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Digital Commons @ Fuller the Semi (07-01-2002) Fuller Theological Seminary Digital Commons @ Fuller The SEMI (2001-2010) Fuller Seminary Publications 7-1-2002 The Semi (07-01-2002) Fuller Theological Seminary Follow this and additional works at: https://digitalcommons.fuller.edu/fts-semi-6 Recommended Citation Fuller Theological Seminary, "The Semi (07-01-2002)" (2002). The SEMI (2001-2010). 54. https://digitalcommons.fuller.edu/fts-semi-6/54 This Periodical is brought to you for free and open access by the Fuller Seminary Publications at Digital Commons @ Fuller. It has been accepted for inclusion in The SEMI (2001-2010) by an authorized administrator of Digital Commons @ Fuller. For more information, please contact [email protected]. | iDpApY pij* ? cp THEOLOGICAL $EMiNANV “Do not the most moving moments of our lives And us all without words?” —Marcel Marceau— The world's greatest_____at Fuller? see page B Summer 2DD2 • July Issue Drinking from the World Cup www.fuller.edu/studentJife/5EIVII/semi.html A Perspective by Tim Klingler luring the month of June, a single event captivated virtually the entire globe. From Burma to Burkina Faso, Bolivia to Bosnia, 0 Belgium to Belize, the world fixed its attention on the 2002 World Cup soccer tournament. An estimated three-and-a-half billion people tuned in to watch the tournament. For the final match, one-and-a-half billion people gathered around TV screens in homes, bus stations, bars, restaurants, churches, and parks to watch Brazil defeat Germany 2-0 for its fifth cham­ pionship title. While most of the US population abstained from partaking of the Cup, a significant percentage of the Fuller community imbibed and participated in the quadrennial euphoria of the global community. World Cup Presents Challenges for Fuller Fans For Fuller soccer fans, this year’s tournament presented a number of unique challenges. First, the 48 first-round matches were held during the final two weeks of the spring semester. Several students stoically concluded that one quarter of sleeplessness and sub-par academic performance was a small price to pay for the opportunity to watch the world’s most popular sporting event. Shawn Delp (SWM and Student Accounts employee) simply postponed academic studies and traveled to South Korea to support the US team, the “Nats.” Second, the majority of games were broadcast live at 11:30 p.m., 2:30 a.m„ and 4:30 a.m„ Pacific Time. German Tobi Kron (SWM) spent many near sleepless nights watching the M annshaft play. After Germany’s matches, Kron recalls that he had “so much passion” that it was difficult to fall back to sleep. Brazilian Marco Alambert (SWM; Computer Lab employee) was perhaps the most avid World Cup fan at Fuller, watching approximately 40 of the 64 games in their entirety and viewing portions of the remaining ones. Despite the 11:30 p.m. game time, over fifty people gathered in the Catalyst to watch the first-round 1—1 tie between the USA and South Korea. ‘World Cup’ continued on page & I n T h i s I s s u e Jazz at TravlsP page 2 Housing Development Open Forum Thursday, July 25 Jazz and what it has to do with Fuller 6-8 p.m., Payton 101 Drazll at a Glance Jesus in Potterworld Tuesday, July 30 Learn about the home country of 11 Fuller students page 5 7:30 p.m., Travis Auditorium ( P Willow Creek leadership Summit Thurs.-FH, August 8-9 Holy Pet Keeping 9 a.m.-5 p.m. (Thurs.), 9-12:30 (Fri.), Travis Aud. Is there such a thing? page 9 FaU Returning Student Registration Tues-lhurs. Aug. 27-29 8 a.m.-5 p.m., Payton 101 FYl a Classifieds page 10 «MS* Jazz qfTràyis? “But I, of course, am a music freak.” An Interview with Dr. John Goldingay — Dr. John Boldingay— l (From August to December, is that it is fantastic fun. But I, of course, , ' “Jazz at Travis Auditorium,” am a music freak. If you don’t like music, will bring jazz musicians right to the Fuller don’t waste your time coming! doorstep. The SEMI interviewed Dr. John Goldingay about these special Saturday W hat m ight help som eone new to jazz night concerts. fully appreciate the concerts? Watch the PBS Ken Bums video How did the Pasadena Jazz Institute de­ series on jazz, or read the book related cide on Travis Auditorium? to the series. And drink a glass of wine. I attended several of its concerts at the Playhouse last year. When I discovered that Which concerts will you be sure not the Pasadena Playhouse couldn’t host the to m iss? 2002 series and that the