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2006 Thelma Todd Celebration
Slapstick Magazine Presents 2006 Thelma Todd Celebration July 27 - July 30 Manchester, New Hampshire Join us as we celebrate the centenary of Thelma Todd, the Merrimack Valley’s queen of comedy Film Program As we draw nearer to the event, additional titles are likely to become available. Accordingly, the roster below may see some minor changes. There is ample free parking at UNH. THURSDAY, July 27th Fay Tincher - Ethel’s Roof Party UNH Hall, Commercial Street, Manchester Mabel Normand - A Muddy Romance (All titles in 16mm except where noted) Alice Howell - One Wet Night Wanda Wiley - Flying Wheels AM Edna Marian - Uncle Tom’s Gal 9:00 Morning Cartoon Hour 1 Gale Henry - Soup to Nuts Rare silent/sound cartoons Mary Ann Jackson - Smith’s Candy Shop 10:00 Charley Chase Silents (fragment) What Women Did for Me Anita Garvin/Marion Byron - A Pair of Tights Hello Baby ZaSu Pitts/Thelma Todd - One Track Minds Mama Behave (also features Spanky McFarland) A Ten Minute Egg 11:00 Larry Semon Shorts 9:30 Shaskeen Irish Pub, 909 Elm Street (directly across Titles TBA till from City Hall) 12:00 LUNCH (1 hour) close Silent and sound shorts featuring: Laurel and Hardy PM W.C. Fields 1:00 ZaSu Pitts - Thelma Todd Shorts Buster Keaton The Pajama Party The Three Stooges Seal Skins Asleep in the Feet 2:00 Snub Pollard and Jimmy Parrott FRIDAY, July 28th Sold at Auction (Pollard) UNH Hall, Commercial Street, Manchester Fully Insured (Pollard) (All titles in 16mm except where noted) Pardon Me (Pollard) AM Between Meals (Parrott) 9:00 Morning Cartoon Hour 2 -
Moma More Cruel and Unusual Comedy Social Commentary in The
MoMA Presents: More Cruel and Unusual Comedy: Social Commentary in the American Slapstick Film Part 2 October 6-14, 2010 Silent-era slapstick highlighted social, cultural, and aesthetic themes that continue to be central concerns around the world today; issues of race, gender, propriety, and economics have traditionally been among the most vital sources for rude comedy. Drawing on the Museum’s holdings of silent comedy, acquired largely in the 1970s and 1980s by former curator Eileen Bowser, Cruel and Unusual Comedy presents an otherwise little-seen body of work to contemporary audiences from an engaging perspective. The series, which first appeared in May 2009, continues with films that take aim at issues of sexual identity, substance abuse, health care, homelessness and economic disparity, and Surrealism. On October 8 at 8PM, Ms Bowser will address the connection between silent comedy and the international film archive movement, when she introduces a program of shorts that take physical comedy to extremes of dream-like invention and destruction. Audiences today will find the vulgar zest and anarchic spirit of silent slapstick has much in common with contemporary entertainment such as Cartoon Network's Adult Swim, MTV's Jackass and the current Jackass 3-D feature. A majority of the films in the series are archival rarities, often the only known surviving version, and feature lesser- remembered performers on the order of Al St. John, Lloyd Hamilton, Fay Tincher, Hank Mann, Lupino Lane, and even one, Diana Serra Cary (a.k.a. Baby Peggy), who, at 91, is the oldest living silent film star still active. -
MARJORIE BEEBE—Ian
#10 silent comedy, slapstick, music hall. CONTENTS 3 DVD news 4Lost STAN LAUREL footage resurfaces 5 Comedy classes with Britain’s greatest screen co- median, WILL HAY 15 Sennett’s comedienne MARJORIE BEEBE—Ian 19 Did STAN LAUREL & LUPINO LANE almost form a team? 20 Revelations and rarities : LAUREL & HARDY, RAYMOND GRIFFITH, WALTER FORDE & more make appearances at Kennington Bioscope’s SILENT LAUGHTER SATURDAY 25The final part of our examination of CHARLEY CHASE’s career with a look at his films from 1934-40 31 SCREENING NOTES/DVD reviews: Exploring British Comedies of the 1930s . MORE ‘ACCIDENTALLY