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Music for TV and Film: Is New Or Existing Music Right for Your Client? Chapter 8
Music for TV and Film: Is New or Existing Music Right for Your Client? Chapter 8 MUSIC FOR TV AND FILM: IS NEW OR EXISTING MUSIC RIGHT FOR YOUR CLIENT? For both music publishers and producers of audio- visual productions, clearing and licensing music is an By Steven Winogradsky and Amy E. Mitchell area that requires a certain amount of knowledge Copyright © 2015 regarding copyright, the policies and practices of the potentially numerous parties involved, and the Authors’ Note: Significant portions of this article parameters of the terms necessary to structure the deal are excerpted from “Music Publishing: The Complete correctly. There are companies who specialize in this Guide” by Steven Winogradsky, Alfred Music 2013, area, can offer expert opinions and guidance, and which is currently available for purchase from actually perform the function of clearing the music on www.Amazon.com and www.barnesandnoble.com. behalf of production companies. I. USING EXISTING MUSIC Copyright Law Basics for Sync Licensing A. Synchronization Licensing Licensing the use of a copyright in copies of audio- visual works is part of the right of reproduction granted Sometimes a television or film producer will want exclusively to copyright owners in Section 106 of the to use a popular or recognizable (or even unknown) Copyright Act (Title 17 U.S.C.). Although the word song in a production to add a specific flavor to the “synchronization” is not mentioned specifically, scene or because of the secondary meaning attached to Section 106 gives the copyright owner the exclusive it. Movies that take place in a certain time period may right to reproduce and authorize others to reproduce wish to use music from that era (i.e., Forrest Gump). -
Your Music Publishing Rights and How Does the Money Get Split?
1/30/19, 1102 PM Page 1 of 1 Keep ahead of the music industry. Sign up free for news, tips, and special offers. Enter your Email Sign up! Who owns your music publishing rights and how does the money get split? By Chris Robley July 10, 2018 Your music publishing rights and you: What you own and who owes you royalties. If you’re a songwriter, a composer, a lyricist, or anyone else who creates original music, and you’ve not signed a deal with a music publishing company — YOU own your music publishing rights! What are your music publishing rights exactly? Well, you get to determine how the musical copyright to a song you’ve written (meaning the composition itself, as a separate entity from any particular master recording of that song) is used or “exploited.” You should earn publishing money any time your song is: streamed downloaded manufactured on CD or vinyl performed live played on the radio synced to TV, Wlm, commercials, games, etc. and more All of the above publishing income should come to you whether it’s generated by your own recording or another artist covering your song. CD Baby Pro Publishing Admi… How do publishing royalties get divided up? For many publishing royalties that are generated from the usage of your music, 50% gets paid to the songwriter/s and 50% gets paid to the publisher/s. But as I mentioned above, if you’ve not signed a deal with a publishing company, you are considered both the songwriter AND the publisher. How do publishing royalties get split up amongst co-writers? There is no one-size-Wts-all answer for this question. -
ZQNBA Nuslc I Vbllshing
