Crystal Ball Newsletter January 1992
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
C:\Documents and Settings\Owner
A Multi-Media Guide to Shopping, Dining, Lodging, Recreation, Entertainment, Art & Historic Points of Interest for The American Heritage Tourist EVENTS... 4 INDEX OF CITIES... 6-7 ON THE ROAD... 27 Establish Your Community as a GREAT AMERICAN DESTINATION FALL / WINTER 2017-2018 (for less than a dime a day per lister) www.AmericanAntiquities.com See inside front cover 2 / AMERICAN JOURNAL Volume 25, FALL/WINTER 2017-18 AMERICAN ANTIQUITIES JOURNAL Volume 25, FALL/WINTER 2017-18/ 3 Enjoy your next road trip to one of our 500+ client cities. Let this be your guide for AboutAbout thethe CoCovverer shopping, dining, lodging, recreation, entertainment & historic points of interest for the AMERICAN HERITAGE TOURIST www.AmericanAntiquities.com Depression glass is clear or a specified number of colored translucent magazine subscriptions, thus glassware. It was produced in making its way into almost a multitude of colors, ranging every American home. from the deep colors of purple, Depression glass started one black, cobalt, and red to the of the largest collecting trends pastels of pink, yellow, green, ever, from collectors to amber, and blue which nostalgia hunters. Over created to bring a bright note 100,000 eager collectors now into the otherwise drab times seek this prized glass, of the depression. Most of this whether to complete a glassware was made in the handed-down family set of Ohio River Valley of the United dishes, or to find the highly States, where access to raw sought and elusive rare materials and power made pieces. manufacturing inexpensive. Depression glass is More than twenty becoming more scarce on the manufacturers made more open market. -
Quarterly Journal of the All India Glass Manufacturers' Federation Inside
Vol. 4 | No. 1 | April - June 2016 www.aigmf.com Quarterly Journal of The All India Glass Manufacturers’ Federation Bi-lingual Inside Interview Special Feature Yoshihiko Sano • Sustainability in Glass President of Nipro Corporation • A Note on Closed Glass Companies in the USA • Nipro Injects Innovation into Pre- for Artistic Appreciation filled Syringes and Targets US Expansion • Efficient Workflow: Automation and Digitisation Reduce Production and Handling Costs Upcoming Events (Sept 2, 2016) • FEA Studies of Impact Loads on NNPB Refillable • Enhancing Profitability by Empowering Workforce Bottles • Business Opportunities for Indian Glass Companies at Port of Duqm, • Energy Efficient Renovation Boost for Added- Sultanate of Oman Value Glazing • AIGMF Executive Committee Meeting / AGM Main Story Glass Packaging Supporting Swachh Bharat Abhiyaan (Clean India Campaign) event at Central Glass and Ceramic Research Institute (CSIR-CGCRI), Kolkata Page No. 6 Technical Articles Prof. (Dr.) A. K. Bandyopadhyay Prof. (Dr.) A Sustainable 50 for postage postage for 50 ` ASS ASS www.aigmf.com Building and Packaging material - An Publication GlASS Gl Gl 500 (within India) + + India) (within 500 ` ` Overseas: US$ 60 (including postage and bank charges) bank and postage (including 60 US$ Overseas: Order Print Copies: Print Order Price: Price: PORT OF DUQM Duqm, 100% Foreign Ownership the preferred Tax -exemption for 30 years Free Repatriation of Capital Special Economic & profi ts No minimum capital requirement No currency restrictions Zone for your No personal income tax Exemption from import & overseas export duties Usufruct agreements up to 50 years renewable investment One-stop station service For more information, contact: Port of Duqm Company SAOC Tel: (+968) 24342800 | Fax: (+968) 24587343 | [email protected] | www.portduqm.com 2 Kanch | Vol. -
Arneson Auction Service EST 1937 " 78Th Year " Jim Arneson Registered Wisconsin Auctioneer #836 Neillsville ~ 715-819-2689 Sparta ~ 608-797-5086
