DOCSLIB.ORG

MOVIE GUIDE Picked up at the Downtown Theater 2: the Jerk Theater 2: Roller Boogie and Bijou 509 East Grand Ave Escondido (747-6635)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
MOVIE GUIDE Picked up at the Downtown Theater 2: the Jerk Theater 2: Roller Boogie and Bijou 509 East Grand Ave Escondido (747-6635) 013.1 r 1 '~6 Uru; 1. ~1 __~ ________________________________~n.~~PaDxG~ January 11, 1980 Physical Education Program January 11, 1980 The Dally Guardian 9 For Handicapped Kids Planned Gleanings From the 1979 Turntable A three.weekend program for organization and function of phy.ical education at penoM who work with the nervous.y.tem. Califomia State University, menially and phy.ically Speakers inelude Dr. Long Beach; Terry Cesare, a handicapped children in Wal~r Crowe, a profe.sor of special !:!dueation ·teacher . By Ted Burke handed and strains too often 3) Trevor Rabin - rrevor phYlical education activities Arts Editor for effect (too much piano, Rabin (Chrysalsis) Rabin is a Wit be ~ this winter by After a modicum of echo chambers, an overkill of singer-songwriter-guitarist meditation, soul-searching, vocal over dubs), Costello from South Africa who's U<f~~ the Women Men and late-night phone calls, I've remains a formidable talent same·named debut album that no amount of cheap supplies the kind of mega-rock NeurolOlinl and pnysi. c .____ J fr 6 Continued from pqe 7 decided that this annual oloIicaI Func:Iiona Applied 10 ont.. _ om PGfe autopsy we call a "year-in­ granish can obscure. At best, that Todd Rundgren's been afford Triton•• tiff HaDcIicaDDiq Coftditionl" the last tum and won the race. should the review" won't be as grisly as I (more times than not) Costello promising for years. Rabin competition the cIui' wiI be Ia""ht by She allO won the 200 free in - with the good imagined. In fact, the most is dead on target. At worst, proceeds through a far·fetched recruits they pUlled in Ja.t ="s in both the fields of 2:06.4, less than half a second outlandish generalization one he's utterly incoherent and array of styles, from year. UCSD atiII mUit swim . y.ical education and away from a trip to the could make about the state of artlessly paranoid. Mountainesque heavy-metal, Ph,... or mena.I disorders. !'I'tionals, and later took a fIr.t without their four talented syrupy ballads, Mclaughlin. transfer .tudents, who remain p......... wiI meet 6.10 In the 100 free. Armed Forces: Costello remains A inspired jazz.rock, Zappa-like c.~rf and 9 am . 3 pm Sandy Groos, who has inelisible Ie? compete mtil next ensemble virtuosity, through )'Jan.18-19, Feb. 1.2 mi..d workouts ~tely while week. Formidable talent that no amount of disco and reggae, olten ... F•. 22·23 in Room 109 ~ the flu, won the 200 Morgan figures that 14 of blending these incongruous fA TLH. y with a 2:26.2 time, hi. .wimmer. have an cheap garnish can obsure. strands into the same song. Cov.recI in the prosram will though her quick start had her "excellent chance" of And, incredibly, it works. be 111>1*:~ phylical ~ well below the pace for a qualifyi"B _ ~or that national pop music in 1979 is that it 2) Nic e Guys - The Art 4) Van Halen II . (Warner ... devwIopment · .rificiaI national qualifying time at the meet in March. Eight went in was merely "okay." As in any Ensemble of Chicago (ECM): Brothers): Edward Van Halen device., po.t~re and fint 100 yarda. Later Ihe . 