Hew Locke Cv
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Horniman Museum to Reopen from Thursday 30 July
For immediate release Issued Wednesday 8 July 2020 Horniman Museum to reopen from Thursday 30 July The Horniman will reopen its doors to the public from Thursday 30 July, for the first time since mid- March. Visitors (including Members) will need to pre-book for a free, timed entry slot, via the website horniman.ac.uk. As well as the popular galleries of natural history, world cultures and musical instruments, the Permian Monsters exhibition will also reopen on 30 July, with ticket prices from £5, and an extended run until 3 January 2021. However, some attractions will remain closed initially, including the Aquarium and Butterfly House, and some interactive exhibits have been removed or covered up. Social distancing and other safety measures will be in place throughout the Museum, including hand sanitisation stations, an enhanced cleaning regime, updated signage and a one-way visitor route. During the Museum’s 134-day closure, the Horniman’s Gardens have remained open, giving local residents much-needed green space for their daily exercise during the Coronavirus lockdown. The Horniman has gradually reopened additional facilities including toilets and Café Kiosks in the Gardens, and the Sunday Market. The main Café will reopen at the same time as the Museum with specific safety measures in place. Nick Merriman, Chief Executive of the Horniman Museum and Gardens, says: ‘We’ve heard from many of our visitors how much they’ve missed the Museum. We are immensely grateful for their support during closure and look forward to welcoming them back. Our priority as we return is to increase the diversity of our visitors, address our colonial history and accelerate work on the climate and ecological emergency.’ Pre-booked tickets will be available on the website from Monday 20 July. -
Programm-Jahrestagung-Dmb-2018-Online.Pdf
DMB 18 · Bremen Jahrestagung des Deutschen Museumsbundes e.V. 6. bis 9. Mai 2018 in Bremen Sonntag, 6. Mai 2018 Exkursionen in Museen in Bremen 19.00 Empfang Der Deutsche Museumbund bedankt sich bei den gastgebenden auf Einladung der Kunsthalle Bremen Museen, den öffentlichen Förderern, den Medienpartnern sowie Am Wall 207, 28195 Bremen bei allen Unterstützern und Sponsoren für das Engagement bei der Vorbereitung und Durchführung der Tagung: Montag, 7. Mai 2018 Freie Hansestadt Bremen 10.00 Haupttagung Handelskammer Bremen – IHK für Bremen und Bremerhaven Unternehmensverbände im Land Bremen e. V. 19.00 Empfang Kulturstiftung der Länder auf Einladung der Handelskammer Bremen – Museumsverband für Niedersachsen und Bremen IHK für Bremen und Bremerhaven und gastgebende Museen der Unternehmensverbände im Land Bremen Deutsche Bahn Haus Schütting, Am Markt 13, 28195 Bremen Exponatec Image Access Dienstag, 8. Mai 2018 PROXIPEDIA cura3D 9.30 Haupttagung Kulturmanagement Network publicmarketing 15.00 Mitgliederversammlung blachreport 18.00 Empfang auf Einladung der Freien Hansestadt Bremen Obere Rathaushalle, Am Markt 21, 28195 Bremen Die Jahrestagung wurde konzipiert und umgesetzt von: 19.30 Get-together Prof. Dr. Wiebke Ahrndt, Gregor Isenbort, Jan-Christian Warnecke, Schüttinger Gasthausbrauerei Prof. Dr. Eckart Köhne, Dr. Jens Bortloff, Prof. Dr. Christina Haak, Hinter dem Schütting 12/13, 28195 Bremen Dr. Susanne Köstering, Dr. Ulrike Lorenz, Ulrike Stottrop, Dr. Gabriele Uelsberg, Dr. Hayat Wiersch, Melanie Kölling, Mittwoch, 9. Mai 2018 David Vuillaume, Gunhild Jäger, Sylvia Willkomm. Fachtagungen der Fachgruppen und Arbeitskreise Programmänderung vorbehalten Jahrestagung des Deutschen Museumsbundes e.V. 6. bis 9. Mai 2018 in Bremen Eine Frage der Haltung. Welche Werte vertreten Museen? Ein Haus stellt Objekte aus der NS-Diktatur aus und bekommt Beifall von „falscher“ Seite. -
Artist Katie Schwab Joins New Collective to Co-Produce Horniman’S 2019 Studio Exhibition
