DOCSLIB.ORG

The American Pops Orchestra Family!

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

in LOOKING TO GET INVOLVED WITH THE APO? The APO’s Don’t Rain On My Parade (Photo by Daniel Schwartz) Become Part of The American Pops Orchestra Family! Your donation will support: • more than 80 musicians every year • producing our mainstage concerts • our monthly community concert series • providing free or reduced tickets to veterans, seniors, students and others • fulfi lling the APO’s mission “to inspire new audiences to discover the wealth of material in the Great American Songbook in dynamic ways” For more information about donating to the APO, please visit theamericanpops.org/donate Arena Stage at the Mead Center for American Theater Kogod Cradle - January 6, 2018, 2 & 5 pm Te American Pops Orchestra Presents Around the World in 80 Days Starring Benjamin Lurye Nurney Mason Hilary Morrow Tiara Whaley Luke S. Frazier, Music Director Directed by Kelly Crandall d'Amboise Script Written by Claybourne Elder Media Sponsor: Community Partners: - 1 - SONG LIST Selections to include: Why Do the Wrong People Travel? It’s Not Where You Start, It’s Where You Finish I’ve Been Working on The Railroad I’d Like to Get You on a Slow Boat to China On the Sunny Side of the Street Are You Having Any Fun? When You’re Smiling You’re Nobody ‘Til Somebody Loves You Give Me the Simple Life Sit Down You’re Rocking the Boat Anything You Can Do Come Fly with Me Around the World - 3 - WELCOME I’m so delighted that you’re able to join us for Around the World in 80 Days! In thinking about programming for the American Pops Orchestra’s third season, I wanted to craft programs that would help our community come together around music and artists that have been a part of all of our lives, making a difference in our hearts and minds. Claybourne Elder has done a masterful job in reimagining this classic Jules Verne tale for new audiences! Clay turned this piece into a heartwarming tale of new friendships and new experiences, all brought together with so many laughs and so many classic songs. So tap your feet, sing along, laugh, dance in your seat – join our APO family and join our fun! Luke S. Frazier Founder and Conductor @theamericanpops @TheAmericanPops theamericanpops - 4 - THE AMERICAN POPS ORCHESTRA Luke S. Frazier, Music Director Jim Kelly, Personnel Manager Violin 1 Bass Percussion Sonya Chung Greg Watkins Jeremy Yaddaw Violin 2 Harp Piano Laura Frazelle Kate Rogers Luke Frazier Viola Flute Jim Kelly Brittany Foster Cello Clarinet Sean Neidlinger David Drosinos The American Pops Orchestra graciously acknowledges the generous support from our 2017-2018 SIGNATURE SEASON SPONSOR - 5 - ABOUT THE ARTISTS BENJAMIN LURYE Outstanding Ensemble), The Wiz, The (Passpartout) is proud Color Purple (Helen Hayes nomination, to make his debut with Outstanding Resident Musical); Monu- the American Pops. mental Theatre Company: Sex Swap: This past season, his A Gender Bender Cabaret (1st & 3rd performance as Freddy renditions), Day by Day: A Musical Revue Eynsford-Hill in Olney of Composer Stephen Schwartz. Theatre’s My Fair Lady was called “the product- ion’s musical high point... sung in HILARY MORROW (Fix soaring tones” by The Washington Post. the Detective) returns In the DC area, he has appeared at to the American Pops Signature Theatre in A Little Night Music after appearing in and the world premiere of Sheryl Crow Cinderella: A Magical, and Barry Levinson’s Diner; at Ford’s Theatre in Hello, Dolly!; at Olney Theatre Musical Tale last year in Sweeney Todd, Mary Poppins, Joseph following her premiere and the Amazing Technicolor Dreamcoat, performance with the and Forever Plaid; with the contemporary group as a featured soloist in She Did it opera company UrbanArias in the world Her Way in the inaugural season. She is premiere of Hilliard and Boresi’s Blue Viola and their trademark “Craigslist an acclaimed musical theatre performer Cabaret”; and at 1st Stage in Floyd Collins and soloist who most recently appeared and Parfumerie. Additionally, he has been in the 2017 Source Festival as Empress seen at Toby’s Dinner Theatre, Studio Drusilla in a quirky 10-minute play. Hilary Theatre, and Adventure Theatre MTC, has performed at the famed jazz club, where he is also a teaching artist for young musical theatre performers. Birdland in New York City. She has Benjamin holds a BM from the University performed alongside such luminaries as of Maryland, College Park and can be Brian Stokes Mitchell, Norm Lewis, Renee followed online at www.BenLurye.com. Fleming, Tommy Tune, Laura Osnes, Lea Salonga, Jeremy Jordan, Lindsay Mendez NURNEY MASON (Sir and Ashley Brown. Last winter, she toured Phileas Fogg) is an actor born and raised a musical theatre master class series for in the DC area. He underserved school children in Maine trained at the Baltimore with Maestro Luke Frazier. Other credits School for the Arts, include: Storyteller in Children of Eden at Dance Theatre of the Kennedy Center, Brünnhilde in Hugo Harlem, and received a Ball: a Dada puppet AdveNTurE!!