1979, and four in 1978 went year, there were plenty of By definition, avant-garde or plays flashy hard rock guitar ~ conditions that took a leCond place in the 100 from UCSD. Flying so many decent albums that passed "free" jazz is supposed to be with admirable vengeance and aIIct mOtor functions, tiPl on Oy. athletes around the country through my hands on to mine dillicult for the uniniated to ingenuity, that is enough for .ltI.... ucI conductina AI'" White won the 100 cOlts too much for the athletic and my writer's turntable, but warm up to , but the me. iMIIUc:tiOnII in backlb'oke event, and Laura department to piCk up, so the there was a sizable proportion Ensemble 's latest seems (to PotemIdn (Olris Graham) lint. a lOIII of eurviwal to his 5) One of a Kind - Bill MtOIdIInce GaIup placed lint in the 100 . team it .tqins a swim-a-thon of discs from new and me at least) to be the one '79 ~nledic.1 in C.I.bration, to be presented at 8 pm Jan. 10-13 in Bruford (Polydor): The fonner treatmen!i...ieurolo,ical, brea.t, but Pomona· Pitzer to raile the $6000 Morgan Reve"'" established artists that fall release in the genre that even the John Muir Theatre at the Uni.... ty of California, s.n Yes. King Crimson and IIIUIClIla ..~ and IeIIIOI')' lCored jUit enouah seconds figures they will need to make well·below what one wants to Mangione fans can find Genems drummer deftly leads _der... how they affect and thirda to eeI,e out another the trip, along with some Dieto· hear. Inany case, rock and roll __ fuRctieninI. ..... the win. echooI funds. doesn't seem to be dying at the present moment, though 1,Iike Rust Never ' Sleeps: YOU[1g has anyone else who's been involved with the stuff too released a masterpiece of a kind, a from University Events much for their own good, would have to have heard rock and roll testament. more records that reached the highwater mark. What follows enjoyable. Nice Guys is a a band of superb musIcians ;Ire my annual hit-and-run brilliant crazy quilt of styles through a session that. NOTI£ETO comments on the previous and strategies, with the shifting c ombines the best of IJNDBRGRADS year's more or less notable textures and colorations of progressive rock (composi­ releases. saxophones, trumpets, drums, tional organization with a rich GRADS Best Records of '79 bass, and a plethora of more sense of harmony and 1) Armed Forces • Elvis obscure instruments proceed­ counterpoint) and the best of Costello (Columbia): ing through a fascinating fusion rock (inventive soloing Although Nick Lowe's session of unconventional meshing hard-rock dynamics production is at times heavy· improvisation. Please tum to page 10 Student copies of Pan 1979 grades can be MOVIE GUIDE picked up at the Downtown Theater 2: The Jerk Theater 2: Roller Boogie and BIJou 509 East Grand Ave Escondido (747-6635) .. Registrar's Office. Aztec, 665 5th (239-9239) Theater 3: The Muppet Movie Thank God It's Frid~ beginning Tuesday. Call theater for program Theater 4: Scavenger Hunt Theater 3: Life of Brian Closed for remodeling information Theater 5: 10 Cinema 21, 1140 Hotel Circle North Camino Cinema 4).. 2253 EI Camino January 15. Theater 6: The Godsend (291-2121) Real, Oceanside (4,,3-9144) Balboa, 4th and E (233·3326) Strand, 4950 Newport. Ocean Beach The Electric Horseman Theater 1: 10 Kung Fu Brothers, Fighting (223-3141) Theater 2: The Rose Fashion Vall_e}' 4, 110, Fashion Theater 3: The Jerk Conv.oy,and Fistful of the Dragon North Dallas Forty and Heaven Valley (291-4404) Broadway, Broadway at 8th (232- Can Wait, 1/11 and 1/12 Theater 4: Kramer VS. Kramer Camelot. 1/13 Theater 1: Kramer vs. Kramer 46(0) . Semi-Tough and Rocky II, 1/14 Theater 2: Kramer vs. Kramer Call theatel' for program Theater 3: The Black Hole Cinema Plaza Theatre 5 2565 EI and 15 Theater 4: The Black Hole Camino Real, Carlsbad (729-7147) information Nosferatu, the Vampyre and Theater l:Star Trek Dracula, 1/16 and 17 Valley CiI'Cle, Mission Valley Center Theater 2:ApocalYEJS8 Now CabriUo, 329 Plaza (239-8719) Unicorn 7454 La Jolla Blvd. La Jolla West (297·3931) Theater 3:The Black Hole The Godsend, Northville Cemetery (459-434 i ) Star Trek Theater 4:The Electric Horseman Massacre, and The Dark The MIsfits and West Side Story, Theater 5: The Legacy through 1/12 State University Casino, 643 5th (232-8878) L 'Avventura, 1/13 through 15 Driller Ki 11er, Meat Cleaver Crest, 102 N. Freeman, Oceanside Get out {rom under·· ,...