they might be giants severe tire damage free download Severe Tire Damage () Severe Tire Damage is a primarily live album by , released in 1998. It also features a few studio tracks, including a new single (""). Contents. notes Song origins Track listing References External links. The live cuts, some recorded at soundchecks without any audience, feature at least one track from every album since their debut, which include a few old fan favorites that have been reworked since the duo adopted a full backing . like "She's an Angel", from their debut, They Might Be Giants and "", from their major label debut, Flood , are treated to multiple guitars and a horn section. Conversely, the song "Meet James Ensor" originally appeared on their first full band effort, (1994) and surfaces here in a bare-bones rendition, with only vocals and an . Besides the aforementioned lack of an audience on several tracks, some tracks have also undergone studio "retooling" - most notably, "," which appeared in its untampered form (with an uncropped intro and without a heavily distorted voice saying, "I don't want the world. ") on the 1994 promo-only release "Live!! ." A condensed version of this album was released as Live , which featured 10 of the 24 tracks listed here. Song notes. Tracks 1, 2, and 17 were recorded in a studio rather than onstage; track 15 was recorded in a hotel room. [ citation needed ] Tracks 18-24 are hidden songs that were improvised in concert, based on the Planet of the Apes movie series. "First Kiss" was later reworked and put on the 2001 album as "Another First Kiss", with the same basic melody and similar lyrics but a substantially different style and tempo. Similarly, "" was later recorded in the studio at a slower tempo, and was released on Long Tall Weekend as well as later being the title track on the rarities They Got Lost . On Track 3, "They Get Lost", the band is introduced incorrectly as "They Must Be Giants", which is a tongue-in-cheek reference to an untitled, partial recording that appears as track 13 on both Don't Let's Start and its re-release . It was inadvertently left on the Dial-A-Song answering machine, in which a confused listener named Gloria talks to an unknown third party about the mystery of "There May Be Giants" and "There Must Be Giants", as she mistakenly refers to the band. It would later be referenced when Bryant Gumbel referred to them as "They Must Be Giants" when they performed "Your Racist Friend" on Today to promote the release of Flood . Song origins. Studio version of track 4 originally appeared on the Why Does The Sun Shine? (The Sun Is a Mass of Incandescent Gas) EP (1993) Studio versions of tracks 5, 8 and 12 originally appeared on Flood (1990) Studio version of track 6 originally appeared on They Might Be Giants (1986) Studio versions of tracks 7, 14 and 16 originally appeared on (1996) Studio version of track 9 originally appeared on Lincoln (1988) Studio versions of tracks 11 and 13 originally appeared on Apollo 18 (1992) Studio version of track 15 originally appeared on John Henry (1994) Track listing. All songs by They Might Be Giants unless otherwise noted. Tracks 18 - 24 are hidden tracks. "Doctor Worm" – 3:01 "Severe Tire Damage Theme" – 0:40 "They Got Lost" – 3:42 "Why Does The Sun Shine? (The Sun is a Mass of Incandescent Gas)" – 2:17 "Birdhouse in Your Soul" – 3:12 "She's An Angel" – 3:20 "XTC vs. Adam Ant" – 3:39 "Istanbul (Not )" – 3:07 "Ana Ng" – 3:00 "First Kiss" – 1:36 "Spider" – 0:53 "" – 2:09 "She's Actual Size" – 2:18 "S-E-X-X-Y" – 3:06 "Meet James Ensor" – 1:30 "Till My Head Falls Off" – 2:54 "About Me" – 3:01 (actual track stops at 0:41 and is followed by 2:20 of silence) "Planet of the Apes" - 2:35 "Return to the Planet of the Apes" – 2:46 "Conquest of the Planet of the Apes" – 1:40 "Escape from the Planet of the Apes" – 1:08 "Battle for the Planet of the Apes" – 1:57 "Beneath the Planet of the Apes" – 2:00 "This Ape's for You" – 1:13. Related Research Articles. They Might Be Giants is an American band formed in 1982 by and . During TMBG's early years, Flansburgh and Linnell frequently performed as a duo, often accompanied by a drum machine. In the early 1990s, TMBG expanded to include a backing band. The duo's current backing band consists of , , and . The group is known for their uniquely experimental and absurdist style of alternative music, typically using surreal, humorous lyrics and unconventional instruments in their songs. Over their career, they have found success on the modern rock and college radio charts. They have also found success in children's music, and in theme music for several television programs and films. The duo has been credited as vital in the creation of the prolific DIY music scene in in the mid-1980s. Flood is the third studio album by Brooklyn-based alternative rock duo They Might Be Giants, released in January 1990. Flood was the duo's first album on the major label Elektra Records. It generated three singles: "Birdhouse in Your Soul", "Istanbul ", and the domestic promotional track "Twisting". The album is generally considered to be the band's definitive release, as it is their best-selling and most recognizable album. Despite minimal stylistic and instrumental differences from previous releases, Flood is distinguished by contributions from seasoned producers and . John Linnell and John Flansburgh also took advantage of new equipment and recording techniques, including unconventional, home-recorded samples, which were programmed through Casio FZ-1 synthesizers. The album was recorded in New York City at Skyline Studios, which was better equipped than studios the band had worked in previously. Then: The Earlier Years is a double album compilation by the band They Might Be Giants, released in 1997. Then contains the album Lincoln in its entirety, the They Might Be Giants and Miscellaneous T which are each missing one track, a few otherwise unreleased songs from their 1985 Demo Tape and other songs previously unreleased. The song missing from Miscellaneous T is "(She Was a) Hotel Detective " and the song missing from They Might Be Giants is the album version of "Don't Let's Start", as it was replaced in its appropriate place in the track listing by the single version of the same song from Miscellaneous T . The track "We're The Replacements" references the alternative rock band of the same name. Long Tall Weekend is the seventh studio album by American alternative rock duo They Might Be Giants, released in 1999. It was released exclusively online through the digital music service eMusic. The album was the band's first since their departure from the major label Elektra. Long Tall Weekend was also the first full-length album released exclusively on the Internet by an established major label band. Although the album's primary release was digital, CDs of the album were issued promotionally. Following the success of the album's release through eMusic, TMBG went on to issue a digital series of rarities collections — TMBG Unlimited — through their website. Dial-A-Song: 20 Years Of They Might Be Giants is a 2002 compilation album by American alternative rock band They Might Be Giants, issued by Rhino Records and compiled by the band's co-singer/ and guitarist John Flansburgh. Despite its name, the compilation does not include tracks from the band's "Dial-A-Song" service. It is instead an anthology of various single, album and live tracks from the band's history, spanning their full career up to the time of its release. It includes tracks from every album starting with 1986's They Might Be Giants up through No! , their first children's album, which was released only three months before this compilation. Miscellaneous T is a B-side and remix compilation album released by the alternative rock band They Might Be Giants in 1991. It is a US re- release of Don't Let's Start , with different cover art, track order, and the additional song "Hello Radio". They Got Lost is a rarities compilation album by the group They Might Be Giants. It was issued in 2002 in the United States and 2005 in the United Kingdom. It was available through online order several years before it went into general release. Live!! New York City 10/14/94 is a 1994 live album by They Might Be Giants which reproduced a concert given by the band on October 14 of the same year. Live is a 1999 live album by They Might Be Giants. It was a condensed version of Severe Tire Damage . While most of the tracks were live, as the name implies, "Doctor Worm" was a studio-recorded track. " " is a song by alternative rock band They Might Be Giants. The song is famously used as the opening theme song for the television show , and was released as the single from the soundtrack to the show. In 2002, "Boss of Me" won the band their first Grammy Award, in the category of Best Song Written for a Motion Picture, Television or Other Visual Media. The song was one of the band's most commercially successful singles and is one of their best-known songs. The song was originally written with the chorus "Who's gonna guess the dead guy in the envelope" for a contest presented by the Preston and Steve show during their Y-100 days. " Birdhouse in Your Soul " is a song by American alternative rock band They Might Be Giants. It was released in late 1989 through Elektra Records as the lead single from the album Flood , making the single the band's first release on a major label. "Birdhouse in Your Soul" is the band's highest-charting single in both the US and the UK, and is one of their best-known songs. Guano Apes are a German rock band formed in 1994 in Göttingen, Germany. They consist of Sandra Nasić (vocals), Henning Rümenapp, Stefan Ude and Dennis Poschwatta. A User's Guide to They Might Be Giants is a 2005 compilation album by the group They Might Be Giants. is an American drummer, singer-songwriter, composer, music producer, and educator based in New York City. After starting his career as a member of the rock bands The Silos and They Might Be Giants, he