Laj:He World of Music And

Total Page:16

File Type:pdf, Size:1020Kb

Laj:He World of Music And la J:he World of Music and Art $Vo Opera Companies PRINCIPALS IN COMMONWEALTH ENGLISH OPERA COMPANY Feature of Random Art Notes Opening Season At Home and Abroad Engagement of Sah Carlo Forces at Manhattan Opera House Will Follow Debut of Memorial to an American Artist, the Gallery New Company Erected at Newport Honoring the Late Howard Gushing By Katharine Wright tenors; Alice Gentle, Stella De Mette, Musical New York is awakening from May Barron and Alice Homer, mezzo- By Royal Cortissoz MacMonnies and Mr. Robert Burnsids summer lethargy. Plans for the sopranos; Vincente Ballester, Mario Exhibitions of Potter. It raised the Jts Valla, Arnold pictures have long necessary funds, orchestras are well under way, and Mr. Becker and Nicola been familiar in Newport, but the Art and when the decision was nade te is already putting the Na¬ d'Amico, barytones; Pietro de Biasi Association there now make the memorial an art Bodaniky and Natale has for the first gaii*ry Mr. tional Symphony through preliminary Cervi, bassos; Gaetano time a reaily satisfactory gallery. On Delano and bis partner, Chester Aid«« «aces. Or.e or two concert managers Merola, Fulgcnzio Guerricri and Dirk its own property there has been erected rich, contributed the design. have issued statements regarding the Foeh, conductors. a little in The building is of stone and stucco The building; memory of the late activities of their artista. repertoire for the opening week, Howard Gardiner Cushing which is and is «bout forty feet wide and fifty On September 20 the San Carlo beginning September 20, includas "Car¬ not only an addition to the architec¬ feet deep. The circular entrance porch will a season men," Opera Company begin of "Rigoletto," "Aída," "Cavalleria tural charm of Newport but a land¬ has six columns ef black marble with at the Manhattan with of four weeks Opera Rusticana," "Pagliacci," "La Bo¬ mark in a movement wkich we hope capitals gilt brenze and bears a This is an adult hème" and "II T*ovatore" modest House. organization, for the six may have further and widespread re¬ dome. From this porch the «quipped with artists of experience. nights, in the order named, and "Ma¬ sults. This building owes its existence visitor enters a small gallery in which ex¬ dama a In the past this company has given Butterfly" for the Saturday mat¬ to the initiative of a ffroup of Cush- number of painting9 by Mr. Gush¬ cellent performances. The quality of inee. ing's friends who fermed themselves ing have been permanently placed. Be¬ for the sea- the singers engaged coming But before the older company starts into a committee to promote some ap¬ yond this lies the main exhibition room, as the list of an¬ its ton, as well operas season a new operatic organization, propriate memorial to the man and his in which a loan collection of twenty- nounced, arouses pleasurable anticipa¬ the Commonwealth Opera Company, is work. The committee was composed of five or thirty canvases was assembled tion. to be heard from, beginning to-morrow Mrs. Henry Clews, Mrs. Victor Sor- last month for the formal opening of Anns Fitziu, who has appeared in evening at the Lexington Theater. This chan. Mrs. Harry Payne Whitney, Mr. the édifiée. The show was entirely «ja. York City with both the Metro¬ is an undertaking by passionato believ¬ William Adams Delano, Mr. Frederic American in character, embracing politan Opera Company and the Chi¬ ers in opera in English, with th*> gen¬ works by such artists associated with cago Opera Association in the past, eral slogan "By Americans, of Ameri¬ Newport as the eighteenth century invitation of Fortune has accepted the cans and fer Americans." One or two Scotti Opera Co. John