Days of My Years Sir Melville Macnaghten
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Martin Fido 1939–2019
May 2019 No. 164 MARTIN FIDO 1939–2019 DAVID BARRAT • MICHAEL HAWLEY • DAVID pinto STEPHEN SENISE • jan bondeson • SPOTLIGHT ON RIPPERCAST NINA & howard brown • THE BIG QUESTION victorian fiction • the latest book reviews Ripperologist 118 January 2011 1 Ripperologist 164 May 2019 EDITORIAL Adam Wood SECRETS OF THE QUEEN’S BENCH David Barrat DEAR BLUCHER: THE DIARY OF JACK THE RIPPER David Pinto TUMBLETY’S SECRET Michael Hawley THE FOURTH SIGNATURE Stephen Senise THE BIG QUESTION: Is there some undiscovered document which contains convincing evidence of the Ripper’s identity? Spotlight on Rippercast THE POLICE, THE JEWS AND JACK THE RIPPER THE PRESERVER OF THE METROPOLIS Nina and Howard Brown BRITAIN’S MOST ANCIENT MURDER HOUSE Jan Bondeson VICTORIAN FICTION: NO LIVING VOICE by THOMAS STREET MILLINGTON Eduardo Zinna BOOK REVIEWS Paul Begg and David Green Ripperologist magazine is published by Mango Books (www.MangoBooks.co.uk). The views, conclusions and opinions expressed in signed articles, essays, letters and other items published in Ripperologist Ripperologist, its editors or the publisher. The views, conclusions and opinions expressed in unsigned articles, essays, news reports, reviews and other items published in Ripperologist are the responsibility of Ripperologist and its editorial team, but are those of the authors and do not necessarily reflect the views, conclusions and opinions of doWe not occasionally necessarily use reflect material the weopinions believe of has the been publisher. placed in the public domain. It is not always possible to identify and contact the copyright holder; if you claim ownership of something we have published we will be pleased to make a proper acknowledgement. -
The Welshman Who Knew Mary Kelly
February/March 2018 No. 160 PAUL WILLIAMS on The Welshman Who Knew Mary Kelly STEPHEN SENISE JAN BONDESON HEATHER TWEED NINA and HOW BROWN VICTORIAN FICTION THE LATEST BOOK REVIEWS Ripperologist 118 January 2011 1 Ripperologist 160 February / March 2018 EDITORIAL: CHANGING FASTER NOT BETTER? Adam Wood THE WELSHMAN WHO KNEW MARY KELLY Paul Williams GEORGE WILLIAM TOPPING HUTCHINSON: ‘TOPPY’ Stephen Senise FROM RIPPER SUSPECT TO HYPERPEDESTRIAN: THE STRANGE CAREER OF BERESFORD GREATHEAD Jan Bondeson LULU - THE EIGHTH WONDER OF THE WORLD Heather Tweed WOMAN’S WORK: AN ALTERNATIVE METHOD OF CAPTURING THE WHITECHAPEL MURDERER PART TWO Nina and Howard Brown VICTORIAN FICTION: THE WITHERED ARM By THOMAS HARDY Eduardo Zinna BOOK REVIEWS Paul Begg and David Green Ripperologist magazine is published by Mango Books (www.mangobooks.co.uk). The views, conclusions and opinions expressed in signed articles, essays, letters and other items published in Ripperologist Ripperologist, its editors or the publisher. The views, conclusions and opinions expressed in unsigned articles, essays, news reports, reviews and other items published in Ripperologist are the responsibility of Ripperologist and its editorial team, but are those of the authors and do not necessarily reflect the views, conclusions and opinions of doWe not occasionally necessarily use reflect material the weopinions believe of has the been publisher. placed in the public domain. It is not always possible to identify and contact the copyright holder; if you claim ownership of something we have published we will be pleased to make a proper acknowledgement. The contents of Ripperologist No. 160, February / March 2018, including the compilation of all materials and the unsigned articles, essays, news reports, reviews and other items are copyright © 2018 Ripperologist/Mango Books. -
INTRODUCTION Xl Othello a 'Black Devil' and Desdemona's 'Most Filthy