has also worked with artists such as XTC, Freedy Johnston, and Ben Folds and contributed to movie soundtracks. As of 2014 he has released three albums of royalty-free drum tracks for , and in 2012 released his debut solo project, Treat + Release. Why Does the Sun Shine? is an EP by alternative rock band They Might Be Giants, released in 1993. The EP is notable for being their first release with a full-band lineup, rather than only the two original members performing. It was also released as a single on 7" vinyl. " Doctor Worm " is a song by They Might Be Giants. It first appeared on the primarily live album Severe Tire Damage , being one of only three studio-recorded songs on the album. It was also released as a single and featured in a directed by band member John Flansburgh. Best of the Early Years is a compilation album released by They Might Be Giants on November 29, 1999. It is a truncated version of Then: The Earlier Years , including 10 of the seventy-two featured on Then . It was released at the same time as Live , which itself was a condensed version of TMBG's live album Severe Tire Damage . Don't Let's Start is a 1989 b-side and remix compilation album by the alternative rock band They Might Be Giants. It was only available in the UK and West Germany, and can be seen as the predecessor to Miscellaneous T , which includes all of the tracks from this release and an additional track, "Hello Radio". The tracks on here mostly originate as b-sides from various EPs released such as Don't Let's Start and (She Was A) Hotel Detective. The following is a comprehensive discography of They Might Be Giants , an American alternative rock band comprising several artists including John Flansburgh, John Linnell, Marty Beller, Dan Miller, and Danny Weinkauf. The band's first release was the November 4, 1986 eponymously titled They Might Be Giants , but TMBG did not gain commercial success until their March 1990 single "Birdhouse in Your Soul" from the album Flood . "Birdhouse in Your Soul" reached #3 on the United States Modern Rock Tracks chart and #6 on the UK Singles Chart and remains their highest-charting single in both countries. Over the next two decades, They Might Be Giants released studio albums on a near-biennial fashion and currently have a total of 22 studio albums along with six live albums, eight compilation albums, 21 extended plays and 11 singles. Severe Tire Damage. On their very first live album, Severe Tire Damage, intellectual rockers They Might Be Giants offer a best-of set, which contains mostly radical reworkings of fan favorites. The reason for the emergence of a live album came about when TMBG played a successful radio session for the Spin Radio Network, where the duo was joined by its touring band as well as horn players and a rhythm section. They were so impressed with the results that they almost immediately went back and picked out versions of songs that sounded totally different live when compared to the original studio versions (especially the songs "She's Actual Size" and "Why Does the Sun Shine?"). Included are the "hits" "Istanbul (Not Constantinople)" and "Particle Man," as well as the brand new track "Doctor Worm." To prove that they haven't lost their quirky edge, the album ends with seven unlisted tracks that were written on the spot, in front of their audience. Severe Tire Damage Album. Severe Tire Damage is a primarily live album by They Might Be Giants, released in 1998. It also features a few studio tracks, including a new single ("Doctor Worm"). The live cuts, some recorded at soundchecks without any audience, feature at least one track from every album since their debut, which include a few old fan favorites that have been reworked since the duo adopted a full backing band. Songs like "She's an Angel", from their debut, They Might Be Giants and "Birdhouse in Your Soul", from their major label debut, Flood, are treated to multiple guitars and a horn section. Conversely, the song "Meet James Ensor" originally appeared on their first full band effort, John Henry (1994) and surfaces here in a bare-bones rendition, with only vocals and an accordion. Besides the aforementioned lack of an audience on several tracks, some tracks have also undergone studio "retooling" - most notably, "Ana Ng," which appeared in its untampered form (with an uncropped intro and without a heavily distorted voice saying, "I don't want the world. ") on the 1994 promo-only release "Live!! New York City." more » Share your thoughts about the Severe Tire Damage album with the community: Report Comment. We're doing our best to make sure our content is useful, accurate and safe. If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly. They Might Be Giants Severe Tire Damage. Listening to a new band can be tough. You have to adjust to the style they play, the signer’s vocals, the instrumentation, and how smooth their music is. But one of the hardest decisions about getting into a band is probably picking an album, especially