Institute was I’m very much looking forward to looking for a venue, I called the Institute the first, because I am a sucker for director, Paul Lines, and asked if he would women singers with piano trios. I’ m also like to take a look at Travis. He was thrilled looking forward to December 7, when a with the auditorium, so we took it from group recreates Louis Armstrong’s Hot there with the Fuller administration. Five sessions from the 1920’s. I especially enjoyed a concert in last year’s Why is this a good thing for Fuller? series that recreated Duke Ellington The founding of the Brehm Center is a sessions from the sign that we want to take the arts seriously, 1930’s - you usually and this opportunity with the Jazz Institute only hear that music provides a chance to give expression to that on scratchy old interest. It is particularly appropriate recordings, and it is because jazz is the USA’s music. (It’s been marvelous to hear it said that there are three things the USA will live. But different be remembered for - baseball, jazz, and concerts will appeal something else I can’t remember, but I think to different people. it will be the invention of the nuclear bomb.) A Summer Grange of Pace So we ought to be involved in jazz and Tell us about the first Summer Chapel 2002 thinking about it theologically. two concerts of the Thursdays at 10:00 a.m. Also, jazz is the one American art form series. Barker Commons - although I never knew that before I came August 3 - “Blue to the USA. As a teenager I listened to in Green.” Recording Summer chapel, held outdoors in Barker Commons in front of the Registrar’s Office, is a good opportunity to refresh British and Dutch jazz and to Sidney Bechet star Tierney Sutton and her piano trio pay your spirit and refocus dùringdhese summer months. Join - whom I thought was French but turns out us for 35-40 minutes^of worship*in song, sharing, and brief to be from Louisiana. homage to Bill Evans, reflections by the following individuals: with Miles Davis. Why isn’t Fuller Seminary mentioned in August 17 - “A July 25 Jr ^VRemi Lawanson the concert series brochure? W orld o f P iano.” A SWM Student Actually, it is mentioned in an Milcho Leviev and August 1 Anthea Butler expression of appreciation on the third page, his trio play Brubeck, Fuller Alum,SfpJtrie Prof, o f but only in small type! That’s because Fuller Summer EDDE July I Rimsky Korsakov, Intercultural Studies, Loyola. Marymount U. wasn’t officially in a position to sponsor the and Gershwin. MI e event. Clay Schmit of the Brehm Center Tickets are $25. August 8 I I Dawn Taloyo S was very supportive in making the Fuller students get in Assistant to the Brehm Center Aqademic Director e 1 arrangements, but formally Fuller is simply for $20 - or free if Aug. 15 I John and Olive Diane providing a venue for someone who wants you volunteer to Prof. ^PracttcqjBTieologyiu. o f Aberdeen; to hold concerts in the facility. usher. For more info CEOihberdeen Regional Ecumenical Team see the program on I I J. A T H What• TH are two things which should en­ the Catalyst Aug. 22 I E — ------, J f John D’Blia Egrector of Developmerf Serviceaand Major Gifts courage students to attend? noticeboard, call age One is implicit in my answer above. 398-3344, or visit Aug. 29....... il l l~ * Norma Alejandro P Jazz is a major art form that people might www.passjazz.org. m w - — — “ ------- ---- SOT'ficademic Advisor like to get to know and think about. The other I P W B B E K k age A m By Yann Ti ^ 1 • Disclaimer by Matt Cromwell 3 • TH D ea n of S tu d en ts Ruth Vuong "his is more of a music/movie review. Amelie M a n a e in e E d it o r Carmen Valdes (by Jean-Pierre Juenet) is truly one of the best E d ito r Leslie Hawthorne Klingler films I have ever seen. I bought the soundtrack spe­ e 7 S [email protected] cifically because I wanted to relive the general emotion and e P r o d u c tio n E d it o r Matt Cromwell life of the movie. But now that I have the soundtrack itself, MI [email protected] it has begun to have a life of its own, apart from the movie itself—it’s that good! Summer 2DDE July Issi Amelie is arranged and written by French composer Yann Tiersen. Tiersen truly is a composer The SEMI is published weekly (monthly during the in that the music is “composed” - not strummed blindly or synthesized mechanically. The music summer quarter) as a service to the Fuller commu­ is so vibrant and alive that you can’t help but listen.
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