INTRODUCTION xl Othello a 'black devil' and Desdemona's 'most filthy bargain' ^ we cannot doubt that she speaks the mind of many an Englishwoman in the seventeenth-century audience. If anyone imagines that England at that date was unconscious of the 'colour-bar' they cannot have read Othello with any care? And only those who have not read the play at all could suppose that Shake speare shared the prejudice, inasmuch as Othello is his noblest soldier and he obviously exerted himself to represent him as a spirit of the rarest quality. How significant too is the entry he gives him! After listening for 180 lines of the opening scene to the obscene suggestions of Roderigo and lago and the cries of the outraged Brabantio we find ourselves in the presence of one, not only rich in honours won in the service of Venice, and fetching his 'life and being from men of royal siege',3 but personally a prince among men. Before such dignity, self-possession and serene sense of power, racial prejudice dwindles to a petty stupidity; and when Othello has told the lovely story of his courtshipj and Desdemona has in the Duke's Council- chamber, simply and without a moment's hesitation, preferred her black husband to her white father, we have to admit that the union of these two grand persons, * 5. 2.134, 160. The Devil, now for some reason become red, was black in the medieval and post-medievcil world. Thus 'Moors' had 'the complexion of a devil' {Merchant of Venice, i. 2. -
The Ithacan, 1997-09-18
Ithaca College Digital Commons @ IC The thI acan, 1997-98 The thI acan: 1990/91 to 1999/2000 9-18-1997 The thI acan, 1997-09-18 Ithaca College Follow this and additional works at: http://digitalcommons.ithaca.edu/ithacan_1997-98 Recommended Citation Ithaca College, "The thI acan, 1997-09-18" (1997). The Ithacan, 1997-98. 4. http://digitalcommons.ithaca.edu/ithacan_1997-98/4 This Newspaper is brought to you for free and open access by the The thI acan: 1990/91 to 1999/2000 at Digital Commons @ IC. It has been accepted for inclusion in The thI acan, 1997-98 by an authorized administrator of Digital Commons @ IC. Op1n1on Accenr SpoRTS Inoex Accent ....................... 13 Privacy Invasion Different Beat No"O" Classified ................... 2:3 Shower voyeurs Rave descends on Opening blues for Comics. .... ....... 24 should recognize 10 Ithaca Bomber football Opinion .................. 10 impacts of spying 13 27 Sports ....................... 25 The IT The Newspaper for the Ithaca College Community VOLUME 65, NUMBER 4 THURSDAY, SEPTEMBER 18, 1997 32 PAGl:S, FRI:!: Student suspended on campu~ ground~ urllil 1he ~,1u Scott Ernst no longer at College; at1on wa~ re~olvcd. ··1 am not hil ler or re\cntl ul tov. artb ,111yom: 111 football player to return home the ,y,tem," K1111 ,a1tl. ""The) Court on Wedne~day night and coulJ ha\e handkJ 11 a better By Adam B. Ellick pleaded guilty to two v1olat1011~· way, a lairn way I never h,1d lhL· Ithacan Staff hara~~mcnt and di~ordcrly con chance lo confront our ,tccuwr, ·· Scott Ernst '98 is no longer a duct. -
Paper 1: Historic Environment Whitechapel, C1870 – C1900: Crime
Paper 1: Historic environment Whitechapel, c1870 – c1900: Crime, policing and the inner city Name: Teacher: Form: Sources Questions 1 and 2 of Paper 1 will focus on your ability to use source materials with questions 2 (a) and 2 (b) asking specifically about the utility and usefulness of source materials. When handling a source you must consider the following: Content – Nature – Origins – Purpose – Then once you’ve considered all of those things you must do a CAT test! The CAT (or the Pandora test) Is it Comprehensive? Is it Accurate? Is it Typical? When you give a CAT test score the score is out of nine because…. Types of source You will handle sources which tell you lots of different things but the types of sources have lots of commonalities, think about the strengths and weaknesses for each source type. Source Strengths Weaknesses National newspaper Police records Surveys Cartoons Local newspapers Government records Census records Photographs Crime statistics Diaries Individuals reports e.g. Charles Booth Maps Which type of source would be the most useful when looking into people’s opinions? Following up sources Not only will you be asked to consider the value of a source but you will also be asked to think about how an historian would use a source. How does an historian know What questions do historians ask? they’re right? What types of sources do Why would a CAT be useful to historians use? an historian? What does an historian always know? What makes a source useful? Sort the words into the bags, which relate to a source that is useful or limited? When is a source is limited does it mean you can’t use it? What was Whitechapel like? Whitechapel is an area of London’s East End, just outside the City of London. -