/?1!!//, B.S. in Communication Snowella Mistletoe in A Very Pointless Studies from Towson University in 2013. Since then, he has been performing Holiday Spectacular, Charlotte Stackhouse throughout the area. Olney Theatre in Let Trump Be Trump and Isabella Center: Evita, Mary Poppins (Neleus), Andreini in a one-woman show entitled, Carmen: An Afro Cuban Jazz Musical, Oh, What Can’t A Woman Do?. She Guys & Dolls (Rusty Charlie), The received her BA in musical theatre from Producers, Disney’s The Little Mermaid American University and is a member (Flotsam); THEARC Theater: Truth: The of the National Broadway Chorus. Musical (Popple); Toby’s Dinner Theatre: Spamalot (Helen Hayes nomination, www.HilaryMorrow.com - 6 - TIARA WHALEY LUKE FRAZIER, a rapidly rising star in (Aouda) is thrilled to be the Pops world, has proven himself as performing with The both an innately musical conductor and American Pops Orchestra. a sensitive pianist. His commitment to Tiara studied Musical Theatre and English re-envisioning pops programming has Writing at West Chester quickly established him as a dynamic University of Pennsyl- force across the music community. Frazier vania. Her favorite roles has demonstrated his versatility and include Ti Moune (Once on This Island), range by conducting in venues both grand Emmie Thibodeaux (Caroline or Change, and intimate, from Lincoln Center to Helen Hayes Award, Outstanding Supporting Actress in a Musical, Helen), Lorraine Carnegie Hall, the Kennedy Center to the (All Shook Up), and Lil’ Inez (Hairspray). Rainbow Room. Pulitzer Prize-winning composer Marvin Hamlisch put it best, CLAYBOURNE ELDER calling Frazier “so talented, and sensitive (Writer) returns to the to every nuance.” American Pops after co- starring in last season’s As a testament to his mission to reimagine opening concert, I’ll pops programming, Frazier founded Be Seeing You: A World the American Pops Orchestra in 2015, War II Love Story. He is presenting all original programming. His a Drama Desk, Lucille commitment to the American Songbook Lortel Award nominee is also evident through his involvement on and a Theatre World Award winner. He starred on Broadway in Bonnie and Clyde the Board of the Great American Songbook (Buck, original cast) and Sunday in the Foundation. In demand as a clinician, Park with George (starring Jake Gyllenhaal, adjudicator, and speaker, Luke recently Soldier/George understudy). Off-Broadway addressed the National Symphony he appeared in the original companies of Orchestra’s “Summer Music Institute” Stephen Sondheim’s Road Show (Hollis), students. He appeared as the Keynote One Arm (Ollie, Drama Desk Nomination Best Actor), and in the revivals of Allegro Speaker for the National Society of Arts (Joe, Lucille Lortel Nomination, Best Actor), and Letters (NSAL) Award for Excellence Two by Two (Japheth, with Jason Alexander), in the Arts at the Kennedy Center and and Do I Hear a Waltz? (Eddie). He has also addressed the VSA, an international premiered works by Stephen Sondheim, organization for the arts and disability. Frank Wildhorn, William Finn, and Richard In addition to founding the National Maltby & David Shire, and has appeared Broadway Chorus in Washington DC, he on five cast albums. His regional credits include George in the Helen Hayes Award presented an original program honoring winning Signature Theatre revival of Sunday the 100th anniversary of Ella Fitzgerald’s in the Park with George, Wolf/Prince in birth with the DC Youth Orchestra in Moises Kaufman’s revival of Into the Woods, Spring 2017. Angels in America (KC Rep, dir. David Cromer), Oklahoma (Curly, MTW), West Mr. Frazier has worked with artists such Side Story(Tony, Tuacahn), Cinderella as Darren Criss, Vanessa Williams, Liz (Prince, KC Starlight). His film and Callaway, Brian Stokes Mitchell, Mo television credits include Pete O’Malley Rocca, Lea Salonga, Laura Osnes, Eric on “The Carrie Diaries,” Flatbush Luck, Owens, Liza Minnelli, Chita Rivera, Rita and It Could Be Worse. He made his Moreno, Lindsay Mendez, Renée Fleming, cabaret debut at 54 Below and his solo show “You and Me and Sondheim” has Michael Feinstein, Christine Ebersole, played to sold out houses around the Elaine Paige, Arturo Sandoval, and Norm country and in London. Lewis, among many others. www.ClaybourneElder.com www.LukeFrazierMusic.com - 7 - THE AMERICAN POPS ORCHESTRA KELLY CRANDALL D’AMBOISE (Director) founded by LUKE FRAZIER presents is thrilled to be the Resident Director of innovative orchestral programming, The American Pops Orchestra this season. featuring groundbreaking concepts to Recent work includes choreography for the develop and inspire a new audience for APO, Newsies! at Connecticut Repertory the 21st century. This professional Theatre, Urinetown at Next Stop Theatre orchestra boasts outstanding musicians and Tick,Tick... Boom! at Convergence.
Recommended publications
  • 4 All the UK Case Studies and People Like You

