TIM ANGULO Director of Photography IATSE Local 600

Total Page：16

File Type：pdf, Size：1020Kb

TIM ANGULO Director of Photography IATSE Local 600

TIM ANGULO Director of Photography www.timangulo.com IATSE Local 600 A love of movies and an appreciation of the arts led Tim Angulo to a career in cinematography. After graduating from Brooks Institute of Photography and a fellowship at the American Film Institute, Tim began his career as a visual effects/second unit DP. His work has been featured in franchise movies such as Batman, Spiderman and others. He has lensed over 200 commercials and promos and has worked on several high profile 3D projects. Tim is a member of the Academy of Motion Picture Arts & Sciences, Visual Effects Society and ICG 600. He has extensive experience in live action, VFX photography, high speed, miniatures and motion control. Features, VFX & Second Unit DP (partial list): Production Director / Production Company FIRST MAN (Visual effects DP/Miniatures) Damien Chazelle / Temple Hill / Universal Academy Award Winner – Best Visual Effects INTERSTELLER (Visual effects DP) Christopher Nolan / Warner Bros. Academy Award Winner – Best Visual Effects INCEPTION (Miniatures) Christopher Nolan / Warner Bros. th NIGHT AT THE MUSEUM 2 (Miniatures & VFX) Shawn Levy / 20 Century Fox TERMINATOR: SALVATION McG / Columbia Pictures THE WATCHMEN (Miniatures & VFX) Zack Snyder / Warner Bros. THE DARK KNIGHT (Miniatures) Christopher Nolan / Warner Bros. RESIDENT EVIL: EXTINCTION (Miniatures/reshoot) Russell Mulcahy / Screen Gems SPIDERMAN 3 Sam Raimi / Columbia Pictures th DECK THE HALLS John Whitesell / 20 Century Fox CHRONICLES OF NARNIA Andrew Adamson / Walden Media / Disney TEAM AMERICA Trey Parker / Paramount Pictures SPIDERMAN 2 Sam Raimi / Columbia Pictures th THE LEAGUE OF EXTRAORDINARY GENTLEMEN Stephen Norrington / 20 Century Fox CHRONICLES OF RIDDICK David Twohy / Universal Pictures THE CAT IN THE HAT Bo Welch / Alphaville Films / Universal GODS & GENERALS Ronald Maxwell / Turner Pictures / Warner Bros SPIDERMAN Sam Raimi / Columbia Pictures SCOOBY DOO Raja Gosnell / Atlas Ent / Warner Bros. GHOST OF MARS John Carpenter / Columbia TriStar END OF DAYS Peter Hyams / Beacon / Universal STUART LITTLE Rob Minkoff / Columbia Pictures ARMAGEDDON Michael Bay / Bruckheimer Films BATMAN AND ROBIN Joel Schumacher / Warner Bros. th BROKEN ARROW John Woo / 20 Century Fox BATMAN FOREVER Joel Schumacher / Warner Bros. WATERWORLD Kevin Reynolds / Davis Ent / Universal HONEY, I BLEW UP THE KID Randal Kleiser / Touchstone BATMAN RETURNS Tim Burton / Warner Bros. DICK TRACY Warren Beatty / Walt Disney Promos and commercials (Over 200, including); Commercials: Subway, Canon, Kodak, Budweiser, Hyundai, Dreamline, Business Bank of Canada, Thompson’s, Xbox, Air France, Mazda, Lexus, Mattel, Levi’s, Southwest Bell, Mobil Oil, General Mills, Kraft Foods, Pur Water Filters, Post Honeycomb, Old Spice, Vizio Promos: ABC, CBA, NBC, Fox, Lifetime, Discovery, Animal Planet, USA and more. Kirk Orlando Orlando Agency [email protected] 818.781.9233 www.orlando-agency.com .