Arneson Auction Service EST 1937 " 78th Year " Jim Arneson Registered Wisconsin Auctioneer #836 Neillsville ~ 715-819-2689 Sparta ~ 608-797-5086 Antique Glassware Auction Saturday April 18th ~~ Start 10:30 am ~~ DeForest, WI Held at: The Comfort Inn 5025 Cty Hwy V Large Collection of Carnival Glass in Many Patterns & Colors. Carnival Glass Convention Pieces. A Few Whimsy Items. Fenton, Fostoria, Northwood, Imperial, Dugan and Other Glass Companies. Crystal, Vases, Bowls, Compotes, Candy Dishes, Pitchers, Punch Bowls, Perfume Bottles, Dresser Sets, Miniature Children's Ceramic Tea/Coffee Sets. Ceramic and Pottery including: Royal Copley, Red Wing, Shawnee, Fire King, Japan. Depression Glass, Art Glass Vases, Glasses and lots more Great Miscellaneous Glass. If you Collect Carnival Glass Don't Miss This Auction.................... Terms: Cash, Check, MasterCard, Visa, Discover w/fee. Wis. Sales Tax No Onsite Buyers Fee!! No Onsite Buyers Fee!! No Onsite Buyers Fee!! Broadcast live online thru Proxibid. Use your computer to Participate from the comfort of your own home or office. Learn more at Proxibid.com # Description Sold Vintage German Marigold Carnival Glass Vase. Footed Prism Panels Pattern by The Brockwitz Glass Co. 1 in Brockwitz, Germany 1915-1940s. 9" Tall. 2 Vintage Marigold Carnival Glass vase, Octagon pattern by Imperial Glass Co. 7-3/4" Tall and 3-1/4" Base 3 Vintage Marigold Carnival Glass vase, Ripple pattern by Imperial Glass Co. 10-1/2" Tall and 3" Base 4 Vintage Marigold Carnival Glass vase, Rustic pattern by Fenton Glass Co. 9-1/2" Tall and 3-1/4" Base. 5 Vintage Marigold Carnival Glass vase, Lined Lattice Pattern by Dugan Glass Co. -
1880 Census: Volume 2. Report on the Manufactures of the United States
REPORT ON '.!.'RE MANUFACTURE OF GLASS~ DY JOS. D. -WEEKS, SPECIAL AGENT. 1029 • TABLE OF CONTENTS. Page. LETTER OF TRANSMITTAL.................................................................................................... ix CnAPTER I. STATISTICS 1-18 Scope oftlrn report .................................................................................................... 1 Classificatiou of glass iu the tables .................................................................................... 1 Summary of statistics for 1880 ......................................................................................... 1 Comparison with previous censuses .................................................................................... 2 Works i(lle in tho ccustts year ......................................................................................... 2 Works building in tho census year .................................................................................... 3 Establishments in which glass was made in tho census year ............................................................ 3 Capital ............................................................................................................... 3 Furna.cos ........................................... -•... - ...... - · · ...... · .......... • -· · • · · · ... ···--· ... · ·· · · · · ·· · · ••· · 3 The plant of factories ................................................................................................. 4 Employes ..................................................... -
Jan As Seeck He Chairs Are the at the Wyndham Suites Is March 2
1 Grandma Winona’s Bob and Sherry Cyza, right, beautiful share their Carnival Glass marigold Tree collection, above, at the HOACGA Trunk funeral Convention, Page 15. vase is ready for a new home Glass artist Eric Hansen, demon- after the TCGC strates his craft to TCGC, Page 2. Convention Auc- tion, thanks to help through the club’s website, see Page 21. Scarce green Peacock at Fountain fruit bowls are on focus with a story by Steve Hazlett, Page 17. 2 Artisan’s Showcase A Visit to Eric Hansen’s Art Glass Studio By Cale Wilcox The Texas Carnival Glass the “Glass Twist” in Corning, CA. of watching Eric start with a small Club held their regular meeting These were intricate glass pieces piece of molten glass. He then began at the studio of Eric W. Hansen on made by twisting the hot glass into to blow, mold, add more glass, add baskets, angels, swans and many color, add more glass and continue when he agreed to come to the other items. Eric quickly realized DecemberTexas Carnival 5th. Glass We first Convention met Eric that making glass for a living was completed. last year. He did a presentation on not going to pay the bills. So he this process This was until an theamazing final piecething wasto his family history and how he got decided to join the Navy where he watch as the work is so intricate. started in the glass-making business. became a pilot. After retiring from Items used to make the glass varied As most of you are aware by now, he the Navy, he became a commercial from glass frit for coloring, molding is part of the Hansen family who is pilot for American Airlines were he tools made of wood to shape the well known for their many years of items, the gloryhole to heat the glass making and their spectacular to this day. -