    4 All the UK Case Studies and People Like You

    For people like us 4 All the UK Case studies and people like you 3 Contents 4 Introduction Alex Mahon, Chief Executive, Channel 4 6 Viewpoint One year on Sinéad Rocks, Managing Director, Nations and Regions, Channel 4 8 Leeds 10 Viewpoint Roger Marsh OBE, Chair, Leeds City Region Enterprise Partnership and NP11 12 Case study: Steph’s Packed Lunch 14 Bristol 16 Glasgow 18 Manchester 4 All the UK case studies 20 Harjeet Chhokar 21 Kate Thomas 22 Barry Agnew 23 Sharon Chapendama 4 All the UK 24 Emerging Indie Fund and Indie Growth Fund 26 4Studio 28 4Skills 30 Viewpoint Sally Joynson, CEO, Screen Yorkshire 32 Contacts 4 Introduction When we set out our 4 All the UK We’ve also committed to upping strategy just over two years ago, our spend on creative content in the it sparked the largest structural Nations and Regions – from 35% to shake-up in Channel 4’s history. 50% of main channel UK commissions by 2023, worth up to £250 million We knew that if we were going to more in total. Plus, we’ve announced truly fulfil our remit to stand up for a new Emerging Indie Fund to help diversity, take creative risks and budding early stage production inspire change, we’d need to change companies from across the country to too. We’d need to look and feel break into new genres and scale up. different, behave differently and most importantly, get outside the M25. Through our new 4Skills training and development initiative, we’re making After a bidding process that involved sure that Channel 4 is even more open to most major cities in the country, we new talent and fresh voices from picked Leeds as our new national HQ.