Copy Link

Recommended publications

John Caglione, Jr
JOHN CAGLIONE, JR. Make-Up Designer IATSE 798 and 706 FILM BROKEN CITY Personal Make-Up Artist to Russell Crowe Director: Allen Hughes PHIL SPECTOR Personal Make-Up Artist to Al Pacino Director: David Mamet TOWER HEIST Department Head Director: Brett Ratner ON THE ROAD Special Make-Up Effects Director: Walter Salles Cast: Viggo Mortensen THE SMURFS Department Head Director: Raja Gosnell YOU DON’T KNOW JACK Personal Make-Up Artist to Al Pacino Director: Barry Levinson Nominee: Emmy Award for Outstanding Make-Up for a Miniseries or Movie SALT Department Head Director: Philip Noyce STATE OF PLAY Personal Make-Up Artist to Russell Crowe Director: Kevin Macdonald THE DARK KNIGHT Personal Make-Up Artist to Heath Ledger Director: Christopher Nolan Nominee: Academy Award for Best Achievement in Make-Up Nominee: Saturn Award for Best Make-Up 3:10 TO YUMA Personal Make-Up Artist to Russell Crowe Director: James Mangold AMERICAN GANGSTER Personal Make-Up Artist to Russell Crowe Director: Ridley Scott THE DEPARTED Department Head Make-Up and Department Head Effects Make-Up Director: Martin Scorsese Cast: Vera Farmiga, Ray Winstone, Kristen Dalton TENDERNESS Department Head Director: John Polson Cast: Russell Crowe, Laura Dern, Jon Foster, Tonya Clarke THE MILTON AGENCY John Caglione, Jr. 6715 Hollywood Blvd #206, Los Angeles, CA 90028 Make-Up Telephone: 323.466.4441 Facsimile: 323.460.4442 IATSE 798 & 706 [email protected] www.miltonagency.com Page 1 of 4 MY SUPER EX-GIRLFRIEND Department Head Director: Ivan Reitman Cast: Luke Wilson, Anna
[Show full text]
80S 90S Hand-Out
FILM 160 NOIR’S LEGACY 70s REVIVAL Hickey and Boggs (Robert Culp, 1972) The Long Goodbye (Robert Altman, 1973) Chinatown (Roman Polanski, 1974) Night Moves (Arthur Penn, 1975) Farewell My Lovely (Dick Richards, 1975) The Drowning Pool (Stuart Rosenberg, 1975) The Big Sleep (Michael Winner, 1978) RE- MAKES Remake Original Body Heat (Lawrence Kasdan, 1981) Double Indemnity (Billy Wilder, 1944) Postman Always Rings Twice (Bob Rafelson, 1981) Postman Always Rings Twice (Garnett, 1946) Breathless (Jim McBride, 1983) Breathless (Jean-Luc Godard, 1959) Against All Odds (Taylor Hackford, 1984) Out of the Past (Jacques Tourneur, 1947) The Morning After (Sidney Lumet, 1986) The Blue Gardenia (Fritz Lang, 1953) No Way Out (Roger Donaldson, 1987) The Big Clock (John Farrow, 1948) DOA (Morton & Jankel, 1988) DOA (Rudolf Maté, 1949) Narrow Margin (Peter Hyams, 1988) Narrow Margin (Richard Fleischer, 1951) Cape Fear (Martin Scorsese, 1991) Cape Fear (J. Lee Thompson, 1962) Night and the City (Irwin Winkler, 1992) Night and the City (Jules Dassin, 1950) Kiss of Death (Barbet Schroeder 1995) Kiss of Death (Henry Hathaway, 1947) The Underneath (Steven Soderbergh, 1995) Criss Cross (Robert Siodmak, 1949) The Limey (Steven Soderbergh, 1999) Point Blank (John Boorman, 1967) The Deep End (McGehee & Siegel, 2001) Reckless Moment (Max Ophuls, 1946) The Good Thief (Neil Jordan, 2001) Bob le flambeur (Jean-Pierre Melville, 1955) NEO - NOIRS Blood Simple (Coen Brothers, 1984) LA Confidential (Curtis Hanson, 1997) Blue Velvet (David Lynch, 1986) Lost Highway (David
