1

1914 Three poems from the collection “1914 and Other Poems” by Rupert Brooke Set to Music by Alan Gray

VOCAL / ORGAN SCORE 2

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Cover Image: “Second Lieutenant Paul Chancourt Girardot (1895-1914), 1st Bn OBLI” attributed to his mother Mary Jane Giradot Photo Credit: Carmarthenshire County Museum, licensed under CC BY-NC-ND 3

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Matthew W. Mehaffey Editor Professor of Music University of Minnesota - School of Music Minneapolis, Minnesota USA

Source Information

Autograph Manuscript: Unknown Vocal Score: Stainer & Bell Ltd., S&B 4103 Royal College of Music Library Ass’t. Librarian - [email protected] Oxford University, Bodleian Music Section, Weston Library Martin Holmes, Curator of Music - [email protected] Royal Academy of Music Library lib.ram.ac.uk Manuscript Transcription & Score Preparation David Fielding - [email protected] Reference Material and Software Notation Software: Finale v. 26 Audio Software: Garritan Personal Orchestra 5 Graphic Software: Adobe Photoshop CS5 Document Software: Adobe In Design CS5 Music Notation Reference: Behind Bars by Elaine Gould, Faber Music © 2011 4

Alan Gray (23 December 1855 – 27 September 1935) was an English organist and composer.

Born in , Gray attended St Peter’s School and initially trained as a solicitor, qualifying in 1881. But after musical studies with Edwin G Monk at he turned to music, studying as an undergraduate at Trinity College, , where Charles Villiers Stanford came across him. From 1883 until 1893 he was Director of Music at Wellington College. Other staff members in the music department at the same time were A H Fox Strangways and Hugh Allen. In 1893 he returned to Cambridge to be organist at Trinity College, succeeding Stanford. One of his organ pupils was . He remained there until 1930. During the war Gray was badly affected, losing two of his three sons towards the end of the conflict. He died in Cambridge, aged 79.

Among his compositions are liturgical music for Morning and Evening Prayer and the Office of Holy Communion for use in the according to the Book of Common Prayer: the Magnificat and Nunc dimittis in F minorfor double choir (1912); a setting of Holy Communion in G; and several anthems, including perhaps his best known piece, What are these that glow from afar (1915), words from ’s poem Martyrs’ Song), and dedicated “To the Memory of the Brave.” There is also a collection of descants to various hymn tunes.

During the war Gray composed a cycle of partsongs entitled 1914 which set three of the five poems in Rupert Brooke’s collection 1914 and Other Poems; an Elegy (1915) for organ and strings (or solo organ) in memory of the composer W C Denis Browne, who had been the organ scholar at Clare College, Cambridge and who died in action in 1915. There are a number of other works for organ, for violin solo and for voice and orchestra, set to religious and secular texts. Source: https://en.wikipedia.org/wiki/Alan_Gray

English poet Rupert Chawner Brooke was born on August 3, 1887. The son of the Rugby School’s housemaster, Brooke excelled in both academics and athletics. He entered his father’s school at the age of fourteen. A lover of verse since the age of nine, he won the school poetry prize in 1905.

A year later, he attended King’s College, Cambridge, where he was known for his striking good looks, charm, and intellect. While at Cambridge, he developed an interest in acting and was president of the University Fabian Society. Brooke published his first poems in 1909; his first book, Poems, appeared in 1911.

Popular in both literary and political circles, he befriended Winston Churchill, Henry James, and members of the Bloomsbury Group, including Virginia Woolf. Although he was popular, Brooke had a troubled love life. Between 1908 and 1912 he fell in love with three women: Noel Olivier, youngest daughter of the governor of Jamaica; Ka Cox, who preceded him as president of the Fabian Society; and Cathleen Nesbitt, a British actress. None of the relationships were long lasting. In 1912, after his third romance failed, Brooke left England to travel in France and Germany for several months.