  • Bomb Scare Clears Kirkbride Therapy for Accident Victim "If It's on Camous and It's by KEN MAMMARELLA Threat Procedure of Leaving the Suspected Karen Seitz

    Bulk Rate U.S. Postage PAID ff>ermit No.320 Newark, DE. Friday. April6. 1979 By DEBORAH PETIT MIDDLETOWN, Pa.,- With a potential core melt-down now greatly reduced, officials at the Three Mile Island Nuclear Reactor Site are turning their attention to the pro­ blems of cleaning up radioactive substances left by the re­ cent reactor accident. Upon analysis of the extent of damage incurred in the mishap and the level of radioactive contamination left in the reactor, experts will determine the fate of the Three Mile site. An evaluation of the costs involved will leave the officials with the options of either refurbishing or decommissioning the plant. Both of which would require large amounts of time and money. · The projected time for complete decontamination of the reactor now stands at least one to two years. Additional time beyond ~hat estimate would be required to bring the plant back to operational levels. Cost estimates for the refurbishment of the reactor can not be determined from present data. The costs and time involved in decommissioning the site, however, can be more accurately determined from previous studies done by the Nuclear Regulatory Commis­ sion (NRC). Most data points to a dismantling cost estimate of roughly Review photo by Andy Cline 5 percent to 10 percent of the original construction costs. "THEY'VE PUSHED THE PANIC BUTTON as HAROLD DENTON, Director of the NRC's of­ The NRC conducted a study of the Trojan reactor site in far as I'm concerned," Mitzi Krause said of fice of Nuclear Reactor Regulation, and Oregon and came up with a dismantling cost in 1978 of just the nuclear accident on near by Three Mile NRC spokesman Joseph Fouchard {left) aid- over $42 million to level the plant.
  • Brian Stokes Mitchell Outside at the Colonial

    Brian Stokes Mitchell Outside at the Colonial

    Press Contacts: Katie B. Watts Press Manager (413) 448-8084 x15 [email protected] Becky Brighenti Director of Marketing & Public Relations (413) 448-8084 x11 [email protected] For immediate release, please: Monday, July 20 at 10am Berkshire Theatre Group Announces An Intimate Performance with Two-time Tony Award-winner Brian Stokes Mitchell to Benefit Berkshire Theatre Group and a Portion of Sales to go to The Actors Fund and Black Theatre United Pittsfield, MA – Berkshire Theatre Group (BTG) and Kate Maguire (Artistic Director, CEO) are ​ excited to announce two-time Tony Award-winner Brian Stokes Mitchell in an intimate ​ ​ performance and fundraiser to benefit Berkshire Theatre Group. In this very special one-night-only concert, Brian Stokes Mitchell will deliver an unforgettable performance to an audience of less than 100 people, outside under a tent at The Colonial Theatre on Labor Day ​ Weekend, September 5 at 8pm. Dubbed “the last leading man” by The New York Times, Tony Award-winner Brian Stokes ​ ​ Mitchell has enjoyed a career that spans Broadway, television, film, and concert appearances with the country’s finest conductors and orchestras. He received Tony, Drama Desk, and Outer Critics Circle awards for his star turn in Kiss Me, Kate. He also gave Tony-nominated ​ ​ performances in Man of La Mancha, August Wilson’s King Hedley II, and Ragtime. Other ​ ​ ​ ​ ​ ​ notable Broadway shows include: Kiss of the Spider Woman, Jelly’s Last Jam, Women on the ​ Verge of a Nervous Breakdown and Shuffle Along. In 2016 he was awarded his second Tony ​ ​ ​ Award, the prestigious Isabelle Stevenson Tony for his Charitable work with The Actors Fund.
  • The-Music-Of-Andrew-Lloyd-Webber Programme.Pdf

