Exhibitions Take Unique Look at Familiar Media CONTENTS SUMMER 2014
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NMS15 Marketing Opportunities
SPONSOR AND PARTNER OPPORTUNITIES Transforming the Music Business JUNE 21-23, 2015 | NEW YORK CITY THE NEW ERA OF MUSIC BUSINESS "The New Music Seminar is the single best gathering of cung edge music industry visionaries on the scene today. It's a must-do for anyone aspiring to be part of this business of music." - Steve Greenberg – Founder/CEO, S-Curve > NMS is the legendary NYC industry event focused on new opportunities and growth of the overall music business > Unparalleled speakers and discussions - The next generation of music business executives and stars > Elevated networking platform to take your business and career to the next level NMS connects the creave professional with the people wHo determine the future of the music business 2 THE 1,500 • Limited to 1,500 attendees to ensure the highest quality personal experience > More decision-makers devoted to the cause of building the next generation of the music business - Less time bandits. • Influential audience filled with creatives, decision-makers, and engaged trendsetters > Artists, producers, and songwriters > Tastemakers that break new music > Explorers searching for the “next big thing” > Experienced industry leaders discussing the real issues behind the music business, the backroom deals, the untold stories > Investors of the music business > Industry Insiders revealing the secrets behind success in the industry Cross-pollinaon : Every part of the music business...together! Adversing/ Brands; 2% ArJst Services; 2% Students; 6% A&R; 5% Radio; 5% ArJsts/ PublisHers; 8% Performers; -
Definitive Collection of Stax Records' Singles to Be
FOR IMMEDIATE RELEASE: DEFINITIVE COLLECTION OF STAX RECORDS’ SINGLES TO BE REISSUED Two volumes, due out December 16, 2014 and Spring 2015, cover 1968-1975. Volumes to be made available digitally for first time. LOS ANGELES, Calif. — Concord Music Group and Stax Records are proud to announce the digital release and physical reissue of two comprehensive box set titles: The Complete Stax/Volt Soul Singles, Vol. 2: 1968-1971 and The Complete Stax/Volt Soul Singles, Vol. 3: 1972-1975. Originally released in 1993 and 1994, respectively, these two compilations will be re-released back into the physical market in compact and sleek new packaging. Each set includes full-color booklets with in-depth essays by Stax historian and compilations co- producer Rob Bowman. The volumes feature stalwart Stax R&B artists including Isaac Hayes, the Staple Singers, Rufus Thomas, Johnnie Taylor, Carla Thomas, the Bar-Kays and William Bell, as well as bluesmen Little Milton, Albert King and Little Sonny, and “second generation” Stax hitmakers like Jean Knight, the Soul Children, Kim Weston, the Temprees, and Mel & Tim. Many of the tracks included in these collections will be made available digitally for the very first time. The story of the great Memphis soul label Stax/Volt can be divided into two distinct eras: the period from 1959 through the beginning of 1968, when the company was distributed by Atlantic and was developing its influential sound and image (chronicled in acclaimed 9-CD box set The Complete Stax/Volt Singles 1959-1968, released by Atlantic in 1991); and the post-Atlantic years, from May 1968 through the end of 1975, when Stax/Volt began its transition from a small, down-home enterprise to a corporate soul powerhouse. -
Keith Hess Appointed Vice President and Managing Director of the Guest House at Graceland
FOR IMMEDIATE RELEASE CONTACT: THE BECKWITH COMPANY David Beckwith | 323-845-9836 [email protected] Marjory Hawkins | (512) 838-6324 [email protected] KEITH HESS APPOINTED VICE PRESIDENT AND MANAGING DIRECTOR OF THE GUEST HOUSE AT GRACELAND MEMPHIS, Tenn. – February 17, 2016 – Hotel industry veteran Keith Hess has been appointed vice president and managing director of the under-construction, full-service, 450-room resort hotel, The Guest House at Graceland, which is located just steps away from Elvis Presley’s Graceland® in Memphis. The announcement was made by Jim Dina, chief operating officer of the Pyramid Hotel Group, which