CONTACT, the Phoenix Project, November 9, 1993
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Oldies Karaoke Liederliste – Unsere Favoriten Weitere Songs Können Vor Ort Gedownloaded Werden
Oldies Karaoke Liederliste – Unsere Favoriten Weitere Songs können vor Ort gedownloaded werden 201: California Dreamin/The Mamas and the papas 202: The House of the Rising sun/The Animals 203: Stand by me/Ben E. King 204: Unchained Melody/Righteous Brothers 205: Living next door to Alice/Smokie 206: Beautiful Sunday/Daniel Boon 207: Can‘t help falling in Love/Elvis Presley 208: Total Eclipse of the heart/Bonnie Tyler 209: Have you ever seen the rain/Creedence Clearwater Revival 210: 500 Miles/The Proclaimers 211: It must have been love/Roxette 212: Let it Be/Beatles 213: Nothing else matters/Metallica 214: Dancing Queen/ABBA 215: My way/Frank Sinatra 216: Bad moon Rising/Creedence Clearwater Revival 217: Hey Jud/Beatles 218: The Rose/Bette Midler 219: New York, New York/Frank Sinatra 220: Sailing/Rod Steward 221: Stand by your man/Tammy Wynette 222: What a wonderful world/Louis Amstrong 223: Imagine/John Lennon 224: Take me home, country roads/John Denver 225: Moviestar/Harpo 226: Sweet Caroline/Neil Diamond 227: Yesterday/Beatles 228: Bohemian Rhapsody/Queen 229: Chiquitita/ABBA 30: Gimme!Gimme! Gimme!/ABBA 231: Bright Eyes/Art Garfunkel 232: Listen to your heart/Roxette 233: We are the Champions/Queen 234: Mexican Girl/Smokie 235: I just called to say i love you/Stevie Wonder 236: House of the rising sun/The Animals 237: Careless Whisper/George Michael 238: Green, green Gras of home/Tom Jones 239: Always on my mind/Elvis Presley 240: Send me an angel/Scorpions Seite 2 241: Bridge over troubled water/Simon and Garfunkel 242: Who want‘s -
The Queen Kings Ist Die Neue Supergruppe Unter Den
Repertoire _________________________________________________________ Das Queen Kings-Repertoire umfasst über 70 Titel von Queen und Neben- bzw. Soloprojekten der Queen-Musiker. Aus diesem Repertoire von über 4 Stunden wird eine für den Anlass geeignete Spielfolge zusammengestellt. 1. Another one bites the dust 40. Made in heaven 2. A kind of magic 41. March of the black Queen 3. Bicycle Race 42. Millionaire Waltz 4. Breakthru 43. Miracle 5. Barcelona 44. Mr. Bad Guy 6. Bohemian Rhapsody 45. Mustafa 7. Crazy little thing called love 46. Nevermore 8. Dead on time 47. No one but you 9. Death on two legs Live Killers Medley 48. Now I’m here vor Killer Queen 49. Ogre Battle 10. Don’t stop me now 50. One vision 11. Dragon attack 51. Play the game 12. Dreamer’s ball 52. Princes of the universe 13. Fat bottomed girls 53. (Put out the fire) 14. Father to son 54. Radio Ga-Ga 15. Flash / the hero / Flash 55. Sail away sweet sister 16. Friends will be friends 56. Save me 17. Get down, make love 57. Seven seas of rhye halb/komplett 18. Good old-fashioned loverboy 58. Sheer Heart attack 19. Guide me home 59. Somebody to love 20. Hammer to fall 60. Show must go on 21. Heaven for everyone 61. Spread your wings 22. How can I go on 62. Stone cold crazy 23. In my defence 63. Under pressure 24. In the lap of the gods 64. Teo Toriatte 25. Innuendo 65. ’39 26. Invisible Man 66. Tie your mother down 27. Is this the world we created 67. -
South Pacific
THE MUSICO-DRAMATIC EVOLUTION OF RODGERS AND HAMMERSTEIN’S SOUTH PACIFIC DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By James A. Lovensheimer, M.A. ***** The Ohio State University 2003 Dissertation Committee: Approved by Professor Arved Ashby, Adviser Professor Charles M. Atkinson ________________________ Adviser Professor Lois Rosow School of Music Graduate Program ABSTRACT Since its opening in 1949, Rodgers and Hammerstein’s Pulitzer Prize- winning musical South Pacific has been regarded as a masterpiece of the genre. Frequently revived, filmed for commercial release in 1958, and filmed again for television in 2000, it has reached audiences in the millions. It is based on selected stories from James A. Michener’s book, Tales of the South Pacific, also a Pulitzer Prize winner; the plots of these stories, and the musical, explore ethnic and cutural prejudice, a theme whose treatment underwent changes during the musical’s evolution. This study concerns the musico-dramatic evolution of South Pacific, a previously unexplored process revealing the collaborative interaction of two masters at the peak of their creative powers. It also demonstrates the authors’ gradual softening of the show’s social commentary. The structural changes, observable through sketches found in the papers of Rodgers and Hammerstein, show how the team developed their characterizations through musical styles, making changes that often indicate changes in characters’ psychological states; they also reveal changing approaches to the musicalization of the novel. Studying these changes provides intimate and, occasionally, unexpected insights into Rodgers and Hammerstein’s creative methods. -
A Doo Wop Celebration IV!”
