Film & Video Copyright Infringement
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GLAAD Media Institute Began to Track LGBTQ Characters Who Have a Disability
Studio Responsibility IndexDeadline 2021 STUDIO RESPONSIBILITY INDEX 2021 From the desk of the President & CEO, Sarah Kate Ellis In 2013, GLAAD created the Studio Responsibility Index theatrical release windows and studios are testing different (SRI) to track lesbian, gay, bisexual, transgender, and release models and patterns. queer (LGBTQ) inclusion in major studio films and to drive We know for sure the immense power of the theatrical acceptance and meaningful LGBTQ inclusion. To date, experience. Data proves that audiences crave the return we’ve seen and felt the great impact our TV research has to theaters for that communal experience after more than had and its continued impact, driving creators and industry a year of isolation. Nielsen reports that 63 percent of executives to do more and better. After several years of Americans say they are “very or somewhat” eager to go issuing this study, progress presented itself with the release to a movie theater as soon as possible within three months of outstanding movies like Love, Simon, Blockers, and of COVID restrictions being lifted. May polling from movie Rocketman hitting big screens in recent years, and we remain ticket company Fandango found that 96% of 4,000 users hopeful with the announcements of upcoming queer-inclusive surveyed plan to see “multiple movies” in theaters this movies originally set for theatrical distribution in 2020 and summer with 87% listing “going to the movies” as the top beyond. But no one could have predicted the impact of the slot in their summer plans. And, an April poll from Morning COVID-19 global pandemic, and the ways it would uniquely Consult/The Hollywood Reporter found that over 50 percent disrupt and halt the theatrical distribution business these past of respondents would likely purchase a film ticket within a sixteen months. -
Co-Optation of the American Dream: a History of the Failed Independent Experiment
Cinesthesia Volume 10 Issue 1 Dynamics of Power: Corruption, Co- Article 3 optation, and the Collective December 2019 Co-optation of the American Dream: A History of the Failed Independent Experiment Kyle Macciomei Grand Valley State University, [email protected] Follow this and additional works at: https://scholarworks.gvsu.edu/cine Recommended Citation Macciomei, Kyle (2019) "Co-optation of the American Dream: A History of the Failed Independent Experiment," Cinesthesia: Vol. 10 : Iss. 1 , Article 3. Available at: https://scholarworks.gvsu.edu/cine/vol10/iss1/3 This Article is brought to you for free and open access by ScholarWorks@GVSU. It has been accepted for inclusion in Cinesthesia by an authorized editor of ScholarWorks@GVSU. For more information, please contact [email protected]. Macciomei: Co-optation of the American Dream Independent cinema has been an aspect of the American film industry since the inception of the art form itself. The aspects and perceptions of independent film have altered drastically over the years, but in general it can be used to describe American films produced and distributed outside of the Hollywood major studio system. But as American film history has revealed time and time again, independent studios always struggle to maintain their freedom from the Hollywood industrial complex. American independent cinema has been heavily integrated with major Hollywood studios who have attempted to tap into the niche markets present in filmgoers searching for theatrical experiences outside of the mainstream. From this, we can say that the American independent film industry has a long history of co-optation, acquisition, and the stifling of competition from the major film studios present in Hollywood, all of whom pose a threat to the autonomy that is sought after in these markets by filmmakers and film audiences. -
After Disney-Fox, Who's Next?