[Show full text]
Portraits of America DEMOCRACY on FILM
The Film Foundation’s Story of Movies Presents With support from AFSCME A PROFESSIONAL DEVELOPMENT WORKSHOP ON FILM AND VISUAL LITERACY FOR CLASSROOM EDUCATORS ACROSS ALL DISCIPLINES, GRADES 5 – 12 Portraits of America DEMOCRACY ON FILM 2018 WORKSHOPS August 6 & 7 Breen Center for the Performing Arts, 2008 W 30th Street, Cleveland, OH 44113 August 14 & 15 Lightbox Film Center inside International House Philadelphia 3701 Chestnut Street Philadelphia, PA 19104 October 3 & 4 Detroit Institute of Arts, 5200 Woodward Ave., Detroit, MI 48202 WHO & WHAT This FREE two-day seminar introduces educators to an interdisciplinary curriculum that challenges students to think contextually about the role of film as an expression of American democracy. SCREENING AND DISCUSSION ACTIVITIES FOCUS ON STRATEGIES TO: N Increase civic engagement by developing students’ critical viewing and thinking skills. N Give students the tools to understand the persuasive and universal language of moving images, a significant component ofvisual literacy. N Explore the social issues and diverse points of view represented in films produced in different historical periods. MORNING AND AFTERNOON WORKSHOPS FOCUS ON LEARNING HOW TO READ A FILM, PRINCIPLES OF CINEMA LITERACY, AND INTERPRETING FILM IN HISTORICAL/CULTURAL CONTEXTS. N Handout materials include screening activities and primary source documents to support and enhance students’ critical thinking skills. N Evening screenings showcase award-winning films, deemed historically and culturally significant by the Library of Congress National Film Registry. N Lunch is provided for registered participants. HOW & WHEN TO REGISTER CLASSROOM CAPACITY IS LIMITED, SO EARLY REGISTRATION IS ENCOURAGED. Continuing Education Credits may be supported by local school districts for this program.
[Show full text]
Film As Philosophy in Memento: Reforming Wartenberg's Imposition
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
[Show full text]
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS BEST FIRST SCREENPLAY 2012 NOMINEES (Winners in bold) *Will Reiser 50/50 BEST FEATURE (Award given to the producer(s)) Mike Cahill & Brit Marling Another Earth *The Artist Thomas Langmann J.C. Chandor Margin Call 50/50 Evan Goldberg, Ben Karlin, Seth Rogen Patrick DeWitt Terri Beginners Miranda de Pencier, Lars Knudsen, Phil Johnston Cedar Rapids Leslie Urdang, Dean Vanech, Jay Van Hoy Drive Michel Litvak, John Palermo, BEST FEMALE LEAD Marc Platt, Gigi Pritzker, Adam Siegel *Michelle Williams My Week with Marilyn Take Shelter Tyler Davidson, Sophia Lin Lauren Ambrose Think of Me The Descendants Jim Burke, Alexander Payne, Jim Taylor Rachael Harris Natural Selection Adepero Oduye Pariah BEST FIRST FEATURE (Award given to the director and producer) Elizabeth Olsen Martha Marcy May