ADoo Wop DooCELEBRATION! WopIV starring Herb Reed’s THE PLATTERS, THE CRYSTALS and IVTHE DUBS! NEWS RELEASE Contact: Diane Steinert 330-677-4549 High-resolution images available at WesternReservePBS.org/press.htm FOR IMMEDIATE RELEASE Western Reserve PBS to Host “A Doo Wop Celebration IV!” Popular event featuring Herb Reed’s The Platters, The Crystals and The Dubs to be held Saturday, June 5, at The Kent Stage KENT, Ohio — May 5, 2010 — The groups who immortalized songs including “Only You (and You Alone),” “Will You Love Me Tomorrow” and “Could This Be Magic” will perform at The Kent Stage on Saturday, June 5. Herb Reed’s The Platters, The Crystals and The Dubs will perform their classic hits for two Western Reserve PBS benefit concerts at 4 p.m. and 8 p.m. Reserved-seating tickets are on sale for $35. A limited number of $65 Gold Presented by Circle tickets, which include best-in-house seats plus a private dinner reception and meet- and-greet session with members of the groups, are available. “In a venue that holds just 640 people, everyone gets a great seat at The Kent Stage,” said Lisa Martinez, vice president of marketing and development at Western Reserve Public Media. “This year’s show features an outstanding line-up of classic doo wop performers and offers fantastic entertainment for a very affordable price.” To order tickets, call Western Reserve PBS at 1-800-554-4549 or visit WesternReservePBS.org/doowop. Proceeds will benefit Western Reserve PBS. 1750 Campus Herb Reed’s Platters Center Drive P. -
Album Announcement
MULTI-PLATINUM RECORDING ARTIST AND ACTRESS HILARY DUFF TO RELEASE HER HIGHLY ANTICIPATED ALBUM BREATHE IN. BREATHE OUT. ON JUNE 16 VIA RCA RECORDS DEBUT TELEVISION PERFORMANCE OF FIRST SINGLE “SPARKS” ON THE ELLEN DEGENERES SHOW TODAY “SPARKS” MUSIC VIDEO ALSO PREMIERES TODAY ON VEVO DUFF SET TO KICK OFF ALBUM RELEASE WEEK WITH AN ABC TAKEOVER – APPEARANCES INCLUDE GOOD MORNING AMERICA, LIVE! WITH KELLY AND MICHAEL, AND THE VIEW ! (May 14, 2015 – New York, NY) – Multi-platinum selling artist and musician Hilary Duff is set to make her highly-anticipated return to music with Breathe In. Breathe Out., her fifth studio album which will be released on June 16 via RCA Records. Hilary’s newest effort will be her RCA Records debut and her first original material since 2007 – all hot on the heels of massive year for Hilary that included her return to television on TV Land’s Younger, which was recently picked up for a second season. Breathe In. Breathe Out. includes collaborations from groundbreaking songwriters and producers such as Tove Lo, Ed Sheeran, Matthew Koma and Bloodshy. Hilary simultaneously premiered the music video for the fan-favorite single “Sparks” today on VEVO: http://smarturl.it/SparksVideo. Her momentum will continue with a television takeover during release week that will include appearances and performances on ABC’s biggest shows including Good Morning America, LIVE! with Kelly and Michael and The View. “Sparks” will make its national television debut when Hilary performs the track live for the first time on The Ellen DeGeneres Show today. Written by Tove Lo, Bloodshy, and Peter Thomas, “Sparks” has solidified Hilary’s return to the music scene. -
Gender Role Construction in the Beatles' Lyrics