CRITERION PRESERVED’ GEMS COLLECTION MAKES UK DEBUT Ben Model’s Undercrank productions continues to be a wonderful source of rare silent comedies. Ben has two new DVDs, one out now and another due WITH HAROLD for Autumn release. ‘FOUND AT MOSTLY LOST’, presents a selection of pre- LLOYD viously lost films identified at the ‘Mostly Lost’ event at the Library of Con- gress. Amongst the most interesting are Snub Pollard’s ‘15 MINUTES’ , The celebrated Criterion Collec- George Ovey in ‘JERRY’S PERFECT DAY’, Jimmie Adams in ‘GRIEF’, Monty tion BluRays have begun being Banks in ‘IN AND OUT’ and Hank Mann in ‘THE NICKEL SNATCHER’/ ‘FOUND released in the UK, starting AT MOSTLY LOST is available now; more information is at with Harold Lloyd’s ‘SPEEDY’. www.undercrankproductions.com Extra features include a com- mentary, plus documentaries The 4th volume of the ‘ACCIDENTALLY PRESERVED’ series, showcasing on Lloyd’s making of the film ‘orphaned’ films, many of which only survive in a single print, is due soon. -
“From the Archives of Keystone Memory”
5 “From the Archives of Keystone Memory” Slapstick and Re-membrance at Columbia Pictures’ Short-Subjects Department The mood of retrospect seems indeed the soundest of possible instincts, fulfilling a purpose against which almost every large force in the country seemed to war upon, that to take root. Constance Rourke, American Humor (1931) If anybody else says it’s like old times, I’ll jump out the window. Buster Keaton, in Limelight (1952) If one asks the naïve question “When was American film comedy’s golden age?” one encounters the paradox that there has only ever seemed to be one answer: the silent era, specifically sometime between the ascent of Chaplin in the mid- 1910s and the coming of sound. Often cited, James Agee’s eloquent 1949 Life essay, “Comedy’s Greatest Era,” is a turning point in this regard, a nostalgic paean that, once and for all, elevated silent comedy as a symbol of the past glories of popular culture. “Anyone who has watched screen comedy over the past ten or fifteen years is bound to realize that it has quietly but steadily deteriorated. As for those happy atavists who remember silent comedy in its heyday and the bellylaughs and boffos that went with it, they have something close to an absolute standard by which to measure the deterioration.”1 It is a remarkable rewriting of slapstick comedy. Agee’s essay was crucial in establishing Chaplin, Keaton, Lloyd, and Langdon as a kind of Mount Rushmore of comic achievement—the “four most eminent masters”— and it did so, we have seen, by appreciating slapstick in formal terms as an art of pantomime (see the introduction). -
Vaudeville Extravaganza! Live! 5 - Big Acts -5
ET KLE N IN JA Sept. 15, 8 pm, Alex Film Society presents VAUDEVILLE EXTRAVAGANZA! LIVE! 5 - BIG ACTS -5 a n d h s er oy Parlor B THE NIGHT BLOOMING JAZZMEN NOSTALGIC MUSIC REID & FAVERSHAM FARRAH SIEGEL COMEDY THRILLS RUSTY & ERIC GRIFF BUSS SWELLS FOOLOLOGY PLUS, On The Big Screen! Laurel & Hardy in THE MUSIC BOX (1932) The Three Stooges® in AN ACHE IN EVERY STAKE (1941) Alex Film Society presents the 8th annual VAUDEVILLE EXTRAVAGANZA! September 15, 2007, 8 pm. Alex Theatre, Glendale ach year, in the spirit of Vaudeville, and to THE MUSIC BOX honor the early history of the Alex Theatre, Black & White – 30 minutes – 1932 Ewe include a film portion as part of our Hal Roach Studios Inc. program. For our 8th annual event, we feature two shorts by the most enduring comedy teams in film Stan Laurel ................... Stanley history: Laurel and Hardy and The Three Stooges®. Oliver Hardy ................. Oliver Billy Gilbert .................. Prof. von Schwarzenhoffen* These films have a common theme as well, using a William Gillespie ........... Piano salesman* huge flight of stairs as an obstacle for our heroes. Charlie Hall .................. Postman* Stan and Ollie’s 1932 short, The Music Box, is Hazel Howell ................ Mrs. von Schwarzenhoffen* actually a remake of “Hats Off” a lost silent they did Lilyan Irene .................. Nursemaid* in 1927. Here the boys have to move a piano up a Sam Lufkin................... Policeman* huge flight of stairs (in the original it was a washing machine). Nearly ten years later, in An Ache in Directed by .................. James Parrott Every Stake, Larry, Moe and Curly seem to have Produced by ................ -