Upon his return to England, Brooke received a fellowship at King’s College and spent time in both Cambridge and London. In 1912 he compiled an anthology entitled Georgian Poetry, 1911-12, with Edward Marsh. The Georgian poets wrote in an anti-Victorian style, using rustic themes and subjects such as friendship and love. While critics viewed Brooke’s poetry as too sentimental and lacking depth, they also considered his work a reflection of the mood in England during the years leading up to World War I.

After experiencing a mental breakdown in 1913, Brooke traveled again, spending several months in America, Canada, and the South Seas. During his trip, he wrote essays about his impressions for the Westminster Gazette, which were collected in Letters From America (1916).

He returned to England at the outbreak of World War I and enlisted in the Royal Naval Division. His most famous work, the sonnet sequence 1914 and Other Poems, appeared in 1915. On April 23, 1915, after taking part in the Antwerp Expedition, he died of blood poisoning from a mosquito bite while en route to Gallipoli with the Navy. He was buried on the island of Skyros in the Aegean Sea.

Following his death, Brooke, who was already famous, became a symbol in England of the tragic loss of talented youth during the war. Source: https://poets.org/poet/rupert-brooke 5

I. PEACE

Now, God be thanked Who has matched us with His hour, And caught our youth, and wakened us from sleeping, With hand made sure, clear eye, and sharpened power, To turn, as swimmers into cleanness leaping. Glad from a world grown old and cold and weary, Leave the sick hearts that honour could not move. And half-men, and their dirty songs and dreary. And all the little emptiness of love !

Oh ! we, who have known shame, we have found release there, Where there’s no ill, no grief, but sleep has mending. Naught broken save this body, lost but breath ; Nothing to shake the laughing heart’s long peace there But only agony, and that has ending ;

III. THE DEAD

Blow out, you bugles, over the rich Dead ! There’s none of these so lonely and poor of old, But, dying, has made us rarer gifts than gold. These laid the world away ; poured out the red Sweet wine of youth ; gave up the years to be Of work and joy, and that unhoped serene. That men call age ; and those who would have been. Their sons, they gave, their immortality.

Blow, bugles, blow ! They brought us, for our dearth. Holiness, lacked so long, and Love, and Pain. Honour has come back, as a king, to earth. And paid his subjects with a royal wage ; And Nobleness walks in our ways again ; And we have come into our heritage.

V. THE SOLDIER

If I should die, think only this of me : That there’s some corner of a foreign field That is for ever England. There shall be In that rich earth a richer dust concealed ; A dust whom England bore, shaped, made aware, Gave, once, her flowers to love, her ways to roam, A body of England’s, breathing English air, Washed by the rivers, blest by suns of home.

And think, this heart, all evil shed away, A pulse in the eternal mind, no less Gives somewhere back the thoughts by England given ; Her sights and sounds ; dreams happy as her day ; And laughter, learnt of friends ; and gentleness. In hearts at peace, under an English heaven. 6 I. PEACE

Rupert Brooke Alan Gray Moderato maestoso. q = 84 f Soprano 4 œ œ œ ˙ œ œ œ j & 4 Œ Ó Œ œ œ. œ J J J œ Now, God bJe thanked Who hJas matched us wJith His f Alto 4 j j œ & 4 Œ Ó Œ œ œ. œ j œ œ œ Now, God be thanœked Wœho has matched us wœith Hœis f Tenor 4 œ œ œ œ œ V 4 Œ Ó Œ œ œ. œ œ œ Now, God bJe thanked WJho hJas matched us with His f œ Bass ? 4 œ œ œ œ œ 4 Œ Ó Œ œ. œ J œ œ œ Now, God bJe thanked Who hJas matched us with His Moderato maestoso. q = 84 œ w œ œ œ œ 4 w œ œ œ œ œ œ œ œ œ & 4 œ œ œ˙ œ œ œ œ œ œ Organ f . j œ œ œ . j œ œ œ œ œ œ. œ œœ œœ œ. œ œ œ œ ˙ œ ? 4 œ. œ œ œ. œ œ ˙ œ

