DOCSLIB.ORG

Honor Oak Park 5 Bedroom House

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Honor Oak Park 5 Bedroom House This beautiful and imposing 5 bedroom Victorian family home was built in the 1880s before being owned and im- proved by the celebrated ‘Arts and Crafts’-influenced Edwardian homebuilder, Edward Christmas. A large entrance hall in beautiful Victorian tessellated tile opens onto an elegant and spacious reception room with el- egant, high windows and long colonial balcony overlooking the large garden and views beyond. The ground floor also has a family bathroom and a large bedroom/study. Downstairs a large, modern, open-plan kitchen/dining/morning room with a bespoke Marazzi kitchen leading onto a large wooden terrace with steps wrapping around a built-in hot tub down to a secluded country-style garden. There is also a large laundry room, a toilet, separate wet room and large bespoke sauna. The first floor has a large Master bedroom with ensuite shower-room, and two further large double Introduction bedrooms and a family bathroom. The second floor has a bedroom suite with its own large reception area and ensuite bathroom. The City The West End Everything The Tower of London Within Reach CANARY WHARF Buckingham Palace LONDON BRIDGE This is a superb location, with leisure and shopping areas all within easy reach, public transport very The Houses of Parliament nearby with fast links to central London, great Borough Market CANADA WATER schools, and yet with a secluded country feel. VICTORIA WATERLOO HEATHROW 65 mins The Imperial War Museum VAUXHALL Goldsmiths CLAPHAM COMMON CLAPHAM JUNCTION Lordship Lane CROFTON PARK KEY BRIXTON Brixton Market Points of Interest 20 min 15 min 10 min 5 min 5 min 10 min 15 min 20 min Selected Stations Cycle Routes HONOR OAK PARK STATIONS walking Dulwich Picture Gallery Horniman Museum Honor Oak Park 4 mins Forest Hill 13 mins FOREST HILL Crofton Park 14 mins Catford 20 mins Dulwich College Nunhead 21 mins DESTINATIONS public transport Canary Wharf 21 mins Waterloo 25 mins London Bridge 26 mins West End 27 mins GATWICK 50 mins The City 31 mins Victoria 34 mins Locality Looking out over the Surrey Hills on one side and over the One Tree Hill nature reserve on the other, this grand Victorian house sits pretty in its landscape. Many great schools, transport links and amenities are within easy reach. 123a Honor Oak Park looks straight out on the mature trees of the One Tree Hill nature reserve, beloved by dog owners, walkers and nature enthusiasts and famed as a picnic spot enjoyed by Queen Elizabeth in Shakespeare’s day. The views over London from this beauty spot are as impressive today and there is a charming Church nestled amongst the trees. 123a Honor Oak Park Aldwych Theatre Lyceum Theatre 4 minute walk 5 minute walk Garrick Theatre 3 minute walk Vaudeville Theatre Adelphi Theatre The Neighbourhood Next door Next door Savoy Theatre The neighbourhood is jam packed with Queen Elizabeth Hall 2 minute walk 15 minute walk green spaces and enjoys swift access to Shakespeare’s Globe many areas of social, cultural and lifestyle 15 minute walk interest via the lovely network of the green chain walk. Soo o o Independent State Schools Schools Secondary Primary Preparatory Secondary Alleyn's School Fairlawn Reputation: Excellent Ofsted: Outstanding Travel: Travel: 27 min walk 6 min walk 9 min car 1 min car 20 min Bus 5 min Bus Oakfield Infant and Junior School St. Frances Cabrini School Reputation: Excellent Ofsted: Good Travel: Travel: 40 min walk 3 min walk 12 min car 1 min car 22 min Bus 3 min Bus Sydenham High School Horniman Primary Reputation: Excellent Ofsted: Good Travel: Travel: 40 min walk 14 min walk 9 min car 3 min car 27 min Bus 6 min Bus Dulwich College Harris Academy Reputation: Excellent Ofsted: Good Travel: Travel: 30 min walk 17 min walk 10 min car 4 min car 14 min Bus 14 min Bus JAGS School The Charter School Reputation: Excellent Ofsted: Outstanding Travel: Travel: 31 min walk 45 min walk 9 min car 11 min car 20 min Bus 19 min Bus Homes with as large and ‘livable’ a space as this house are pretty rare to market. The following pages illustrate the sedate and pleasant family environment that this grand Victorian home offers. The Living Room This grand entertaining room is gloriously lit by a large bay of elegant, high windows with doors opening onto a long colonial style