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Kristianstads Vattenrike Biosphere Reserve, Periodic Review 2005-2015
This Periodic Review can also be downloaded at www.vattenriket.kristianstad.se/unesco/. Title: Kristianstads Vattenrike Biosphere Reserve. Periodic Review 2005-2015 Authors: This review is produced by the Biosphere Office, Kristianstads kommun: Carina Wettemark, Johanna Källén, Åsa Pearce, Karin Magntorn, Jonas Dahl, Hans Cronert; Karin Hernborg and Ebba Trolle. In addition a large number of people have contributed directly and indirectly. Cover photo: Patrik Olofsson/N Maps: Stadsbyggnadskontoret Kristianstads kommun PERIODIC REVIEW FOR BIOSPHERE RESERVE INTRODUCTION The UNESCO General Conference, at its 28th session, adopted Resolution 28 C/2.4 on the Statutory Framework of the World Network of Biosphere Reserves. This text defines in particular the criteria for an area to be qualified for designation as a biosphere reserve (Article 4). In addition, Article 9 foresees a periodic review every ten years The periodic review is based on a report prepared by the relevant authority, on the basis of the criteria of Article 4. The periodic review must be submitted by the national MAB Committee to the MAB Secretariat in Paris. The text of the Statutory Framework is presented in the third annex. The form which follows is provided to help States prepare their national reports in accordance with Article 9 and to update the Secretariat's information on the biosphere reserve concerned. This report should enable the International Coordinating Council (ICC) of the MAB Programme to review how each biosphere reserve is fulfilling the criteria of Article 4 of the Statutory Framework and, in particular, the three functions: conservation, development and support. It should be noted that it is requested, in the last part of the form (Criteria and Progress Made), that an indication be given of how the biosphere reserve fulfils each of these criteria. -
E-Petition Session: TV Licensing, HC 1233
Petitions Committee Oral evidence: E-petition session: TV Licensing, HC 1233 Monday 1 March 2021 Ordered by the House of Commons to be published on 1 March 2021. Watch the meeting Members present: Catherine McKinnell (Chair); Tonia Antoniazzi; Jonathan Gullis. Other Members present: Rosie Cooper; Damian Collins; Gill Furniss; Gareth Bacon; Jamie Stone; Ben Bradley; Tahir Ali; Brendan Clarke-Smith; Allan Dorans; Virginia Crosbie; Mr Gregory Campbell; Simon Jupp; Jeff Smith; Huw Merriman; Chris Bryant; Mark Eastwood; Ian Paisley; John Nicolson; Chris Matheson; Rt Hon Mr John Whittingdale OBE, Minister for Media and Data. Questions 1-21 Chair: Thank you all for joining us today. Today’s e-petition session has been scheduled to give Members from across the House an opportunity to discuss TV licensing. Sessions like this would normally take place in Westminster Hall, but due to the suspension of sittings, we have started holding these sessions as an alternative way to consider the issues raised by petitions and present these to Government. We have received more requests to take part than could be accommodated in the 90 minutes that we are able to schedule today. Even with a short speech limit for Back- Bench contributions, it shows just how important this issue is to Members right across the House. I am pleased to be holding this session virtually, and it means that Members who are shielding or self-isolating, and who are unable to take part in Westminster Hall debates, are able to participate. I am also pleased that we have Front-Bench speakers and that we have the Minister attending to respond to the debate today. -
The Future of The