Smibert, later men like Sully and Gsllo to sing as a guest artist. familiar names appear among the sing¬ Trumbull, and modern painters like Miss Fitziu will be heard for the ers engaged. Both Mme. Lois Ewell Will Tour From John La Farge. Samuel Colman and Jyit time here as Elsa in "Lohengrin" and Miss Edith Helena have been heard F. P. Vinton. The scope of the memo¬ and will also appear in "Pagliacci," in other opera companies, where the Coast to Coast rial, primarily one to Cashing, but in "Bohème," "Tosca" and other operas ton»ue was English and the prices wer« planned also for a broad usefulness, «)f her repertoire with the Chicago low. Joseph Sheehan is not unknown. Stf.rtir.p- a csast-to-coast tour, the was thus happily indicated. forces- While waiting in a receptive mood for .Scotti Grand Opera Company, headed Over the door there runs this in¬ Other guest artists added to the San the organization to prove its worth, this by Antonio Scotti, barytsne, of the scription: "This building was erected Carlo roster since the last announce¬ circular «¡nt out by th« management Metropolitan Opera Company, will by the friends of Howard Gardiner ment made include Ernest Brenot, a invites consideration and comment: leave for South Bend, Ind., nest Sun¬ Cashing, who remember with affection tenor from the Théâtre the of new French "What promises to be an important day, September 12. joy his companionship and his lyrique, Paris; Sylvia Tell, former pre¬ stride forward in the movement for Ihii i.i the fourth tour of this or¬ power to make them see as he saw the of the beautiful of miere danseuse Chicago Opera, bringing opera to as large a circle as ganization. A feature of the trip will things life." The word3 end Regina Vicarino, coloratura so¬ is now reached the be p. week'-' season in San by photoplay is the Francisco, Continued on prano, formerly of the Manhattan and newly organized National Common¬ wherr- the company will give seven sub¬ pare eight set!; tion pcriormar.ces at the Exposi¬ Boston Opera companies. wealth English Opera Company, whose tion Auditorium. The complete list of artist3 for the season of standard works, with seats Other cities to be visited on this Music Notes Manhattan engagement also includes ranging in from 50 cents to transcontinental tour, covering- four¬ price $1.60, teen s:at"s. will be Marie Rappold, Quenna Mario, Nobuko is announced to in the fall. Milwaukee, Wis.; Mme. Bettina Free- begin early Duiuth, Minn.; (¡rand Forks and Fargo. Margaret Matzenauer will sing Ears, Myrna Sharlow, One of the objects of the enterprise N. LV; Great Falls, Mont., and at the Ocean Grove Auditorium to¬ D'Arclee and Madeleine Spokane morrow Bisn. Louisa nearest the hearts of these who are Seattle, Wash.; Vancouver, B. C; Port- evening, at 8:15. Manuel Ian ;, Ore.; Salt Lake Xeltie, sopranos; Salazar, it is to give an Citv, Utah; sponsoring opportunity i'-nvcr. Col.; Salina, Kan.; St. Louis, Walter Damrosch, conductor of the Giuseppe Agostini, Eugenio Cibelli, to young artists as well as older ones M Corallo and Frank Pollack, ..; Peoria, II!.; Toledo, Ohio, and New York Symphony Orchestra, has Giuseppe who have the necessary qualifications closing in Montreal, Cunada, on Octo¬ decided to include in the Italian pro¬ INSTRUCTION but who, for lack of sufficient outlet in ber 30. gram of next season's historical cycle MUSICAL All the a this country, have either their favorite artists of the com- work by Francisco Malipiero, who re¬ sought pany, mostly Americans, have been re- cently won the Berkshire chamber The National Conservatory careers abroad, where opera companies of mere names and reputations. eti raged, i !.. lis' follows; Sopranos, music prize. are more numerous, or devoted their "The chorus of the opera consists