41]; Luonnotar Op. 70 [9:18]; Legends (Lemminkäinen Suite) Op. 22 2 (I.Lemminkäinen and the Maidens of the Island [17:08]; II.Swan of Tuonela [9:49]; III.Lemminkäinen in Tuonela [15:54]; IV.Lemminkäinen's Return [6:32]) (1895-6) [49:23] Cd 3: Jungfrun i tornet (The Maiden in the tower): one act in overture and eight scenes (1895-6) [36:39] Pelléas et Mélisande - incidental music Op. 46 (At the Castle Gate [2:47]; Mélisande [3:49]; At the Sea 3 [1:59]; By a spring in the park [2:12]; The three blind sisters [2:08]; Pastorale [1:52]; Mélisande at the spinning wheel [2:03]; Entr'acte [2:53]; The death of Mélisande [6:01]) [25:48] Cd 4: Snöfrid Op. 29 [11.23]; Oma Maa Op. 92 [11.55]; Väinön Virsi Op. 110 [8.42]; Sandels Op. 28 (1898 rev. 1915) [9.09]; Maan Virsi Op. 95 [7.41]; Laulu Lemminkäiselle Op. 31 No. 1 [3.31]; Finlandia Op. 26 4 [8.36] Read more: http://www.musicweb-international.com/classrev/2010/DEC10/Sibelius_Jarvi_6484032.htm#ixzz4wj6wRM3U Notes Sibelius Barcode and Other Identifiers Barcode: 50999 6484032 1 Related Music albums to Symphonic Poems and Cantatas by Jean Sibelius (1865-1957) -
Program Notes November 9, 2019 Wagnerian Music Dramas
Program Notes November 9, 2019 Wagnerian music dramas. Sibelius soured on Wagner’s The Swan of Tuonela from Four Legends compositional methods soon thereafter, and The Swan from the Kalevala, Op. 22 of Tuonela was published with three other short symphonic poems as the suite Four Legends from JEAN SIBELIUS (1965 - 1957) the Kalevala, Op. 22. Each of the four works depicts an adventure from the life of the mythic Finnish hero As Jean Sibelius came to maturity as man and Lemminkäinen, the central figure of the Kalevala, musician, his country lived under the growing A the national epic of Finland. threat of absorption into the Russian Empire. Finland Sibelius inscribed the following words on the score: had been a Grand Duchy of Russia since 1809, but “Tuonela, the land of death, the hell of it enjoyed a great degree of autonomous freedom, Finnish mythology, is surrounded by a with its own parliament and court system. Starting large river of black waters and a rapid during the reign of Czar Alexander III and continuing current, in which The Swan of Tuonela with Nicolas II, Russia began to limit the rights of glides majestically, singing.“ Finns, curtailing the authority of parliament, mandating Sibelius scores the work for solo English horn, military service and eventually dissolving the oboe, bass clarinet, two bassoons, four horns, three Finnish army. trombones, timpani, bass drum, harp and muted Rather than taking up arms, the Finns fought back strings – an ensemble of dark orchestral colors suitable with their culture against the encroachment on their for depicting the desolation of Tuonela. -
Antonín Dvorák • Requiem
Antonín Dvorˇák • Requiem Ilse Eerens – Bernarda Fink – Maximilian Schmitt – Nathan Berg Collegium Vocale Gent – Royal Flemish Philharmonic Philippe Herreweghe Tracklist – p. 5 English – p. 8 Français – p. 13 Deutsch – p. 19 Nederlands – p. 25 Sung Texts – p. 30 Antonín Dvorˇák (1841-1904) Requiem, Op. 89 Ilse Eerens soprano Bernarda Fink alto Maximilian Schmitt tenor Nathan Berg bass Collegium Vocale Gent Royal Flemish Philharmonic Philippe Herreweghe Recording: April 28-30, 2014, deSingel, Antwerp — Sound Engineer: Markus Heiland (Tritonus) — Editing: Markus Heiland & Andreas Neubronner (Tritonus) — Recording Producer, Mastering: Andreas Neubronner (Tritonus) — Liner Notes: Tom Janssens — Cover picture: photo Michel Dubois (Courtesy Dubois Friedland) — Photographs Philippe Herreweghe: Michiel Hendryckx — Design: Casier/Fieuws — Executive Producer: Aliénor Mahy MENU CD 1 INTROITUS [1] Requiem æternam – Kyrie eleison (Soli and Chorus)........................................................10’44 GRADUALE [2] Requiem æternam (Soprano and Chorus)......................................................................04’38 SEQUENTIA [3] Dies iræ (Chorus).......................................................................................................02’28 [4] Tuba mirum (Soli and Chorus) ....................................................................................08’35 [5] Quid sum miser (Soli and Chorus) ...............................................................................06’02 [6] Recordare, Jesu pie (Soli) .............................................................................................07’03 -
Download Booklet