For immediate release Issued 28 February 2019 Artist Katie Schwab joins new Collective to co-produce Horniman’s 2019 Studio exhibition London-based visual artist Katie Schwab has joined a new Collective of 10 local community members to co-produce the 2019 exhibition in the Horniman Museum and Garden’s new arts space, The Studio. The Collective will explore ideas around ‘memory’ and draw inspiration from the Horniman’s anthropology collections for the next Studio exhibition which will open in October 2019. The exhibition, bringing together new artwork and collections, will be accompanied by a programme of events and activities also co-produced by the Collective. The Collective members collaborating on the exhibition are: Ahmadzia, a volunteer at Southwark Day Centre for Asylum Seekers (SDCAS) and a kite maker, who came to the UK in 2006 from Kunduz, Afghanistan, and is a refugee Carola Cappellari, a photojournalism and documentary photography student who volunteered her skills to produce promotional material for the Indoamerican Refugee and Migrant Organisation, a community-led organisation supporting Latin Americans to build secure and integrated lives in the UK Francis Stanfield, a multi-tasker when it comes to music who describes himself as ‘the original stuporman’. He is influenced by surrealism, films and art, likes ‘anything out of the weird’ and joined the Collective through his involvement with St. Christopher’s Hospice Godfrey Gardin, from Kenya but living in London, who volunteers with SDCAS ‘because it enriches the community where I live’ and who also has an interest in gardening Jacqueline Benn, who has a career background in TV programming planning and immersive theatre, and whose interests lie also in the arts, and producing short films. -
The Wallace Collection — Rubens Reuniting the Great Landscapes
XT H E W ALLACE COLLECTION RUBENS: REUNITING THE GREAT LANDSCAPES • Rubens’s two great landscape paintings reunited for the first time in 200 years • First chance to see the National Gallery painting after extensive conservation work • Major collaboration between the National Gallery and the Wallace Collection 3 June - 15 August 2021 #ReunitingRubens In partnership with VISITFLANDERS This year, the Wallace Collection will reunite two great masterpieces of Rubens’s late landscape painting: A View of Het Steen in the Early Morning and The Rainbow Landscape. Thanks to an exceptional loan from the National Gallery, this is the first time in two hundred years that these works, long considered to be companion pieces, will be seen together. This m ajor collaboration between the Wallace Collection and the National Gallery was initiated with the Wallace Collection’s inaugural loan in 2019 of Titian’s Perseus and Andromeda, enabling the National Gallery to complete Titian’s Poesie cycle for the first time in 400 years for their exhibition Titian: Love, Desire, Death. The National Gallery is now making an equally unprecedented reciprocal loan to the Wallace Collection, lending this work for the first time, which will reunite Rubens’s famous and very rare companion pair of landscape paintings for the first time in 200 years. This exhibition is also the first opportunity for audiences to see the National Gallery painting newly cleaned and conserved, as throughout 2020 it has been the focus of a major conservation project specifically in preparation for this reunion. The pendant pair can be admired in new historically appropriate, matching frames, also created especially for this exhibition. -
UK Seminars on Art, Science, & Exploration Since
H-Early-America UK Seminars on Art, Science, & Exploration since C18 Discussion published by John Daniel Saillant on Monday, August 25, 2014 Aaron Mulvany Monday, August 25, 2014 H-Asia DEADLINE: 5 September 2014 The Art Fund and Heritage Lottery Fund have generously funded a series of seminars (‘Travellers’ Tails’) at the National Maritime Museum and partner museums around the UK to investigate the histories, practices and interpretation of art, science and exploration from the Enlightenment to the present day. The seminars will bring together scholars, artists, scientists, explorers, members of the public and museum professionals to examine the changing nature, impact and legacies of European exploration since the mid-18th century. The seminars will focus on today’s audiences and discuss the display and interpretation of the material culture of exploration within gallery, heritage and museum