of Florence Raston, Ruth Miller,Francesca The composition tn be performed Ann.". was of Music of America energies to other musical fields. men and women in all walks of ¡'eral.;', Koselle and Marie Sun- chosen by Mr. Damrosch from a young delius; mezzo-sopranos and number of works submitted The onlv 8chonl of Music lrr the U. S. the of the or¬ interested in music and eontralto3, by Signor chartered by Cotigreas. "Though headquarterB life, desirous Jeanne '¡m'i.m and Mary Kent; tensrs, Malipiero when Mr. Damrosch was in JEANNETTE M. THL'RHER, Founder. ganization have been established in of training themselves for such par¬ Mario Chamice, Orvillc Harrold, Morgan Italy. It is "Impressieni rial Vero." Artistic Adel" Margultes. Ro¬ New at the ticipation. Between 200 and 200 are King to-ii u.ul Giordano Paltrinieri; written in the form of a suite in three Faculty: York, Lexington Theater, Greek "The Bells mualdo Sapio. Leopold Lichtenborg, in a of ar¬ of them em¬ barytones, Evans, Mario Lau¬ parts: Speak.' "The Cy¬ Henry T. Flack, and others. conjunction with number already enrolled, many ren-;. Miilo Pieso und Antonio presses and the Winds" and "A known of Scotti; Holi¬ Thirty-aixth Year Open» October 4th. tistic and patriotic societies ployees banking and industrial ! a¦. -,.... Paolo Ananian, Louis d'Angelo day." Mr. Damresch has secured the Enroll Sept. 2?th to Oct. 2d, inc. as the National Commonwealth Cen¬ houses, who have taken part in the rr.d Giovanni Martino; conductor. Malipiero werk for first performance W. N. Carlo in this Address 3«c, 12« 70th St., T. City ter, the opera company is planned on musical activities carried on in these denee, Toronto, Detroit, Cleveland, Peroni; assistant conductor, country. Buffalo, Wilfrid P#e!letier; stage manager, lines of country-wids usefulness. Not places. Erie, Stamford, Oxford and Armando Atnini. Mr. Scotti has also Rosa Raisa will at the New York. , appear Hippo¬ only does it aim to give the "Those active in the affairs of the or¬ entrnged Mis-, Loria a drome on November 7.
Recommended publications
  • Boston Symphony Orchestra Concert Programs, Season 125, 2005-2006
    Tap, tap, tap. The final movement is about to begin. In the heart of This unique and this eight-acre gated final phase is priced community, at the from $1,625 million pinnacle of Fisher Hill, to $6.6 million. the original Manor will be trans- For an appointment to view formed into five estate-sized luxury this grand finale, please call condominiums ranging from 2,052 Hammond GMAC Real Estate to a lavish 6,650 square feet of at 617-731-4644, ext. 410. old world charm with today's ultra-modern comforts. BSRicJMBi EM ;\{? - S'S The path to recovery... a -McLean Hospital ', j Vt- ^Ttie nation's top psychiatric hospital. 1 V US NeWS & °r/d Re >0rt N£ * SE^ " W f see «*££% llffltlltl #•&'"$**, «B. N^P*^* The Pavijiorfat McLean Hospital Unparalleled psychiatric evaluation and treatment Unsurpassed discretion and service BeJmont, Massachusetts 6 1 7/855-3535 www.mclean.harvard.edu/pav/ McLean is the largest psychiatric clinical care, teaching and research affiliate R\RTNERSm of Harvard Medical School, an affiliate of Massachusetts General Hospital HEALTHCARE and a member of Partners HealthCare. REASON #78 bump-bump bump-bump bump-bump There are lots of reasons to choose Beth Israel Deaconess Medical Center for your major medical care. Like less invasive and more permanent cardiac arrhythmia treatments. And other innovative ways we're tending to matters of the heart in our renowned catheterization lab, cardiac MRI and peripheral vascular diseases units, and unique diabetes partnership with Joslin Clinic. From cardiology and oncology to sports medicine and gastroenterology, you'll always find care you can count on at BIDMC.