balcony perfect for stargazing or surveying the charming views. The Kitchen This large and modern open-plan kitchen and reception room has a luxury, bespoke Marazzi kitchen, separate living area with wood burning stove, and further space for dining. Additionally there is an ‘overflow kitchen’ for entertaining, which doubles as a laundry room. The Master Bedroom The master bedroom is very large indeed, bright with windows on two sides and enjoys a well engineered ensuite bathroom. The Guest Suite The Guest Suite occupies the whole top floor of the property and caters fully for either guests or for a live-in nanny. With its own reception, kitchenette and bathroom it could equally be used as a separate bedroom and study. Further Bedrooms There are three further bedrooms, two of which are on the first floor, the other on the ground floor (doubling as a music room); all are large and well appointed. At the close of each day, life within the penthouses will gravitate towards the living, kitchen and dining areas. Tranquil Bathrooms All bathrooms are elegantly finished with high quality porcelain fixtures in a period style befitting the style of the house. Sauna The bespoke spa/sauna room has been designed and built to be an oasis of calm with stone walls, a wet room, a separate WC and a large, luxury glass fronted Swedish sauna. Perfect Seclusion 5 Green Spaces The Local 1 One Tree Hill 2. Camberwell New Cemetry 10 Environment 3. Aquarius Golf Club 4. Camberwell Old Cemetry 5. Stuart Road Allotments 6 6. Peckham Rye Park 7. Dawson’s Hill 8. Dulwich Park 9. Alleyn’s sports fields 3 10. Ruskin Park 9 2 1 4 7 8 Honor Oak Park Approx internal area: 5 Bedroom House. 3262 sqft 307 sqm While we do try our very best, floor plans are produced as a guide only and we take no responsibility for the precise accuracy with which any property is represented Lower Ground Floor Ground Floor First Floor Second Floor 2 2 2 2 Kitchen - 7.85 x 5.82 m 40.30m Living Room - 7.92 x 5.90 m 40.01m Bedroom 1 - 3.95 x 2.94 m 11.64m Bedroom - 3.37 x 6.40 m 19.31m 2 2 2 2 Laudry - 2.07 x 4.84 m 10.03m Bathroom - 2.02 x 2.37 m 6.52m Bedroom 2 - 3.80 x 4.44 m 16.86m Bathroom - 1.97 x 1.71 m 3.37m 2 2 2 2 Sauna - 2.72 x 4.28 m 10.23m Bedroom 5 - 5.37 x 4.85 m 17.97m Bedroom 3 - 5.27 x 6.01 m 28.44m Reception - 4.63 x 7.67 m 26.35m Workshop - 4.26 x 5.81 m 15.51m 2 Bathroom - 2.36 x 2.73 m 5.54m 2 To view, please contact [email protected]. CLapham Brixton Herne Hill Dulwich 02077202113 02077202113 02077202113 02077202113 .
Load more

Recommended publications
  • Horniman Museum to Reopen from Thursday 30 July
    For immediate release Issued Wednesday 8 July 2020 Horniman Museum to reopen from Thursday 30 July The Horniman will reopen its doors to the public from Thursday 30 July, for the first time since mid- March. Visitors (including Members) will need to pre-book for a free, timed entry slot, via the website horniman.ac.uk. As well as the popular galleries of natural history, world cultures and musical instruments, the Permian Monsters exhibition will also reopen on 30 July, with ticket prices from £5, and an extended run until 3 January 2021. However, some attractions will remain closed initially, including the Aquarium and Butterfly House, and some interactive exhibits have been removed or covered up. Social distancing and other safety measures will be in place throughout the Museum, including hand sanitisation stations, an enhanced cleaning regime, updated signage and a one-way visitor route. During the Museum’s 134-day closure, the Horniman’s Gardens have remained open, giving local residents much-needed green space for their daily exercise during the Coronavirus lockdown. The Horniman has gradually reopened additional facilities including toilets and Café Kiosks in the Gardens, and the Sunday Market. The main Café will reopen at the same time as the Museum with specific safety measures in place. Nick Merriman, Chief Executive of the Horniman Museum and Gardens, says: ‘We’ve heard from many of our visitors how much they’ve missed the Museum. We are immensely grateful for their support during closure and look forward to welcoming them back. Our priority as we return is to increase the diversity of our visitors, address our colonial history and accelerate work on the climate and ecological emergency.’ Pre-booked tickets will be available on the website from Monday 20 July.