cc Wednesday, December 20, 2017 latimes.com/news After Disney-Fox, who’s next? Huge deal may force smaller media firms to grow or struggle By MEG JAMES AND RYAN FAUGHNDER TIMES STAFF WRITERS alt Disney Co.'s block- buster deal to buy W much of 21st Century Fox revealed Rupert Murdoch's fear that his media company was not strong enough to survive the digital onslaught — raising questions about how even smaller media com- panies will weather the storm. Since Disney clinched its $52.4- billion deal last week to buy some of Murdoch's most lucrative assets, many wonder which media compa- The entrance of the Metro-Goldwyn-Mayer offices in Santa Monica offices. nies might be next. MGM is among smaller media companies that are considered prime targets for The scramble to bulk up is likely acquisition. (Nick Ut / Associated Press) to force medium-sized players to strike their own deals out of con- nies to sell," predicted Ken Klein- "This is clearly an arms race and cern that they need to grow or get berg, a veteran Los Angeles enter- these companies need to step up left behind as tech giants like Net- tainment business lawyer. "If com- their game," said Lloyd Greif, a Los flix gain more power in Hollywood. panies like Fox are worried, what Angeles investment banker. "We are Sony Pictures Entertainment, are they waiting for?" going to see more creative, accretive CBS Corp., Viacom Inc., Liberty The Disney-Fox deal is just the strategic acquisitions — and acqui- Media Corp., Lionsgate and Metro- latest combination. -
Motion Picture Posters, 1924-1996 (Bulk 1952-1996)
http://oac.cdlib.org/findaid/ark:/13030/kt187034n6 No online items Finding Aid for the Collection of Motion picture posters, 1924-1996 (bulk 1952-1996) Processed Arts Special Collections staff; machine-readable finding aid created by Elizabeth Graney and Julie Graham. UCLA Library Special Collections Performing Arts Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm The Regents of the University of California. All rights reserved. Finding Aid for the Collection of 200 1 Motion picture posters, 1924-1996 (bulk 1952-1996) Descriptive Summary Title: Motion picture posters, Date (inclusive): 1924-1996 Date (bulk): (bulk 1952-1996) Collection number: 200 Extent: 58 map folders Abstract: Motion picture posters have been used to publicize movies almost since the beginning of the film industry. The collection consists of primarily American film posters for films produced by various studios including Columbia Pictures, 20th Century Fox, MGM, Paramount, Universal, United Artists, and Warner Brothers, among others. Language: Finding aid is written in English. Repository: University of California, Los Angeles. Library. Performing Arts Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library, Performing Arts Special Collections. -
Vodafone Idea and Starz Strike Strategic Alliance; Launch Lionsgate Play in India
VODAFONE IDEA AND STARZ STRIKE STRATEGIC ALLIANCE; LAUNCH LIONSGATE PLAY IN INDIA ~ VIL customers will have easy access to popular content from Lionsgate library ~ Portfolio includes movie premieres and blockbuster films across genres ~ A seamless viewing experience of customised and differentiated content Mumbai, Aug 19, 2019: Vodafone Idea Limited, India’s leading telecom operator and STARZPLAY, the international premium subscription platform from STARZ, a Lionsgate (NYSE: LGF.A, LGF.B) company, have joined hands to launch Lionsgate’s premium service Lionsgate Play in India. This partnership will enable Vodafone Idea customers’ access to a broad portfolio of celebrated blockbusters and award-winning feature films from the studio. Video is the new growth driver in the digital content consumption today. Vodafone Idea’s partnership with STARZPLAY is a step towards boosting the growth of the digital ecosystem in India. The partnership will capitalize on this huge potential by offering viewers with an array of premium content across genres. Lionsgate Play will be available to Vodafone Play and Idea Movies & TV subscribers as a part of this strategic collaboration between the two companies. The offering includes multibillion-dollar global blockbuster franchises The Hunger Games and The Twilight Saga, multiple Academy Award ® winner La La Land and the international breakout hit Wonder, with much of it available in four local languages. The content library will be spread across genres like horror, comedy, drama, action, thriller, documentaries to name a few. Following the launch, the offering will boast an illustrious line up of digital premieres of Lionsgate films coming to the service in the first year including Robin Hood, Crank, Sahara, Redcliff, Jersey Shore Attack, Killers, Grudge, Letters to Juliet, American Pyscho 2, Nerve, Facing Ali, Down A Dark Hall and American Assassin. -