    [Show full text]
  • ARSC Journal
    THE MARKETPLACE HOW WELL DID EDISON RECORDS SELL? During the latter part of 1919 Thomas A. Edison, Inc. began to keep cumulative sales figures for those records that were still available. The documents were continued into 1920 and then stopped. While the documents included sales figures for all series of discs time allowed me to copy only those figures for the higher priced classical series. Thus the present article includes the 82,000 ($2.00); 82,500 ($2.50); 83,000 ($3.00) and 84,000 ($4.00) series. Should there be sufficient interest it may be possible to do the other series at a later date. While the document did list some of the special Tone-Test records pressing figures were included for only two of them. I have arbitrarily excluded them and propose to discuss the Edison Tone Tests at a later date. The documents also originally included supplementary listings, which, for the sake of convenience, have been merged into the regular listings. The type copy of the major portion of the listings has been taken from regular Edison numerical catalogs and forms the framework of my forthcoming Complete Edison Disc Numerical Catalog. Several things may be noted: 1) Many of the sales figures seem surprisingly small and many of the records must be classed as rarities; 2) Deletion was not always because of poor sales-mold damage also played a part; 3) Records were retained even with extremely disappointing sales. Without a knowledge of the reason for discontinuance we cannot assume anything concerning records that had already been discontinued.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 50,1930
    PRSGREttAE TO THE MUSIC LOVER The BRAMBACH Grand is truly a great instrument. It is made of the finest mate- rials by an organization that is 107 years old. $ In the making of BRAMBACH Pianos 675 there is no thought of quantity ... no con- sideration of numbers. Each instrument is only an entity in itself ... 4 ft. 10 in. an individual unit, as long carefully wrought, as deftly constructed, and containing the same measure of imagination and idealism as any other masterpiece of art. Convenient Terms CCtlARYEY® 144 Boylston Street Tel. HANcock 5180 SYMPHONY HALL, BOSTON HUNTINGTON AND MASSACHUSETTS AVENUES Branch Exchange Telephones, Ticket and Administration Offices, Commonwealth 1492 Boston Symphony Orchestra INC. Dr. SERGE KOUSSEVITZKY, Conductor FIFTIETH SEASON, 1930-1931 Programme WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE COPYRIGHT, 1931, BY BOSTON SYMPHONY ORCHESTRA, INC. THE OFFICERS AND TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA, Inc. FREDERICK P. CABOT President BENTLEY W. WARREN Vice-President ERNEST B. DANE Treasurer FREDERICK P. CABOT FREDERICK E. LOWELL ERNEST B. DANE ARTHUR LYMAN N. PENROSE HALLOWELL WILLIAM PHILLIPS M. A. DE WOLFE HOWE EDWARD M. PICKMAN JOHN ELLERTON LODGE HENRY B. SAWYER BENTLEY W. WARREN W. H. BRENNAN, Manager G. E. JUDD, Assistant Manager 1625 ^fr THE STEINWAY, GRACEFULLY DECORATIVE, BEAUTIFUL OF TONE, 1% EASILY WITHIN YOUR REACH You can have a Steinway in your living-room now by making a 10% first payment, and the balance will be extended over a period of three years ! Make a visit to your nearest Steinway dealer today and select your instrument. • There are Steinways of various sizes and prices, but there is never any variation in quality.
    [Show full text]
  • “Can't Help Singing”: the “Modern” Opera Diva In
    “CAN’T HELP SINGING”: THE “MODERN” OPERA DIVA IN HOLLYWOOD FILM, 1930–1950 Gina Bombola A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music in the College of Arts and Sciences. Chapel Hill 2017 Approved by: Annegret Fauser Tim Carter Mark Katz Chérie Rivers Ndaliko Jocelyn Neal ©2017 Gina Bombola ALL RIGHTS RESERVED ii ABSTRACT Gina Bombola: “Can’t Help Singing”: The “Modern” Opera Diva in Hollywood Film, 1930–1950 (Under the direction of Annegret Fauser) Following the release of Columbia Pictures’ surprise smash hit, One Night of Love (1934), major Hollywood studios sought to cash in on the public’s burgeoning interest in films featuring opera singers. For a brief period thereafter, renowned Metropolitan Opera artists such as Grace Moore and Lily Pons fared well at the box office, bringing “elite” musical culture to general audiences for a relatively inexpensive price. By the 1940s, however, the studios began grooming their own operatic actresses instead of transplanting celebrities from the stage. Stars such as Deanna Durbin, Kathryn Grayson, and Jane Powell thereby became ambassadors of opera from the highly commercial studio lot. My dissertation traces the shifts in film production and marketing of operatic singers in association with the rise of such cultural phenomena as the music-appreciation movement, all contextualized within the changing social and political landscapes of the United States spanning the Great Depression to the Cold War. Drawing on a variety of methodologies—including, among others, archival research, film analysis, feminist criticisms, and social theory—I argue that Hollywood framed opera as less of a European theatrical art performed in elite venues and more of a democratic, albeit still white, musical tradition that could be sung by talented individuals in any location.