is managing the hotel for Elvis Presley Enterprises/Graceland. Hess brings more than 30 years of hotel and resort experience. For the past seven years, he has served as Pyramid Hotel Group’s vice president of operations, overseeing hotel and resort teams with Hilton, Hyatt, Westin, Sheraton, Marriott as well as Independent Brands. “All of us at Pyramid look forward to being part of this unprecedented, world-class resort and conference destination in the heart of Graceland,” said Dina. “We are pleased to announce Keith Hess as the managing director of The Guest House at Graceland. He is a strong leader, with a talent for cultivating and building top-notch hotel teams.” “Graceland is delighted to have Keith join us in such a key role at The Guest House at Graceland,” said Jack Soden, CEO of Elvis Presley Enterprises. “The Guest House is our most exciting project since opening Graceland in 1982, and we know that with Keith and Pyramid’s invaluable support, we’ll be providing extraordinary guest, conference, meeting and event experiences for the Memphis community and Graceland visitors from around the world.” The Guest House at Graceland is scheduled to open on October 27 of this year with a three-day gala grand opening celebration. -
Entre a Rebeldia E a Alienação: a Década De 1980 E a Massificação Do Rock No Brasil
Aula 9 ENTRE A REBELDIA E A ALIENAÇÃO: A DÉCADA DE 1980 E A MASSIFICAÇÃO DO ROCK NO BRASIL META Apresentar o modo como se deu a circulação, recepção e apropriação do rock no Brasil OBJETIVOS Ao final desta aula, o aluno deverá: Compreender criticamente o modo como se deu a recepção e apropriação de uma cultura musical vinda dos Estados Unidos: o rock. Identificar, descrever e analisar o modo como os contatos, confrontos e diálogos entre culturas de línguas diferentes, neste caso específico, a língua inglesa e a portuguesa, bem como as representações da Inglaterra e dos Estados Unidos, se configuram nos discursos dos estudiosos, jornalistas, artistas e bandas selecionados, buscando identificar, descrever e avaliar as implicações políticas, formativas e culturais da circulação, recepção e apropriação do rock no Brasil na década de 1980. PRÉ-REQUISITOS Familiaridade com os períodos formativos da história e da cultura dos Estados Unidos; Conceitos-chave da Teoria da Literatura e da história literária. Luiz Eduardo Oliveira Literatura de Língua Inglesa III INTRODUÇÃO O Núcleo de Estudos de Cultura da UFS, cadastrado no CNPq e vinculado ao Departamento de Letras Estrangeiras e aos programas de pós-graduação em Letras e Educação da mesma instituição, está desenvol- vendo uma pesquisa de Iniciação Científica, por mim orientada, sobre o processo de massificação do rock no Brasil na década de 1980. O título da pesquisa é “Entre a rebeldia e a alienação: a década de 80 e a massificação do rock no Brasil”. Dei esse título porque, a meu ver, essa é a grande ques- tão da cultura contemporânea, esse entre-lugar, essa encruzilhada, devido à sua condição diaspórica, necessariamente híbrida (Hall, 2006). -
Soul-Guide.Pdf
Soul – the sub-genres: • The Motown Sound • The Stax/Volt Sound • Atlantic Soul • Philadelphia Soul • 80s Soul/Urban ORIGINS Soul music eventually materialized in the early 1960s. It developed out of the Black music that became popular in the 1950's; that is, American gospel and R&B, performed primarily by black musicians almost exclusively to a black audience. Some of the most successful R&B artists of the 50s were the ones who made it into the pop charts in the 1960s with ‘Soul’ numbers. One such person was Ray Charles who was a major force in the early development of soul music with his unique style, which was of a rich blend of gospel, rhythm and blues and Jazz. musical characteristics Soul music, especially that from the 1960s, was simply ‘pop-orientated’ R&B. Therefore, Soul and R&B performances share common instrumentation, with the performing ensemble divided into a rhythm section and a horn section. Typically, the rhythm section consists of a drum kit, bass (electric or acoustic), piano (sometimes organ instead of or in addition to piano), and guitar, while the horn section features saxophones, trumpets, and occasionally trombones (though confusingly