Marlene *Margin Call Director: J.C. Chandor Producers: Robert Ogden Barnum, BEST MALE LEAD Michael Benaroya, Neal Dodson, Joe Jenckes, Corey Moosa, Zachary Quinto *Jean Dujardin The Artist Another Earth Director: Mike Cahill Demián Bichir A Better Life Producers: Mike Cahill, Hunter Gray, Brit Marling, Ryan Gosling Drive Nicholas Shumaker Woody Harrelson Rampart In The Family Director: Patrick Wang Michael Shannon Take Shelter Producers: Robert Tonino, Andrew van den Houten, Patrick Wang BEST SUPPORTING FEMALE Martha Marcy May Marlene Director: Sean Durkin Producers: Antonio Campos, Patrick Cunningham, *Shailene Woodley The Descendants Chris Maybach, Josh Mond Jessica Chastain Take Shelter
[Show full text]
HILBERT HAKIM Second Assistant Director DGA
HILBERT HAKIM Second Assistant Director DGA FILM THE FATE OF THE FURIOUS (AKA The Key Second Assistant Director Fast and the Furious 8) Director: F. Gary Gray Producers: Neal Moritz, Vin Diesel, Michael Fottrell UPM: Carla Raij First Assistant Director: Cliff Lanning FRESH OFF THE BOAT Key Second Assistant Director 20th Century Fox Television/ABC Director: Various Producer: Jake Kasdan First Assistant Director: Carey Dietrich, Sean Kavanagh Unit Production Manager: Barbara Black TAMMY Key Second Assistant Director (Re-Shoots) New Line Cinema Director: Ben Falcone Producers: Will Farrel, Rob Cowan, Melissa McCarthy First Assistant Director: Michael Amundson Unit Production Manager: Brian Frankish INTO THE SKY Key Second Assistant Director (Re-Shoots) New Line Cinema Director: Steve Quale Producers: Rob Cowan First Assistant Director: Michael Amundson Unit Production Manager: Brian Frankish GULLIVER’S TRAVELS Key Second Assistant Director 20th Century Fox Director: Rob Letterman Producers: John Davis, Gregory Goodman First Assistant Director: Cliff Lanning Unit Production Manager: Janine Modder THE REAPING Second Assistant Director Warner Brothers Director: Stephen Hopkins Producers: Joel Silver, Robert Zemeckis First Assistant Director: Cliff Lanning Line Producer/Unit Production Manager: Herb Gains BATMAN BEGINS Key Second Assistant Director (Chicago) Warner Brothers Director: Christopher Nolan Producers: Emma Thomas, Larry Franco, Chuck Roven First Assistant Director: Clifford Lanning Unit Production Manger: Mike Malone THE MILTON AGENCY
[Show full text]
Caglione, John
John Caglione Jr. MAKE-UP ARTIST SPECIAL MAKE-UP FX DESIGNER IATSE 798 & 706 http://www.johncaglionejr.net FILM (Partial Credits): Teenage Mutant Ninja Department Head – Paramount Pictures Turtles 2 Dir: Dave Green – UPM: Basil Grillo Cast: Will Arnett, Alessandra Ambrosio, Stephen Arnell Fathers & Daughters Department Head – Voltage Pictures Dir: Gabriele Muccino – LP: Richard Middleton Cast: Amanda Seyfried, Russell Crowe, Diane Kruger, Jane Fonda, Octavia Spencer Aloha Department Head – Columbia Pictures Dept Head / Personal Dir: Cameron Croew – UPM: Robert Huberman Cast: Emma Stone, Rachel McAdams, Alec Baldwin, Danny McBride Amazing Spiderman 2 Department Head – Columbia