    [Show full text]
  • Casts for the Verdi Premieres in the US (1847-1976)
    Verdi Forum Number 2 Article 5 12-1-1976 Casts for the Verdi Premieres in the U.S. (1847-1976) (Part 1) Martin Chusid New York University Follow this and additional works at: http://scholarship.richmond.edu/vf Part of the Musicology Commons, and the Music Performance Commons Recommended Citation Chusid, Martin (1976) "Casts for the Verdi Premieres in the U.S. (1847-1976)" (Part 1), AIVS Newsletter: No. 2, Article 5 This Article is brought to you for free and open access by UR Scholarship Repository. It has been accepted for inclusion in Verdi Forum by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. Casts for the Verdi Premieres in the U.S. (1847-1976) (Part 1) Keywords Giuseppe Verdi, opera, United States This article is available in Verdi Forum: http://scholarship.richmond.edu/vf/vol1/iss2/5 Casts for the Verdi Premieres in the U.S. (1847-1976), Part 1 by Martin Chusid 1. March 3, 1847, I lombardi alla prima tioni (London, 1862). See also U.S. pre­ croclata (Mi~, 1843). New York, Palmo's mieres of Due Foscari, Attila, Macbeth and Opera House fn. 6 6 Salvatore Patti2 (Arvino) conducted w.p. Aida (Cairo, 1871). See Giuseppe Federico de! Bosco Beneventano 3 also U.S. premieres in note S. Max Maret­ (Pagano) zek, Crochets and Quavers (l8SS), claims Boulard (Viclinda) that Arditi was Bottesini's assistant. Clotilda Barili (Giselda) The most popular of all Verdi's early operas A. Sanquirico3 (Pirro) in the U.S. (1847-1976) Benetti Riese (Prior) 3.
    [Show full text]
  • THE NAFF COLLECTION (Location: Range 4, Section 5 – NR Workroom)
    THE NAFF COLLECTION (Location: Range 4, Section 5 – NR Workroom) The Naff Collection is an accumulation of programs, autographed photographs, posters, folders, booklets, announcements and a few other items which tell the story of professional theater in Nashville between the years 1900 and 1960. This material was collected by the late Mrs. L. C. Naff during the period in which she served as secretary to the Rice Bureau and later as manager of the Ryman Auditorium. She bequeathed the collection to Francis Robinson, assistant manager of the Metropolitan Opera, who began his career as an usher at the Ryman. On March 27, 1967, Mr. Robinson made the formal presentation of the collection to the Public Library of Nashville and Davidson County, Charles C. Trabue, chairman of the board, and Marshall Stewart, chief librarian. The public was invited to this ceremony at which the collection was on display. The materials had been listed by chronological periods and arranged by Ann Dorsey, head of the reference department, Edward Durham and Terry Hudson. After the material had remained on exhibit for one month, it was packed for storage. In January 1971, it was decided that the collection should be classified and indexed so that it might be more readily available to researchers and other interested parties. The holdings in the Naff Collection have been classified as follows: NAFF COLLECTION CLASSIFICATIONS Advertising Announcements Descriptive Folders Letters and Telegrams Librettos Newspaper Clippings Photographs Posters Programs: Concerts Dances Lectures Miscellaneous Musical Comedies Operas Operettas Orchestras Plays Recitals Souvenirs Variety Realia Scripts Souvenir Booklets The subject headings of the various collections will most likely lead to desired information, particularly if the medium of a performer is known.