THE LIBRARY MAGAZINE of SELECT FOREIGN LITERATURE VOLUME 1 by Various
THE LIBRARY MAGAZINE OF SELECT FOREIGN LITERATURE VOLUME 1 By Various THE LIBRARY MAGAZINE JANUARY, 1879. THE FUTURE OF INDIA. Speculation as to the political future is not a very fruitful occupation. In looking back to the prognostications of the wisest statesmen, it will be observed that they were as little able to foresee what was to come a generation or two after their death, as the merest dolt amongst their contemporaries. The Whigs at the beginning of the last century thought that the liberties of Europe would disappear if a prince of the House of Bourbon were securely fixed on the throne of Spain. The Tories in the last quarter of that century considered that if England lost her American provinces she would sink into the impotence of the Dutch Republic. The statesmen who assembled at the Congress of Vienna would have laughed any dreamer to scorn who should have suggested that in the lifetime of many of them Germany would become an empire in the hands of Prussia, France a well-organized and orderly republic, and the "geographical expression" of Italy vitalised into one of the great powers of Europe. Nevertheless, if politics is ever to approach the dignity of a science, it must justify a scientific character by its ability to predict events. The facts are too complicated, probably, ever to admit the application of exact deductive reasoning; and in the growth of civilised society new and unexpected forms are continually springing up. But though practical statesmen will not aim at results beyond the immediate future, it is impossible for men who pass their lives in the study of the difficult task of government to avoid speculations as to the future form of society to which national efforts should be directed. -
The Final Solution (1976)
When? ‘The Autumn of Terror’ 1888, 31st August- 9th November 1888. The year after Queen Victoria’s Golden jubilee. Where? Whitechapel in the East End of London. Slum environment. Crimes? The violent murder and mutilation of women. Modus operandi? Slits throats of victims with a bladed weapon; abdominal and genital mutilations; organs removed. Victims? 5 canonical victims: Mary Ann Nichols; Annie Chapman; Elizabeth Stride; Catherine Eddowes; Mary Jane Kelly. All were prostitutes. Other potential victims include: Emma Smith; Martha Tabram. Perpetrator? Unknown Investigators? Chief Inspector Donald Sutherland Swanson; Inspector Frederick George Abberline; Inspector Joseph Chandler; Inspector Edmund Reid; Inspector Walter Beck. Metropolitan Police Commissioner Sir Charles Warren. Commissioner of the City of London Police, Sir James Fraser. Assistant Commissioner of the Metropolitan CID, Sir Robert Anderson. Victim number 5: Victim number 2: Mary Jane Kelly Annie Chapman Aged 25 Aged 47 Murdered: 9th November 1888 Murdered: 8th September 1888 Throat slit. Breasts cut off. Heart, uterus, kidney, Throat cut. Intestines severed and arranged over right shoulder. Removal liver, intestines, spleen and breast removed. of stomach, uterus, upper part of vagina, large portion of the bladder. Victim number 1: Missing portion of Mary Ann Nicholls Catherine Eddowes’ Aged 43 apron found plus the Murdered: 31st August 1888 chalk message on the Throat cut. Mutilation of the wall: ‘The Jews/Juwes abdomen. No organs removed. are the men that will not be blamed for nothing.’ Victim number 4: Victim number 3: Catherine Eddowes Elizabeth Stride Aged 46 Aged 44 th Murdered: 30th September 1888 Murdered: 30 September 1888 Throat cut. Intestines draped Throat cut. -
Order Form Full