Media Kit Final2
FILM EXPO GROUP MEDIA KIT FilmExpoGroup FILM EXPO GROUP - MEDIA KIT 2016 BRAND OVERVIEW Film Expo Group is the premier organizer of events in OUR MISSION the motion picture industry. The Film Expo Group Our mission is to produce events that reach the produces ShowEast, held in Miami; CineEurope, held motion picture industry members on a global in Barcelona; and CineAsia, held in Hong Kong. scale. The intent is to create networking opportunities for key decision makers to connect The events feature exclusive screenings of upcoming and unite with new ideas and endeavors. films, product presentations of films in production, educational seminars led by industry leaders, and a OUR VISION trade show with equipment and concessions suppliers Our vision is to remain progressive and keep to movie theatres. Each event also includes special audiences of all generations tapped into and informed events and an award ceremony honoring recent about the industry. trailblazers within the industry. OUR PURPOSE In addition to its events, The Film Expo Group also Our purpose is to embrace the ever-changing motion publishes Film Journal International, one of the picture industry and celebrate its advances through industry’s leading motion picture monthly trade interactive and collaborative events. publications. FILM EXPO GROUP - MEDIA KIT 2016 CINEEUROPE BARCELONA CineEurope is the longest-running and most successful AUDIENCE PROFILE European convention and trade show for Major, Regional, and Independent cinema professionals. Each year more than 3,000 industry leaders attend CineEurope. Those allied to the industry come to CineEurope each year to seek knowledge on the latest trends and issues; Company types include Cinema Exhibition, Film learn about new marketing ideas; network with industry Distribution, Film Production, Print or Broadcast Media peers; see Hollywood, international, and independent and Marketing/Advertising Agencies. -
Music and Sound Design Placements
Music and Sound Design Placements Listed from most recent TITLE STUDIO SD / MX Loki Disney SD Hitman’s Wife’s Bodyguard Lionsgate SD Snake Eyes Paramount SD Godzilla vs. Kong Warner Bros SD The Mosquito Coast Apple SD Raya and the Last Dragon Disney SD Army of the Dead Netflix SD Cruella Disney SD Cherry Apple SD Wrath of Man Miramax SD Without Remorse Paramount SD Nobody Universal SD Space Jam 2 Warner Bros SD WandaVision Disney SD Fast 9 NBC Universal SD Promising Young Woman Focus SD Monster Hunter Sony SD Tenet Warner Bros SD Welcome to the Blumhouse Amazon SD Embattled IFC (Rainbow Media) MX + SD The Craft Sony MX + SD Project Zenith (Black Adam) Warner Bros SD See (Season 1) Apple SD Dune Warner Bros SD Apple + Promo Apple SD Greyhound Apple / Sony SD Candyman NBC Universal SD Freaky NBC Universal SD Hala Apple SD You Should Have Left NBC Universal SD Unorthodox Netflix MX (Custom) Voyagers Lionsgate SD The Hunt NBC Universal MX (Custom) New Mutants Disney SD Amazing Stories (Trailer 1) Apple MX (Custom) Amazing Stories (30 spot) Apple MX Nobody NBC Universal SD The Invisible Man NBC Universal SD The Green Knight A24 SD Mythic Quest-Raven Apple SD Let Him Go Focus SD Rhythm Section Paramount MX + SD Bad Boys Sony SD Outsider HBO MX Black Widow Disney SD Ghostbusters Sony MX (Custom) + SD A Quiet Place 2 Paramount SD Fantasy Island Sony SD The Grudge Sony SD Harriet Focus MX + SD Uncut Gems A24 SD Free Guy Disney SD Underwater Disney SD Maleficent 2 Disney SD Midway Lionsgate SD Spiderman: Far from Home Sony SD Rambo: Last Blood -
Business Consultation of Select Best Practices to an Animated Film Studio