    [Show full text]
  • The Concerts at Lewisohn Stadium, 1922-1964
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2009 Music for the (American) People: The Concerts at Lewisohn Stadium, 1922-1964 Jonathan Stern The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2239 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] MUSIC FOR THE (AMERICAN) PEOPLE: THE CONCERTS AT LEWISOHN STADIUM, 1922-1964 by JONATHAN STERN VOLUME I A dissertation submitted to the Graduate Faculty in Music in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2009 ©2009 JONATHAN STERN All Rights Reserved ii This manuscript has been read and accepted for the Graduate Faculty in Music in satisfaction of the Dissertation requirement for the degree of Doctor of Philosophy. Professor Ora Frishberg Saloman Date Chair of Examining Committee Professor David Olan Date Executive Officer Professor Stephen Blum Professor John Graziano Professor Bruce Saylor Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iii Abstract MUSIC FOR THE (AMERICAN) PEOPLE: THE LEWISOHN STADIUM CONCERTS, 1922-1964 by Jonathan Stern Adviser: Professor John Graziano Not long after construction began for an athletic field at City College of New York, school officials conceived the idea of that same field serving as an outdoor concert hall during the summer months. The result, Lewisohn Stadium, named after its principal benefactor, Adolph Lewisohn, and modeled much along the lines of an ancient Roman coliseum, became that and much more.
    [Show full text]
  • "The Bohemians" (New York Musicians' Club) : a Historical
    ML A/S" """"^ "^"^ ML 28.N5B64" ^''niiBMiWiil!!™,.,!'''** ^'"* mu'lcians' clu 3 1924 022 246 346 CORNELL UNIVERSITY LIBRARY MUSIC Cornell University Library The original of tiiis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924022246346 Cl^orneU HntoetHitg ffiihratg JIttiata, STetP ^atk ^ Rafael Joseffy "THE BOHEMIANS" {New York Musicians' Club) A HISTORICAL NARRATIVE AND RECORD Written and Compiled for the Celebration of the Fifteenth Anniversary of The Foundation of The Club By H. E. KREHBIEL NEW YORK, DECEMBER 1921 Franz Kneisel, President Vice-Presidents Rubin Goldmark Sigmund Herzog Abraham W. Lilienthal Ernest T. Carter, Secretary Hugo Grunwald, Treasurer BOARD OF GOVERNORS Walter L. Bogert Edouard Dethier George Hnnili William H. Humiston Ernest Hulcheson Gardner Lamson Cornelius Rybner Herbert Witherspoon • I THE STORY OF THE BOHEMIANS 'Tis written: "In the Beginning was the Word." Here am I balked: who now can help afford? The WORD?—impossible so high to rate it; And otherwise must I translate it. If by the Spirit I am truly taught. Then thus : "In the Beginning was the THOUGHT," This first line let me weigh completely. Lest iriy im,patient pen proceed too fieetly. Is it the THOUGHT which works, creates, vndeed? "In the Begimrdng was the POWER," I read. Yet, as I write, a warning is suggested That I the sense may not have fairly tested. The Spirit aads me: now I see the light I "In the beginning was the ACT," I write. -—Goethe, "Faust," Scene III, HE problem which vexed the mind of Fav^t, pondering the philosophy formulated at the outset of The Gospel according to St.