    [Show full text]
  • Artist Katie Schwab Joins New Collective to Co-Produce Horniman’S 2019 Studio Exhibition
    For immediate release Issued 28 February 2019 Artist Katie Schwab joins new Collective to co-produce Horniman’s 2019 Studio exhibition London-based visual artist Katie Schwab has joined a new Collective of 10 local community members to co-produce the 2019 exhibition in the Horniman Museum and Garden’s new arts space, The Studio. The Collective will explore ideas around ‘memory’ and draw inspiration from the Horniman’s anthropology collections for the next Studio exhibition which will open in October 2019. The exhibition, bringing together new artwork and collections, will be accompanied by a programme of events and activities also co-produced by the Collective. The Collective members collaborating on the exhibition are: Ahmadzia, a volunteer at Southwark Day Centre for Asylum Seekers (SDCAS) and a kite maker, who came to the UK in 2006 from Kunduz, Afghanistan, and is a refugee Carola Cappellari, a photojournalism and documentary photography student who volunteered her skills to produce promotional material for the Indoamerican Refugee and Migrant Organisation, a community-led organisation supporting Latin Americans to build secure and integrated lives in the UK Francis Stanfield, a multi-tasker when it comes to music who describes himself as ‘the original stuporman’. He is influenced by surrealism, films and art, likes ‘anything out of the weird’ and joined the Collective through his involvement with St. Christopher’s Hospice Godfrey Gardin, from Kenya but living in London, who volunteers with SDCAS ‘because it enriches the community where I live’ and who also has an interest in gardening Jacqueline Benn, who has a career background in TV programming planning and immersive theatre, and whose interests lie also in the arts, and producing short films.
    [Show full text]
  • UK Seminars on Art, Science, & Exploration Since
    H-Early-America UK Seminars on Art, Science, & Exploration since C18 Discussion published by John Daniel Saillant on Monday, August 25, 2014 Aaron Mulvany Monday, August 25, 2014 H-Asia DEADLINE: 5 September 2014 The Art Fund and Heritage Lottery Fund have generously funded a series of seminars (‘Travellers’ Tails’) at the National Maritime Museum and partner museums around the UK to investigate the histories, practices and interpretation of art, science and exploration from the Enlightenment to the present day. The seminars will bring together scholars, artists, scientists, explorers, members of the public and museum professionals to examine the changing nature, impact and legacies of European exploration since the mid-18th century. The seminars will focus on today’s audiences and discuss the display and interpretation of the material culture of exploration within gallery, heritage and museum environments. Seminars will interrogate the relevance of the subject and issues surrounding its presentation in a post-imperial world. George Stubbs’ iconic paintings of a kangaroo and dingo, recently acquired by the National Maritime Museum, will provide a starting point for wider-ranging papers and discussion within a multi-disciplinary environment. Proposals of no longer than 250 words, for presentations of 20 minutes, should be sent to [email protected] by no later than Friday, 5 September 2014. We welcome submissions for papers and less-formal presentations from academics, curators, artists and other specialists in the fields. Proposals from
    [Show full text]
  • Annual Review 2016/17
    Historic Royal Places – Spines Format A4 Portrait Spine Width 35mm Spine Height 297mm HRP Text 20pt (Tracked at +40) Palace Text 30pt (Tracked at -10) Icon 20mm Wide (0.5pt/0.25pt) Annual Review 2016/17 1 2 06 Welcome to another chapter in our story Contents 07 Our work is guided by four principles 08 Chairman’s Introduction 09 Chief Executive – a reflection 10 The Year of the Gardens 14 Guardianship 20 Showmanship 26 Discovery 32 Independence 38 Money matters 39 Visitor trends 40 Summarised financial statements 42 Trustees and Directors 44 Supporters 46 Acknowledgments Clockwise from top left: The White Tower, Tower of London; the West Front, Hampton Court Palace; the East Front, Kensington Palace; the South Front, Hillsborough Castle; Kew Palace; Banqueting House. 4 This year, the famous gardens of Hampton Court Palace took Guardianship: Welcome to centre stage. Already a huge attraction in their own right, this Our work is We exist for tomorrow, not just for yesterday. Our job is to give year the historic gardens burst into even more vibrant life. these palaces a future as valuable as their past. We know how another Prompted by the 300th anniversary of the birth of Lancelot guided by four precious they and their contents are, and we aim to conserve ‘Capability’ Brown, we created a spectacular programme of them to the standard they deserve: the best. chapter in exhibitions, events and activities. A highlight was the royal principles Discovery: opening of the Magic Garden; our playful and spectacular We explain the bigger picture, and then encourage people to our story 21st century contribution to 500 years of garden history.