Best Picture of the Yeari Best. Rice of the Ear
SUMMER 1984 SUP~LEMENT I WORLD'S GREATEST SELECTION OF THINGS TO SHOW Best picture of the yeari Best. rice of the ear. TERMS OF ENDEARMENT (1983) SHIRLEY MacLAINE, DEBRA WINGER Story of a mother and daughter and their evolving relationship. Winner of 5 Academy Awards! 30B-837650-Beta 30H-837650-VHS .............. $39.95 JUNE CATALOG SPECIAL! Buy any 3 videocassette non-sale titles on the same order with "Terms" and pay ONLY $30 for "Terms". Limit 1 per family. OFFER EXPIRES JUNE 30, 1984. Blackhawk&;, SUMMER 1984 Vol. 374 © 1984 Blackhawk Films, Inc., One Old Eagle Brewery, Davenport, Iowa 52802 Regular Prices good thru June 30, 1984 VIDEOCASSETTE Kew ReleMe WORLDS GREATEST SHE Cl ION Of THINGS TO SHOW TUMBLEWEEDS ( 1925) WILLIAMS. HART William S. Hart came to the movies in 1914 from a long line of theatrical ex perience, mostly Shakespearean and while to many he is the strong, silent Western hero of film he is also the peer of John Ford as a major force in shaping and developing this genre we enjoy, the Western. In 1889 in what is to become Oklahoma Territory the Cherokee Strip is just a graz ing area owned by Indians and worked day and night be the itinerant cowboys called 'tumbleweeds'. Alas, it is the end of the old West as the homesteaders are moving in . Hart becomes involved with a homesteader's daughter and her evil brother who has a scheme to jump the line as "sooners". The scenes of the gigantic land rush is one of the most noted action sequences in film history. -
Introduction Keyword: Hokum
Introduction Keyword: Hokum The word “hokum” is one of several examples of stage slang whose meaning, at a certain point in the 1920s, was much debated. According to a 1926 article in American Speech, it was the “most discussed word in the entire vernacular” of popular entertainment (another was “jazz”).1 The term seems to have origins in the late nineteenth century, perhaps deriving from “oakum” (material used to calk the seams of a ship; by extension, “sure-fire” gags and other material used to secure the success of a stage act) or, alternatively, as a combination of “hocus-pocus” (sleight-of-hand, trickery) and “bunkum” (nonsense). Still, those origins are sufficiently questionable that novelist Edna Ferber, in her 1929 Cimarron, could claim that the term was of exclusively twentieth-century deri- vation. (“The slang words hokum and bunk were not then [1898] in use.”)2 The ambiguous sources of “hokum” also correspond to a split in its development, which, by the 1920s, had seen the sense of “sure-fire” shift in the more dis- paraging direction indicated by “bunkum.” Writing in 1928, a reporter for the New York Times expressed incredulity that a term once describing material that “ ‘get[s] over’ . with an audience” was now synonymous with “hooey, tripe, apple-sauce, blah and bologna.”3 The word seems to have something to do with comedy, although this is not invariable. An article in the Times of 1923 indicated a possible melodramatic refer- ence as well, describing hokum as “old and sure-fire comedy. Also tear-inducing situations,” which suggests hokum’s applicability to anything that traded in strong or obvious effects, whether of comedy or of sentiment.4 “Hokum is not always com- edy; sometimes it borders on pathos” echoed the essay in American Speech.5 Still, the reference to comedy, specifically of the knockabout, slapstick variety, was primary. -
Send in the Clones