if the band doesn’t have a “classic” or even well known album. This was the case for me when I first started to get into They Might Be Giants. I didn’t know much about them. I didn’t know any of their albums, and I only knew one or two of their songs. After a long while of deciding, I bought “Severe Tire Damage”, hence being my first of many They Might Be Giants albums. And god did I make a good pick. “Severe Tire Damage” is a mostly live album. It visits the cosmic classics of the band, like Ana Ng, Birdhouse In Your Soul, and Particle Man. Add a few songs that were previously unreleased until this album, interesting instrumentation, a lot of experimental sounds, an accordion, a competitive song of two powerhouse bands from the 70’s, and a whole section of the album devoted to Planet Of The Apes, you’ve got Severe Tire Damage! They Might Be Giants- John Linnell- Vocals, Accordion John Flansburgh- Vocals, Guitar. They Might Be Giants History Here is a brief history of TMBG. TMBG is a duo of John’s, John Linnell and John Flansburgh. They started TMBG in 1982 in New York City. They performed gigs around ’s Underground, and soon became a fixture there. Their early concerts had been deemed “performance art”, for they used props on stage. The most famous of these props, which is still used today by the band, is a giant cut out head of William Allen White. In 1986, TMBG released their self titled debut. Their single from their self titled debut, Don’t Let’s Start, immediately became a favorite of college students across America. In 1988, TMBG released “Lincoln”. (The album was called this because the two partners in crime met in Lincoln, Massachusetts.) 1990 was the year they released what many say is their magnum opus, “Flood”. They released 5 less than successful albums in the 90’s, and have already released four more albums in the past five years. They are still around to this very day, touring on a regular basis. Severe Tire Damage Review. “Severe Tire Damage” is a witty mix of experimental pop music as well as good song structure , instrumentation and lyrically speaking. The lyrics, for instance, are wacky but fascinating none the less, even though some critique the lyrics as being “nerdy”. Linnell has a very unique voice that is one of a kind, and gives the songs a wacky bang. “Severe Tire Damage” is absolutely loaded with hooks. Many songs have a lot of catchy riffs, fills, and lines that give certain songs an edge over other weaker songs. Another aspect of TMBG is their songs. All of their songs are optimistic and upbeat, even though some songs may be in a darker key. Some of the songs have hilarious lyrics as well. Meet James Ensor is a prime example of this. “Meet James Ensor, Belgium's famous painter. Dig him up and shake his hand, appreciate the man. Before there were junk stores, before there was junk, he lived with his mother and the torments of Christ. The world was transformed, a crowd gathered round. Pressed against his window so they could be the first, to meet James Ensor. Belgium's famous painter. Raise a glass and sit and stare. Understand the man.” On “Severe Tire Damage”, there are a handful of TMBG classics. Probably the most famous TMBG songs that is on “Severe Tire Damage” is Birdhouse In Your Soul. Linnell’s vocals are what makes Birdhouse, Birdhouse. His vocals are key as they compliment the instrumentation of the song, and fit in there just right, almost as if he's the only person who could sing this song with his "nerdy" vocals. The instrumentation gives Linnell's vocals a boost. The keyboard part is probably the hook of the song as it just hangs in there for the whole song. Flansburgh’s guitar completes the song with some nasty effects. The two come together to sing the very end of the song, completing what in my opinion is the best TMBG song ever. The other classic TMBG song on “Sever Tire Damage” is Ana Ng. The vocals aren’t as good as the ones on Birdhouse, because of the fact that they happen to drag on and on for awhile, but aside from that, everything else is fine. The guitar, keyboard, and bass parts fit together perfectly, helping along Linnell's droning vocals, as well as giving the song a bolster in energy. This version of Ana Ng isn't a classic, but is as good as any other version of it. The last TMBG classic of "Severe Tire Damage" is Particle Man. Linnell's vocals are key in this song, fitting together perfectly with the instrumentation, especially the accordion. The accordion part is the hook in this song, really giving Particle Man its luster. The bass part is the accordion's side kick on this song, if you will, and completes a sharp instrumentation egde on Particle Man. Particle Man is a must listen to on "Severe Tire Damage", especially if you've never heard it before. Aside from the famous TMBG songs, you also have the wacky as hell TMBG songs. Enter the world of Doctor Worm. The song is about a worm that isn’t an actual doctor, but enjoys playing the drums. The songs instrumentation is