University of South Carolina Scholar Commons Senior Theses Honors College Spring 5-5-2016 Business Consultation of Select Best Practices to an Animated Film Studio: How to Produce the Most Successful Film You Can Joshua Christian Blackwood University of South Carolina - Columbia Follow this and additional works at: https://scholarcommons.sc.edu/senior_theses Part of the Management Sciences and Quantitative Methods Commons Recommended Citation Blackwood, Joshua Christian, "Business Consultation of Select Best Practices to an Animated Film Studio: How to Produce the Most Successful Film You Can" (2016). Senior Theses. 110. https://scholarcommons.sc.edu/senior_theses/110 This Thesis is brought to you by the Honors College at Scholar Commons. It has been accepted for inclusion in Senior Theses by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Business Consultation of Select Best Practices to an Animated Film Studio How to Produce the Most Successful Film You Can Senior Thesis Spring 2016 Student Josh Blackwood Director Dr. Lauren Steimer Second Reader Dr. Jack Jensen Table of Contents Introduction………………………………………………………………………………………..1 Establishing Scope………………………………………………………………………………...4 Methodology………………………………………………………………………………………5 Operational Planning Data Animation Studio………………………………………………………………………….8 Release Date…………………………………………………………………………….…9 Runtime…………………………………………………………………………………..11 Pre-sold Property………………………………………………………………………...12 Negative Cost…………………………………………………………………………….13 -
CPY Document Title
Case 1:10-cv-08169-HB Document 24 Filed 12/03/10 Page 1 of· . 33 UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK ---------------------------------------------------------------------------- )( LIONS GATE ENTERTAINMENT CORP., Plaintiff, No. 1O-CV-8169 (HB) (KNF) vs. ECFCASE CARL C. ICARN, BRETT ICAHN, ICAHN PARTNERS LP, HIGH RIVER LIMITED PARTNERSHIP, HOPPER INVESTMENTS LLC, BARBERRY CORP., ICAHN ONSHORE LP, ICAHN OFFSHORE LP, ICAHN CAPITAL LP, IPH GP LLC, ICAHN ENTERPRISES HOLDINGS L.P., ICAHN ENTERPRISES G.P. INC., and BECKTON CORP., Defendants. AMENDED COMPLAINT Plaintiff Lions Gate Entertainment Corp. ("Lionsgate") by its undersigned counsel alleges, upon knowledge as to itself and its own acts and upon information and belief as to all other matters, as follows against Carl C. kahn ("kahn"), Brett kahn, and the other defendants named above (collectively, the "kahn Group"): OVERVIEW 1. In March 2010, corporate raider Carl kahn declared his intent to take control of Lionsgate, a leading independent film and television studio that produces critically acclaimed hits such as the Oscar-winning Precious and the Emmy-winning "Mad Men." kahn based his campaign for control on the charge that Lionsgate's management was imprudently pursuing merger transactions, above all what he characterized as a "misguided strategy" of acquiring legendary film studio Metro-Goldwyn-Mayer, Inc. ("MGM") that he told the market would end in "oblivion" and "bankruptcy." 2. It turns out that kahn has been misleading Lionsgate and its shareholders all along. While urging Lionsgate shareholders to support his takeover campaign - either by tendering their stock or by voting for his dissident slate of nominees to Lionsgate's board of Case 1:10-cv-08169-HB Document 24 Filed 12/03/10 Page 2 of 33 directors - to ensure that Lionsgate did not pursue what he called a "delusional" MGM transaction, kahn quietly studied the merits of a Lionsgate-MGM transaction and amassed a huge position in MGM debt with the undisclosed intention of reaping profits from both sides in an eventual merger. -
Lionsgate Entertainment Corporation
Lionsgate Entertainment Corporation Q1 2021 Earnings Conference Call Thursday, August 6, 2020, 5:00 PM Eastern CORPORATE PARTICIPANTS Jon Feltheimer - Chief Executive Officer Jimmy Barge - Chief Financial Officer Michael Burns - Vice Chairman Brian Goldsmith - Chief Operating Officer Kevin Beggs - Chairman, TV Group Joe Drake - Chairman, Motion Picture Group Jeff Hirsch - President, Chief Executive Officer, Starz Scott Macdonald - Chief Financial Officer, Starz Superna Kalle - Executive Vice President, International James Marsh - Executive Vice President and Head of Investor Relations 1 PRESENTATION Operator Ladies and gentlemen, thank you for standing by. Welcome to the Lionsgate Entertainment First Quarter 2021 Earnings Call. At this time, all participants are in a listen-only mode. Later, we will conduct a question and answer session; instructions will be given at that time. If you should require assistance during the call, please press "*" then "0." As a reminder, this conference