JAZZ ARTIST TITLE LABEL RETAIL ADDERLEY, CANNONBALL SOMETHIN' ELSE BLUE NOTE RM112.00 ARMSTRONG, LOUIS LOUIS ARMSTRONG PLAYS W.C. HANDY PURE PLEASURE RM188.00 ARMSTRONG, LOUIS & DUKE ELLINGTON THE GREAT REUNION (180 GR) PARLOPHONE RM124.00 AYLER, ALBERT LIVE IN FRANCE JULY 25, 1970 B13 RM136.00 BAKER, CHET DAYBREAK (180 GR) STEEPLECHASE RM139.00 BAKER, CHET IT COULD HAPPEN TO YOU RIVERSIDE RM119.00 BAKER, CHET SINGS & STRINGS VINYL PASSION RM146.00 BAKER, CHET THE LYRICAL TRUMPET OF CHET JAZZ WAX RM134.00 BAKER, CHET WITH STRINGS (180 GR) MUSIC ON VINYL RM155.00 BERRY, OVERTON T.O.B.E. + LIVE AT THE DOUBLET LIGHT 1/T ATTIC RM124.00 BIG BAD VOODOO DADDY BIG BAD VOODOO DADDY (PURPLE VINYL) LONESTAR RECORDS RM115.00 BLAKEY, ART 3 BLIND MICE UNITED ARTISTS RM95.00 BROETZMANN, PETER FULL BLAST JAZZWERKSTATT RM95.00 BRUBECK, DAVE THE ESSENTIAL DAVE BRUBECK COLUMBIA RM146.00 BRUBECK, DAVE - OCTET DAVE BRUBECK OCTET FANTASY RM119.00 BRUBECK, DAVE - QUARTET BRUBECK TIME DOXY RM125.00 BRUUT! MAD PACK (180 GR WHITE) MUSIC ON VINYL RM149.00 BUCKSHOT LEFONQUE MUSIC EVOLUTION MUSIC ON VINYL RM147.00 BURRELL, KENNY MIDNIGHT BLUE (MONO) (200 GR) CLASSIC RECORDS RM147.00 BURRELL, KENNY WEAVER OF DREAMS (180 GR) WAX TIME RM138.00 BYRD, DONALD BLACK BYRD BLUE NOTE RM112.00 CHERRY, DON MU (FIRST PART) (180 GR) BYG ACTUEL RM95.00 CLAYTON, BUCK HOW HI THE FI PURE PLEASURE RM188.00 COLE, NAT KING PENTHOUSE SERENADE PURE PLEASURE RM157.00 COLEMAN, ORNETTE AT THE TOWN HALL, DECEMBER 1962 WAX LOVE RM107.00 COLTRANE, ALICE JOURNEY IN SATCHIDANANDA (180 GR) IMPULSE -
Message from Rev. Peter Donald, Our Interim Moderator
www.kiltarlityandkirkhill.org.uk Kiltarlity and Wardlaw Churches Message from Rev. Peter Donald, our Interim Moderator. Dear friends, Seeing news that Luis Palau is back in Inverness shortly, it reminded me of how he held up a particular verse to guide the huge mission events he fronted. It is in fact a verse which matters to us all, for it speaks in one sentence of what Jesus holds out to us in faith. “I came”, Jesus said, “that they may have life, and have it abundantly (or ‘in its fullness’)” (John 10.10). God gives of Himself to us, committing love, assuring us of mercy and forgiveness, pointing for us the way to go, because it matters how we live. It is God’s gift that we might live abundantly, knowing full measures of joy and peace and purpose. And this, so wonderfully, is God’s gift to all sorts of people. It does not depend on our background or intellectual ability, nor is it only for those who can afford it. Jesus’ passion to point people to himself was rooted in him being well aware that so many alternatives grasped at by the likes of you and me do not in the same way open up joy and peace and meaning. He offered himself as the one for us to keep close to on the good path, walking in the light. He offers himself still. What do you believe in ? Believe in Jesus who came to lead us into life ! And see the church therefore existing primarily to sustain folk in that faith; to help people to discover faith; to help people to deepen faith. -
Jack the Ripper in Film and Culture
Jack the Ripper in Film and Culture Top Hat, Gladstone Bag and Fog Clare Smith General Editor: Clive Bloom Crime Files Series Editor Clive Bloom Emeritus Professor of English and American Studies Middlesex University London Since its invention in the nineteenth century, detective fi ction has never been more popular. In novels, short stories, fi lms, radio, television and now in computer games, private detectives and psychopaths, poisoners and overworked cops, tommy gun gangsters and cocaine criminals are the very stuff of modern imagination, and their creators one mainstay of popular consciousness. Crime Files is a ground-breaking series offering scholars, students and discerning readers a comprehensive set of guides to the world of crime and detective fi ction. Every aspect of crime writing, detective fi ction, gangster movie, true-crime exposé, police procedural and post-colonial investigation is explored through clear and informative texts offering comprehensive coverage and theoretical sophistication. More information about this series at http://www.springer.com/series/[14927] Clare Smith Jack the Ripper in Film and Culture Top Hat, Gladstone Bag and Fog Clare Smith University of Wales: Trinity St. David United Kingdom Crime Files ISBN 978-1-137-59998-8 ISBN 978-1-137-59999-5 (eBook) DOI 10.1057/978-1-137-59999-5 Library of Congress Control Number: 2016938047 © The Editor(s) (if applicable) and The Author(s) 2016 The author has/have asserted their right to be identifi ed as the author of this work in accor- dance with the Copyright, Designs and Patents Act 1988. This work is subject to copyright. -