~ Massacre. and Trick Baby (7226561) Campus Drive·In, 6147 EI Cajon Grease and Saturday Night Fever enroll in ClaireWr3~!~r:ffi~ Mesa Blvd. (582-1717) The Jerk a.nd The Three Flower Hlll Clnemn 2630 Via de la Guild, 3827 5th. Hillcrest (295-2000) Muskteteers t La Cage aux FoIles Valle, Del Mar (755-5011) Clairemont, 4140 Clairemont Mesa Century Twin, 54th and EI Cajon Theater 1: The Muppet Movie Plaza, 323 Plaza (232-0501) (274-0901) Blvd. (582-7690) Theater 2: And Justwe for All Charlie and the Hooker, The Theater 1: Starting Over and Theater 1: Starti ng Over and Theater 3: Running Models, and The Best Thank God It's Friday ______________ Theater 2: Roller Boogie and Foul Bloodline Theater 2: And Justice for All New Valley Drive In, 3840 Mission Beaches Play Ave .. Oceanside (757-5556) INF0RMATION & ______________ La lolla Village Theatrea, 8879 Villa Theater l :The Godsend and The La Jolla Drive (453·7831) Cinerama, 5889 University Ave_ Incredible Melting Man a MARTIN Rm/ROSE AND ASSEYEV production Co ve,7730 G irar.d La J 0 11 a (459-5405) Theater l:Kramer vs. Kramer (5836201) Theater 2:10 and The Frisco Kid ACADEMIC LIBRARIES "NORMA RAE" Running Theater 2:Cuba Apocalypse Now Theater 3:Charlie and the Hooker a course designed to teach )IOU SALLY FIELD · RON LEII1MAN' BEAU BRIDGES Fine Art., 1818 Garnet, Pacific Beach Theater 3: Going in Style College, 6303 EI Cajon Blvd. (286 - and The Best Jtrategies (274-4000) Theater 4:Scavenger Hunt 1455) Theater 4: Up in Smoke and The for doing library Theater 1: Scavenger Hunt Enforcer .
Load more

Recommended publications
  • Bomb Scare Clears Kirkbride Therapy for Accident Victim "If It's on Camous and It's by KEN MAMMARELLA Threat Procedure of Leaving the Suspected Karen Seitz
    Bulk Rate U.S. Postage PAID ff>ermit No.320 Newark, DE. Friday. April6. 1979 By DEBORAH PETIT MIDDLETOWN, Pa.,- With a potential core melt-down now greatly reduced, officials at the Three Mile Island Nuclear Reactor Site are turning their attention to the pro­ blems of cleaning up radioactive substances left by the re­ cent reactor accident. Upon analysis of the extent of damage incurred in the mishap and the level of radioactive contamination left in the reactor, experts will determine the fate of the Three Mile site. An evaluation of the costs involved will leave the officials with the options of either refurbishing or decommissioning the plant. Both of which would require large amounts of time and money. · The projected time for complete decontamination of the reactor now stands at least one to two years. Additional time beyond ~hat estimate would be required to bring the plant back to operational levels. Cost estimates for the refurbishment of the reactor can not be determined from present data. The costs and time involved in decommissioning the site, however, can be more accurately determined from previous studies done by the Nuclear Regulatory Commis­ sion (NRC). Most data points to a dismantling cost estimate of roughly Review photo by Andy Cline 5 percent to 10 percent of the original construction costs. "THEY'VE PUSHED THE PANIC BUTTON as HAROLD DENTON, Director of the NRC's of­ The NRC conducted a study of the Trojan reactor site in far as I'm concerned," Mitzi Krause said of fice of Nuclear Reactor Regulation, and Oregon and came up with a dismantling cost in 1978 of just the nuclear accident on near by Three Mile NRC spokesman Joseph Fouchard {left) aid- over $42 million to level the plant.