The Future of Public Service Broadcasting Some thoughts Stephen Fry Before I can even think to presume to dare to begin to expatiate on what sort of an organism I think the British Broadcasting Corporation should be, where I think the BBC should be going, how I think it and other British networks should be funded, what sort of programmes it should make, develop and screen and what range of pastries should be made available in its cafés and how much to the last penny it should pay its talent, before any of that, I ought I think in justice to run around the games field a couple of times puffing out a kind of “The BBC and Me” mini‐biography, for like many of my age, weight and shoe size, the BBC is deeply stitched into my being and it is important for me as well as for you, to understand just how much. Only then can we judge the sense, value or otherwise of my thoughts. It all began with sitting under my mother’s chair aged two as she (teaching history at the time) marked essays. It was then that the Archers theme tune first penetrated my brain, never to leave. The voices of Franklin Engelman going Down Your Way, the women of the Petticoat Line, the panellists of Twenty Questions, Many A Slip, My Word and My Music, all these solid middle class Radio 4 (or rather Home Service at first) personalities populated my world. As I visited other people’s houses and, aged seven by now, took my own solid state transistor radio off to boarding school with me, I was made aware of The Light Programme, now Radio 2, and Sparky’s Magic Piano, Puff the Magic Dragon and Nelly the Elephant, I also began a lifelong devotion to radio comedy as Round The Horne, The Clitheroe Kid, I’m Sorry I’ll Read That Again, Just A Minute, The Men from The Ministry and Week Ending all made themselves known to me. -
2 a Quotation of Normality – the Family Myth 3 'C'mon Mum, Monday
Notes 2 A Quotation of Normality – The Family Myth 1 . A less obvious antecedent that The Simpsons benefitted directly and indirectly from was Hanna-Barbera’s Wait ‘til Your Father Gets Home (NBC 1972–1974). This was an attempt to exploit the ratings successes of Norman Lear’s stable of grittier 1970s’ US sitcoms, but as a stepping stone it is entirely noteworthy through its prioritisation of the suburban narrative over the fantastical (i.e., shows like The Flintstones , The Jetsons et al.). 2 . Nelvana was renowned for producing well-regarded production-line chil- dren’s animation throughout the 1980s. It was extended from the 1960s studio Laff-Arts, and formed in 1971 by Michael Hirsh, Patrick Loubert and Clive Smith. Its success was built on a portfolio of highly commercial TV animated work that did not conform to a ‘house-style’ and allowed for more creative practice in television and feature projects (Mazurkewich, 1999, pp. 104–115). 3 . The NBC US version recast Feeble with the voice of The Simpsons regular Hank Azaria, and the emphasis shifted to an American living in England. The show was pulled off the schedules after only three episodes for failing to connect with audiences (Bermam, 1999, para 3). 4 . Aardman’s Lab Animals (2002), planned originally for ITV, sought to make an ironic juxtaposition between the mistreatment of animals as material for scientific experiment and the direct commentary from the animals them- selves, which defines the show. It was quickly assessed as unsuitable for the family slot that it was intended for (Lane, 2003 p. -
Ÿþm I C R O S O F T W O R
Save Kids’ TV Campaign British children’s television - on the BBC, Channel 4, ITV and Five - has been widely acknowledged as amongst the most creative and innovative in the world. But changes in children’s viewing patterns, and the ban on certain types of advertising to children, are putting huge strains on commercial broadcasters. Channel 4 no longer makes children’s programmes and ITV (until recently the UK’s second largest kids’ TV commissioner) has ceased all new children’s production. They are deserting the children’s audience because it doesn’t provide enough revenue. Channel FIVE have cut back their children’s programming too. The international channels - Disney, Nickelodeon and Cartoon Network - produce some programming here, but not enough to fill the gap, and much of that has to be international in its focus so that it can be used on their channels in other territories. The recent Ofcom report on the health of children’s broadcasting in the UK has revealed that despite the appearance of enormous choice in children’s viewing, the many channels available offer only a tiny number of programmes produced in the UK with British kids’ interests at their core. The figures are shocking – only 1% of what’s available to our kids is new programming made in the UK. To help us save the variety and quality of children’s