552139-40bk VBO Dvorak 16/8/06 9:48 PM Page 8 CD1 1 Carnival Overture, Op. 92 . 9:29 2 Humoresques, Op. 101 No. 7 Poco lento e grazioso in G flat major . 2:51 3 String Quartet No. 12 in F major, Op. 96 ‘American’ III. Molto vivace . 4:01 4 Symphony No. 8 in G major, Op. 88 III. Allegretto grazioso – Molto vivace . 5:45 5 7 Gipsy Melodies ‘Zigeunerlieder’ – song collection, Op. 55 No. 4 Songs my mother taught me . 2:47 6 Serenade for Strings in E major, Op.22 I. Moderato . 4:10 7 Slavonic Dances, Op. 46 No. 2 in E minor . 4:40 8 Piano Trio in F minor ‘Dumky’, Op. 90 III. Andante – Vivace non troppo . 5:56 9 Symphony No. 7 in D minor, Op. 70 III. Scherzo: Vivace – Poco meno messo . 7:47 0 Violin Sonatina in G major, Op. 100 II. Larghetto . 4:33 ! Slavonic Dances, Op. 72 No. 2 in E minor . 5:29 @ Rusalka, Op. 114 O, Silver Moon . 5:52 # The Noon Witch . 13:04 Total Timing . 77:10 CD2 1 Slavonic Dances, Op. 46 No. 1 in C major . 3:46 2 Stabat Mater, Op. 58 Fac ut portem Christi mortem . 5:13 3 Serenade for Wind, Op.44 I. Moderato, quasi marcia . 3:51 4 Cello Concerto in B minor, Op. 104 II. Adagio ma non troppo . 12:29 5 Piano Quintet in A major, Op. 81 III. Scherzo (Furiant) – Molto vivace . 4:06 6 Czech Suite, Op. 39 II. Polka . 4:49 7 Legends, Op. -
Chamber Orchestra and Concert Choir Glenn Block, Director
Illinois State University ISU ReD: Research and eData School of Music Programs Music 3-29-2013 Student Ensemble: Chamber Orchestra and Concert Choir Glenn Block, Director Karyl K. Carlson, Director Follow this and additional works at: https://ir.library.illinoisstate.edu/somp Part of the Music Performance Commons Recommended Citation Block,, Glenn Director and Carlson,, Karyl K. Director, "Student Ensemble: Chamber Orchestra and Concert Choir" (2013). School of Music Programs. 480. https://ir.library.illinoisstate.edu/somp/480 This Concert Program is brought to you for free and open access by the Music at ISU ReD: Research and eData. It has been accepted for inclusion in School of Music Programs by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. Illinois State University Chamber Orchestra Illinois State University College of Fine Arts School of Music Violin I Bassoon Ramiro Miranda, Concertmaster Katie Spitler * Maggie Watts Michael Sullivan Natalie Stawarski Gabrielle VanDril Horn Christine Hansen * Violin II Joshua Hernday Chloe Hawkins * Justin Johnson Illinois State University Chelsea Rilloraza Tyler Sutton Julia Heeren Chamber Orchestra Andrada Pteanc Trumpet Glenn Block, Music Director and Conductor Vallerie Villa Shauna Bracken * Tristan Burgmann Viola Illinois State University Matt White* Trombone Caroline Argenta Riley Leitch * Concert Choir Gillian Borth Jordan Harvey Abigail Dreher Karyl K. Carlson, Music Director and Conductor Bass Trombone Cello Grant Unnerstall* -
Swan of Tuonela, Op. 22, No. 2 Jean Sibelius (1865–1957) Written: 1895 Movements: One Style: Romantic Duration: Ten Minutes
Swan of Tuonela, Op. 22, No. 2 Jean Sibelius (1865–1957) Written: 1895 Movements: One Style: Romantic Duration: Ten minutes Art is an important means for shaping a people’s national identity. In the nineteenth century, music contributed significantly to the building of nations. For Finland, long under the dominion of either Sweden or Russia, the move began in 1835 when Elias Lönnrot—ironically himself a Swede—published the Finnish national epic, the Kalevala. It was the seed of national identity that eventually led to Finland’s independence from Russia in 1917. Jean Sibelius read the Kalevala as a child. He based his first significant instrumental work, the massive five-movement Kullervo on it. Next, he began an opera based on the Kalevala called The Building of the Boat. He decided that tone poems—instrumental music that tells a story—was much more to his liking, so he abandoned the project Work on the opera didn’t go to waste, however. He included ideas from it in a suite of four tone poems that he began writing in 1894. Once again, Kalevala served as the inspiration. The main character in all four pieces is one of the heroes in the Kalevala, Lemminkäinen. He is a Finnish Don Juan, who abandons his young wife and goes to the island of Saari, where he frolics with the young maidens. Next he goes to Tuonela where he attempts to shoot a swan to win the mistress of the Northland. Instead, he dies—only to be brought back to life by his mother. Describing the nationalist character of the suite, Sibelius said, “I think we Finns ought not to be ashamed to show more pride in ourselves.