    [Show full text]
  • The Inventory of the Alicia Markova Collection #1064
    The Inventory of the Alicia Markova Collection #1064 Howard Gotlieb Archival Research Center Markova, Alicia #1064 6/30/95 Preliminary Listing Box 1 I. Correspondence. [F. 1] A. Markova, Alicia. ANS to unknown, 1 p., n.d. B. Invitation to the annual meeting of the Boston University Friends of the Libraries where AM will speak, May 8, 1995. II. Printed Material. A. Newspaper clippings. 1. AMarkova Rounding Out 33 Years on Her Toes,@ by Art Buchwald, New York Herald Tribune, Nov. 22, 1953. [F. 2] 2. AThe Ballet Theatre,@ by Walter Terry, New York Herald Tribune, Apr. 16, 1955. 3. Printed photo of AM, Waterbury American, Nov. 25, 1957. 4. ATotal Role Recall,@ by Jann Parry, The Observer Review, Jan. 29, 1995. 5. AThe Nightingale Dances Again,@ by Ismene Brown, The Daily Telegraph, Feb. 3, 1995. 6. AA Step in Time,@ by David Dougill, The Sunday Times, Feb. 5, 1995. 7. AFanfare for Stars With a Place in Our Hearts,@ by Michael Owen, Evening Standard, Mar. 21, 1995. B. Photocopied pages from an unidentified printed source; all images of AM; 13 p. total. C. Promotional brochure for Yorkshire Ballet Seminars, July 29 - Aug. 26, 1995. D. Booklets. [F. 3] 1. AEnglish National Ballet,@ for a ARoyal gala performance in celebration of the 80th birthday of the President and co-founder of the company, Dame Alicia Markova ...,@ Nov. 27, 1990. 2. AA Dance Spectacular, in tribute to Dame Alicia Markova DBE, on the occasion of her 80th birthday ... in aid of The Dance Teachers= Benevolent Fund,@ Dec. 2, 1990. III. Photographs.
    [Show full text]
  • THE RECORD COLLECTOR MAGAZINE Given Below Is the Featured Artist(S) of Each Issue (D=Discography, B=Biographical Information)
    PRINTED MATERIAL DISCOGRAPHICAL & REFERENCE BOOKS, BIOGRAPHIES; RECORD CATALOGUES & SUPPLEMENTS Books are all in good, used condition (no damage unless described). DJ = includes Paper Dust Jacket This year’s book list includes a number of important and desirable items. The minimum bids have been kept very low, considering the scarcity of some items and the cost of others which still might be in print. While bargains are indeed possible, I’d suggest, as usual, to bid realistically for those items of particular interest. Bids of any amount are, of course, welcomed. MUSICIAN BIOGRAPHIES/AUTOBIOGRAPHIES 3574. [FRANCES ALDA]. MEN, WOMEN AND TENORS. Autobiography. Riverside Press, Cambridge, MA. 1937. 307 pp. Illustrated. Quite candid jottings for the period. Fun and informative reading. Blank front page removed. Cons. 2. $7.00. 3622. MARIAN ANDERSON – A PORTRAIT (Kosti Vehanen). Whittlesey House, NY. 1941. 270 pp. Blank book plate on inside cover. Just about 1-2. $10.00. 3535. [MARIAN ANDERSON]. MY LORD, WHAT A MORNING. Autobiography. Viking Press, NY. 1956. DJ. Illustrated. 312 pp. Light DJ wear. Book gen. 1-2. $7.00. 3581. MARIAN ANDERSON – A SINGER’S JOURNEY (Allan Keiler). Scribner, NY. 2000. 447 pp. DJ. Just about 1-2. $10.00. 3542. [Sir THOMAS] BEECHAM – A CENTENARY DISCOGRAPHY (Michael Gray). Duckworth, Norwich. 1979. DJ. 129 pp. Light signs of use on DJ. Book is just about 1-2 except for numerous pencil check marks. $6.00. 3550. THE ACCOMPANIST – AN AUTOBIOGRAPHY OF ANDRÉ BENOIST (ed. John Anthony Maltese). Paganiniana Pub., Neptune City, NJ. 1978. 383 pp. Profusely illustrated. A fascinating and extremely candid look at dozens of the vocal and instrumental celebrities with whom Benoist was associated.
    [Show full text]
  • 78Rpm to Sell !