0 ZQNBA NUslc I vBLlsHING XOMBA ENTERPRISES INC, (ASCAP) 'l37"139 WEST 28TH STREET) NEW YORK, NY 10001 EOMBA SONGS INC (BMI) TELEPHONE: 21 2"727-001 6 FAX: 21 2-229-0822 Testimony Of PAUL KATZ Senior Vice President Of Business Affairs ZOMBA MUSIC PUBLISHING ZOMBA RECORDING CORPORATION New York, New York Before the Copyright Arbitration Royalty Panel Washington, D.C. April 2001 +%DON OFFICEI XOMBA HOUSE) 'I 65 'I 67 HIGH ROAD) WILLESDEN) LONDON NW 10 250) ENGLAND) TELEPHONE: (44) 1814594899) FAX; (44) 181451-3900 EUROPEAN OFFICE: XOMBA MUSIC HOLDINGS 8 V.) HOEFLOO 24) 1251 EB LAREN (N H )) HOLLAND) TELEPHONE (3'I) 3553 'l 6314) FAX (31) 3553 16785 LOS ANGELES OFFICE: 9000 SUNSET BOULEVARD) SUITE 300) LOS ANGELES) CA 90069) TELEPHONE (310) 247"8300) FAX: (310) 247 8366 NASHVILLE OFFICEI 914-916 19TH AVENUE SOUTH, NASHVILLE) TN 37212, TELEPHONEI (615) 321-4850, Fax: (615) 321&616 A ZOMBA COMPANY TABLE OF CONTENTS Pave Background Discussion .. 1. Acquiring the Song.. 3 2. Pitching the Song 4 3. Administering the Song . 5 4. Licensing the Song. 6 5. Collecting and Distributing Royalties . 7 Table 1 U.S. Music Publishing Income — 1998 BACKGROUND I am the Senior Vice President of Business Affairs for Zomba Enterprises Inc. ("Zomba Music Publishing"), which owns and operates a music publishing company, and Zomba Recording Corporation ("Zomba Records"), which owns and operates an independent record company. Both Zomba Music Publishing and Zomba Records are part of the Zomba group of companies, which is privately-owned. Among the singer/songwriters represented by Zomba Music Publishing are Macy Gray, Links Park, R. -
Investor Group Including Sony Corporation of America Completes Acquisition of Emi Music Publishing
June 29, 2012 Sony Corporation INVESTOR GROUP INCLUDING SONY CORPORATION OF AMERICA COMPLETES ACQUISITION OF EMI MUSIC PUBLISHING New York, June 29, 2012 -- Sony Corporation of America, a subsidiary of Sony Corporation, made the announcement noted above. For further detail, please refer to the attached English press release. Upon the closing of this transaction, Sony Corporation of America, in conjunction with the Estate of Michael Jackson, acquired approximately 40 percent of the equity interest in the newly-formed entity that now owns EMI Music Publishing from Citigroup, and paid an aggregate cash consideration of 320 million U.S. dollars. The impact of this acquisition has already been included in Sony’s consolidated results forecast for the fiscal year ending March 31, 2013 that was announced on May 10, 2012. No impact from this acquisition is anticipated on such forecasts. For Immediate Release INVESTOR GROUP INCLUDING SONY CORPORATION OF AMERICA COMPLETES ACQUISITION OF EMI MUSIC PUBLISHING (New York, June 29, 2012) -- An investor group comprised of Sony Corporation of America, the Estate of Michael Jackson, Mubadala Development Company PJSC, Jynwel Capital Limited, the Blackstone Group’s GSO Capital Partners LP and David Geffen today announced the closing of its acquisition of EMI Music Publishing from Citigroup. Sony/ATV Music Publishing, a joint venture between Sony and the Estate of Michael Jackson, will administer EMI Music Publishing on behalf of the investor group. The acquisition brings together two of the leading music publishers, each with comprehensive and diverse catalogs of music copyrights covering all genres, periods and territories around the world. EMI Music Publishing owns over 1.3 million copyrights, including the greatest hits of Motown, classic film and television scores and timeless standards, and Sony/ATV Music Publishing owns more than 750,000 copyrights, featuring the Beatles, contemporary superstars and the Leiber Stoller catalog. -
Directory of Music Publishers
Directory of Music Publishers Music-makersThe tap major into this and directory indie publishers to connect in thiswith MC indie directory labels, marketingpromote, exploit & promo and experts collect andpayments indie publicists. for their writers’ Plus loads music. of contact informationAll info tois aidupdated you in for promoting 2020 with your info music supplied career, by theDIY listees. style: T-shirt Please and respect CD development, those who do blog not sitesaccept and unsolicited social media material. tools. R3 RING CIRCUS MUSIC 818-922-0807 Los Angeles DEEP WELL RECORDS 2209 Grantland Ave Email: [email protected] 6100 Wilshire Blvd., Ste. 1600 1750 Vine St. Nashville, TN 37204 Web: bigdealmusicgroup.com Los Angeles, CA 90048 Los Angeles, CA 90028 Email: [email protected] How to Submit: no unsolicited material 323-969-0988 Email: [email protected] Web: 3ringcircusmusic.net Email: [email protected] Web: deepwellrecords.com Contact: Darrell Franklin, General Manager BIG FISH MUSIC (BMI) CALIFORNIA SUN MUSIC (ASCAP) Nashville DEFEND MUSIC, INC. ABET MUSIC 12720 Burbank Blvd., Unit 124 29 Music Sq. E. 1667 N Main Street 411 E. Huntington Dr., Ste. 107 Valley Village, CA 91607-1421 Nashville, TN 37203 Los Angeles, CA 90012 Arcadia, CA 91006 818-508-9777 615-329-3999 323-305-7315 626-303-4114 Email: [email protected] Email: [email protected] Email: [email protected] Email: [email protected] Web: facebook.com/bigfishmusicbuilding Web: defendmusic.com Web: abetmusic.com Contact: Chuck -