? 4 4 œ w w œ ˙ w w œ œ œ » »

4 œ œ œ j œ œ j œ & ˙. œ J œ J œ 43 œ œ 4 hour, And caught oJur youth, and wak - J ened us from

j j j 3 j 4 & ˙ œ œ j œ 4 j j œ. #œ 4 ho˙ur, And caught our œyouth, œ and wœak - œ enœed us from ˙. j V œ œ œ œ œ œ œ 43 œ œ œ œ 4 hour, And caJught oJur youth, J aJnd wak - enJed us from . ? œ œ œ œ œ œ œ œ œ 3 œ 4 J J J J J œ 4 œ J œ œ 4 hour, And caught our youth, and wak - J ened us from

4 œ ˙ ˙ œ œ œ œ œ 3 œ œ œ œ 4 & ˙ ˙ œ œ œ œ 4 œ œ œ. #œ 4 Org. J œ œ œ œ œ ? ˙ ˙ œ œ 3 œ ˙ ˙ 4 4

? œ œ œ œ œ œ œ œ 3 œ 4 œ. J œ 4 œ œ œ 4 7

7 4 ˙ j œ œ. œ œ œ œ œ & 4 ˙ Œ ‰ œ œ bœ ˙ Œ sleep - ing, With hand made sure, clear eye, aJnd sharp - ened

4 & 4 ˙ ˙ Ó Œ œ Œ œ œ œ sleep - ing, Wœith haœnd made su˙re, clear eye, and

4 œ œ œ œ V 4 ˙ ˙ Ó Œ ˙ Œ œ œ sleep - ing, With hand made sure, clear eye, and ˙ ˙ ˙ œ #œ œ bœ œ ? 4 Œ œ œ œ #œ Œ sleep - ing, With hand made sure, clear eye, and

7 4 w œ œ ˙ œ œ œ & 4 w œ ˙ bœ œ œœ ˙ Œ œ œ œ w œ œ œ œ œ œ ˙ Org. œ ˙ œ ˙ w œ œ œ œ œ ? 4 w œ œ œ œ #œ Œ

˙ ? 4 œ #œ œ bœ œ 4 j œ Œ Ó Œ Œ œ. œ #œ œ

» »

11 œ. j j œ & œ œ œ œ ˙ œ œ j j ˙. œ œ œ Ó power, To turn, J aJs swim - J mers iœn - tœo clean - ness leap - ing, j j j & j j œ œ j j œ j j ˙. œ œ œ œ Ó shœarp-enœed power, To tuœrn. , aœs sw˙im - œ mers iœn - tœo clean - ness leap - ing,

œ œ œ j j œ V #œ J J nœ œ œ ˙ œ œ j j ˙. œ œ œ Ó shJarp - enJed power, To turn, J as swim - J mers iœn - tœo clean - ness leap - ing, œ œ ? œ œ #œ. œ ˙ œ œ œ ˙. œ œ J œ œ J J œ Ó sharp-enJed poJwer, TJo turn, aJs swim - mers iJn - tJo clean - ness leap - ing, j 11 œ œ œ œ œ œ ˙ œ œ œ œ ˙œ. w œ œ œ ˙ œ ‰ Œ ˙. Œ œ œ & œ œ œ Org. J œ œ œ œ ˙ œ œ œ œ #œ œ ˙ œ œ ˙ œ œ œ œ ? # ˙ ˙ J ‰ Œ œ˙. œ œ Œ ‰ œ ˙.

nœ œ œ ? œ œ œ œ œ œ œ ‰ Œ ∑ œ œ J w 8

15 F ˙ œ j & Ó œ œ œ œ œ j Glad frJom Ja world grown oœld., and coœld. aœnd p j & ∑ . j ˙ j G˙lad frœom œa world œgr.own œ p V ∑ ˙. œ œ ˙ ˙ Glad frJom Ja world grown p ? ∑ ˙. œ œ ˙ œ. œ Glad frJom Ja world grown J