    The-Music-Of-Andrew-Lloyd-Webber Programme.Pdf

    Photograph: Yash Rao We’re thrilled to welcome you safely back to Curve for production, in particular Team Curve and Associate this very special Made at Curve concert production of Director Lee Proud, who has been instrumental in The Music of Andrew Lloyd Webber. bringing this show to life. Over the course of his astonishing career, Andrew It’s a joy to welcome Curve Youth and Community has brought to life countless incredible characters Company (CYCC) members back to our stage. Young and stories with his thrilling music, bringing the joy of people are the beating heart of Curve and after such MUSIC BY theatre to millions of people across the world. In the a long time away from the building, it’s wonderful to ANDREW LLOYD WEBBER last 15 months, Andrew has been at the forefront of have them back and part of this production. Guiding conversations surrounding the importance of theatre, our young ensemble with movement direction is our fighting for the survival of our industry and we are Curve Associate Mel Knott and we’re also thrilled CYCC LYRICS BY indebted to him for his tireless advocacy and also for alumna Alyshia Dhakk joins us to perform Pie Jesu, in TIM RICE, DON BLACK, CHARLES HART, CHRISTOPHER HAMPTON, this gift of a show, celebrating musical theatre, artists memory of all those we have lost to the pandemic. GLENN SLATER, DAVID ZIPPEL, RICHARD STILGOE AND JIM STEINMAN and our brilliant, resilient city. Known for its longstanding Through reopening our theatre we are not only able to appreciation of musicals, Leicester plays a key role make live work once more and employ 100s of freelance in this production through Andrew’s pre-recorded DIRECTED BY theatre workers, but we are also able to play an active scenes, filmed on-location in and around Curve by our role in helping our city begin to recover from the impact NIKOLAI FOSTER colleagues at Crosscut Media.
  • Applause Magazine, Applause Building, 68 Long Acre, London WC2E 9JQ

    Applause Magazine, Applause Building, 68 Long Acre, London WC2E 9JQ

    1 GENE WIL Laughing all the way to the 23rd Making a difference LONDON'S THEATRE CRITI Are they going soft? PIUS SAVE £££ on your theatre tickets ,~~ 1~~EGm~ Gf1ll~ G~rick ~he ~ ~ e,London f F~[[ IIC~[I with ever~ full price ticket purchased ~t £23.50 Phone 0171-312 1991 9 771364 763009 Editor's Letter 'ThFl rul )U -; lmalid' was a phrase coined by the playwright and humourl:'t G eorge S. Kaufman to describe the ailing but always ~t:"o lh e m Broadway Theatre in the late 1930' s . " \\ . ;t" )ur ul\'n 'fabulous invalid' - the West End - seems in danger of 'e:' .m :: Lw er from lack of nourishmem, let' s hope that, like Broadway - presently in re . \ ,'1 'n - it too is resilient enough to make a comple te recovery and confound the r .: i " \\' ho accuse it of being an en vironmenta lly no-go area whose theatrical x ;'lrJ io n" refuse to stretch beyond tired reviva ls and boulevard bon-bons. I i, clUite true that the season just past has hardly been a vintage one. And while there is no question that the subsidised sector attracts new plays that, =5 'ears ago would a lmost certainly have found their way o nto Shaftes bury Avenue, l ere is, I am convinced, enough vitality and ingenuity left amo ng London's main -s tream producers to confirm that reports of the West End's te rminal dec line ;:m: greatly exaggerated. I have been a profeSSi onal reviewer long enough to appreciate the cyclical nature of the business.
  • 2018 Annual Report

    2018 Annual Report

    Annual Report 2018 Dear Friends, welcome anyone, whether they have worked in performing arts and In 2018, The Actors Fund entertainment or not, who may need our world-class short-stay helped 17,352 people Thanks to your generous support, The Actors Fund is here for rehabilitation therapies (physical, occupational and speech)—all with everyone in performing arts and entertainment throughout their the goal of a safe return home after a hospital stay (p. 14). nationally. lives and careers, and especially at times of great distress. Thanks to your generous support, The Actors Fund continues, Our programs and services Last year overall we provided $1,970,360 in emergency financial stronger than ever and is here for those who need us most. Our offer social and health services, work would not be possible without an engaged Board as well as ANNUAL REPORT assistance for crucial needs such as preventing evictions and employment and training the efforts of our top notch staff and volunteers. paying for essential medications. We were devastated to see programs, emergency financial the destruction and loss of life caused by last year’s wildfires in assistance, affordable housing, 2018 California—the most deadly in history, and nearly $134,000 went In addition, Broadway Cares/Equity Fights AIDS continues to be our and more. to those in our community affected by the fires and other natural steadfast partner, assuring help is there in these uncertain times. disasters (p. 7). Your support is part of a grand tradition of caring for our entertainment and performing arts community. Thank you Mission As a national organization, we’re building awareness of how our CENTS OF for helping to assure that the show will go on, and on.
  • Colonial Concert Series Featuring Broadway Favorites