Ten Ways to Get to a Music Publisher (By Brent Baxter)
Ten ways to get to a Music Publisher (by Brent Baxter) It’s hard to get to get a music publisher’s time and attention. There are many reasons for this. Today, I want to share some pathways to a publisher. 1. The unsolicited request. This is the only easy path on the list- and it’s the one I don’t really recommend. This is where you just put in a cold call or email to a publisher and ask for a meeting. It has a very low success rate (you’re lucky to get a response at all), and there are better strategies available. 2. The professional recommendation. Publishers listen to those in their peer group. If you can get recommended by another publisher, an A&R rep, a professional songwriter, etc., it will go a long way toward getting you in the room. Your best bet for a recommendation from an industry pro is making a fan of someone at NSAI, Global Songwriters Connection (GSC), or another songwriting organization. 3. The personal relationship. Do you have a relative or friend anywhere in the music biz? Leverage your personal contacts. It isn’t cheating- nobody gets here alone. 4. The business relationship. When I first got to Nashville, I got a part-time job at a publishing company. As I got to know our administrative clients- patiently, over time- I was able to approach them about listening to my songs. 5. The PRO recommendation. A PRO is a Performing Rights Organization. In the US, we have ASCAP, SESAC, and BMI. -
Ken Peplowski Discography
Discography – Ken Peplowski 1987 Double Exposure Concord Jazz 1989 Sonny Side Concord Jazz 1990 Mr. Gentle and Mr. Cool Concord Jazz 1990 Illuminations Concord 1991 Groovin' High Concord Jazz 1992 Concord Duo Series, Vol. 3 Concord Jazz 1992 The Natural Touch Concord Jazz / Concord 1993 Steppin' with Peps Concord Jazz 1994 Encore! Live at Centre Concord Concord Jazz / Concord 1994 Live at Ambassador Auditorium Concord Jazz / Concord 1995 The International All-Stars Play Benny Goodman, Vol. 2 Nagel Heyer Records 1995 The International Allstars Play Benny Goodman, Vol. 1 Nagel Heyer Records 1995 It's a Lonesome Old Town Concord Jazz / Concord 1996 The Other Portrait Concord / Concord Jazz 1997 A Good Reed Concord Jazz / Concord 1998 Grenadilla Concord Jazz 1999 Last Swing of the Century Concord Vista / Concord Jazz 2000 All This...Live in the UK, Vol. 1 Koch / Koch Jazz 2001 Tribute to Benny Goodman with the BBC Big Band Chandos 2002 Just Friends Nagel Heyer Records 2002 And Heaven Too: Live in the U.K. Vol. 2 Koch 2002 Remembering Louis Jump Records 2002 Ellingtonian Tales Mainstream 2002 Lost in the Stars Nagel Heyer Records 2004 Easy to Remember Nagel Heyer Records 2007 Memories of You Tokuma Records 2008 Gypsy Lamento Venus / Venus Jazz Japan 2008 When You Wish Upon a Star Tokuma Records 2011 In Search Of Capri 2013 Maybe September Capri 2013 ...Live at the Kitano Victoria Company 2018 Sunrise Arbors 2018 Duologue Arbors Credits 2018 Duologue Adrian Cunningham / Ken Peplowski Primary Artist 2018 Sunrise Ken Peplowski / Ken Peplowski -
New Release from XM and Concord Music Group "Watercolors: Blue