Send in the Clones Chaplin Imitators from Stage to Screen, from Circus to Cartoon Ulrich Ruedel The Chaplin craze of the teens is often cited as one of the main indicators of the unprecedented popularity of Chaplin's little tramp. Chaplin imitators, cartoons, songs were abound. While Chaplin may indeed qualify as the most imitated character in film history, this "sincerest form of flattery" was not limited to him. Indeed, one of the historically most remarkable Chaplin imitations, that of former Chaplin understudy Stan Laurel, was part of a Keystone Trio stage act, which also included likenesses of Mabel Normand and Chester Conklin. Nor does the phenomenon of comic clones end there. Throughout film history, we find carbon copies of then- popular film clowns, sometimes unidentified today, often though probably quite justly forgotten.1 1 The Museum of Modern Art, for example, holds footage of an unidentified Snub Pollard imitator; imitations of Harold Lloyd's glasses character have been reported, and Wolfram Tichy's 1979 Harold Lloyd bioography presents an unidentified photo of what might have been such an imitator. Europe had their own, unique comedy success in the 20s and 30s, in the Danish comedy tramp duo of Fy og Bi / Long and Short / Pat & Patachon, and this author's research into this team (easily rivaling in popularity Chaplin, Keaton and Lloyd in countries like Germany and Russia) has so far confirmed at east four imitators, or "parodists," asppearing well into the 1950s. The Three Stooges are unique in this regard as their likenesses can claim a certain degree of legitimacy, either having gone through the same school as the original trio, Stooge inventor Ted Healy's act, that is, or in a couple instances even having the privilege of featuring former original Stooges. -
RUDOLPH VALENTINO January 1971
-,- -- - OF THE SON SHEIK . --· -- December 1970 -.. , (1926) starring • January 1971 RUDOLPH VALENTINO ... r w ith Vilma Banky, Agnes Ayres, George Fawcett, Kar l Dane • .. • • i 1--...- \1 0 -/1/, , <;1,,,,,/ u/ ~m 11, .. 12/IOJ,1/, 2/11.<. $41 !!X 'ifjl!/1/. , .....- ,,,1.-1' 1 .' ,, ,t / /11 , , . ... S',7.98 ,,20 /1/ ,. Jl',1,11. Ir 111, 2400-_t,' (, 7 //,s • $/1,!!.!!8 "World's .. , . largest selection of things to show" THE ~ EASTIN-PHELAN p, "" CORPORATION I ... .. See paee 7 for territ orial li m1la· 1;on·son Hal Roach Productions. DAVE PORT IOWA 52808 • £ CHAZY HOUSE (,_l928l_, SPOOK Sl'OO.FI:'\G <192 i ) Jean ( n ghf side of the t r acks) ,nvites t he Farina, Joe, Wheeze, and 1! 1 the Gang have a "Gang•: ( wrong side of the tr ack•) l o a party comedy here that 1\ ,deal for HallOWK'n being at her house. 6VI the Gang d~sn't know that a story of gr aveyard~ - c. nd a thriller-diller Papa has f tx cd the house for an April Fool's for all t ·me!t ~ Day party for his fr i ends. S 2~• ~·ar da,c 8rr,-- version, 400 -f eet on 2 • 810 303, Standord Smmt yers or J OO feet ? O 2 , v ozs • Reuulart, s11.9e, Sale reels, 14 ozs, Regularly S1 2 98 , Sale Pnce Sl0.99 , 6o 0 '11 Super 8 vrrs•OQ, dSO -fect,, 2-lb~ .• S l0.99 Regu a rly SlJ 98. Sale Pn ce I Sl2.99 425 -fect I :, Regularly" ~ - t S12 99 400lc0 t on 8 o 289 Standard 8mm ver<lon SO r Sate r eels lJ o,s-. -
Noel Drewe Collection Film 178D5
Noel Drewe Collection Film 178D5 178D5.1 Outlook Very Black 9.5mm, Safety Film, Pathescope Noel Drewe Brittle Noel Drewe Collection 178D5.2 Monkeyland 9.5mm Noel Drewe Brittle, perforation damage Noel Drewe Collection 178D5.3 Fun at the Circus 9.5mm, Pathescope Noel Drewe , Circusama, Yesterday Circus Today Circus Noel Drewe Collection 178D5.4 At the Circus 9.5mm, Pathescope Noel Drewe, Circusama, Yesterday Circus Today Circus 2 Reels. Sound. Featuring "Circus Karo". Includes trapeze, whip act and 'sea lions'. Original sound commentary by Geoffrey Sumner. Supplied by C. W. Cramp Noel Drewe Collection 178D5.5 A Man-Sized Pet 9.5mm, Pathescope Noel Drewe, Circusama, Yesterday Circus Today Supplied by C. W. Cramp Noel