    [Show full text]
  • Annual Review 2011 – 2012
    AnnuA l Review 2011 – 2012 Dulwich Picture Gallery was established more than 200 years ago because its founders believed as many people as possible should see great paintings. Today we believe the same, because we know that art can change lives. I w hat makes us world-class is our exceptional collection of Old Master paintings. I england – which allows visitors to experience those paintings in an intimate, welcoming setting. I w hat makes us relevant is the way we unite our past with our present, using innovative exhibitions, authoritative scholarship and pioneering education programmes to change lives for the better. Cover image: installation view of David Hockney, Mr and Mrs Clark and Percy, 1970-71, acrylic on canvas, 213 x 304. Tate, Presented by the Friends of the Tate Gallery 1971 © David Hockeny / Tate. Dulwich Picture Gallery is built on history. Picture Our From our founders’ wish to have an art Future: The Campaign for Dulwich Picture recognises a number of things of which gallery ‘for the inspection of the public’, Gallery has begun. Alongside my co-chair artists and scholars, aristocrats and school of the Campaign Cabinet, Bernard Hunter, particularly to celebrate our long-time children have come by horse, train, car we look forward to working with all of the Trustee and supporter Theresa Sackler, and bicycle to view our collection – Van Gallery’s supporters to reach this goal. who was recently awarded a DBE Gogh walked from Central London to view in the Queen’s Birthday Honours List, the Gallery in 1873. The paintings and The position we start from is a strong adding even more lustre to the Prince of building are a monument to the tastes of one: against the background of a troubled Wales’ Medal for Philanthropy which was two centuries ago, yet it is a testament world-economy, the Gallery exceeded its awarded to her in 2011.
    [Show full text]
  • Kids Activities in London
    Kids from 7 to 11 years old IN LONDON Step into Land of the Lions Land of the Lions is here! ZSL London Zoo’s newest and most breath-taking exhibit transports visitors from the heart of London to India’s vibrant Sasan Gir, where they can get closer than ever before to mighty Asiatic lions. Shrek’s Adventure London London's newest family attraction! Step into the kingdom of Far Far Away and enjoy a brand new madcap Shrek adventure where amazing DreamWorks animation, captivating story-telling and a good dose of Donkey’s cheekiness awaits. The London Dungeon (all ages) It has all the ghastly gore and black comedy of the old Tooley Street attraction in a bigger and more high-tech package. A jokey celebration of torture, death and disease, visitors can journey back in time to London's plague-ridden streets (rotting corpses, rats, vile boils and projectile vomiting all come as standard) and meet some of the city's unsavoury characters, from Guy Fawkes to demon barber Sweeney Todd. A cast of blood- splattered actors are joined by 'virtual' guests, such as Brian Blessed as Henry VIII, and as well as the 18 different shows and 'surprises' – which could see you on the run from Jack the Ripper or getting lost in London's Victorian sewers – there are two rides to raise the adrenaline: a turbulent boat trip down the Thames towards execution, and a dark drop ride plunging three stories in the pitch black. Note that the London Dungeon is unsuitable for young or easily scared children.
    [Show full text]
  • Collections Development Policy
    Collections Development Policy Name of museum: Horniman Museum & Gardens Name of governing body: Horniman Public Museum and Public Park Trust Date on which this policy was 15 October 2015 approved by governing body: Policy review procedure: The C ollections Development Policy will be published and reviewed from time to time, at least once every five years. Date at which this policy is October 2018 due for review: Arts Council England will be notified of any changes to the collections development policy, and the implications of any such changes for the future of collections. 1. Relationship to other relevant policies/plans of the organisation: ......................... 2 2. History of the collections ....................................................................................... 3 3. An overview of current collections......................................................................... 3 4. Themes and priorities for future collecting ............................................................ 3 5. Themes and priorities for rationalisation and disposal .......................................... 5 6. Legal and ethical framework for acquisition and disposal of items ....................... 6 7. Collecting policies of other museums .................................................................... 6 8. Archival holdings ................................................................................................... 7 9. Acquisition ...........................................................................................................