    [Show full text]
  • Adventures in Film Music Redux Composer Profiles
    Adventures in Film Music Redux - Composer Profiles ADVENTURES IN FILM MUSIC REDUX COMPOSER PROFILES A. R. RAHMAN Elizabeth: The Golden Age A.R. Rahman, in full Allah Rakha Rahman, original name A.S. Dileep Kumar, (born January 6, 1966, Madras [now Chennai], India), Indian composer whose extensive body of work for film and stage earned him the nickname “the Mozart of Madras.” Rahman continued his work for the screen, scoring films for Bollywood and, increasingly, Hollywood. He contributed a song to the soundtrack of Spike Lee’s Inside Man (2006) and co- wrote the score for Elizabeth: The Golden Age (2007). However, his true breakthrough to Western audiences came with Danny Boyle’s rags-to-riches saga Slumdog Millionaire (2008). Rahman’s score, which captured the frenzied pace of life in Mumbai’s underclass, dominated the awards circuit in 2009. He collected a British Academy of Film and Television Arts (BAFTA) Award for best music as well as a Golden Globe and an Academy Award for best score. He also won the Academy Award for best song for “Jai Ho,” a Latin-infused dance track that accompanied the film’s closing Bollywood-style dance number. Rahman’s streak continued at the Grammy Awards in 2010, where he collected the prize for best soundtrack and “Jai Ho” was again honoured as best song appearing on a soundtrack. Rahman’s later notable scores included those for the films 127 Hours (2010)—for which he received another Academy Award nomination—and the Hindi-language movies Rockstar (2011), Raanjhanaa (2013), Highway (2014), and Beyond the Clouds (2017).
    [Show full text]
  • The Siren Song of Broadway MICHAEL D
    The siren song of Broadway MICHAEL D. REID / TIMES COLONIST DECEMBER 5, 2015 02:34 AM He had just enough time to reconnect with family, including his father Douglas Stewart, the retired federal Liberal MP, and show his business partner, Benton Whitley, his old stomping grounds on their way to Seattle for business. In a couple of days they would be backstage at the 5th Avenue Theatre, where a production of Waterfall, a Broadway-bound musical the duo is casting, was opening. “This is such an interesting piece,” said Stewart, reflecting on his experiences working on the show with book and lyrics by Richard Maltby Jr. (Ain’t Misbehavin’) and a score by David Shire. “We’ve been working on it for two years now. We cast it top to bottom, there have been numerous workshops, and the libretto has changed and morphed. We sat in the trenches with this one.” Set in 1930s Bangkok and Japan, Waterfall centres on the forbidden romance between a Thai student and a Thai diplomat’s American wife. “We have this Thai superstar, Bie Sukrit, as the lead,” said Stewart, who worked with co-directors Tak Viravan, a Thai impresario, and Broadway director-choreographer Dan Knechtges (Lysistrata Jones). “It’s an English musical, so Bie had to learn speech patterns. We had to be careful about getting the right tone, the right actor.” After first working as a casting associate with Playwrights Horizons off-Broadway, Stewart became casting director for Broadway producers Barry and Fran Weissler before putting up his own shingle with Whitley, a kindred spirit who, like himself, had an acting background.