Current List of Donated Items for Auction As of April 1, 2016
Current List of Donated Items for Auction as of April 1, 2016 Robin Hood Self‐Rising Flour Bag with Sierra piece free inside Blenko Glass Company: 1. Decanter with stop 15 ½” high Cambridge Glass Company: 1. Crystal Satin draped Lady flower from 8 ½” high 2. Caprice Alpine no 61 bowl with ruffed edge and 4 feet 12 ½” wide 3. Carman nude compote 8” high by 6 ½” wide from the 3011 Figural stem line 4. Carman Keyhole Ivy bowl No 1236 8 ¼” high 5. No 1238 12” high Crown Tuscan vase with decoration by Charlton 6. No 3035 Footed tumbers with Apple Blossom etch x 6, 7” high 7. No 340/142 3pc Oil & Vinegar with Tray 8. No 647 crown Tuscan 2 lite candlesticks with Charlton Rose decoration Duncan Miller Glass Company: 1. Swirl No 21 Cornucopia with a Charlton decoration 2. No 5202 Pitcher with ice lip and silver foot with first Love etch c. 1937 3. No 40 Early Colonial Spiral candlesticks 7 ½’ High Amber AKA Sprial Flute c. 1924‐1927 Fenton Glass Company: 1. Fenton vase in French Opalescent 12 ¾” high 2. No 950 Ming Console bowl and candlesticks 3. Vasa Murrhina No 6437 Basket in Green Adventurine 11” high 4. No 857 Topaz Stretch Fan vase 8 ½” high Fostoria Glass Company: 1. Seascape No 2685 blue rolled edge compote 9” wide 6” high c. 1954‐1958 2. No 310 Coin Finger lamp & shade (electric) c. 1961‐1973 3. No 2324 3” high black candlesticks with Cupid Brocade etch 4. 8 No 6016 Wilma Blank Meadow Rose etch 10 oz water goblets 5. -
The China Closet: a Basic Guide
HHF-LRA.144 The China Closet A Basic Guide to Antique and Vintage Glassware Introduction Collecting antique and vintage glassware has a popular hobby. The successful collecting takes more than money; it requires time, effort and education. Identify what you enjoy and want to display in your home, and then take the time to educate yourself about the glass, its value, and sources for collecting. Places to shop for vintage glassware include antique shops, auctions and estate sales, the internet, and garage sales. With the many copies, reproductions, remolded, and recast pieces in the market today, you must be careful and look for all the clues that items are authentic of the period. To help you identify genuine glass, study the type you are collecting in quality museums, at reputable dealers, and in notable auction houses that deal in glass and stand behind the pieces they sell. There are also many books available both on general categories of glass and books devoted to single types, such as Depression glass. However, a picture in a book cannot replace handling and examining the glass in person so that you can know exactly how it should look and feel. If you are collecting as an investment, there is more to consider Depression glass, green poinsettia pattern. than the authenticity and personal taste. As with many Printed with permission: Myra B. Dillon collectables, the glass market fluctuates. Published books that include values can be found; however, it is best to keep abreast of current trends by attending auctions, shopping through dealers, and using the internet to check auction and market prices of glass. -
Special Collections and University Archives Manuscript