NEWS RELEASE New Release from XM and Concord Music Group "Watercolors: Blue 10/30/2006 COMPILATION FEATURES PERFORMANCES BY PATTI AUSTIN, REGINA BELLE, DAVID PACK AND INSTRUMENTALS FROM SPYRO GYRA, ERIC MARIENTHAL, MARION MEADOWS AND MORE Beverly Hills, CA and Washington, D.C., October 30, 2006 – XM, the nation’s leading satellite radio service with more than 7 million subscribers, and Concord Music Group, one of the world’s largest independent record labels, today announced that Watercolors: Blue, the latest join release from the two companies, is now available in stores. The 12- track disc is the second release in a series of co-branded compilations created with the best music from Concord’s rich catalog and designed to reflect specific XM channels and original XM music shows. The album is on sale exclusively in Circuit City stores across the United States. Based on the sound of Watercolors (XM 71), XM’s contemporary jazz channel, Watercolors: Blue sums up the channel perfectly with a mix of vocal and instrumental performances from some of the best artists in contemporary jazz. Watercolors: Blue features incredible performances from Patti Austin, Regina Belle and David Pack. Making up the remainder of the album are instrumentals from some of the biggest names in smooth jazz including Spyro Gyra, Eric Marienthal, Marion Meadows and more. “XM is proud to have so many contemporary jazz greats featured on Watercolors: Blue. This compilation brings the essence of XM’s Watercolors channel to contemporary jazz fans across the country, and serves as another example of the sounds and moods both the jazz universe and the XM musical landscape have to offer," said Lee Abrams, chief creative programming officer, XM. -
Report-On-Japan.Pdf
Contents 1. Executive Summary p. 4 2. An Introduction to the Music Market p. 6 3. The Entertainment Environment p. 7 (I)TV p. 8 (II) Radio p. 9 (III) Mobile p. 10 (IV) Online p. 12 (V) Print p. 13 (VI) Record Labels p. 14 (VII) Music Publishing p. 15 (VIII) Local Talent p. 16 (IX) Clubs and Dance p. 17 (X) Live Performance p. 18 4. The Digital Landscape p. 21 Mobile Music p. 22 Internet Music Downloads p. 24 Digital Music Services p. 26 5. Market Entry Recommendations p. 26 6. Appendices p. 28 Top 10 Selling Domestic Albums in 2011 p. 28 Top 10 Selling International Albums in 2011 p. 28 Market Statistics p. 28 Music-related Trade Bodies and Associations p. 29 2 CONFIDENTIALITY NOTICE & DISCLAIMER This document was prepared for internal use by Canadian Government and CAAMA members plus Canadian Music Week attendees only and is not for forwarding or distribution to any third party. It may not be posted on any website. All details referenced are the latest available to us at the time of writing, and all information utilized is believed to be accurate and reliable at the time of submission. However, Swat Enterprises Pte. Ltd. accepts no liability whatsoever for any loss or damage resulting from errors, inaccuracies or omissions 3 1. Executive Summary Japan, an archipelago of 6,852 islands with 47 prefectures, has the world’s tenth largest population with over 127 million people. Its area of 377,873 km2 is close to that of Germany and Switzerland. The greater Tokyo area is the largest metropolis in the world with a population of around 36 million, more than the entire population of Canada. -
NEWSLETTER a N E N T E R T a I N M E N T I N D U S T R Y O R G a N I Z a T I On
October 2012 NEWSLETTER A n E n t e r t a i n m e n t I n d u s t r y O r g a n i z a t i on What does a music producer do, anyway? By Ian Shepherd The term ‘music producer’ means different things to different The President’s Corner people. Some are musicians, some are engineers, some are remixers. So what does a music producer actually do ? Big thanks tonight to Kent Liu and Michael Morris for putting together such an impressive panel of producers. In very pragmatic terms, the producer is a ‘project manager’ for As a reminder, we are able to provide & present this type the recording, mixing and mastering process. of dinner meeting because of our corporate and individual She has an overall vision for the music, the sound and the goals memberships, so please go to theccc.org today and renew of the project, and brings a unique perspective to inspire, assist your membership – we appreciate your support (and the and sometimes provoke the artists. membership pays for itself if you attend our meetings on a regular basis). See you in November!! The producer should make the record more than the sum of its parts – you could almost say she is trying to create musical alchemy. Eric Palmquist Every producer brings different skills and a different approach, President, California Copyright Conference. and this can make what they do difficult to summarize. In this post I’ve identified seven distinct types of record producer to try and make this clearer. -