    [Show full text]
  • Here We Are on the 200Th Anniversary of His Classic Story, Celebrating His Legacy of Artistic Inspiration and Achievement at the Nexus of the Tale Itself
    WELCOME 1ST ANNUAL SLEEPY HOLLOW INTERNATIONAL FILM FESTIVAL Could Washington Irving have predicted the enduring impact “The Legend of Sleepy Hollow” would have on the world when it was published in 1819? Perhaps not. And yet here we are on the 200th anniversary of his classic story, celebrating his legacy of artistic inspiration and achievement at the nexus of the tale itself. The Sleepy Hollow International Film Festival is a celebration of cinematic and literary-themed wonders—a one-of-a-kind combination of film premieres, exclusive screenings, live events, scripts in competition as well as special guests, panels and much more, all taking place in the historic Hudson Valley during its magical, and wildly popular, Halloween season. All of us with SHIFF are thrilled to welcome you to be part of history with this first-ever large-scale genre film festival in Westchester County, NY, in one of the most famous locations in the entire world. We extend a special thanks to the fine folk, governments and associations of Sleepy Hollow and Tarrytown, the wondrous Tarrytown Music Hall and Warner Library, who proudly keep the spirit of Irving alive each and every day. So, for the next four days, revel in the inception of a new legend here in the Hollow. Enjoy, and let the bewitching begin! —The SHIFF Team Co-Founder/Director, Business Affairs DAVE NORRIS Advisory Board Lead Programmer DAN McKEON CHRIS POGGIALI FREDERICK K. KELLER TAYLOR WHITE Screenplay Board CHRIS TOWNSEND HARRY MANFREDINI Co-Founder/Director, DON LAMOREAUX Tech/Prints STEVE MITCHELL Programmer STEVE MITCHELL ZACH TOW CYRUS VORIS MATT VERBOYS CYRUS VORIS Official Photographer LARRY COHEN (In Memoriam.
    [Show full text]
  • Musical Theatre Production Repertoire
    ASU LYRIC OPERA THEATRE - MUSICAL THEATRE REPERTOIRE Show Title Creative Team Year(s) Performed 25th Annual Putnam County Spelling Bee, The Composer(s): William Finn 2010 Lyricist(s): William Finn Book Writer(s): Rachel Sheinkin A Funny Thing Happened on the Way to the Forum Composer(s): Stephen Sondheim 1969, 78, 89 Lyricist(s): Stephen Sondheim Book Writer(s): Burt Shevelove, Larry Gelbart A Little Night Music Composer(s): Stephen Sondheim 1987, 99 Lyricist(s): Stephen Sondheim Book Writer(s): Hugh Wheeler A...My Name is Alice Composer(s): Various 1991, 98 Lyricist(s): Various Book Writer(s): Joan Silver & Julianne Boyd And the World Goes 'Round Composer(s): John Kander 1994, 2008 Lyricist(s): Fred Ebb Book Writer(s): Revue Anything Goes Composer(s): Cole Porter 2005 Lyricist(s): Cole Porter Book Writer(s): Guy Bolton, P.G. Wodehouse archy and mehitabel Composer(s): George Kleinsinger 1966, 74 Lyricist(s): Joe Darion Book Writer(s): Joe Darion, Don Marquis Assassins Composer(s): Stephen Sondheim 2007 Lyricist(s): Stephen Sondheim Book Writer(s): John Weidman Bat Boy: The Musical Composer(s): Laurence O'Keefe 2012 Lyricist(s): Laurence O'Keefe Book Writer(s): Keythe Farley, Brian Flemming Berlin to Broadway with Kurt Weill Composer(s): Kurt Weill 1977 Lyricist(s): Various Book Writer(s): Gene Lerner Best Little Whorehouse in Texas, The Composer(s): Carol Hall 2011 Lyricist(s): Carol Hall Book Writer(s): Larry L. King, Peter Masterson Boyfriend, The Composer(s): Sandy Wilson 1967, 98, 2005 Lyricist(s): Sandy Wilson Book Writer(s): Sandy
    [Show full text]
  • Goldsmith 1929-2004