15 œ œ œ œ œ j œ œ œ œ #œ œ ˙ œ œ . j œ œ ˙ œ œ. œ œ œw œ œ. œ & #œ ˙ œ ˙ œ. œ Org. J J œ p œ œ ˙ ? œ œ #œ œ #œ #œ œ nœ œ ‰ œ ‰ œ œ ‰ œ œ œ

? ˙ ˙ w w

» »

18 >˙ œ œ & Ó J J œ œ. œ œ œ #˙ ˙ wœear - œy, Leave the sick hearts thJat hon - our could not > j j Œ & œ œ. j œ ˙ j œ #œ œ oœld., and cold anœd wear - œy, Leave #œ thœe siœck hearts that nhœon - oœur > œ j j V œ. œ. œ œ œ ˙ œ œ œ œ Œ œ œ œ old, anJd cold aJnd wear - y, Leave the sick hearts #œ that hon - our

? œ #>˙ œ j nœ. œ. œ œ œ œ œ œ #œ #œ œ œ œ old, anJd cold and wear - y, Leave J the sick hearts that hon - our could J

18 j j j œ œ œ œ. œ œ. œ œ. œ ˙ ˙. Œ Ó & ˙. ˙ w # ˙ œ #œ #œ Org. œ ? œ #œ œ œ œ #˙ ˙ œ ‰ œ œ œ ‰ œ œ ‰ œ ‰ Œ Ó

? #˙ œ w ˙ ˙ #œ #œ Œ Ó 9

22 p F œ j œ ˙ & ˙ Œ œ Œ j j j j œ j Œ move, And half mœen, wœith thœeir dœir - tœy songs anœd drœear - œy, And all p F j j j j j j Œ & œ nœ œ Œ œ œ œ œ œ œ œ œ œ ˙ coœuld #nœot m#oœve, And half men, with their dir - ty songs and drear - y, And all p F j j j V #œ œ œ œ œ Œ j j œ j Œ œ ˙ c#oœuld not move, And half men, wœith thœeir dœir - tœy songs anœd drœear - œy, And all p F ? #œ œ #œ œ #œ n˙ #œ œ #œ Œ œ œ œ œ J œ œ œ Œ not move, And half men, wJith thJeir dJir - tJy songs anJd drear - y, And all

22 ˙ œ & ∑ ∑ ∑ ˙ œ Œ Org. ˙ œ ? ∑ ∑ ∑ #˙ nœ Œ

? ∑ ∑ ∑ ∑

» »

26 a tempo ma tranquillo dim. e rall. p œ j j j j r j j ˙ & œ œ œ bœ . œ bœ œ ˙ ˙ ˙ J the lit - tle emp - ti - ness of love! Oh! w˙e, wœho haœve known shame, a tempo ma tranquillo dim. e rall. p j j j j & œ œ œ œ j r j j œ the lit - tle emœp. - tœi - neœss oœf lo˙ve! Oœh! w˙e, wœho haœve kn˙own sha˙me, a tempo ma tranquillo dim. e rall. p j j j œ V œ œ œ œ œ. œ œ w œ œ œ bœ ˙ œ #œ J the lit - tle emJp - tRi - neJss oJf love! We, who have known shame, a tempo ma tranquillo dim. e rall. p ? œ œ œ œ œ. œ œ œ ˙ J J J J J R œ œ w ˙. œ the lit - tle emp - ti - neJss oJf love! Oh! we, who have

26

& ∑ Œ Ó ∑ ˙ œ œ œ Org. w

? ∑ ˙ œ œ œ Œ Ó ∑

? ∑ w œ Œ Ó ∑ 10

30 œ œ œ & œ w w Œ œ œ Œ we have found rœe - lease there, Where there's nœo i˙ll, no

˙ & œ w œ œ œ œ ˙ œ œ œ œ we haœve found re - lease thœere, # Wœ here there's no ill,

V œ œ ˙ œ œ œ œ œ œ œ œ b˙ ˙ œ b˙ we have found, have found re - lease there, Where there's nœo ill,

? ˙ ˙ œ œ œ œ œ œ œ œ #œ œ ˙ Œ bœ known shame, we haœve fœound re - lease there, Where there's no ill, no

30

& ∑ ∑ ∑ ∑ ∑ Org.