environments. Seminars will interrogate the relevance of the subject and issues surrounding its presentation in a post-imperial world. George Stubbs’ iconic paintings of a kangaroo and dingo, recently acquired by the National Maritime Museum, will provide a starting point for wider-ranging papers and discussion within a multi-disciplinary environment. Proposals of no longer than 250 words, for presentations of 20 minutes, should be sent to [email protected] by no later than Friday, 5 September 2014. We welcome submissions for papers and less-formal presentations from academics, curators, artists and other specialists in the fields. Proposals from -
NMDC Response to the Culture, Media and Sport Select Committee Inquiry Into Tourism
NMDC response to CMS Select Committee Inquiry into Tourism This response is submitted on behalf of the National Museum Directors’ Council (NMDC). The NMDC represents the leaders of the UK's national collections and major regional museums. Our members are the national and major regional museums in England, Northern Ireland, Scotland and Wales, the British Library, the National Library of Scotland, and the National Archives. While our members are funded by government, the NMDC is an independent, non- governmental organisation. For more information on our activity and a full list of members see our website: www.nationalmuseums.org.uk Summary Museums are a critical part of the UK tourism offer, and visiting museums has never been so popular. Museums continue to develop their offer and operation to attract both domestic and overseas tourists. Museums and heritage continue to be primary reasons to visit Britain. Museums play a very significant role in the development of the regional tourist industry. They are frequently the most visited attraction in a town, city or region. They are also active in workforce development in this aspect of the tourism sector, including via apprenticeships and the sharing of good practice through local networks. Museum partnerships are an excellent and successful way of encouraging regional tourism, as well as building on the success of London. These partnerships have also helped with the regeneration of coastal towns built around culture or heritage. However, despite being so integral to the tourist industry, and the fact that supporting tourism is an economic priority for the Government, local authority and central Government investment for museums has substantially reduced since 2010. -
Annual Review 2016/17
Historic Royal Places – Spines Format A4 Portrait Spine Width 35mm Spine Height 297mm HRP Text 20pt (Tracked at +40) Palace Text 30pt (Tracked at -10) Icon 20mm Wide (0.5pt/0.25pt) Annual Review 2016/17 1 2 06 Welcome to another chapter in our story Contents 07 Our work is guided by four principles 08 Chairman’s Introduction 09 Chief Executive – a reflection 10 The Year of the Gardens 14 Guardianship 20 Showmanship 26 Discovery 32 Independence 38 Money matters 39 Visitor trends 40 Summarised financial statements 42 Trustees and Directors 44 Supporters 46 Acknowledgments Clockwise from top left: The White Tower, Tower of London; the West Front, Hampton Court Palace; the East Front, Kensington Palace; the South Front, Hillsborough Castle; Kew Palace; Banqueting House. 4 This year, the famous gardens of Hampton Court Palace took Guardianship: Welcome to centre stage. Already a huge attraction in their own right, this Our work is We exist for tomorrow, not just for yesterday. Our job is to give year the historic gardens burst into even more vibrant life. these palaces a future as valuable as their past. We know how another Prompted by the 300th anniversary of the birth of Lancelot guided by four precious they and their contents are, and we aim to conserve ‘Capability’ Brown, we created a spectacular programme of them to the standard they deserve: the best. chapter in exhibitions, events and activities. A highlight was the royal principles Discovery: opening of the Magic Garden; our playful and spectacular We explain the bigger picture, and then encourage people to our story 21st century contribution to 500 years of garden history. -
Art and Visual Studies