    Volume 9, Number 7 Original Music Soundtracks for Movies and Television Goodbye, David pg. 4 JERRY GOLDSMITH 1929-2004 07> 7225274 93704 $4.95 U.S. • $5.95 Canada v9n07COV.id 1 9/7/04, 3:36:04 PM v9n07COV.id 2 9/7/04, 3:36:07 PM contents AUGUST 2004 DEPARTMENTS COVER STORY 2 Editorial Jerry Goldsmith 1929-2004 Let the Healing Begin. It would be difficult to reflect on both Jerry Goldsmith’s film music legacy and his recent passing without devoting an entire 4 News issue of FSM to him; so that’s what we’ve done. From fan Goodbye, David. letters and remembrances to an in-depth look at his life and 5 Record Label musical legacy, we’ve covered a lot of ground. Just as impor- Round-up tant, we hope you, Jerry’s fans, find it a fitting tribute to a man What’s on the way. whose monumental work meant so much to so many. 5 Now Playing Movies and CDs in The Artist, release. 12 The Gold Standard 6 Concerts Quantifying Jerry Goldsmith’s contribution to film scoring Film music performed isn’t easy...but we’ll try anyway. around the globe. By Jeff Bond 7 Upcoming Film Assignments 19 Goldsmith Without Tears Who’s writing what The imagined, decades-long conversation with Goldsmith for whom. may be over, but his music lives on. By John S. Walsh 9 Mail Bag Lonely Are the Brave. 24 Islands in the Stream 10 Pukas Jerry’s industry contemporaries chime in on If Only It Were True.
    [Show full text]
  • Song List by Member
    song artist album label dj year-month-order leaf house animal collective sung tongs 2004-08-02 bebete vaohora jorge ben the definitive collection 2004-08-08 amor brasileiro vinicius cantuaria tucuma 2004-08-09 crayon manitoba up in flames 2004-08-10 transit fennesz venice 2004-08-11 cold irons bound bob dylan time out of mind 2004-08-13 mini, mini, mini jacques dutronc en vogue 2004-08-14 unspoken four tet rounds 2004-08-15 dead homiez ice cube kill at will 2004-08-16 forever's no time at all pete townsend who came first 2004-08-17 mockingbird trailer bride hope is a thing with feathers 2004-08-18 call 1-800 fear lali puna faking the books 2004-08-19 vuelvo al sur gotan project la revancha del tango 2004-08-21 brick house commodores pure funk polygram tv adam 1998-10-09 louis armstrong - the jazz collector mack the knife louis armstrong edition laserlight adam 1998-10-18 harry and maggie swervedriver adam h. 2012-04-02 dust devil school of seven bells escape from desire adam h. 2012-04-13 come on my skeleton plug back on time adam h. 2012-09-05 elephant tame impala elephant adam h. 2012-09-09 day one toro y moi everything in return adam h. 2014-03-01 thank dub bill callahan have fun with god adam h. 2014-03-10 the other side of summer elvis costello spike warner bros. adam s (#2) 2006-01-04 wrong band tori amos under the pink atlantic adam s (#2) 2006-01-12 Baby Lemonade Syd Barrett Barrett Adam S.
    [Show full text]
  • Waycross Twisted Tales of Poe Closer Than Ever
    theatre.indiana.edu MALTBY AND SHIRE’S CLOSER THAN EVER Music by David Shire Lyrics by Richard Maltby Jr. Conceived by Steven Scott Smith Musical Direction by Terry LaBolt Directed and Choreographed by DJ Gray TWISTED TALES OF POE By Philip Grecian From the stories and poems of Edgar Allan Poe Directed by Richard Roland WAYCROSS By Jayne Deely Directed by Jenny McKnight IN PARTNERSHIP WITH WFIU AND THE IU LILLY LIBRARY A DIGITAL FESTIVAL JULY 18– 31 1 Message from the producer Welcome to IUST 2021! Indiana University Summer Theatre is thrilled to be back, providing professional theatre created here in Bloomington by our students, faculty, and guests. Given the cancellation of 2020's IUST due to the Covid-19 pandemic and the continued precautions surrounding in-person gatherings, IUST is proud to partner with WFIU to present two radio plays, and to also stream the fully staged musical Maltby and Shire's Closer Than Ever. Although we’d very much like to have a live audience, we are delving into this summer as an opportunity to expand our work and our student’s experience into audio plays and filmed musicals. We’ve had an incredible time, not only partnering with WFIU but also with the Lilly Library for our audio production of Twisted Tales of Poe. The silver lining is that this summer, many people both near and far can tune in to hear and view our IUST offerings for 2021! I’d also like to give a special thanks to our remarkable patrons and department friends who’ve supported us through this pandemic with financial gifts and letters of support.