almost never, despite its name, horns). The emphasis on the horn section in most styles of soul and R&B has been one of the ways in which the music has historically been differentiated from white rock music, which has tended to be guitar dominated. Other common musical elements of Soul and R&B music include the use of: (1) the twelve--bar form, using a three line lyric, originating in earlier styles of blues; (2) call and response, whereby a singer or instrumentalist will sing or play a phrase and another vocalist or instrumentalist will answer with another phrase; (3) incessant repetition of musical notes, rhythms, phrases, or verses; the use of blue notes and (5) a tightly integrated and complex blending of instruments, in which it is often difficult to differentiate the separate sounds or instruments being played at a given moment. -
Of Memphis and Memphis Land Other Incentives Available to Companies May 16-May 22 Bank Officials Formally Opened Fairway That Hire Veterans Will Be Available
May 16-22, 2014, Vol.7, Issue 21 REHABBING VOLVO BUILDING IN MEMPHIS CENTER IN MISS. Right-handed pitcher The Volvo Group Jason Motte is using his »will build a rehab assignment with 1 million-square-foot the Memphis Redbirds distribution center in to regain his pre- Byhalia that should Tommy John surgery employ around 250. Its form for the St. Louis expected completion is Cardinals. • P. 2 2 the end of 2014. • P. 1 3 SHELBY • FAYEttE • TiptON • MadisON CULTURE OF HEALTH MBGH encouraging local companies to promote wellness in workplace P. 1 6 Medtronic employees Jeremy Tincher, left, and Craig Squires jog along a 2-mile path around the perimeter of the company's Memphis campus during their lunch break. (Memphis News/Andrew J. Breig) LAND GRAB AT GROWING WITH OVERTON PARK TECHNOLOGY Midtown park’s Michael Hatcher’s greensward usage landscaping firm has conflict sparks call for always embraced garage. • P. 1 8 technology. • P. 1 2 DIGEST: PAGE 2 | INKED/RECAP: PAGE 8 | FINANCIAL SERVICES: PAGE 11 | NEWSMAKERS: PAGE 21 | EDITORIAL: PAGE 30 A Publication of The Daily News Publishing Co. | www.thememphisnews.com 2 May 16-22, 2014 www.thememphisnews.com weekly digest Get news daily from The Daily News, www.memphisdailynews.com. Fairway Manor THE MEMPHIS NEWS | almanac can have on leadership, accountability and Development Opens revenue. Information about tax credits and City of Memphis and Memphis Land other incentives available to companies MAY 16-MAY 22 Bank officials formally opened Fairway that hire veterans will be available. This week in Memphis history: Manor Thursday, May 15, in southwest Cliff Yager, founder and managing Memphis. -
Songs Albums
RIAA JULY 2018 GOLD & PLATINUM Janis Joplin | Janis Joplin's Greatest Hits AWARDS ALBUMS Columbia Records Various Artists | Hamilton (Original In July, RIAA certified Broadway Cast Recording) 128 Song Awards and Atlantic Records 25 Album Awards. All RIAA Awards dating back to 1958 are available at riaa. com/gold-platinum! Don’t miss the NEW riaa.com/ goldandplatinum60 site Luke Combs | This One's For You Shawn Mendes | Handwritten Columbia Nashville/River Island Records celebrating 60 years of Gold House Artists & Platinum Awards and many #RIAATopCertified milestones for your favorite artists! SONG ALBUM AWARDS 128 AWARDS 25 Youngboy Never Broke Again | Until Death Call My Name APG/Atlantic Records SONGS Drake | God's Plan Young Money/Cash Money/ Republic Records Taylor Swift | Look What You X Ambassadors | Renegades Dua Lipa | New Rules Migos | Walk It Talk It Ariana Grande | No Tears Made Me Do KidinaKorner/Interscope Warner Bros Records Quality Control Music/Motown Left to Cry Big Machine Records Records Records/Capitol Records Republic Records Jason Aldean | You Make It Easy Morgan Wallen | Up Down Nathaniel Rateliff & the Nicki Minaj | Chun-Li Selena Gomez | Bad Liar Broken Bow Records Big Loud Records Night Sweats | S.O.B. Young Money/Cash Money/ Interscope Records Fantasy/Stax Records Republic Records www.riaa.com // // // GOLD & PLATINUM AWARDS JULY | 7/1/18 - 7/31/18 MULTI PLATINUM SINGLE | 27 Cert Date | Title | Artist | Genre | Label | Plat Level | Release Date | 7/10/2018 That's What I Like Bruno Mars Pop Atlantic Records 11/18/2016 Bruno Mars & 7/10/2018 Pop Atlantic Records 11/18/2016 Finesse Cardi B 7/27/2018 Sorry Not Sorry Demi Lovato Pop Island Records 7/11/2017 R&B/ 7/27/2018 Wild Thoughts (Feat. -