    [Show full text]
  • 2017-18 Annual Review
    Historic Royal Places – Spines Format A4 Portrait Spine Width 35mm Spine Height 297mm HRP Text 20pt (Tracked at +40) Palace Text 30pt (Tracked at -10) Icon 20mm Wide (0.5pt/0.25pt) Annual Review 2017/18 2 Contents 06 Welcome to another chapter in our story 07 Our work is guided by four principles 08 Chairman and Chief Executive: Introduction and reflection 10 Guardianship 16 Showmanship 24 Discovery 32 A Royal Year 36 Independence 42 Money matters 43 Visitor trends 44 Summarised financial statements 46 Trustees and Directors 48 Supporters 50 Acknowledgments Clockwise from top left: The White Tower, Tower of London; the West Front, Hampton Court Palace; the East Front, Kensington Palace; the South Front, Hillsborough Castle; Kew Palace; Banqueting House. 4 • It has been a record-breaking 12 months with more than Guardianship: visits to our sites, membership topping 101,000 Welcome to 4.7 million Our work is We exist for tomorrow, not just for yesterday. Our job is to give and our commercial teams exceeding their targets. another guided by four these palaces a future as valuable as their past. We know how • It was our busiest ever year at Kensington Palace as visitors precious they and their contents are, and we aim to conserve chapter in flocked to see our exhibitions of Princess Diana’s dresses and principles them to the standard they deserve: the best. 'Enlightened Princesses', and a new display of diamond and our story emerald jewellery. At Hampton Court, we came close to Discovery: reaching a million visitors for the first time.
    [Show full text]
  • What We Do for the Wider Sector March 2014 Council of Museums
    Horniman Museum and Gardens – What we do for the wider sector March 2014 Our staff run, support and feed into high quality networks at a national, regional, local and international level. UK wide we support networks such as the Natural History Curators Group (NatSca) and the UK Registrar’s Group (UKRG) and Women Leaders in Museums (WLMN). We work to support and learn from colleagues however far afield, contributing to the International Council of Museums (ICOM) and the International Committee for Musical Instrument Museums and Collections (CIMCIM). We speak at conferences worldwide and accept individual invitations to advise colleagues locally, regionally, nationally and internationally. National Trustee, Collections Trust (Janet Vitmayer, Chief Executive) Visitor, University of Oxford, Pitt Rivers Museum (Janet Vitmayer, Chief Executive) Trustee, Hunterian Collection (Janet Vitmayer, Chief Executive) Advisor to Wellcome Trust (a long term on-going role which has covered to date membership of Project Board for setting up the Wellcome Collection, Chairing Awards Committee, reviews of individual Capital award submissions and contribution to high level panel discussions) (Janet Vitmayer, Chief Executive) Member of the Bate Collection Standing Committee, University of Oxford (Finbarr Whooley, Assistant Director, Curatorial & Public Services) Advisory board and CIDOC-CRM (ICOM International Committee for Documentation- Conceptual Reference Model) mapping sub-committee member for the AW Mellon-funded Research Space project, http://www.researchspace.org/. (Rupert Shepherd, Documentation Manager) Steering panel member for the Public Catalogue Foundation’s sculpture project. (Rupert Shepherd, Documentation Manager) Treasurer for the United Kingdom Registrars Group (UKRG). (Amy Graves, Documentation Officer) User group coordinator for Knowledge Integration’s Collections Information Integration Middleware museum software.