television in the UK sign the e-petition on the 10 Downing Street website or on http://www.SaveKidsTV.org.uk ends Save Kids' TV - Name These Characters and Personalities 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 Help save the quality in UK children's television Go to www.savekidstv.org.uk Save Kids TV - Answers 1 Parsley The Lion The Herbs/The Adventures of Parsley 2 Custard Roobarb and Custard 3 Timothy Claypole Rentaghost 4 Chorlton Chorlton and the Wheelies 5 Aunt Sally Worzel Gummidge 6 Errol The Hamster Roland's Rat Race, Roland Rat on TV-AM etc 7 Roland Browning Grange Hill 8 Floella Benjamin TV Presenter 9 Wizbit Wizbit 10 Zelda Terrahawks 11 Johnny Ball Presenter 12 Nobby The Sheep Ghost Train, It's Wicked, Gimme 5 etc. -
Arachnologische Mitteilungen
5 © Biodiversity Heritage Library, http://www.biodiversitylibrary.org/; Arachnol.Mitt. 37: 1-8 Nürnbergjuli 2009 Neue Nachweise der Gerandeten Wasserspinne Dolomedes plantarius in Brandenburg (Araneae: Pisauridae) DanMo Harms, Jason A. Dunlop & Karin Schütt Abstract: New records of the great raft spider Dolomedes plantarius in Brandenburg (Araneae: Pisauridae). The great raft spider, Dolomedes plantarius (Clerck, 1757), is a rare and endangered species in Germany and other European countries. Current data on its distribution and ecology are briefly reviewed. Five new (or overlooked) localities for this spider from the Spreewald-region of Brandenburg in eastern Germany are provided, together with an updated distribution map. One record, based on the authors' own collections, is described and figured in detail, with the egg-carrying female discovered in reeds at the edge of a fairly large body of open water. Both direct and indirect protective measures for the habitats of this species in the Spreewald-region are recommended. Key words: distribution, Germany, red list Die Jagdspinnengattung Dolomedes (Araneae: aus evolutionsbiologischer Sicht natürlich auch Pisauridae) ist in Deutschland mit nur zwei Arten um eine Jagdspinne (Pisauridae) handelt und der vertreten (RENNER 1987, HEIMER & NENTWIG Trivialname „Wasserspinne“ ausschließlich Bezug 1991). Während die Gerandete Jagdspinne Dolo- auf die Ökologie von D. plantarius nimmt. medes fimbriatus (Clerck, 1757) in Mitteleuropa Aufgrund ihres seltenen Auftretens wird D. plan- weit verbreitet und gebietsweise recht häufig ist, tarius in der Roten Liste der gefährdeten Tierarten wurde die sehr ähnliche Art Dolomedes plantarius Deutschlands momentan in der Kategorie 1 „vom (Clerck, 1757) bisher nur wenige Male gefunden Aussterben bedroht“ geführt (PLATEN et al. -
The 100 Greatest Kids' TV Shows
The 100 Greatest Kids’ TV Shows UK TV compilation marathon : 2001 : dir. : Channel 4 : ? min prod: : scr: : dir.ph.: …………………………….……………………………………………………………………………… Guest pundits: Ref: Pages Sources Stills Words Ω 8 M Copy on VHS Last Viewed 5500 2.5 0 0 1,287 - - - - - No August 2001 Broadcast Channel 4: 27/08/01. The last few years of the 20th century presented the media with a perfect occasion to conduct their own ad hoc round-ups of the century’s most influential people, most important films, best popular music etc etc. So 2001 is perhaps a little soon to be dipping back into the same baskets, yet Channel 4 has strewn the year with surveys similar to this one (see for example “Top Ten Teen Idols”). One might think such retrospectives were a clear invitation to the over-25s to bask for a short while in the kind of programming they used to enjoy – a brief escape from a television saturated with material aimed at the apolitical, pill-popping post-Thatcherite generation, breast-fed on tabloid culture. Ah but no, Channel 4 are too shrewd for that. Their retrospectives are chiefly an opportunity for that same generation to thumb their noses at everything which preceded their own miraculous lives. And so it goes with this one. It’s some reflection on the value of their poll that the two programmes topping Channel 4’s list were not even children’s programmes anyway! – “The Muppet Show” (no.2) and “The Simpsons” (no.1) never purported to be made for kids, were never broadcast in children’s TV slots, and hence not surprisingly are best favoured by adults. -
Download the Art of Smallfilms: the Work of Oliver Postgate & Peter