Volume 7, Tome III: Volume 8, Tome II: The Courtyard House The Galerie Espagnole Leone Leoni and the Status Kierkegaard and His Danish Kierkegaard’s International From Cultural Reference to and the Museo Nacional of the Artist at the End of Contemporaries – Literature, Reception – Southern, Universal Relevance 1835–1853 the Renaissance Edited by Nasser O. Rabbat, Massachusetts Drama and Aesthetics Central and Eastern Europe Saving Spanish Art, or the Politics Kelley Helmstutler Di Dio, Institute of Technology, USA. Published in University of Vermont, USA Edited by Jon Stewart, Søren Kierkegaard Edited by Jon Stewart, University of association with the Aga Khan Program of Patrimony Research Centre, University of Copenhagen, Copenhagen, Denmark for Islamic Architecture Alisa Luxenberg, University of Georgia, USA VIsual Culture IN EARLY MODERNITY Denmark September 2010 290 pages KIERKEGAARD RESEARCH: SOURCES, RECEPTION May 2008 300 pages Hardback 978-0-7546-3843-8 £65.00 $130.00 December 2010 268 pages KIERKEGAARD RESEARCH: SOURCES, RECEPTION AND RESOURCES Hardback 978-0-7546-6190-0 £70.00 $124.95 Hardback 978-0-7546-6234-1 £65.00 $130.00 AND RESOURCES www.ashgate.com/isbn/9780754638438 www.ashgate.com/isbn/9780754661900 March 2009 342 pages www.ashgate.com/isbn/9780754662341 December 2009 324 pages Hardback 978-0-7546-6350-8 £70.00 $140.00 Hardback 978-0-7546-6874-9 £75.00 $134.95 www.ashgate.com/isbn/9780754663508 Craft, Space and Interior German Romantic www.ashgate.com/isbn/9780754668749 Life Stories of Women Design, 1855–2005 Painting Redefined Artists, 1550–1800 Volume 8, Tome III: Edited by Sandra Alfoldy, NSCAD University, Volume 8, Tome I: Halifax, Canada, and Janice Helland, Nazarene Tradition and the An Anthology Kierkegaard’s International Queen’s University, Kingston, Canada Kierkegaard’s International Narratives of Romanticism Julia K. -
Microcosm/Macrocosm
Hong Kong SOHO MICROCOSM/MACROCOSM Featuring works by Du Zhenjun, Sayaka Ishizuka, Hew Locke, Li Tianbing, and Ren Ri Exhibition Dates 20 January–3 March, 2017 Monday–Saturday, noon–7pm; Sunday, noon–5pm Venue Pearl Lam Galleries Hong Kong SOHO No. 1, G/F & 1/F, SOHO 189, 189 Queen’s Road West, Sheung Wan Hong Kong—Pearl Lam Galleries is pleased to present MICROCOSM/MACROCOSM, a group exhibition featuring works by five leading contemporary artists: Du Zhenjun, Sayaka Ishizuka, Li Tianbing, Hew Locke, and Ren Ri. Defined by ancient Greek philosophers, microcosm and macrocosm are two aspects of a theory used to describe the similarity and relations between human beings and the universe. Each exhibiting artist encapsulates an imaginary universe from macroscopic and microscopic perspectives in their unique methodologies and mediums. “Art is a re-creation of the universe from a personal perspective; it offers man, in effect, a new reality to contemplate.” —Leonard Peikoff, 1991 Du Zhenjun’s Babel World series explores his imagination and visions of post-dystopian ruins, and is an artist’s retort to what Du thinks the world is becoming. Du believes digital media is the most relevant way of making art in an era shaped by digital technologies. With the myth of Babel as a backdrop, Du reinterprets the Book of Genesis in the present day by creating a digitally assembled collage, spotlighting a different facet of modern conflict. Ren Ri achieves his artistic goal with the unique medium of beeswax. By investigating the psychology of bees, Ren’s mesmerising sculptures document his intimate experience with bees as both an artist and a beekeeper. -
By Mike Klozar Have You Dreamed of Visiting London, but Felt It Would
By Mike Klozar Have you dreamed of visiting London, but felt it would take a week or longer to sample its historic sites? Think again. You can experience some of London's best in just a couple of days. Day One. • Thames River Walk. Take a famous London Black Cab to the Tower of London. The ride is an experience, not just a taxi. (15-30 min.) • Explore the Tower of London. Keep your tour short, but be sure to check out the Crown Jewels. (1-2 hrs.) • Walk across the Tower Bridge. It's the fancy blue one. (15 min.) From here you get the best view of the Tower of London for photos. • Cross over to Butler's Wharf and enjoy lunch at one of the riverfront restaurants near where Bridget lived in Bridget Jones's Diary. (1.5 hrs.) • Keeping the Thames on your right, you'll come to the warship HMS Belfast. Tours daily 10 a.m.