    Colonial Concert Series Featuring Broadway Favorites

    Amy Moorby Press Manager (413) 448-8084 x15 [email protected] Becky Brighenti Director of Marketing & Public Relations (413) 448-8084 x11 [email protected] For Immediate Release, Please: Berkshire Theatre Group Presents Colonial Concert Series: Featuring Broadway Favorites Kelli O’Hara In-Person in the Berkshires Tony Award-Winner for The King and I Norm Lewis: In Concert Tony Award Nominee for The Gershwins’ Porgy & Bess Carolee Carmello: My Outside Voice Three-Time Tony Award Nominee for Scandalous, Lestat, Parade Krysta Rodriguez: In Concert Broadway Actor and Star of Netflix’s Halston Stephanie J. Block: Returning Home Tony Award-Winner for The Cher Show Kate Baldwin & Graham Rowat: Dressed Up Again Two-Time Tony Award Nominee for Finian’s Rainbow, Hello, Dolly! & Broadway and Television Actor An Evening With Rachel Bay Jones Tony, Grammy and Emmy Award-Winner for Dear Evan Hansen Click Here To Download Press Photos Pittsfield, MA - The Colonial Concert Series: Featuring Broadway Favorites will captivate audiences throughout the summer with evenings of unforgettable performances by a blockbuster lineup of Broadway talent. Concerts by Tony Award-winner Kelli O’Hara; Tony Award nominee Norm Lewis; three-time Tony Award nominee Carolee Carmello; stage and screen actor Krysta Rodriguez; Tony Award-winner Stephanie J. Block; two-time Tony Award nominee Kate Baldwin and Broadway and television actor Graham Rowat; and Tony Award-winner Rachel Bay Jones will be presented under The Big Tent outside at The Colonial Theatre in Pittsfield, MA. Kate Maguire says, “These intimate evenings of song will be enchanting under the Big Tent at the Colonial in Pittsfield.
  • Bay Area Cabaret Returns to San Francisco's Most Historic Showroom

    Bay Area Cabaret Returns to San Francisco's Most Historic Showroom

    BAY AREA CABARET RETURNS TO SAN FRANCISCO’S MOST HISTORIC SHOWROOM, THE FAIRMONT VENETIAN ROOM Presents Ninth Season of Nationally Renowned Vocalists Season opens October 28 with “Supremes” Legend Mary Wilson, continues with Broadway icon Tommy Tune, singer/actor Peter Gallagher, Broadway duo Marin Mazzie and Jason Danieley, actress/recording artist Elaine Paige, actress/singer Nellie McKay performing with Chanticleer, and a season finale Marvin Hamlisch Tribute. San Francisco, CA (September 14, 2012) --- Bay Area Cabaret, the local non-profit organization devoted to presenting audiences with top performers who expand the definition of cabaret, has announced its lineup for the 2012-2013 season. Opening the season Sunday, October 28, 2012 is Motown legend and founding member of “Supremes,” Mary Wilson, followed Sunday, November 11, 2012 by 9-time Tony Award winning singer/dancer/director/choreographer Tommy Tune, and December 9, 2012 by television, film, and Broadway star Peter Gallagher. The series continues in 2013 with “Broadway’s golden couple,” Marin Mazzie and Jason Danieley on February 17, 2013, “Britain’s first lady of musical theatre” Elaine Paige on March 1, 2013, and a performance by singer/actress Nellie McKay featuring San Francisco’s Grammy-winning a capella male chorus Chanticleer on March 23, 2013. Rounding out the season is a tribute to the late Marvin Hamlisch, with special guests to be announced, on June 2, 2013, which would have been the legendary composer’s 69th birthday, with special guests to be announced. After several seasons of presenting shows in a variety of elegant showrooms, Bay Area Cabaret found a permanent home two years ago when it was invited to reopen the Fairmont Hotel’s historic Venetian Room, which had been dark as an entertainment venue for over 21 years.
  • A Career Overview 2019