? ∑ ∑ ∑ ∑ ∑

? ∑ ∑ ∑ ∑ ∑

» »

q = q 35 p ˙œ œ œ ˙ ˙. & ˙. #œ nœ œ œ ˙ ˙ ∑ 43 ˙ œ grief, but sleep has mend - ing, Naught bro - ken p 3 & œ ˙ œ œ œ ∑ 4 ˙. ˙ œ nœo grief, but sleep hœas m˙end - in˙g, Naught bro - ken p œ œ ˙ ˙ 3 V bœ œ ˙ œ œ ∑ 4 ˙. ˙ œ no grief, but sleep has mend - ing, Naught bro - ken p ˙ œ œ œ ˙ œ ? œ œ œ ˙ ˙ ∑ 43 ˙. grief, but sleep has mend - ing, Naught bro - ken

35 q = q œ œ œ œ œ œ œ 3 & ∑ ∑ Œ ˙. Œ œ 4 œ Œ Œ Œ Œ œ Org. p œ œ œ œ œ œ œ œ œ œ œ œ ? ∑ ∑ Œ Œ 43 œ Œ Œ Œ Œ

? ∑ ∑ ∑ ∑ 43 ∑ ∑ 11

41 cresc. œ œ j j >œ ˙ #œ & Œ œ œ Œ œ ∑ œ œ #œ save this bo - dy, lost but b#re˙a.th: No - thing to cresc. j j & Œ œ œ œ œ Œ Œ ˙ ∑ œ œ save this bo - dy, lost bœut br˙ea. th: No - thœing to cresc. œ #œ V ˙ œ œ œ Œ Œ #˙ œ #˙. ∑ œ save this bJo - Jdy, lost but breath: No - thing to cresc. ? Œ œ œ œ œ Œ Œ ˙ œ ∑ ˙. save this bJo - Jdy, lost but b#re˙a.th: No -

41 ˙. #œ œ #œ œ & ˙. œ Œ Œ ∑ Œ #œ #˙. œ Œ Œ Org. ˙. œ ˙. œ #˙. œ ? ˙. œ Œ Œ ∑ ∑ Œ Œ

? ∑ ∑ ∑ ∑ ∑ ∑

» »

47 cresc. ˙ œ œ œ œ ˙ œ bœ & 4 ˙ ˙ ˙ Œ œ shake the laugh - ing heart's long peace there But on - ly cresc. 4 & ˙ œ ˙ œ 4 ˙ ˙ ˙ Œ œ shake the laugh - ing œ heart's long peace th˙ere Bœut #oœn - ly cresc. ˙ œ œ ˙ ˙ ˙ V œ œ 4 ˙ Œ œ œ œ shake the laugh - ing heart's long peace there cresc. But on - ly ? œ ˙ œ 4 ˙ #˙ ˙ bœ œ ˙. œ œ œ 4 - thing to shake the heart's long peace there But on - ly

47

& ∑ ∑ 4 ∑ ∑ ∑ Org.

? ∑ ∑ 4 ∑ ∑ ∑

? ∑ ∑ 4 ∑ ∑ ∑ 12

rall. 52 p b>œ. œ ˙ & Ó ˙ w ˙ ∑ a - gJo - ny, and that h˙as en˙d - in˙g; > j p & bœ. œ ˙ ∑ Ó b˙ ˙ ∑ a - go - ny, and that h˙as en˙d - in˙g; > p V œ. œ ˙ ∑ Ó ˙ ˙ ˙ ˙ ∑ a - gJo - ny, and that has end - #in˙g; > p ? œ. œ ˙ ∑ Ó ˙ ˙ ˙ ∑ a - gJo - ny, and that has en˙d - in˙g;