Pictures Dir: Marc Webb – LP: Bennett Walsh Cast: Andrew Garfield, Emma Stone, Denis Leary, Paul Giamatti, Martin Sheen Winter’s Tale Department Head –Warner Bros. Dir: Akiva Goldsman – LP: Mike Tadross Cast: Colin Farrell, Russell Crowe, Matt Bomer, Kevin Durand, William Hurt Paranoia Department Head – Relativity Media Dir: Robert Luketic – LP: William Beasley Cast: Amber Heard, Liam Hemsworth, Gary Oldman, Embeth Davitz, Julian McMahon Broken City Personal Makeup for Russell Crowe – Fox Dir: Allen Hughes - LP: William Beasley Untitled Phil Spector Personal Makeup for Al Pacino – HBO Films Biopic Dir: David Mamet - LP: Michael Hausman Tower Heist Department Head – Universal Pictures Dir: Brett Ratner – LP: Bill Carraro Cast: Eddie Murphy, Casey Affleck, Tea Leoni, Gabourey Sidibe, Matthew Broderick On The Road Special FX Makeup Designer – MK2 Productions Dir: Walter
[Show full text]
NOMINEES for the 68Th ANNUAL GOLDEN GLOBE AWARDS
NOMINEES FOR THE 68th ANNUAL GOLDEN GLOBE AWARDS Best Motion Picture - Drama Best Screenplay - Motion Picture Best Performance by an Actress in Black Swan (2010) 127 Hours (2010): Danny Boyle, Simon Beaufoy a Mini-Series or a Motion Picture The Fighter (2010) Inception (2010): Christopher Nolan Made for Television Inception (2010) The Kids Are All Right (2010): Stuart Blumberg, Hayley Atwell for The Pillars of the Earth (2010) The King’s Speech (2010) Lisa Cholodenko Claire Danes for Temple Grandin (2010) The Social Network (2010) The King’s Speech (2010): David Seidler Judi Dench for Cranford (2007) The Social Network (2010): Aaron Sorkin Romola Garai for Emma (2009) Best Motion Picture - Jennifer Love Hewitt for The Client List (2010) Musical or Comedy Best Original Song - Motion Picture Alice in Wonderland (2010) Best Performance by an Actor Burlesque (2010/I) Burlesque (2010/I): Samuel Dixon, Christina Aguilera, in a Television Series - The Kids Are All Right (2010) Sia Furler(“Bound to You”) Musical or Comedy Burlesque (2010/I): Diane Warren(“You Haven’t Seen Red (2010/I) Alec Baldwin for 30 Rock (2006) The Last of Me”) The Tourist (2010) Steve Carell for The Office (2005) Country Strong (2010): Bob DiPiero, Tom Douglas, Hillary Lindsey, Troy Verges(“Coming Home”) Thomas Jane for Hung (2009) Best Performance by an Actor Matthew Morrison for Glee (2009) in a Motion Picture - Drama The Chronicles of Narnia: The Voyage of the Dawn Treader (2010): Carrie Underwood, David Hodges, Jim Parsons for The Big Bang Theory (2007) Jesse Eisenberg for The Social Network (2010) Hillary Lindsey(“There’s A Place For Us”) Best Performance by an Actress Colin Firth for The King’s Speech (2010) Tangled (2010): Alan Menken, Glenn Slater James Franco for 127 Hours (2010) (“I See the Light”) in a Television Series - Ryan Gosling for Blue Valentine (2010) Musical or Comedy Mark Wahlberg for The Fighter (2010) Best Original Score - Toni Collette for United States of Tara (2009) Motion Picture Edie Falco for Nurse Jackie (2009) Best Performance by an Actress 127 Hours (2010): A.R.