THE ART OF SMALLFILMS: THE WORK OF OLIVER POSTGATE & PETER FIRMIN DOWNLOAD FREE BOOK Oliver Postgate, Peter Firmin, Stewart Lee, Jonny Trunk, Richard Embray | 320 pages | 24 Feb 2015 | FOUR CORNERS BOOKS | 9781909829022 | English | London, United Kingdom RIP Oliver Postgate 1925-2008 Retrieved 23 September Surprisingly for the Guardian, they are recommending a man who hates the Top Gear presenters and co wrote a hit show that offended Christians. Amazon Business Service for business customers. Or push it down hill. I could just close my eyes, but fantasizing about punching Stewart Lee is still more fun than sitting in complete, stony silence. No The Art of Smallfilms: The Work of Oliver Postgate & Peter Firmin, if we don't laugh at your material then it's just not good enough. Arnold Schwarzenegger. A fabulous big book for all oliver postgate and peter firmin fans. More Details To gain experience, he accepted a contract as a television director in the BBC Children's Department inon a show entitled Little Lauraanother animated series made on film, written and drawn by V. Gianmarco Milesi. Categories : Television production companies of the United Kingdom British animation studios Mass media companies established in British companies established in Ivor the engine, bagpuss, clangers, pogles, noggin, tottie and pinny are all included. Bruce Lee. He addressed an insular cadre of socially challenged, prematurely middle-aged, pseudo-intellectual men, I thought. Add to Wish List. In short, if you're a bigoted, socialist worker, civil servant, teacher, social worker or NHS employee then Stuart Lee is the comedian for you. -
Known Nursery Rhymes Residencies Fruit Eaten Remembered World
13 Nov. 1995 – Leah Betts in coma after taking ecstasy 26 Sep. 2007 – Myanmar government, using extreme force, cracks down on protests Blockbusters Bestall, A. – Rupert Annual 1982 Pratchett, T. – Soul Music Celery Hilden, Linda The Tortoise and the Eagle Beverly Hills Cop Goodfellas Speed Peanut Brittle Dial M for Murder Russ Abbott Arena Coast To Coast Gary Numan Live Rammstein Vast Ready to Rumble (Dreamcast) Known Nursery Rhymes 22 Nov. 1995 – Rosemary West sentenced to life imprisonment 06 Oct. 2007 – Musharraf breezes to easy re-election in Pakistan Buckaroo Bestall, A. – Rupert Annual 1984 Pratchett, T. - Sorcery Chard Hill, Debbie The Jackdaw and the Fox Beverly Hills Cop 2 The Goonies Speed 2 Pear Drops Dinnerladies The Ruth Rendell Mysteries Aretha Franklin Cochine Gene McDaniels The Living End Ramones Vegastones Resident Evil (Various) All Around the Mulberry Bush 14 Dec. 1995 – Bosnia peace accord 05 Nov. 2007 – Thousands of lawyers take to the streets to protest the state of emergency rule in Pakistan. Chess Bestall, A. – Rupert Annual 1985 Pratchett, T. – The Streets of Ankh-Morpork Chickpea Hiscock, Anna-Marie The Boy and the Wolf Bicentennial Man The Good, The Bad and the Ugly Spider Man Picnic Doctor Who The Saint Armand Van Helden Cockney Rebel Gene Pitney Lizzy Mercier Descloux Randy Crawford The Velvet Underground Robocop (Commodore 64) As I Was Going to St. Ives 02 Jan. 1996 – US Peacekeepers enter Bosnia 09 Nov. 2007 – Police barricade the city of Rawalpindi where opposition leader Benazir Bhutto plans a protest Chinese Checkers Bestall, A. – Rupert Annual 1988 Pratchett, T. -
Wetland Wildlife Cards
Wetland wildlife cards • To make the cards, cut the line across the width of your paper then fold each half in half again so you end up with a picture on one side and the information on the other. Stick the two sides together with glue. Cut Fold Fold Stickleback Diet: Insects, crustaceans, tadpoles and smaller fish Wetland adaptations: Some sticklebacks have adapted to be able to cope with both fresh and saltwater meaning they can live in both rivers and the sea Classification: Vertebrate - Fish Habitat: Ponds, lakes, ditches and rivers Did you know? The male develops a bright red throat and belly and performs a courtship dance to attract a mate. The male also builds and protects the nest Cut Cut Eel Diet: Plants, dead animals, fish eggs, invertebrates and other fish Wetland adaptations: Long, narrow body enables it to get into crevices Classification: Vertebrate - Fish Habitat: Rivers and ditches Did you know? Adult eels migrate 3,000 miles (4,800 km) to the Sargasso Sea to spawn. It then takes the young eels two or three years to drift back to their homes here in the UK Fold Fold Smooth newt Diet: Insects, caterpillars, worms and slugs while on land; crustaceans, molluscs and tadpoles when in the water Wetland adaptations: Can breathe through their skin Classification: Vertebrate - Amphibian Habitat: Ponds in spring; woodland, grassland, hedgerows and marshes in summer and autumn; hibernates underground, among tree roots and under rocks and logs over winter Did you know? Their body gives out a poisonous fluid when they feel threatened -
1994 IUCN Red List of Threatened Animals
The lUCN Species Survival Commission 1994 lUCN Red List of Threatened Animals Compiled by the World Conservation Monitoring Centre PADU - MGs COPY DO NOT REMOVE lUCN The World Conservation Union lo-^2^ 1994 lUCN Red List of Threatened Animals lUCN WORLD CONSERVATION Tile World Conservation Union species susvival commission monitoring centre WWF i Suftanate of Oman 1NYZ5 TTieWlLDUFE CONSERVATION SOCIET'' PEOPLE'S TRISr BirdLife 9h: KX ENIUNGMEDSPEaES INTERNATIONAL fdreningen Chicago Zoulog k.J SnuicTy lUCN - The World Conservation Union lUCN - The World Conservation Union brings together States, government agencies and a diverse range of non-governmental organisations in a unique world partnership: some 770 members in all, spread across 123 countries. - As a union, I UCN exists to serve its members to represent their views on the world stage and to provide them with the concepts, strategies and technical support they need to achieve their goals. Through its six Commissions, lUCN draws together over 5000 expert volunteers in project teams and action groups. A central secretariat coordinates the lUCN Programme and leads initiatives on the conservation and sustainable use of the world's biological diversity and the management of habitats and natural resources, as well as providing a range of services. The Union has helped many countries to prepare National Conservation Strategies, and demonstrates the application of its knowledge through the field projects it supervises. Operations are increasingly decentralised and are carried forward by an expanding network of regional and country offices, located principally in developing countries. I UCN - The World Conservation Union seeks above all to work with its members to achieve development that is sustainable and that provides a lasting Improvement in the quality of life for people all over the world. -
The Listening Voice 6
The Listening Voice The newsletter of the Equi-Phallic Alliance & Poetry Field Club Issue 6 / Messidor CCXIII “Neither Noddyland Nor Pogles Wood” LET’S RETURN TO THE OLD WAYS! Modern antiquarians are not interested in fashioned to talk about it now. Some say stones arranged in circles or in racial or she didn’t die, but still waits patiently - This way to Utopia cultural stereotypes. They have gone into trapped in childhood - making up stories. the time before memory where they have The “mesh of narrative” - the sum total of Society’s body was never found. After the fun with the prehistory of the self! Come on all the stories told - is a psychic landscape. holidays the other children pretended not to children, this way... This ground is more real to us than geology miss her. They seemed to forget that Society and the surfaces it underpins. We walk this Antisocial Behaviour - the new had ever existed. In her place, goody-goody ground - trapped within the given meanings, Community was creeping around their lycanthropy the rules of this or that - or we break the parents and teachers, repeating all of her The concept of Society had been getting meanings down and go into the underworld, lessons as if they were true. We all know into trouble for some time, then late one beneath the roots of language. There are what antisocial behaviour is, but who can evening - as the shadows lengthened across caverns - there is the hidden machinery of describe social behaviour? Was it really the playing fields - Society vanished on her the story and how it might be told - and little more than obedience? way home.