rall. 52 ∑ ∑ ∑ ∑ Ó ˙ œ œ & ˙ w Org. w ? ∑ ∑ ∑ ∑ ∑ #w

? ∑ ∑ ∑ ∑ ∑ ∑

» » Più sostenuto e tranquillo. 58 rall. p π U œ œ œ j ˙ ˙ & Ó œ ˙ . Ó w Aœnd the worst friend and en - œe - m˙y is b˙ut Death. rall. p π U Ó Ó & ˙ œ œ œ. j Aœnd thœe worst friend and en - œe - m˙y i˙s ˙ b˙ut Dewath. π rall. p j U V Ó œ œ ˙ œ œ œ. #œ ˙ Ó And the worst friend and en - e - my i˙s ˙ b˙ut Dweath. p π rall. ? U Ó œ œ œ œ œ. œ ˙ Ó And the worst œ friœend and en - Je - my i˙s ˙ b˙ut Dweath.

58 Più sostenuto e tranquillo. U & Œ ∑ Ó w w w ˙ œ ˙ w w w Org. π U ? n˙˙. œ ∑ w w w Œ ∑ w w w

U ? ∑ ∑ ∑ ∑ ∑ 32 ft. w 3

13 III. THE DEAD

Rupert Brooke Alan Gray Lento q = 72 f 3 Soprano 4 œ j & 4 ∑ ∑ ˙ œ ˙ œ j j ∑ Blow out, yœe bu - gles, o - vœer thœe ri˙ch De˙ad!

Alto 4 & 4 ∑ ∑ ∑ ∑ ∑ ∑ f 3 Tenor 4 œ j V 4 ∑ ∑ ˙ œ ˙ œ j j ∑ Blow out, yœe bu - gles, o - vœer thœe ri˙ch De˙ad!

Bass ? 4 ∑ ∑ ∑ ∑ ∑ ∑

Lento q = 72 4 & 4 w w ˙ Ó ∑ ∑ ∑ Reeds Organ f w w ˙ ? 4 w w ˙ Ó ∑ ∑ ∑

? 4 ∑ ∑ ∑ 32 ft. w w w p » Poco più moto. » 7 q = 84 & ∑ ∑ ∑ ∑ ∑

& ∑ ∑ ∑ ∑ ∑

V ∑ ∑ ∑ ∑ ∑

? ∑ ∑ ∑ ∑ ∑

Poco più moto. q = 84 3 3 7 3 ˙ œ ˙. œ œ œ & ˙. œ œ œ . œ œ w w w w w w cresc. Org. ˙. œ ? w w w w ˙. œ w w w w ˙.

16 ft. ? œ œ œ œ œ Œ œ œ œ Œ œ œ Œ œ œ œ Œ œ œ Œ 14

12 p & ∑ ∑ Ó Œ ˙ Theœre's no˙n.e oœf th˙ese so p & ∑ ∑ Ó Œ ˙ Theœre's no˙n.e oœf th˙ese so p V ∑ ∑ Ó Œ ˙ Theœre's no˙n.e oœf th˙ese so p ˙ ? ∑ ∑ Ó Œ œ ˙. œ ˙ There's none of these so 3

12 3 ˙. œ œ œ œ œ œ & w˙. œ ˙œ œ œ œ œ œ œ œ œ œ ˙. œ œ œ œ œ œ œ œ w œ w Org. w œ œ œ œ ? w ˙. œ œ œ œ œ œ w w w w

? œ œ œ œ œ œ œ Œ œ œ œ œ œ œ Œ œ œ œ Œ œ œ

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17 j & ˙ œ. œ ˙ Œ œ œ œ Œ œ œ œ lone - ˙ly ˙ an˙d poor of old, But, dy - ing, has made us j & ˙ œ. œ ˙ Œ œ Œ œ œ œ lone - ˙ly ˙ an˙d poor of old, But, dœy - inœg, has made us j V ˙ œ. œ ˙ Œ œ œ œ Œ œ œ œ lone - ˙ly ˙ an˙d poor of old, But, dy - ing, has made us