is being recorded. I will now turn the conference over to our host, Executive Vice President and Head of Investor Relations, James Marsh. Please go ahead. James Marsh Good afternoon. Thank you for joining us for the Lion Gate’s Fiscal 2021 First Quarter Conference Call. We’ll begin with opening remarks from our CEO, Jon Feltheimer, followed by remarks from our CFO, Jimmy Barge. After their remarks, we’ll open the call for questions. Also joining us on the call today are Vice Chairman, Michael Burns, COO, Brian Goldsmith, Chairman of the TV Group, Kevin Beggs, and Chairman of the Motion Picture Group, Joe Drake. And from Starz, we have President and CEO, Jeff Hirsch, CFO, Scott Macdonald and EVP of International, Superna Kalle. -
The Business of Making Movies
Cover Story THE BUSINESS OF MAKING MOVIES B Y S. MARK Y OUNG,JAMES J. GONG, AND W IM A. V AN DER S TEDE The U.S. motion picture industry generates close to $100 billion in revenues, is one of the country’s largest exporters, and exerts enormous cultural influence worldwide. But today it also faces enormous pressures. 26 STRATEGIC FINANCE I F ebruary 2008 oing to the movies has always been one of ney Pictures, Warner Brothers Pictures, Paramount Pic- society’s most pleasurable pastimes. Over tures, Columbia Pictures, and Universal Pictures. The the past few years, though, enormous MPAA represents these studios internationally and plays a changes have occurred in the movie- number of roles: It advocates for the U.S. film industry, making business: escalating production protects producers from copyright theft, and fights pira- and marketing costs, the significant impact cy. In 2006, the MPAA studios released 203 films (34%), of increased piracy, the uncertainty in film and other, independent distributors released 396 (66%). financing, the proliferation of digital tech- Even though major studios have made their name in Gnology, and the increase in available entertainment Hollywood, large, vertically integrated conglomerates options for consumers. These and other factors have own them today. These conglomerates also incorporate a implications for the motion picture business, the types of number of other forms of entertainment and media, such movies it will produce, and how and where people will as radio stations, cable and network television stations, view them. Based on research sponsored by the Foundation for Applied Research (FAR) of the Institute of Management THE LARGEST DISTRIBUTORS OF Accountants (IMA®), this is the first in a series of articles on the U.S. -
Feature Film
RAMIN DJAWADI AWARDS & NOMINATIONS HOLLYWOOD MUSIC IN MEDIA TOM CLANCY’S JACK RYAN AWARD NOMINATION (2019) Main Title Theme – TV Show/Limited Series EMMY AWARD (2019) GAME OF THRONES Outstanding Music Composition for a “The Long Night” Series (Original Dramatic Score) EMMY AWARD (2018) GAME OF THRONES Outstanding Music Composition for a Series (Original Dramatic Score) EMMY NOMINATION (2018) WESTWORLD Outstanding Music Composition for a Series (Original Dramatic Score) GRAMMY NOMINATION (2017) GAME OF THRONES Best Score Soundtrack for Visual Media WORLD SOUNDTRACK AWARD WESTWORLD, PRISON BREAK: NOMINATION (2017) RESURRECTION, THE STRAIN Best TV Composer of the Year EMMY NOMINATION (2017) WESTWORLD Best Original Main Title Theme Music EMMY NOMINATION (2014) GAME OF THRONES Outstanding Music Composition for a Series GAME AUDIO NETWORK GUILD MEDAL OF HONOR NOMINATION (2011) Best Cinematic / Cut-Scene Audio EMMY NOMINATION (2010) FLASH FORWARD Outstanding Music Composition for a Series GRAMMY NOMINATION (2006) IRON MAN Best Score Soundtrack Album iTUNES AWARD (2008) IRON MAN Best Score The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 RAMIN DJAWADI WORLD SOUNDTRACK AWARD MR. BROOKS NOMINATION Discovery Of The Year (2007) EMMY NOMINATION (2006) PRISON BREAK Outstanding Main Title Theme Music FEATURE FILM ELEPHANT EDEN Alastair Fothergill, prod. DisneyNature Mark Linfield, dir. THE QUEEN’S CORGI Ben Stasson, prod. Lionsgate Ben Stasson, dir. SLENDER MAN Robyn Meisinger, Sarah Snow, Bradley Fischer, James Screen Gems Productions Vanderbilt, William Sherak, prods. *With Brandon Campbell Sylvain White, dir. A WRINKLE IN TIME Jim Whitaker, Catherine Hand, Adam Borba, prods. Walt Disney Studios Ava DuVernay, dir. THE MOUNTAIN BETWEEN US Peter Chernin, Jenno Topping, prods.