Stax Reissues 'Boy Meets Girl: Classic Soul' Duets
PRLog - Global Press Release Distribution Stax Reissues 'Boy Meets Girl: Classic Soul' Duets Duets include Eddie Floyd & Mavis Staples, William Bell & Carla Thomas, Delaney & Bonnie Bramlett, and a rare one from Dusty Springfield & Spencer Davis July 20, 2009 - PRLog -- LOS ANGELES, Calif. — Stax Records through Concord Music Group will reissue its 1969 compilation Boy Meets Girl, which paired Stax male and female artists for a set of classic duets. Featured are many of the greatest names in soul music including Johnnie Taylor, Eddie Floyd, Pervis Staples, Carla Thomas, William Bell, Mavis Staples and Cleotha Staples. The reissue adds two rare duets of Bell and Booker T. Jones’ ”Private Number,” by Bell and Judy Clay, and by Dusty Springfield and Spencer Davis. The latter version was previously available only on a long out-of-print mid-‘80s Takoma Records release. The album is slated for a street date of August 18, 2009. “Duets have always been an integral part of the history of soul music,” writes Stax historian Rob Bowman in his liner notes, “Boy Meets Girl provides a vehicle for several interesting examples of the medium cut for the mighty Stax Records.” Most of Boy Meets Girl was recorded in 1969 at the suggestion of Stax president Al Bell, who felt Stax should progress from a singles label to an album-oriented label. A variety of producers oversaw the various tracks including Bell himself, Isaac Hayes, Booker T. Jones, Don Davis, Donald “Duck” Dunn, Randy Jackson, Homer Banks and Don Nix. The 18-track set begins with the Bell-Clay “Private Number”; next, Bell and Mavis Staples reprise the Sam & Dave hit “I Thank You”; Eddie Floyd and Mavis Staples tackle Janis Joplin’s “Piece of My Heart”; Johnnie Taylor and Carla Thomas perform “Just Keep On Loving Me”; and Eddie Floyd and Mavis Staples perform Floyd and Booker T. -
387 S. MAIN Building for Sale 387 S
BANK OWNED 387 S. MAIN Building For Sale 387 S. Main, Memphis, TN 38103 | Downtown Submarket Commercial Advisors is pleased to present this outstanding opportunity in the heart of Downtown Memphis. The property offers mixed use development potential with excellent access to the S Main District and downtown’s restaurants, hotels, retail, and entertainment districts. SPACE AMENITIES • Two-Story Building • 28,500 SF • Along Main St trolley line • Built in 1928 387 Main • Excellent retail frontage on South Main • Substantial warehouse/ flex/storage space capability • Truck dock and drive-in • 0.49 acres • Asking Price: Negotiable* • Located in the heart of Downtown Memphis, four blocks south of Beale St. googlemaps.com *Owner Financing Available FOR MORE INFORMATION: Jacob Biddle 901.362.4307 [email protected] Commercial Advisors, LLC 5101 Wheelis Drive, Suite 300, Memphis, TN 38117 | 901-366-6070 No warranty or representation, express or implied, is made as to the accuracy of the information contained herein, and Jeb Fields same is submitted subject to errors, omissions, change of price, rental or other conditions, withdrawal without notice, 901.362.4315 and to any specific listing conditions imposed by our principals. [email protected] www.commadv.com BANK OWNED 387 S. MAIN Building For Sale 387 S. Main, Memphis, TN 38103 | Downtown Submarket 6 Attractions 1. Autozone Park Beale Street 21 2 FedEx Forum 3 Memphis Central Station 24 4 Orpheum Theatre 5 The Cotton Museum at the Memphis Cotton Exchange 12 6 Fire Museum 9 7 Civil Rights -
Wattstax: “Black Woodstock” and the Legendary Film It