? ˙ œ. œ ˙ œ œ œ œ œ œ ˙ ˙ ˙ J Œ Œ lone - ly and poor of old, But, dy - ing, has made us

3 3 17 3 ˙. œ œ ˙. œ œ œ œ œ œ & ˙. œ œ œ w w œ ˙. œ œ œ œ œ œ w w 3 œ œ Org. œ œ ˙. œ ˙. œ œ œ œ œ œ œ œ ? w w ˙. w œ œ

? œ œ œ œ œ œ œ œ Œ œ œ œ Œ œ œ Œ Œ œ œ œ

3 15

22 p œ. j œ. & œ œ œ w ∑ ˙ œ œ œ ˙ rar - er gifts than gold. These laid the world Ja - way; p j & œ ∑ œ j rœar. - eœr gifts thœan gowld. Th˙ese laœid thœe wor.ld œa - w˙ay; j p V œ. œ œ œ w ∑ w ˙. œ rar - er gifts than gold. These poured j p ? œ. œ œ œ ∑ ˙ œ œ œ. œ ˙ rar - er gifts than gowld. These laid the world Ja - way;

22 3 3 & œ œ œ œ œ ˙. œ ˙. œ œ œ Œ Ó ∑ ˙ œ œ w œ œ ˙. œ œ œ Org. ˙ œ œ ˙. w œ ? w œ w œ Œ Ó ∑

? ˙ œ œ Œ œ œ œ Œ ∑ ∑ œ œ œ

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27 œ ˙ ˙ œ œ ˙ œ. œ & Œ œ œ Œ œ œ œ œ œ poured out the red Sweet wine of youth; gave up the years tJo be Of

Œ Œ j & œ œ ˙ œ œ ˙ œ œ œ œ. œ œ œ pouœred out the red Sw˙eet wine of youth; gave up the years to be Of œ V ˙. œ ˙ ˙ œ œ ˙ ˙ œ œ œ. œ œ out the red Sweet wine of youth; gave up the years tJo be Of

? œ œ œ œ œ. œ œ Œ œ œ ˙ ˙ œ ˙ Œ œ J œ poured out the red Sweet wine of youth; gave up the years to be Of

27

& ∑ ∑ ∑ ∑ ∑ Org.

? ∑ ∑ ∑ ∑ ∑

? ∑ ∑ ∑ ∑ ∑ 16

32

& ˙ ˙ w œ œ œ j ˙ œ œ œ œ work and joy, and that uœn - hoœp.ed sœe - rene, That men call

& ˙ ˙ w œ œ ˙ œ œ work and joy, and thœat uœn - hoœped sœe - reœne, Thœat men call ˙ w œ œ œ V ˙ œ œ œ œ œ œ œ ˙ work and joy, and that un - hoped se - rene, That men call ˙ ˙ ˙ œ œ ? œ œ œ œ . ˙ ˙ ˙ work and joy, and that un - hoped sœe - rene, That men call

32

& ∑ ∑ ∑ ∑ ∑ Org.

? ∑ ∑ ∑ ∑ ∑

? ∑ ∑ ∑ ∑ ∑

» » poco sostenuto 37 p Fw & Ó Œ œ ˙. œ œ. j Œ age; And those who would haœve ˙been, œ Th˙eir F p & w ∑ Œ œ œ j Œ age; And those wœho wœou. ld haœve ˙been, œ Th˙eir p Fw j V Œ œ ˙ ˙. œ œ. œ ˙ œ Œ ˙ age; And those who would have been, Their Fw p ? ∑ Œ œ œ œ œ. œ ˙ œ Œ ˙ age; And those who would haJve been, Their poco sostenuto 37 ˙ ˙ ˙ Œ Ó & w w ˙ œ ∑ ∑ Org. p w ˙ ˙ ˙w œ ? ˙ œ Œ Ó ∑ ∑