Special Collections and University Archives Manuscript Group 173 Indiana Glass and the Glass Companies of Indiana, Pennsylvania Opalescent Glassware produced by the Dugan Glass Company in Indiana, Pennsylvania, circa 1904-1913 Postcard of the Dugan Glass Company, courtesy of the Indiana Gazette (July 28, 1984) For Scholarly Use Only Last Modified July 9, 2021 Indiana University of Pennsylvania 302 Stapleton Library Indiana, PA 15705-1096 Voice: (724) 357-3039 Fax: (724) 357-4891 Manuscript Group 173 Indiana Glass and the Glass Companies of Indiana, Pennsylvania 2 Indiana Glass and the Glass Companies of Indiana, Pennsylvania, Manuscript Collection 173 Indiana University of Pennsylvania, Special Collections and University Archives 2 boxes; 2 linear feet Historical Note Between 1892 and 1931, five different glass companies manufactured what has become known as Indiana Glass in the same factory building in Indiana, Indiana County, Pennsylvania. Not to be confused with Indiana Glass made in Dunkirk, Indiana, the glass companies based out of Indiana, Pennsylvania included the Indiana Glass Company, 1892-1896; Northwood Glass Company, 1896- 1899; the Northwood Works of the National Glass Company of Pittsburgh, 1899-1904; the Dugan Glass Company, 1904-1913; and the Diamond Glassware Company, 1913-1931. The Indiana glassworks factory was built along the railroad line at the location of the former State Experimental Farm near the present location of the Miller Stadium and the Eberly College of Business parking lot at Indiana University of Pennsylvania. It was at this factory in 1897 where Northwood Glass Company owner Harry Northwood first made opalescent or translucent pressed glassware in the United States, which originated in England in the 1870s. -
Imitate: Remediating Glass As an Artistic Medium for Material Imitation
arts Article Imitate: Remediating Glass as an Artistic Medium for Material Imitation Jessamy Kelly School of Design, Edinburgh College of Art, The University of Edinburgh, Edinburgh EH3 9DF, UK; [email protected] Received: 30 November 2018; Accepted: 26 February 2019; Published: 4 March 2019 Abstract: Glass has a unique ability to imitate other materials; cross-pollinating with other disciplines to refresh and recreate itself. The creative possibilities of creating glass that imitates other materials such as ceramic, paper, metal, wood, stone, plastic and semi-precious stones are vast. The assertion of this paper is that the use of imitation is a necessary and definitive act within creative artistic practice. Following a range of historical examples to set the context for this article, a range of contemporary glass artists that use glass as a medium for imitation will be introduced and documented through a series of artists case studies. Finally, I will present my current practice-based research into glass as a medium for imitation. I will discuss the material testing and research that has been carried out and introduce two new bodies of artworks that I have developed based on the theme of glass as an artistic medium for material imitation. Keywords: glass; ceramics; milk glass; porcelain glass; imitation; materiality; cross-cultural pollination; remediation 1. Introduction Author and poet, Katie Stevens discusses the history of imitations and our relationships with them: ‘I want to give fake its clothes back. I want to take back the language around the fake, around what this word and its friends have meant historically, socioeconomically, and psychologically, and what they mean today .. -
Books on Glass - Joslin Hall Rare Books - Catalog 346 Books on Glass - Joslin Hall Rare Books - Catalog 346
BOOKS ON GLASS - JOSLIN HALL RARE BOOKS - CATALOG 346 BOOKS ON GLASS - JOSLIN HALL RARE BOOKS - CATALOG 346 Joslin Hall Rare Books Post Office Box 239 Northampton, Mass 01061 telephone: (413) 247-5080 e-mail: [email protected] website: www.joslinhall.com Member- Antiquarian Booksellers Association of America International League of Antiquarian Booksellers -Telephone reservations are highly recommended. -Standard courtesies are extended to institutions and dealers. -Postage charges are additional. -We are happy to arrange lay-away terms to fit your needs. -All books may be returned within ten days of receipt -please notify us in advance and repack the book/s carefully in the original box (if possible); please make sure that the parcel is properly insured. Checks, American Express, Discover,Visa, Mastercard & Paypal accepted. BOOKS ON GLASS - JOSLIN HALL RARE BOOKS - CATALOG 