    [Show full text]
  • The Expert Selection: a Night at the Museum by Nick Stockman
    Sign in Site tour Register Subscribe ft.com > life&arts > travel > Search UK Destinations Advanced search Home UK World Companies Markets Global Economy Lex Comment Management Personal Finance Life & Arts Arts FT Magazine Food & Drink House & Home Style Books Pursuits Travel Columnists How To Spend It Tools May 10, 2013 7:00 pm Clip Reprints Email The expert selection: A night at the museum By Nick Stockman Museums across the UK will stay open at night to host a range of unusual events, from sleepovers to performance art From May 16 to 18, museums across the UK will stay open at night to host a range of unusual events, from sleepovers to performance art. Nick Stockman, project director of Museums at Night, picks five highlights from the more than 500 events taking place. MOST POPULAR IN LIFE & ARTS Dover Castle, Kent Sleepovers are a 1. Magazine: Qatar and the Syrian revolution major part of Museums at Night and 2. Lunch with the FT: Nancy Pelosi venues this year range from Dove 3. Travel: On holiday in Iraq: a Kurd’s eye view Cottage, Wordsworth’s former home in 4. Life and Arts: Wrinkle-free zone the Lake District, to Hampton Court, 5. Magazine: The French elite: where it went wrong ©Pal Hansen Henry VIII’s palace on the banks of the Lights out at the Horniman Museum Thames. Personally, the one I would like to go to is an adults-only sleepover in the MOST RECENT FROM LIFE & ARTS Great Tower of the magnificent Dover Castle, one of England’s most important Wrinkle-free zone medieval castles, set above the White Cliffs.
    [Show full text]
  • Hew Locke Born 1959, Edinburgh Lives and Works in London
    FINE ART L.L.C. E D W A R D T Y L E R N A H E M Hew Locke Born 1959, Edinburgh Lives and works in London EDUCATION 1994 MA Sculpture, Royal College of Art, London 1988 Falmouth University, UK, BA (Hons) Fine Art SELECTED SOLO EXHIBITIONS 2015 IWM Contemporary: Hew Locke, IWM London, UK The Tourists, HMS Belfast, London, UK Magna Carta Commission, Runnymede Surrey, UK 2014 Beyond the Sea Wall, Hales Gallery, London, UK Give and Take, performance in the Turbine Hall, Tate Modern, London. Part of Up Hill Down Hall 2013 For Those in Peril on the Sea, installation at launch of Pérez Art Museum, Miami Adrift, All Hallows by the Tower Church, Thames Festival, London 2012 Day of the Dead Festival, a new installation titled 'Adrift' created for the Old Vic Tunnels, London 31/10-3/11/2012 2011 For Those in Peril on the Sea, St. Mary & St. Eanswythe Church, Folkestone Triennial 37 WEST 57 STREET ■ NEW YORK, NEW YORK 10019- 3411 ■ TEL + 1 212 517 2453 ■ FAX +1 212 861 3566 WWW.ETNAHEM.COM ■ [email protected] The Nameless, KAdE Kunsthal, Amersfoort, The Netherlands Are We There Yet?, The Gallery, the Arts University College at Bournemouth, UK Starchitect, ArtSway, Hampshire & as part of The New Forest Pavillion, Venice Biennale 2010 The Nameless, Hales Gallery, London, UK 2008 The Kingdom of the Blind, Rivington Palace, London, UK How do you want me?, Hales Gallery, London, UK 2006 Restoration, commission for Spike Island exhibited at St Thomas the Martyr's Church, Bristol, UK 2005 Hew Locke, New Art Gallery Walsall, UK (with accompanying monograph)
    [Show full text]
  • Sponsored Museums Performance Indicators 2015/16 Statistical Release
    Sponsored Museums Performance Indicators 2015/16 Statistical Release January 2017 2 Department for Culture, Media and Sport Sponsored Museums Performance Indicators 2015/16 – Statistical Release Contents Contents ................................................. 2 Chapter 1: Introduction and Key Findings 3 Code of Practice for Official Introduction ............................................. 3 Statistics Key Findings ........................................... 3 The Sponsored Museums Chapter 2: Visits to DCMS’ Sponsored Performance Indicators are Museums ................................................ 4 Official Statistics, and have been Total visits to sponsored museums ......... 4 produced to the standards set out in the Code of Practice for Website visits .......................................... 4 Official Statistics. Child visits ............................................... 5 Educational visits and onsite activities .... 5 Chapter 3: DCMS-sponsored Museums Visitor Satisfaction .................................. 8 Proportion of visitors who would recommend a visit ................................... 8 Chapter 4: DCMS-sponsored Museums Regional Engagement ............................. 9 Number of UK loan venues ..................... 9 Annex A: Background note.................... 10 Department for Culture, Media and Sport 3 Sponsored Museums Performance Indicators 2015/16 – Statistical Release Chapter 1: Introduction and Key Findings Introduction Released: 25 January 2017 Period covered: April 2015 – March 2016, referred to as
    [Show full text]