    Beginning ! ! 78rpm to sell ! ! ! Albums : Lotte Lehmann : Schubert + Schumann + Brahms (3x) Columbia US Sir Charles Thomas Victor Grace Moore Lily Pons Mario Lanza Yves Thymaire Voices of the Golden age (volume 1 Victor) Gilbert & Sullivan Princess Ida HMV OA + HMS Pinafore Decca Vaughan Williams On wenlock wedge Pears Jeaette Mc Donald in songs Blanche Thebom Schumann Jennies Tourel Offenbach Dorothy Maynor Spirituals Hulda Lahanska Lieder recital Erna Sack Popular favorites Eileen Farrell Irish songs Paul Robeson Spirituals Josef Schmidt Lotte Lehmann Strauss Lotte Lehmann Song recital Maggie Teyte French art songs Gladys Swarthout pˆopular favorites Maggie Teyte Debussy with Cortot Lotte Lehmann Schumann with Bruno Walter Lotte Lehmann Brahms Index Ada ASLOP, 44 Alma GLUCK, 38, 51 Ada NORDENOVA, 96, 97 Amelita GALLI-CURCI, 27, 30, 32, 57, 63, 72 Adamo DIDUR, 99 Anne ROSELLE, 25 Adele KERN, 17, 18, 46, 74, 77 Anny SCHLEMM, 45 Alda NONI, 14, 17, 48, 60, 74 Anny von STOSCH, 91 Alessandro BONCI, 57 Antenore REALI, 40 Alessandro VALENTE, 58, 67 Antonio CORTIS, 58, 60 Alexander KIPNIS, 71, 72, 77 Antonio SCOTTI, 30 Alexander SVED, 47 Armand TOKATYAN, 65 Alexandra TRIANTI, 76 Arno SCHELLENBERG, 71 Alexandre KOUBITSKY, 49 Arthur ENDREZE, 61, 85, 86 Alexandre KRAIEFF, 23 Arthur PACYNA, 58 Alfons FUGEL, 40 Astra DESMOND, 41, 59 Alfred JERGER, 57 August SEIDER, 47 Alfred PICCAVER, 25, 26, 96 Augusta OLTRABELLA, 46, 87 Alina BOLECHOWSKA, 46 Aulikki RAUTAWAARA, 100 Barbara KEMP, 23 Cesare FORMICHI, 99 Bernardo de MURO, 32, 50 Cesare PALAGI, 78 Bernhard
    [Show full text]
  • AUTOGRAPH AUCTION Sunday 27 November 2011 10:00
    AUTOGRAPH AUCTION Sunday 27 November 2011 10:00 International Autograph Auctions (IAA) Office address Foxhall Business Centre Foxhall Road NG7 6LH International Autograph Auctions (IAA) (AUTOGRAPH AUCTION) Catalogue - Downloaded from UKAuctioneers.com Lot: 877 beneath the quotation. VG ELGAR EDWARD: (1857-1934) English Composer. A good Estimate: £80.00 - £100.00 printed score signed for The Dream of Gerontius (Op.38, 1900), First Edition published by Novello and Company Ltd., London, 1900. The tall 8vo edition has been specially bound in half blue Lot: 883 morocco with gilt title ('Nesta') to cover and gilt lettering to COATES ERIC: (1886-1957) English Composer, composed the spine. Signed by Elgar in dark fountain pen ink to the famous main title march of the film score to The Dam Busters preliminary blank with an A.M.Q.S. in his hand, two bars with (1954). Vintage signed and inscribed 4 x 6 photograph, a head words ('Praise etc.') beneath his signature. Dated Hereford, and shoulders study of Coates. Signed in dark fountain pen ink 1924, in his hand. Bearing two ownership signatures of N[esta]. to a light area of the image and dated February 1933 in his J. R. Clarke of Gloucester and Chester, one to the title page. hand. VG Rare in this form. Some light discoloration to the head of the Estimate: £100.00 - £120.00 covers and the spine faded, about VG Estimate: £400.00 - £600.00 Lot: 884 BRITTEN BENJAMIN: (1913-1976) English Composer. Vintage Lot: 878 signed postcard photograph of Britten in a head and shoulders SULLIVAN ARTHUR: (1842-1900) English Composer.
    [Show full text]