ED057706.Pdf
DOCUMENT RESUME ED 057 706 rt. 002 042 AWTMOR Moskowitz, Solomon TITLP Hebrew for 'c,econlAty Schools. INSTTTUTIOW Wew York State Education Dept., Albany. Pureau of Secondary Curriculum !Development. IMB DAT!!! 71 wOTE 143n. EDRS PRICE XF-30.65 HC-$6.56 DESCRIPTOPS Articulation (Program); Audiolingual skills; Sasic Skills; Bibliographies; Cultural Education: Hebrew; Language Instruction; Language Laboratories; Language Learning Levels; Language Programs; Language skills; Lesson Plans; Manuscript Writing (Handlettering); Pattern Drills (Language); Secondary Schools; *Semitic Languages; *Teaching Guides ABSTRACT This teacher's handbook for Hebrew instruction in secondary Schools, designed for use in public schools, is patterned after New York state Education Department handbooks for French, seanieho and German* Sections include:(1) teaching the four skills, (2) speaking,(3) audiolingual experiences,(4) suggested content and topics for audioLingual experiences, (15) patterns for drill,(6) the toxtbook in audiolingual presentation, (7) language laboratories, (0) reading and writing,(9) culture,(10) articulation, (11) vocabulary, (12) structures for four- and six-year sequences,(13) the Hebrew alphabet,(14) model lessons-- grades 10 and 11, and (15) student evaluation. A glossary, bibliography, and appendix illustrating Hebrew calligraphy are included. (m) HEBREW For Secondary Schools U DISPANTNENT Of NIA1.11N. wsurang EDUCATION OfFICE OF EDUCATION HOS DOCUNFOCI HAS SUN ExACTLy As mom MIA SKINSOOUCED onsouganoft ottroutkvotoYH PERsON op vim o OeusNONS STATEDsT mon or wows Nipasturfr Offs Cut.00 NOT NECES lumps+ Poo/no% OR PoucvOFFICE OF f DU The University of the State of New York THE STATE EDUCATION DEPARTMENT Bureau of Secondary Curriculum Development/Albany/1971 1 THE UNIVERSITY OF THE STATE OF NEW YORK Regents of the University (with years when terms expire) 1984 Joseph W. -
AMEER BEN ALI NINA and HOWARD BROWN with the Face of ‘Frenchy’
June 2020 No. 167 AMEER BEN ALI NINA AND HOWARD BROWN with the face of ‘Frenchy’ sheilLa JONES AND JIM BURNS MICHAEL HAWLEY • ADAM WOOD • BRUCE COLLIE SPOTLIGHT ON RIPPERCAST VICTORIAN FICTION • PRESS TRAWL the latest book reviewsRipperologist 118 January 2011 1 Ripperologist 167 JUNE 2020 EDITORIAL: CONTEXT IS KING Adam Wood FRANCIS TUMBLETY AND JOHN WILKES BOOTH’S ERRAND BOY Michael L. Hawley THE SWANSON MARGINALIA: MORE SCRIBBLINGS Adam Wood MRS. BOOTH’S MOST UNUSUAL ENQUIRY BUREAU Sheilla Jones and Jim Burns CENTRAL NEWS Bruce Collie Spotlight on Rippercast: THE ROYAL CONSPIRACY A-GO-GO Part One AMEER BEN ALI AND AN ACTOR’S TALE Nina and Howard Brown Press Trawl THE SHORT REIGN OF LEATHER APRON VICTORIAN FICTION Eduardo Zinna BOOK REVIEWS Paul Begg and David Green Ripperologist magazine is published by Mango Books (www.MangoBooks.co.uk). The views, conclusions and opinions expressed in signed articles, essays, letters and other items published in Ripperologist Ripperologist, its editors or the publisher. The views, conclusions and opinions expressed in unsigned articles, essays, news reports, reviews and other items published in Ripperologist are the responsibility of Ripperologist and its editorial team, but are those of the authors and do not necessarily reflect the views, conclusions and opinions of doWe not occasionally necessarily use reflect material the weopinions believe of has the been publisher. placed in the public domain. It is not always possible to identify and contact the copyright holder; if you claim ownership of something we have published we will be pleased to make a proper acknowledgement. The contents of Ripperologist No.