    A Career Overview 2019

    ELAINE PAIGE A CAREER OVERVIEW 2019 Official Website: www.elainepaige.com Twitter: @elaine_paige THEATRE: Date Production Role Theatre 1968–1970 Hair Member of the Tribe Shaftesbury Theatre (London) 1973–1974 Grease Sandy New London Theatre (London) 1974–1975 Billy Rita Theatre Royal, Drury Lane (London) 1976–1977 The Boyfriend Maisie Haymarket Theatre (Leicester) 1978–1980 Evita Eva Perón Prince Edward Theatre (London) 1981–1982 Cats Grizabella New London Theatre (London) 1983–1984 Abbacadabra Miss Lyric Theatre, Hammersmith Williams/Carabosse (London) 1986–1987 Chess Florence Vassy Prince Edward Theatre (London) 1989–1990 Anything Goes Reno Sweeney Prince Edward Theatre (London) 1993–1994 Piaf Édith Piaf Piccadilly Theatre (London) 1994, 1995- Sunset Boulevard Norma Desmond Adelphi Theatre (London) & then 1996, 1996– Minskoff Theatre (New York) 19981997 The Misanthrope Célimène Peter Hall Company, Piccadilly Theatre (London) 2000–2001 The King And I Anna Leonowens London Palladium (London) 2003 Where There's A Will Angèle Yvonne Arnaud Theatre (Guildford) & then the Theatre Royal 2004 Sweeney Todd – The Demon Mrs Lovett New York City Opera (New York)(Brighton) Barber Of Fleet Street 2007 The Drowsy Chaperone The Drowsy Novello Theatre (London) Chaperone/Beatrice 2011-12 Follies Carlotta CampionStockwell Kennedy Centre (Washington DC) Marquis Theatre, (New York) 2017-18 Dick Whttington Queen Rat LondoAhmansen Theatre (Los Angeles)n Palladium Theatre OTHER EARLY THEATRE ROLES: The Roar Of The Greasepaint - The Smell Of The Crowd (UK Tour)
  • Mary Poppins - the Broadway Musical Ebook

    Mary Poppins - the Broadway Musical Ebook

    FREEMARY POPPINS - THE BROADWAY MUSICAL EBOOK Anthony Drewe,George Stiles,Richard M Sherman,Robert B Sherman | 112 pages | 29 Mar 2011 | Hal Leonard Corporation | 9781617803444 | English | Milwaukee, United States Mary Poppins - Broadway | Tickets | Broadway | Everyone's favorite practically perfect nanny takes the stage in this Supercalifragilisticexpialidocious musical adventure. Tickets are available at www. One of the most popular Disney movies of all time is capturing hearts in a whole new way: as a practically perfect musical! Based on the books by P. The jack-of-all trades, Bert, introduces us to England in and the troubled Banks family. Young Jane and Michael have sent many a nanny packing before Mary Poppins arrives on their doorstep. Using Mary Poppins - The Broadway Musical combination of magic and common sense, she must teach the family members how to value each other again. Even grown-ups can learn a lesson or two from the nanny who advises that "Anything can happen if you let it. Check out this article in the Taunton Gazette. July Mary Poppins - The Broadway Musical. Thursday, January 12, at 7pm NEW! Who's Who in Mary Poppins. Mickey T. White Bert. Kaitlyn Webber Featured Dancer. Kimberly Waller Ensemble. Leo Olmstead Michael. Jacob Miranda Featured Dancer. Ronni Marshak Bird Woman. Jessica Lorion Mary Poppins. Helen Lee Katie Nana. Paul Hayden Mr. George Mary Poppins - The Broadway Musical. Andrea Giangreco Mrs. Winifred Banks. Anthony Genatossio Robertson Ay. Jessica Dougherty Mrs. John Crampton Neleus. Lauren Coleman Ensemble. Patrick Chisholm Ensemble. Samantha Boragine Ensemble. Lindsey Ashworth Ensemble. Mary Poppins Production Team. Colleen Rua Artistic Director.
  • Edition 3 | 2019-2020