“SHE LOVES YOU, YEAH, YEAH, YEAH!”: GENDER ROLE CONSTRUCTION IN THE BEATLES’ LYRICS Diplomarbeit zur Erlangung des akademischen Grades eines Magister der Philosophie an der Karl-Franzens-Universität Graz vorgelegt von Mario Kienzl am Institut für: Anglistik Begutachter: Ao.Univ.-Prof. Mag. Dr.phil. Hugo Keiper Graz, April 2009 Danke Mama. Danke Papa. Danke Connie. Danke Werner. Danke Jenna. Danke Hugo. 2 TABLE OF CONTENTS 1. Introduction .......................................................................................................................... 4 2. The Beatles: 1962 – 1970...................................................................................................... 6 3. The Beatles’ Rock and Roll Roots .................................................................................... 18 4. Love Me Do: A Roller Coaster of Adolescence and Love............................................... 26 5. Please Please Me: The Beatles Get the Girl ..................................................................... 31 6. The Beatles enter the Domestic Sphere............................................................................ 39 7. The Beatles Step Out.......................................................................................................... 52 8. Beatles on the Rocks........................................................................................................... 57 9. Do not Touch the Beatles.................................................................................................. -
In the Matter Of: ) ) Unclaimed Royalties ) Study Roundtable )
LIBRARY OF CONGRESS IN THE MATTER OF: ) ) UNCLAIMED ROYALTIES ) STUDY ROUNDTABLE ) Pages: 1 through 290 Place: Washington, D.C. Date: March 25, 2021 HERITAGE REPORTING CORPORATION Official Reporters 1220 L Street, N.W., Suite 206 Washington, D.C. 20005-4018 (202) 628-4888 [email protected] 1 LIBRARY OF CONGRESS IN THE MATTER OF: ) ) UNCLAIMED ROYALTIES ) STUDY ROUNDTABLE ) Remote Roundtable Suite 206 Heritage Reporting Corporation 1220 L Street, N.W. Washington, D.C. Thursday, March 25, 2021 The parties met remotely, pursuant to notice, at 10:00 a.m. PARTICIPANTS: Session 1: Overview/Measuring Success DANIELLE AGUIRRE, National Music Publishers' Association (NPMA) KRIS AHREND, The MLC KEVIN M. CASINI, Ecco Artist Services CHRIS CASTLE, Christian L. Castle, Attorneys BILL COLITRE, Music Reports, Inc. TED KALO, Artist Rights Alliance GARRETT LEVIN, Digital Media Association (DiMA) VICKIE NAUMAN, Cross Border Works CHARLES SANDERS, Songwriters Guild of America (SGA) Heritage Reporting Corporation (202) 628-4888 2 PARTICIPANTS: (Cont'd.) Session 2: Data and Matching/Identifying Copyright Owners DANIEL BALCELLS, BMAT Music Innovators LUIS BONILLA, SoundExchange, Inc. JANE BUSHMAKER, Prager Metis CPAs ALAN JENNINGS, Amazon BISHOP PERRY, BHP Royalty Company RENE MERIDETH, Exploration Group LLC LISA SELDEN, Spotify MICHAEL SHANLEY, Music Reports, Inc. RICHARD THOMPSON, The MLC ALEX WINCK, Pandora Session 3: User Experience, Accessibility, and Claiming DAE BOGAN, The MLC BRIAN BUCHANAN, Concord CAROLINE CHAMPARNAUD, Society of Authors, Composers and Publishers of Music (SACEM) ASHLEY IRWIN, Society of Composers & Lyricists (SCL) DONNY KANNER, Spotify SINDEE LEVIN, Sindee Levin Music ABBY NORTH, Songwriters of North America (SONA) DAVID TAYEBWA, Opus Music Publishing Africa Session 4: Education and Outreach SETH BERG, South Bay Music Group, LLC LINDA BLOSS-BAUM, SoundExchange, Inc. -
Freddie Mercury (Farrokh Bulsara) Bronchial Pneumonia Brought on by AIDS