Classical Composers Igor Stravinsky
Topline LIVE NATION'S LAWYERSaregettingaworkout. The events VIVO IS GROWING-AND SELLING? The video -hosting promoter was sued by festival workers claiming show tickets did service had its official rollout in Mexico on April 30-a move not count as fair compensation for their work. On a more bizarre spurred byabigsurgein digital video views there, CEO Rio Caraeff note, a woman who attended an Engelbert Humperdinck concert at told Billboard. Thesameday, reports surfaced that Vevo'sowners- aNew York theater owned by Live Nation has sued, too, blaming the Universal Music Group, Sony Corp., Google and Abu Dhabi Media companyfor splinters she pickedup on abench at the show. A Live -wereconsidering hiring Goldman Sachs forapossible sale. Nation representative declined comment tonewsoutlets. DreamWorks Animation isapotential buyer. The DealIs Imagem TooBig Musical Chairs ToSell? The industry has doubts that the music publishercan fetch $650 million TECHNOLOGY PUBLISHING Ranj Bathwasnamedvp Marty Silverstonewas corporate strategy and promoted to senior vp BY ED CHRISTMAN Works by Rodgers & Hammerstein (including business development for creative/head of synch at The Sound of Music) and Beats Music. Withmore Primary Wave Music, where Daft Punkare among than 15yearsof global he willoverseeplacements in film, TV, advertising, video Imagem's catalogs. experience at the forefront of entertainment and gamesandnewmedia, technology, Bath joined while also focusingon new thecompanyfrom Intel, catalog acquisitions and artist where he led strategic signings. He had driven synch partnerships and marketing campaigns for Hall &Oates, forseven years.He alsowas Kurt Cobain, Steven Tyler, Def co-founder/C00 of Desi Leopard and Chicago. Hits,amultiplatform media Miles Feinbergwas companythat included the promoted to executivevp backing of several high- music sales (or Music Sales profile Silicon Valley venture Corp -/G. -
NOW That's What I Call Party Anthems – Label Copy CD1 01. Justin Bieber
NOW That’s What I Call Party Anthems – Label Copy CD1 01. Justin Bieber - What Do You Mean? (Justin Bieber/Jason Boyd/Mason Levy) Published by Bieber Time Publishing/Universal Music (ASCAP)/Poo BZ Inc./BMG Publishing (ASCAP)//Mason Levy Productions/Artist Publishing Group West (ASCAP). Produced by MdL & Justin Bieber. 2015 Def Jam Recordings, a division of UMG Recordings, Inc. Licensed from Universal Music Licensing Division. 02. Mark Ronson feat. Bruno Mars - Uptown Funk (Mark Ronson/Jeff Bhasker/Bruno Mars/Philip Lawrence/Devon Gallaspy/Nicholaus Williams/Lonnie Simmons/Ronnie Wilson/Charles Wilson/Rudolph Taylor/Robert Wilson) Published by Imagem CV/Songs of Zelig (BMI)/Way Above Music/Sony ATV Songs LLC (BMI)/Mars Force Songs LLC (ASCAP)/ZZR Music LLC (ASCAP)/Sony/ATV Ballad/TIG7 Publishing (BMI)/TrinLanta Publishing (BMI)/ Sony ATV Songs LLC (BMI)/ Songs Of Zelig (BMI)/ Songs of Universal, Inc (BMI)/Tragic Magic (BMI)/ BMG Rights Management (ASCAP) adm. by Universal Music Publishing/BMG Rights Management (U.S.) LLC/Universal Music Corp/New Songs Administration Limited/Minder Music. Produced by Mark Ronson, Jeff Bhasker & Bruno Mars. 2014 Mark Ronson under exclusive licence to Sony Music Entertainment UK Limited. Licensed courtesy of Sony Music Entertainment UK Limited. 03. OMI - Cheerleader (Felix Jaehn Remix radio edit) (Omar Pasley/Clifton Dillon/Mark Bradford/Sly Dunbar/Ryan Robert Dillon) Published by Ultra International Music Publishing/Coco Plum Music Publishing. Produced by Clifton "Specialist" Dillon & Omar 'OMI" Pasley. 2014 Ultra Records, LLC under exclusive license to Columbia Records, a Division of Sony Music Entertainment. Licensed courtesy of Sony Music Entertainment UK Limited.