346 1. American Silver and Pressed Glass. A Collection in the R.W. Norton Art Gallery. Shreveport; R.W. Norton Art Foundation: 1967. A catalog produced for a special exhibition which coincided with the 1967 annual 'Holiday in Dixie' celebrations in Shreveport, which commemorate the Louisiana purchase in 1803. The silver includes pieces made between 1695 and 1797 in Boston, New York and Philadelphia. The pressed glass is made up of examples of the Lion and Westward Ho pattern, both produced by Philadelphia's Gillinder & Sons factory in the 1870s. The text includes essays on both glass patterns. The museum had only opened in 1966, and this was the first catalog featuring objects from its permanent collection. Softcover. 8.5"x11", 68 pages, b/w illustrations. -
The Pioneer the Newsletter of the Antique Glass Salt and Sugar Shaker Club
The Pioneer The Newsletter of the Antique Glass Salt and Sugar Shaker Club Volume XXXVI No. 2 July– September 2019 The 34th annual AGSSSC convention was held in Corning NY on May 30 - June 1st. The convention was very successful, with 37 attendees, and a good time was had by all. Corning was an excellent choice for the convention. The Corning museum has one of the most extensive glass collections in the country, spanning ancient to modern, and the Carder Gallery highlights Frederick Carder’s renowned glass designs. The Radisson Corning was a perfect choice for the convention. The hotel is situated next to the downtown which made it convenient to walk to nearby stores and restaurants. The staff was very helpful and accommo- dating, and even provided our group with a free hospi- tality room where members could socialize and enjoy snacks and drinks. Poster for Corning Convention May 30 - June 1, 2019 Throughout the convention, there were many opportu- nities for interaction, education, enjoyment, and of course, buying shakers! Our hosts, Jay Rogers and Jim Beverage, did a fantastic job planning and organiz- What’s Inside . Page ing the convention. They took care of every detail to ensure that the convention ran smoothly. Convention news: Corning Called and We 1, 3 -12 Came; Convention Highlights and Pictures As is customary, the convention began with the Thurs- Illinois Shaker, Ron Miller, president 2 day evening welcoming Dessert and Show and Tell, during which members presented their special finds From the Editor 3 and rare shakers. Several members paid tribute to The Pittsburgh Britannia Manufacturing 13 -15 Scott Roland, Company & the Firm of Collins & Wright, Part who unexpect- 2, Dan Edminster edly passed Holiday Highlights 16 -17 away last fall, and brought Auction News 18 –19 shakers that they had ob- Facebook Finds 20 –22 tained from Scott. -
Glass: a Pocket Dictionary of Terms Commonly Used to Describe Glass
T H E C O R N I N G M U S E U M O F G LASS Glass A Pocket Dictionary of Terms Commonly Used to Describe Glass and Glassmaking R E V I S E D E DITION Glass A Pocket Dictionary of Terms Commonly Used to Describe Glass and Glassmaking Les Pins (Pines), blown, applied, cut, engraved. France, Emile Gallé, dated 1903. H. 17.8 cm (88.3.31). Purchased with funds from the Clara Peck Endowment, the Houghton Endowment, and a special grant. Glass A Pocket Dictionary of Terms Commonly Used to Describe Glass and Glassmaking Revised Edition CO mp IL ed B Y D AVI D W H I teh O U S E T he CO R N I N G M U S eum O F G L A SS edITOR: Richard W. Price DESIGN AND TYPOGRaphY: Jacolyn S. Saunders COPYRIght © 1993, 2006 The Corning Museum of Glass Corning, New York 14830-2253 Standard Book Number: 0-87290-165-3 Library of Congress Control Number: 93-072859 PREFACE This short dictionary, originally published in 1993, is intended to help students and collectors of glass to understand some of the unfamiliar words that they may encounter in books, cata- logs, and museum labels. It contains definitions of words and phrases that describe glassmakers’ materials, techniques, tools, and products. Words that appear in boldface type in the defi- nitions have their own entries elsewhere in the dictionary. The illustrations have been selected from objects in The Cor- ning Museum of Glass. They are described on pages 91–94.