Freddie Mercury (farrokh bulsara) Bronchial pneumonia brought on by AIDS Born: September 5, 1946 Died: November 24, 1991 “When I go on stage,” Freddie Mercury told Melody Maker in 1981, fokkin’ happened!” Though America remained unswayed, Europe “whether I’m rich or starving, I want to give my all. I want to go on remembered that it loved Queen. “It was the perfect stage for there and die for the show!” Freddie,” said Geldof. “He could ponce about in front of the Some stars are celebrated because of their early death. Freddie whole world.” Mercury is no such star. Queen made him famous, Live Aid made The band’s subsequent Magic shows of 1986 proved them him a legend, and death made him immortal. masters of stadium rock. The tour ended—as did Mercury’s Farrokh Bulsara first made music in his native Zanzibar, in school touring history—with a spectacular performance at Knebworth band The Hectics. Relocating to Britain, he joined guitarist Brian in England’s Hertfordshire, in front of 120,000 fans. May and drummer Roger Taylor in Smile in 1970. His stage name Mercury’s solo career ticked over with a cover of the Platters’ paid tribute to the messenger of the gods, but Mercury was also, “The Great Pretender” in 1987 and a titanic team-up with opera in astrological terms, his rising planet. With bassist John Deacon, singer Montserrat Caballe on the splendidly silly “Barcelona.” Smile became Queen—whose triumphs like “Bohemian Rhapsody” Mercury’s final solo single in his lifetime was 1989’s forgotten obscure a discography packed with gems. -
Bohemian Rhapsody”: a Study of Deconstruction
PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI THE MEANING OF FREDDIE MERCURY’S “BOHEMIAN RHAPSODY”: A STUDY OF DECONSTRUCTION A SARJANA PENDIDIKAN RESEARCH PAPER Presented as Partial Fulfillment of the Requirements to Obtain the Sarjana Pendidikan Degree in English Language Education By Alexander Angga Pramudya Student Number: 111214104 ENGLISH LANGUAGE EDUCATION STUDY PROGRAM DEPARTMENT OF LANGUAGE AND ARTS EDUCATION FACULTY OF TEACHERS TRAINING AND EDUCATION SANATA DHARMA UNIVERSITY YOGYAKARTA 2018 PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI THE MEANING OF FREDDIE MERCURY’S “BOHEMIAN RHAPSODY”: A STUDY OF DECONSTRUCTION A SARJANA PENDIDIKAN RESEARCH PAPER Presented as Partial Fulfillment of the Requirements to Obtain the Sarjana Pendidikan Degree in English Language Education By Alexander Angga Pramudya Student Number: 111214104 ENGLISH LANGUAGE EDUCATION STUDY PROGRAM DEPARTMENT OF LANGUAGE AND ARTS EDUCATION FACULTY OF TEACHERS TRAINING AND EDUCATION SANATA DHARMA UNIVERSITY YOGYAKARTA 2018 i PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI DEDICATION PAGE I dedicate this paper to: Fransiskus Xaverius Suwarna Chatarina Werdiyati Silvester A. Pramuditya “It doesn’t matter one tiny bit how unfair you think the world is. It’s only what you do, right here, right now, right this instant that matters. It’s your choice to sink or swim.” Lamb of God – Delusion Pandemic “Per aspera ad astra. Through hardships to the stars.” Latin proverb “Not all treasure is silver and gold, mate.” Jack Sparrow (Pirates of The Carriben: The Curse of the Black Pearl) iv PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI ABSTRACT Pramudya, Alexander Angga. -
W Ho in the W Orld
0S9S I Vd 35OUIV1 IS inti m:, soa MDrUV(.3 A8klY9 Ue—C) 'Jo!. , No. 1021 December 31, 1966 In the opinion of the editors, this week the following records are the * SINGLE PICKS OF 111E W EEK W HO KING IN THE LAT TRIPPER VA, W ORLD 11/01 novnii TM FAMOUS RA MS Terrific beat gets rolling on the Ramsey Lewis gives "Day Trip- new James Brown release. Guy per," the Lennon McCartney throws himself into his "Bring opus, a breezy once-over. It's It Up" ditty and the kids will dancetime for the guy and sales turn out by the thous7nds (King will accrue in no time flat CUR (Cadet 5553). SLEEPERS OF THE W EE K Bobby Vinton produced this new Sweet and lilting ballad with A big new sound on the scene instrumental, "Bodacious" by contemporary arrangement by is the Charles Randolph Crean the Satellites and the outcome the climbing Stairsteps. The Sounde. The ti.ne is the Proko- was simply bod3cious. It's a group's "Danger She's a fieff "Peter and the Wolf" groovy number teens will like Stranger" should end up chart- theme i-nd a raunchi y attractive (13:-..rrot 313). Ugh (Windy C 6041. cut it is (Dot 16982). .1 t itl'IlS OF THE W EEK Norman Racusin, New Head of RCA (Label Finishing Biggest Year), The Artistics seem to have a Buck Owens and the Buckaroos Nancy Wilson is in absolute top terrific time performing, and put together 12 nifties on this form on this package (and in Gives 1st Interview the enthusiasm spills over into new package. -