    Edition 3 | 2019-2020

    Our 5-star rated nursing and rehab center delivers a recovery experience that will be remembered for the warmth we exude and the clinical excellence we provide. COME SEE OUR MILLION DOLLAR RENOVATION OF OUR ENTIRE FACILITY ONLY 5-STAR CMS RATED SKILLED NURSING & REHAB FACILITY IN WATERBURY 2019–2020 SEASON Letter from the Chairman 7 Letter from the CEO 9 Bandstand 12 Sandy Hackett’s Rat Pack Show 25 Palace Theater Staff Directory 36 Program information for tonight’s presentation inside. The Palace would like to thank all of its Program advertisers for their support. ADVERTISING Onstage Publications Advertising Department 937-424-0529 | 866-503-1966 e-mail: [email protected] www.onstagepublications.com This program is published in association with Onstage Publications, 1612 Prosser Avenue, Dayton, Ohio 45409. This program may not be reproduced in whole or in part without written permission from the publisher. Onstage Publications is a division of Just Business, Inc. Contents ©2020. All rights reserved. Printed in the U.S.A. letter from the chairman n my role as Chairman of the Board of the Palace Theater, I I have the pleasure of presiding over this beautiful and valued performing arts center and watching it grow each year. This year is particularly exciting, as it is our 15th Anniversary year! Fifteen years ago, a group of dedicated local and state leaders organized to restore and reopen this historic facility. After an extensive renovation, we welcomed our first audience to take in the visual splendors of the theater—and the mellifluous tones of Tony Bennett’s voice.
  • Johnsonk@Nyphil.Org a BROADWAY ROMANCE

    [email protected] a BROADWAY ROMANCE

    FOR IMMEDIATE RELEASE December 18, 2014 Contact: Katherine E. Johnson (212) 875-5718; [email protected] A BROADWAY ROMANCE One-Night-Only Valentine’s Day Concert Featuring Vocalists Laura Osnes and Santino Fontana Conducted by Ted Sperling February 14, 2015 Ted Sperling will conduct the New York Philharmonic and vocalists Laura Osnes and Santino Fontana in A Broadway Romance, a one-night-only Valentine’s Day concert, Saturday, February 14, 2015, at 8:00 p.m. The program will feature songs from popular musicals ranging from Bernstein’s West Side Story and Gershwin’s Girl Crazy to Rodgers & Hammerstein’s Carousel and Stephen Sondheim’s Company, woven together to tell a unified narrative of a romance from beginning to end, from meeting to first date to falling in love to marriage. Ted Sperling led the Philharmonic in a similar program, Broadway Night with the Philharmonic, during its July 2013 Bravo! Vail residency, with vocalists Betsey Wolfe and Andrew Samonsky. During the following summer’s residency, Mr. Sperling led the Philharmonic with Laura Osnes and Santino Fontana — who starred together on Broadway in Rodgers + Hammerstein’s Cinderella — as well as Christine Ebersole in Broadway Night with the Philharmonic: The Music of Frank Loesser. Ted Sperling most recently appeared with the Philharmonic conducting and directing its semi-staged production of Kern & Hammerstein’s Show Boat, in November 2014. Artists Ted Sperling’s recent collaborations with the New York Philharmonic include Show Boat in November 2014; Broadway Night with the Philharmonic at Bravo! Vail in July 2013; An Enchanted Evening with Paulo Szot, the 2013 Spring Gala; and Anywhere I Wander: The Frank Loesser Songbook, the 2012 Spring Gala.