Drewe Collection 178D5.6 A Fresh Start 300 feet 12 mins 9.5mm, Pathescope Noel Drewe, Circusama, Yesterday Circus Today Brittle, box rust transfer Adams, Jimmy Noel Drewe Collection 178D5.7 Circus at the Zoo 300 feet 12 mins 9.5mm, Pathescope Noel Drewe, Circusama, Yesterday Circus Today Brittle Circus USA Silent. Includes chimps Noel Drewe Collection 178D5.8 Circus Comes to Town 400 feet Harris, Ron 16 mins 9.5mm, Pathescope Noel Drewe, Circusama, Yesterday Circus Today Circus Silent. Features Belle Vue circus On box ‘This film purchased from Ilkeston Cine Service Supplied by C. W. Cramp Noel Drewe Collection 178D5.9 Circus Stedman of Leeds Holdings of Blackburn Ltd Cine and photographic Suppliers 9.5mm, Pathescope Noel Drewe, Circusama, Yesterday Circus Today Circus Bertram Mills Silent. Includes King George VI and Queen Elizabeth’s coronation, so the circus must be 1936/37. -
MY REINCARNATION STORY HERE WE GO AGAIN This Is the One
MY REINCARNATION STORY HERE WE GO AGAIN This is the one section of the website I've been avoiding...the part where I have to get personal, which is difficult for me (as it was for Harry), especially while being fully aware that this website is being viewed by the public. However, I have a hunch I signed up for this thing before I was born although I don't remember. It was easy to present my evidence on the other website pages, but to open up and share the rest of the story is proving to be the most challenging. This is the part of my story that's a bit harder for others to swallow because it has a lot to do with my internal experiences, plus a lot of synchronicities and coincidences that lead up to my past life discovery. Unlike the evidence I presented, I can't really substantiate what I was experiencing inside of my mind over the years, nor can I really prove that I was being guided my whole life (and still am even as I type this). You'll just have to believe me and trust that there are NO coincidences, that everything happens for a reason. I have to start with something I really don't like to talk about. Since my late teens, I've been aware of a “voice” in my mind. Hard to describe because it's not really an audible human voice, but more like a part of my mind that receives visual and audible messages independent of my own thoughts and imagination. -
B~~ the Movies Come to Hopewell
IRVING B~~ ~ I 3 HOURS FOR A NICl{EL --~v=---~-~ BERUN•SNYDfR i i MUSIC PUBLISHERS :4NI> TIIEAT~E IIV/LOINC 8 th \AO\';,\l .,, H !"!S1'. N Y~ -,,.___ . ....- Vie Hopewell Centennial wishes to thank Trap Rock Industries, Inc., for sponsoring t/ais evening's entertainment, The Movies Come to Hopewell and Historic Hopewell House April 26, 1991, Hopewell Borough Hall for their generous contribution. Program A Pair of Tights 1928 / 2 reels Edgar Kennedy, Stu Erwin, Anita Garvin, and Marion Byron Director: Hal Yates, Hal Roach Comedies/ MGM . Kennedy and Irwin get involved with some unwilling dates, and their afternoon is capped off with an attempted visit to an ice cream parlor. Kennedy's famed "slow bum" is much in evidence here, and watch for one of silent film's classic "looks" when a pompous middle-aged woman inadvertently sits on a carelessly placed ice aeamcone. The Cure 1917 / 2 reels Charlie Chaplin, Edna Purviance, Henry Bergman, Albert Austin Director: Oiarles Chaplin. Mutual C-omedies Welcome Chaplin chccb in at a health spa in a half-hearted attempt to "dry out", but is resistant to talting their "water cure." Things liven up when the trunkload of liquor he's smuggled in is discovered by the In honor ofHopewell's history as the area's employees. This lesser known Olaplin short has numerous amusing entertainment mecca in the early 1900's, the bits, including a memorable encounter with the spa's masseur. Hopewell Centennial is pleased to present "The Movies Come to Hopewel~ "an evening of silent film comedies compiled by Hopewell resident and film aficionado, Tom Reeder.