    [Show full text]
  • Thursday, February 23, 2017 Holloway Hall, Great Hall 7:30 P.M
    THE AWARD-WINNING VOCALISTS OF THE SU DEPARTMENT OF MUSIC, THEATRE AND DANCE PRESENT Dr. John Wesley Wright, Artistic Director Veronica Tomanek, Collaborative Pianist SINGERS’ SHOWCASE Thursday, February 23, 2017 Holloway Hall, Great Hall 7:30 p.m. Concert is free, but donations are welcome. ALSO FEATURING SU’S www.salisbury.edu SINGERS’ SHOWCASE THE WARM-UP ACT “Adele’s Laughing Song” from Die Fledermaus . .Johann Strauss Jordyn Stokes-James, Soprano | Junior Music-Voice & Psychology Major | Baltimore, MD A Nun Takes the Veil . .Samuel Barber Katherine Schell, Soprano | Freshman Music Education Major | Delmar, MD “Moving Too Fast” from The Last Five Years . .Jason Robert Brown Justin Kriger, Tenor | Junior Music Technology Major | Olney, MD NATS CLASSICAL Obstination . .Henri de Fontenailles Obstination Obstinacy Poem by François Coppée Translation by Dr. Arlene White Vous aurez beau faire et dire, No matter what you do and say, L’oubli me serait odieux, Forgetting would be odious to me, Et je vois toujours son sourire And I still see his smile Des adieux, des adieux. Of farewells, of farewells. Vous aurez beau faire et dire, No matter what you do and say, Dût elle même l’ignorer, Reluctantly she even ignores it, Je veux, fidèle à mon martyre, I want, true to my martyrdom, La pleurer, la pleurer. To weep for her, to weep for her. Vous aurez beau faire et dire, No matter what you do and say, Seule, elle peut mon mal guérir. She alone may heal my suffering. Et j’aime mieux s’il persévère And I prefer if it perseveres En mourir, en mourir.
    [Show full text]
  • Starting Here, Starting Now September 23 – November 6, 2011
    Contact: Susan Levand, 773.750.4276 and slevand@theo‐u.org Web site: www.theoubique.org Starting Here, Starting Now September 23 – November 6, 2011 PRODUCTION HISTORY From Hollywood Goes To Broadway by Scott Bettencourt By the time Starting Here, Starting Now opened off‐Broadway in March of 1977, David Shire had been working steadily as a film and television composer for the better part of a decade, and his then‐wife Talia Shire had just earned her second Oscar nomination, for playing Adrian in the first Rocky. The mid‐70s saw him at the peak of his film scoring career, with two Best Picture nominees to his credit – The Conversation and All the President's Men – and though he had yet to receive a nomination himself, his scores for The Conversation and The Hindenburg were in the Academy Music Branch's ten film shortlist for the Best Score Oscar nomination in their respective years. But for years before he began writing film scores, Shire and fellow Yale alumnus Richard Maltby, Jr. were writing stage musicals, none of which had managed to make it to Broadway. Starting Here, Starting Now was a revue collecting a variety of songs from their first two decades of collaborating, essentially a "Best Of" collection which, unsurprisingly, manages to show the team in their best creative light. Their early show, The Sap of Life, featured three songs which ended up in Starting Here, Starting Now ‐ "The Word is Love," which opens Starting Here; "Watching the Big Parade Go By," one of the many parade songs from the era ("Before the Parade Passes By," "A Parade in Town") and the propulsive "New Life Coming," which ends the show.