-4 p.m. (30 min.-1 hr.) • Walk up London Bridge Street to find The Borough Market. Used in countless films, it is said to be the city's oldest fruit and vegetable market, dating from the mid-1200s. (1 hr.) • Back on the river, you'll discover a tiny ship tucked into the docks: a replica of Sir Francis Drake's Golden Hind, which braved pirates in the days of yore. (15 min.) • Notable London pubs are situated along the route and are good for a pint, a cup of tea and a deserved break. Kids are welcome. -
A Guide for Holders of the International Association of Art Card Prepared with Contributions from the Slovak Union of Visual Arts (Slovenská Výtvarná Únia) 2017
A guide for holders of the International Association of Art card Prepared with contributions from the Slovak Union of Visual Arts (Slovenská výtvarná únia) 2017 The International Association of Art (IAA/AIAP) is a non-governmental organization working in official partnership with UNESCO. Its objectives are to stimulate international cooperation among visual artists of all countries, nations or peoples, to improve the socio-economic position of artists nationally and internationally, and to defend their material and moral rights. The IAA issues identity cards to professional visual artists. This card allows free or discounted admission to many galleries and museums in countries around the world. The card is a tool for the lifelong education of artists in their professional artistic research. These institutions, large or small, recognize the benefit they gain from enabling the artists, like art critics and journalists, to visit exhibitions, art events and collections of art, to carry on research, and to gain inspiration. As a member within the IAA network, CARFAC National issues IAA cards exclusively to Canadian professional artists that are members of CARFAC upon request. Only National Committees of the IAA may issue the card. Where to use the IAA card This document includes a chart detailing selected institutions that offer free or discounted admission prices, or other perks to IAA card holders while travelling abroad. This information was obtained from surveying recent users of the card and IAA National Committees worldwide, and is updated regularly – most recently in 2017 by the Slovak Union of Visual Arts (SUVA). Users will find that different areas in Europe are more receptive to the card than others. -
Online Course Description
Online Course Introducing… Reynolds and His Rivals Dates Tuesday 14 and Wednesday 15 September 2021 Times 18.00–20.00 GMT Location Zoom Webinar Tutor Jacqui Ansell Level All Levels Joshua Reynolds, Miss Nelly O'Brien, about 1762-63 (detail) Course Description The great painter, Sir Joshua Reynolds, was famously the first President of the Royal Academy, founded in 1768. The son of a Devon schoolteacher, he rose through the ranks of society to achieve his ultimate aim – to paint for King George III. In his mission to raise the status of painting to the same rank as its ‘sister art of poetry,’ he developed a style of portraiture known as the ‘Grand Style’, imbued with intellectual content. Known as much for his experimental techniques as his innovative iconography, Reynolds’ paintings often suffered from the ravages of time and taste – with young artists of the 19th century christening him ‘Sir Sloshua’! Fashion, in terms of dress as well as approaches to portraiture, will be the key subject of this course, as we explore Reynolds’ attempts to appeal to posterity, as well as to his contemporaries. Session One: ‘Something Modern for the Sake of Likeness’ The 18th century was a ‘Golden Age’ for British portraiture, with Hogarth, Reynolds, Ramsay, as well as Wright of Derby, Gainsborough and Lawrence emerging to lead this field. The rise of Rococo fashions in art and dress created a concern for frills and fripperies, which posed a problem for artists. Not only were these fiddly and time- consuming to consign to canvas, but the rapid pace of fashion change meant that portraits could look old-fashioned before the paint was dry.