Francis Bacon: the Logic of Sensation
Francis Bacon: the logic of sensation GILLES DELEUZE Translated from the French by Daniel W. Smith continuum LONDON • NEW YORK This work is published with the support of the French Ministry of Culture Centre National du Livre. Liberte • Egalite • Fraternite REPUBLIQUE FRANCAISE This book is supported by the French Ministry for Foreign Affairs, as part of the Burgess programme headed for the French Embassy in London by the Institut Francais du Royaume-Uni. Continuum The Tower Building 370 Lexington Avenue 11 York Road New York, NY London, SE1 7NX 10017-6503 www.continuumbooks.com First published in France, 1981, by Editions de la Difference © Editions du Seuil, 2002, Francis Bacon: Logique de la Sensation This English translation © Continuum 2003 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical including photocopying, recording or any information storage or retrieval system, without prior permission in writing from the publishers. British Library Gataloguing-in-Publication Data A catalogue record for this book is available from The British Library ISBN 0-8264-6647-8 Typeset by BookEns Ltd., Royston, Herts. Printed by MPG Books Ltd., Bodmin, Cornwall Contents Translator's Preface, by Daniel W. Smith vii Preface to the French Edition, by Alain Badiou and Barbara Cassin viii Author's Foreword ix Author's Preface to the English Edition x 1. The Round Area, the Ring 1 The round area and its analogues Distinction between the Figure and the figurative The fact The question of "matters of fact" The three elements of painting: structure, Figure, and contour - Role of the fields 2. -
Chapter 2: Pop-Rock of the 50S and 60S
The Development of Rock & Roll by Dr. Daniel Jacobson © 2016 All Rights Reserved CHAPTER 2 POP-ROCK OF THE 50S AND 60S INTRODUCTION Softer “pop” music styles have played important roles in the development of rock, especially from c1953 to 1966 and in the early 70s. Various pop-related styles in the 50s and early 60s include: • Doo-Wop (1950s and early ‘60s; combined Pop, Gospel and soft R & B elements) • Teen Idol “Crooners” (late ‘50s/early ‘60s; Dick Clark early rock era; soft R & B) • Surf Music (late ‘50s/early ‘60s) • Brill Building/Aldon Music (‘60s pop; extension of “Tin Pan Alley” tradition) • Early Motown (early 1960s; “Soul-pop” music) I. THE CHANGING OF THE GUARD IN 50s ROCK During the years 1957 to 1961, Rock & Roll lost the impact of at least ten of its most prominent trendsetters. • March 1956: While on his way to perform for The Perry Como Show in New York City, Carl Perkins was involved in a car crash in which he suffered a fractured shoulder and skull. Perkins lost his chance for major fame, and was soon overshadowed by the rise of Elvis Presley. • October 1957: Little Richard renounced Rock and Roll for the ministry of the Seventh Day Adventist Church. • November 1957: Jerry Lee Lewis married his 13-year-old third cousin (while “forgetting” to divorce his first wife.) The scandal that followed destroyed his career. • March 1958: Elvis Presley was drafted into the army, serving in Germany until 1960. • February 1959: a small-plane crash near Fargo, North Dakota killed Buddy Holly, J.P.