    [Show full text]
  • REJOICE Press Release
    ESSENTIAL VOICES USA Judith Clurman, Music Director and Conductor For immediate release November, 2019 contact: Essential Voices USA [email protected] Acis: [email protected] Acis Productions (APL 97092) of REJOICE! Honoring the Jewish Spirit with recording release by Essential Voices USA conducted by Judith Clurman Premiere recordings by theater composers, arrangers, & others including: David Chase, Judith Clurman, Jeremiah Klarman, Mikhail Lermontov, Ryan Nowlin, Mikhail Lermontov Trude Rittmann, David Shire and Jonathan Tunick November 19, 2019 Available online, or for purchase For generations, musicologists have shown the influence of Jewish music on American musical theater. Judith Clurman reverses this by commissioning theater composers to create and arrange Jewish music, including new pieces by orchestrator Jonathan Tunick and an arrangements of melodies by Clurman herself, set by dance arranger and conductor David Chase and arranger Ryan Nowlin. Trude Rittmann, who collaborated with Richard Rodgers, Frederick Loewe, Burton Lane, Kurt Weill and others, wrote a forgotten arrangement of the beloved Passover song “Dayeinu.” The selections also show the reverse pattern. “Shlof Mayn Fegele,” is a Yiddish lullaby that Clurman’s mother sang to her as a child. Musicologist Chana Mlotek and composer Jack Gottlieb noted that George Gershwin used the melody of the lullaby as the basis of his song ”My One and Only.” Also included is “Everlasting Light,” a piece by composer David Shire and lyricist Sheldon Harnick Clurman and her Juilliard Choral Union premiered with the New York Philharmonic in 2003. Always on the lookout for new talent, Judith Clurman has mentored Boston’s Jeremiah Klarman, who has composed two songs of peace.
    [Show full text]
  • National Endowment for the Arts Annual Report 1987
    NATIONAL ENDOWMENT FOR THE ARTS ~~>~=~~ -. " " i . " I~~ JJ~ , .. ..... MUSIC ON COVER AND TI~E PAGE TA~N ~OM SgMPH~ NO. 1 BY ELLEN TAA~ ZWIL­ ICH, WHICH SHE COM~SED WHILE ~CEIV~G A COM~SERS’ ~LLOWSHIP IN 1981 ~OM THE MUSIC PR~RAM. IN 1983, ~IS COM~S[~ON WAS AW~~D ~E PUL~ER PR~E FOR MUSIC. COPYRIGHT 1983 M~G~ MUSIC, INC. ~P~~ED BY PE~ISSION OF THE PUBLISHER. 1987 ANNUAL REPORT National Endowment for the Arts Washington, D.C. Dear Mr. President: I have the honor to submit to you the Annual Repon of the National Endowment for the Arts and the National Council on the Arts for the Fiscal Year ended September 30, 1987. Respectfully, Frank Hodsoll Chairman The President The White House Washington, D.C. March 1988 CONTENTS CHAIRMAN’S STATEMENT v THE AGENCY AND ITS FUNCTIONS vii THE NATIONAL COUNCIL ON THE ARTS ix PROGRAMS 1 Dance 3 Design Arts 17 Expansion Arts 29 Folk Arts 51 Inter-Arts 59 Literature 71 Media Arts: Film/Radio/Television 83 Museum 95 Music 117 Opera-Musical Theater 151 Theater 161 Visual Arts 173 OFFICE FOR PUBLIC PARTNERSHIP 187 Artists in Education 189 Locals Test Program 195 State Programs 199 OFFICE FOR PRIVATE PARTNERSHIP 203 Challenge 205 Advancement 209 OFFICE OF POLICY, PLANNING, AND RESEARCH 211 Fellowship Program for Arts Managers 213 Intemational 215 Research 217 Special Constituencies 219 APPENDIX 221 Statement of Mission 222 Overview and Challenge Advisory Panels 223 Financial Summary 228 History of Authoñzations and Appropriations 229 iii CHAIRMAN’S STATEMENT The tremendous diversity of the arts of the basics of education from federal support for the arts over the in America is clearly shown by the kindergarten through twelfth grade, long term.
    [Show full text]