Angeles headed by Forest Hamilton, the son of jazz drum- mer Chico Hamilton. Stax West was conceived with a man- WATTSTAX: date that included the promotion and marketing of existing Stax products, the ferreting out of untapped regional talent, and the establishment of Stax within Hollywood’s motion “BLACK picture and television industries. According to John KaSandra, one of Stax’s West Coast– based artists, Wattstax began in March of 1972 WOODSTOCK” when “I came down [to the L.A. office] with an idea that we’d have a black Woodstock.” Seven years earlier, to the chanting of “burn, baby, burn,” a sizable section of the pre- dominantly black Watts neighborhood of Los Angeles had AND THE been destroyed by fire during the first of the 1960s race riots (referred to as “rebellions” within the community). The Watts Summer Festival had been established to commem- LEGENDARY orate the rebellions and raise money for the ailing commu- nity. It was Hamilton’s idea that Stax should be involved in the 1972 festival for promotional purposes, and he had not FILM IT forgotten KaSandra’s “black Woodstock” idea. On August 20, 1972, that notion blossomed into an epic one- day festival at the Los Angeles Coliseum. The day INSPIRED opened with Reverend Jesse Jackson leading the audience in a proclamation of the black litany, “I Am Somebody,” followed by Kim Weston singing the black national anthem, by Rob Bowman “Lift Every Voice and Sing.” It closed with Isaac Hayes as Black Moses embodying the strength, beauty, and spiritu- ality of contemporary black culture. -
Great River Road Tennessee
Great River Road Tennessee Corridor Management Plan Corridor Management Plan Recognitions Mayor AC Wharton Shelby County Byway Consultant Mayor Jeff Huffman Tipton County David L. Dahlquist Mayor Rod Schuh Lauderdale County Governor Phil Bredesen President Mayor Richard Hill Dyer County State of Tennessee David L. Dahlquist Associates, L.L.C. Mayor Macie Roberson Lake County State Capitol 5204 Shriver Avenue Mayor Benny McGuire Obion County Nashville, TN 37243 Des Moines, IA 50312 Commissioner Susan Whitaker Pickering Firm, Inc Department of Tourist Development Byway Planning Team Architecture – Engineering – Planning – Surveying Wm. Snodgrass/Tennessee Tower 312 8th Avenue North, 25th Floor Bob Pitts, PE Nashville, TN 37243 Mississippi River Corridor – Tennessee, Inc. Principal Owner Board of Directors Director, Civil Engineering Services Ms. Marty Marbry 6775 Lenox Center Court – Suite 300 West Tennessee – Tourist Development Memphis, TN 38115 Regional Marketing & Public Relations John Sheahan Chairman/CEO John Threadgill Secretary Historical Consultant Commissioner Gerald Nicely Dr. Carroll Van West Tennessee Department of Transportation Jim Bondurant Chair – Obion - Task Force Committe Director 505 Deaderick St. Rosemary Bridges Chair – Tipton - Task Force Committee Center for Historic Preservation James K. Polk Bldg. – 7th Floor Peter Brown Chair – Dyer - Task Force Committee Middle Tennessee State University Nashville, TN 37243 Laura Holder Tennessee Civil War National Heritage Area P.O. Box 80 – MTSU Pamela Marshall Public Affairs -
HS Welcome Packet from St Jude.Pdf
ST. JUDE CHILDREN’S RESEARCH HOSPITAL WELCOME PACKET Memphis, TN GENERAL INFORMATION CAMPUS INFORMATION CAMPUS MAP Each building is represented by a letter. This is how you will see meeting locations on your agenda (IA-1010). Letters represent the building, first number represents the floor. ZZ ZX 10 1 6 7 ZY MA 9 8 5 2 3 4 Entrance Gates A Danny Thomas/ALSAC Pavilion K 595 Building S Barry Building B Patient Care Center L 567 Danny Thomas Place T Tri Delta Place Patient Only Parking C Richard C. Shadyac ALSAC Tower M Future Research Building U ALSAC Gift Shop D Danny Thomas Research Center MA Future ARC V St. Jude GMP Facility Marlo Thomas Center E Donald P. Pinkel, MD, Research Tower N 305 Building W 448 North Second F Central Energy Plant O Tamer-Rashid Building East X 160 Shadyac Avenue Kay Kafe G AutoZone Garage 1 OA Tamer-Rashid Building West Y Garage 3 H Incinerator/Hazardous Waste OE Domino’s Event Center Z Data Center Mail Services Center I Chili’s Care Center P AutoZone Garage 2 ZX North Galloway IA Kay Research & Care Center Q Kmart St. Jude Life Center ZY South Galloway Docks J 545 Danny Thomas Place R Longinotti Building ZZ 655 Warehouse ALSAC GIFT SHOP If you would like to purchase St. Jude souvenirs, you can find them in the gift shop. SECURITY BADGES Wear your badges at all times. This is for security, for our patients and our employees. PHOTOGRAPHS In order to respect their privacy, St. Jude Children’s Research Hospital prohibits employees, visitors and guests from taking photographs of or with patients and or families.