Berghahn Books 'PEOPLES' WAR': CULTURAL ACTIVISM IN THE NOTTING HILL CARNIVAL Author(s): BRIAN W ALLEYNE Source: The Cambridge Journal of Anthropology, Vol. 20, No. 1/2, Proceedings from a one-day colloquium on Innovation and Creativity: case studies from Melanesia (1998), pp. 111-135 Published by: Berghahn Books Stable URL: https://www.jstor.org/stable/23820313 Accessed: 16-01-2019 17:02 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact
[email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at https://about.jstor.org/terms Berghahn Books is collaborating with JSTOR to digitize, preserve and extend access to The Cambridge Journal of Anthropology This content downloaded from 35.177.226.186 on Wed, 16 Jan 2019 17:02:38 UTC All use subject to https://about.jstor.org/terms Ill 'PEOPLES' WAR': CULTURAL ACTIVISM IN THE NOTTING HILL CARNIVAL1 BRIAN W ALLEYNE No social study that does not come back to problems of biography, of history and their intersections within a society has completed its intellectual journey. C.W. Mills, The Sociological Imagination Introduction Why has British cultural studies had so little to say about the political activity of the adult black working class population in Britain? Why has social anthropology seen blacks in Britain as lacking the cohesive culture which is believed to underpin ethnicity? And, relatedly, why has sociology especially of 'race relations', conceptualised blacks in Britain primarily as a set of social problems?2 These are complex questions, which it is not my purpose to answer here, but I open with them because they delineate the terrain out of which comes this paper.