[Show full text]
Portraits of America DEMOCRACY on FILM Thursday & Friday, May 16 & 17, 2019 8:30 A.M
The Film Foundation’s Story of Movies Presents With support from AFSCME In association with AFI Silver Theatre and Cultural Center A PROFESSIONAL DEVELOPMENT WORKSHOP ON FILM AND VISUAL LITERACY FOR CLASSROOM EDUCATORS ACROSS ALL DISCIPLINES, GRADES 6 – 12 Portraits of America DEMOCRACY ON FILM Thursday & Friday, May 16 & 17, 2019 8:30 a.m. – 3:30 p.m. AFI Silver Theatre and Cultural Center 8633 Colesville Road, Silver Spring, MD 20910 WHO & WHAT This FREE two-day seminar introduces educators to an interdisciplinary curriculum that challenges students to think contextually about the role of film as an expression of American democracy. SCREENING AND DISCUSSION ACTIVITIES FOCUS ON STRATEGIES TO: N Increase civic engagement by developing students’ critical viewing and thinking skills. N Give students the tools to understand the persuasive and universal language of moving images, a significant component ofvisual literacy. N Explore the social issues and diverse points of view represented in films produced in different historical periods. MORNING AND AFTERNOON WORKSHOPS FOCUS ON LEARNING HOW TO READ A FILM, PRINCIPLES OF CINEMA LITERACY, AND INTERPRETING FILM IN HISTORICAL/CULTURAL CONTEXTS. N Handout materials include screening activities and primary source documents to support and enhance students’ critical thinking skills. N Afternoon screenings showcase award-winning films, deemed historically and culturally significant by the Library of Congress National Film Registry. N Lunch is provided for registered participants. N Classroom capacity is limited, so early registration is encouraged. REGISTRATION NRegister with the AFI Silver Theater here: https://silver.afi.com/Ticketing/visShop.aspx NMore information available at storyofmovies.org/professional-development WHY TEACH FILM IN THE CLASSROOM? • A rich tapestry of literature, art and social history exists to enhance film study, making it an ideal subject for interdisciplinary learning.
[Show full text]
WINNERS Children’S Programs Documentary Daytime Serials
MARCH 2011 MICK JACKSON MARTINMARTIN SCORSCORSSESEESE MICHAEL SPILLER Movies For Television Dramatic Series Comedy Series and Mini-Series TOM HOOPER Outstanding Directorial Achievement in Feature Film GLENN WEISS EYTAN KELLER STACYSTACY WALLWALL Musical Variety Reality Programs Commercials ERIC BROSS CHARLES FERGUSON LARRY CARPENTER WINNERS Children’s Programs Documentary Daytime Serials In this Issue: • DGA 75th Anniversary events featuring Martin Scorsese, Kathryn Bigelow, Francis Ford Coppola and the game-changing VFX of TRON and TRON: Legacy • March Screenings, Meetings and Events MARCH MONTHLY VOLUME 8, NUMBER 3 Contents 1 29 MARCH MARCH CALENDAR: MEETINGS LOS ANGELES & SAN FRANCISCO 4 DGA NEWS 30-34 MEMBERSHIP 6-8 SCREENINGS UPCOMING EVENTS 35 RECENT 9-27 EVENTS DGA AWARDS COVERAGE 36 28 MEMBERSHIP MARCH CALENDAR: REPORT NEW YORK, CHICAGO, WASHINGTON, DC DGA COMMUNICATIONS DEPARTMENT Morgan Rumpf Assistant Executive Director, Communications Sahar Moridani Director of Media Relations Darrell L. Hope Editor, DGA Monthly & dga.org James Greenberg Editor, DGA Quarterly Tricia Noble Graphic Designer Jackie Lam Publications Associate Carley Johnson Administrative Assistant CONTACT INFORMATION 7920 Sunset Boulevard Los Angeles, CA 90046-0907 www.dga.org (310) 289-2082 F: (310) 289-5384 E-mail: [email protected] PRINT PRODUCTION & ADVERTISING IngleDodd Publishing Dan Dodd - Advertising Director (310) 207-4410 ex. 236 E-mail: [email protected] DGA MONTHLY (USPS 24052) is published monthly by the Directors Guild of America, Inc., 7920 Sunset Boulevard, Los Angeles, CA 90046-0907. Periodicals Postage paid at Los Angeles, CA 90052. SUBSCRIPTIONS: $6.00 of each Directors Guild of America member’s annual dues is allocated for an annual subscription to DGA MONTHLY.