what makes Doctor Worm. There is a wide range of instruments used, from bongos to a horn section. And of course, Linnell's vocals. What can I say? They're absolutely perfect for the song. His vocals go through all kinds of mood changes, from loud and energetic, to soft and sad, not to mention they fit in perfectly with the horn section. Linnell's vocals really make Doctor Worm one of the classic TMBG songs. Have you ever heard a song about two bands battling for their place in rock and roll? If you haven’t, this is the place to go if you want to here a song that fits the above example! XTC vs. Adam Ant is one of the most hilarious TMBG songs off “Severe Tire Damage” the lyrics are wacky, pointing out that XTC and Adam Ant are “fighting for their place in rock and roll”, and “only one will survive”. And then, there is the just plain weird Spider. It’s 54 seconds of TMBG at there wackiest, but best at the same time. Spider is a great of example of how weird but loveable TMBG can be. And then, there are the just plain fun tracks. The Sun is a Mass Of Incandescent Gas falls perfectly into this category. This is one of the very few covers we see TMBG do, as this was written in the late 1950's. The lyrics are fun and smart, Flansburgh sings them to the fullest, while the instrumentation part is flawless. The Sun is one of the funnest, most upbeat song on "Severe Tire Damage" (well, not really) Till My Held Falls Off is another fun song. It’s upbeat, hilarious and cosmic, what more can you ask for? The lyrics don’t make sense, which gives the song a cunning edge that makes it funny. The guitar and bass create a great mix for Linnell's vocals, thus making another great track off "Severe Tire Damage". “Severe Tire Damage” is one of the most interesting live albums ever, factually speaking. Aside form this being a combination of both live and studio songs, one of the songs on “Sever Tire Damage”, Meet James Endsor, was recorded in a hotel room. There are hidden tracks on the album that are based of the movie “Planet of The Apes”, and there is a long pause between the end of About Me, and the beginning of Planet of The Apes. “Severe Tire Damage” may seem perfect, but does have its flaws. The main thing is filler songs. Most of the songs on here fit well, but there are one of two filler songs that come to my mind, the main one being About Me. The song is short and pointless, and has a very long pause, possibly just taking room up for the album. Another filler part of the album is the Planet of The Apes portion of the album. I think it’s cool how they did a Planet of the Apes part during the show, but it seems like it’s there two take up space on the album. Aside from filler songs “Severe Tire Damage” is flawless. “Severe Tire Damage” has got to be one of the best TMBG albums ever. It’s a very clever and unique TMBG album, especially because parts are from studio, while most parts are from concerts. The songs are fun. The musicianship is good. There’s nothing much too really complain about except some filler songs. If you want to start listening to They Might Be Giants, start here. This has got a few of the classics, as well as a lot of other great songs that are just fun to listen to. Recommended Tracks Doctor Worm The Sun Is A Mass Of Incandescent Gas Birdhouse In Your Soul XTC vs. Adam Ant Istanbul (Not Constantinople) Ana Ng Particle Man Meet James Endsor Till My Head Falls Off. Severe Tire Damage. Severe Tire Damage is They Might Be Giants' first commercially-released live album, and their second release on the Restless label after departing from Elektra. Purchase [ edit ] Description [ edit ] Out of the 24 tracks on the album, 21 are live tracks, taken from various recordings. The versions of "Ana Ng", "Birdhouse In Your Soul" and "She's An Angel" on this album were previously featured on Live!! New York City 10/14/94 , although there are small mixing and editing differences, including an overdubbed bridge in "Ana Ng". Also contained on the album were a series of live songs centered around The Planet Of The Apes . The tracks were taken from fan-submitted bootlegs of the shows they were played at, as the band hadn't originally planned to immortalize the improvised songs. These tracks were originally "hidden tracks", as the back of the CD doesn't list them and they play after 2:20 minutes of silence at the end of the track "About Me". Although ostensibly a live album, it contains 3 studio tracks: "Doctor Worm", "Severe Tire Damage Theme", and "About Me". "Doctor Worm" was released as a single in the UK and also saw a promotional release in the United States. Although it was never released as a true single in the US, it remains a fan favorite, and is one of TMBG's most played songs in live shows. The album debuted on the Billboard 200 albums chart the week of August 29, 1998, and spent one week on the chart, peaking at number 186. A stripped-down version, simply titled Live , was released in 1999. It features only 10 of this album's 24 tracks.