[Show full text]
90Th Academy Awards Contest Georgetown Peabody Library
90th Academy Awards Contest Georgetown Peabody Library Predict the Oscar winners and win a $25 AMC gift card! Fill out the form below by picking a winner in each category. Submit your form by Saturday, February 24 at the Circulation Desk. If more than one entry has the most correct guesses, we will draw one winner. Best Picture __Call Me by Your Name __Darkest Hour __Dunkirk __Get Out __Lady Bird __Phantom Thread __The Post __The Shape of Water __ Three Billboards Outside Ebbing, Missouri Actor in a Leading Role Actress in a Leading Role __ Timothée Chalamet (Call Me by Your Name) __ Sally Hawkins (The Shape of Water) __ Daniel Day-Lewis (Phantom Thread) __ Frances McDormand (Three Billboards Outside Ebbing, Missouri) __ Daniel Kaluuya (Get Out) __ Margot Robbie (I, Tonya) __ Gary Oldman (Darkest Hour) __ Saoirse Ronan (Lady Bird) __ Denzel Washington (Roman J. Israel, Esq) __ Meryl Streep (The Post) Actor in a Supporting Role Actress in a Supporting Role __ Willem Dafoe (The Florida Project) __ Mary J. Blige (Mudbound) __ Woody Harrelson (Three Billboards Outside Ebbing, Missouri) __ Allison Janney (I, Tonya) __ Richard Jenkins (The Shape of Water) __ Lesley Manville (Phantom Thread) __ Christopher Plummer (All the Money in the World) __ Laurie Metcalf (Lady Bird) __ Sam Rockwell (Three Billboards Outside Ebbing, Missouri) __ Octavia Spencer (The Shape of Water) Director __ Christopher Nolan (Dunkirk) __ Jordan Peele (Get Out) __ Greta Gerwig (Lady Bird) __Paul Thomas Anderson (Phantom Thread) __Guillermo del Toro (The Shape of Water) Name _______________________________ Phone Number __________________________________ Bring completed form to the Circulation Desk by Saturday, February 24.
[Show full text]
Works Cited – Films
Works cited – films Ali (Michael Mann, 2001) All the President’s Men (Alan J Pakula, 1976) American Beauty (Sam Mendes, 1998) American History X (Tony Kaye, 1998) American Psycho (Mary Harron, 2000) American Splendor (Shari Springer Berman and Robert Pulcini, 2003) Arlington Road (Mark Pellington, 1999) Being There (Hal Ashby, 1980) Billy Elliott (Stephen Daldry, 2000) Black Christmas (Bob Clark, 1975) Blow Out (Brian De Palma, 1981) Bob Roberts (Tim Robbins, 1992) Bowling for Columbine (Michael Moore, 2002) Brassed Off (Mark Herman, 1996) The Brood (David Cronenberg, 1979) Bulworth (Warren Beatty, 1998) Capturing the Friedmans (Andrew Jarecki, 2003) Control Room (Jehane Noujaim, 2004) The China Syndrome (James Bridges, 1979) Chinatown (Roman Polanski, 1974) Clerks (Kevin Smith, 1994) Conspiracy Theory (Richard Donner, 1997) The Conversation (Francis Ford Coppola, 1974) The Corporation (Jennifer Abbott and Mark Achbar, 2004) Crumb (Terry Zwigoff, 1994) Dave (Ivan Reitman, 1993) The Defector (Raoul Lévy, 1965) La Dolce Vita (Federico Fellini, 1960) Dr Strangelove, or: How I Learned to Stop Worrying and Love the Bomb (Stanley Kubrick, 1964) Evil Dead II (Sam Raimi, 1987) 201 Executive Action (David Miller, 1973) eXistenZ (David Cronenberg, 1999) The Exorcist (William Friedkin, 1973) Fahrenheit 9/11 (Michael Moore, 2004) Falling Down (Joel Schumacher, 1993) Far From Heaven (Todd Haynes, 2002) Fight Club (David Fincher, 1999) The Firm (Sydney Pollack, 1993) The Fly (David Cronenberg, 1986) The Forgotten (Joseph Ruben, 2004) Friday the 13th
[Show full text]