? ∑ ∑ ∑ ∑ ∑ 17

Lento 42 dim. π f U œ & œ ‰ j œ ∑ ∑ ˙ sons, thœey g˙ave, œ thœeir im - mœor - t˙a. - œli - twy. Blow, bu - gœles, dim. π U ‰ j ∑ ∑ ∑ & œ œ ˙ œ œ œ œ sons, they gave, their im - mor - t˙a -œ œli - twy. dim. π f j U œ V œ ‰ œ ˙ œ œ œ œ #˙ œ œ #w ∑ ∑ ˙ sons, they gave, their im - mor - ta - li - ty. Blow, bu - gœles, dim. π U ? ‰ œ ˙ œ œ œ œ ˙ w ∑ ∑ ∑ soœns, thJey gave, their im - mor - ta -œ œli - ty.

Lento 42 U & ∑ ∑ ∑ ∑ w w w Reeds Org. f U w w w ? ∑ ∑ ∑ ∑ w w w

U ? ∑ ∑ ∑ ∑ ∑ ∑ ∑

» » Poco più moto.

49 F & w ˙ Ó ∑ ∑ ∑ Ó Œ blow! Thœey F & ∑ ∑ ∑ ∑ ∑ Ó Œ Thœey F V w ˙ Ó ∑ ∑ ∑ Ó Œ blow! Thœey

? ∑ ∑ ∑ ∑ ∑ ∑

Poco più moto.

49 3 3 ∑ ∑ ˙. œ œ œ ˙. œ œ œ œ œ œ œ œ œ œ & ˙. œ œ œ œ œ Org. p w w œ w w œ œ œ œ œ˙ œ œ ? ∑ ∑ w w ˙. œ œ œ œ œ

? ∑ ∑ Œ Œ Œ Œ œ œ œ œ œ œ œ œ œ œ œ œ 3

18

55 ˙ ˙ œ œ ˙ & œ ˙ ˙ ˙ œ. œ br˙o.ught us, for our dearth, Ho - li - ness, lacked sJo long,

& œ ˙ ˙ œ. œ br˙o.ught us, for o˙ur de˙arth, H˙o - œ œli - ness, lacked sJo lo˙ng, œ V œ ˙ ˙ ˙ ˙ œ ˙ œ. œ ˙ br˙o.ught us, for our dearth, Ho - li - ness, lacked sJo long,

? ∑ ∑ ∑ ∑ ∑

3 3 3 55 ˙. œ œ œ œ ˙. œ œ œ ˙. œ œ œ ˙ œœ œ œ œ œ œ œ ˙. œ œ œ & w œ w œ œ œ œ œ œ œ œ w Org. poco cresc. cresc. ˙ ˙ œ w ˙ ˙ ˙ œ œ ˙ ww ? w w ˙ œ œ œ w

? Œ Œ Œ ˙ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

» »

Molto più moto e animato. 60 cresc. h = 72 #w # # & Ó ˙ ˙ Œ œ # C ∑ ∑ ∑ and Love, and Pain. cresc. # # & Ó ˙ ˙ Œ œ #w # C ∑ ∑ ∑ and Love, and Pain. cresc. # # V Ó ˙ ˙ Œ œ #w # C ∑ ∑ ∑ and Love, and Pain.

? ∑ ∑ ∑ ### C ∑ ∑ ∑

3 3 Molto più moto e animato. 60 h = 72 ˙ Ó #œ ˙. œ œ #˙ # # ˙. ˙. ˙ & ˙w. #œ œ w œ w # C ˙. œ ˙. œ ˙˙ ˙ # w # ˙ ˙ Org. f Trumpet ww w ##ww ? # w w # # C ˙. ˙. Œ w # œ

? Œ #˙ Œ ˙ Œ #˙ ### C #œ œ #œ ˙. œ ˙. œ w

3 19

66 f 3 3 # # #œ #œ œ œ. #œ & # ∑ ˙ ˙ Œ œ œ J ˙ Hon - our has come back, as a King, to earth, f 3 3 # # j & # ∑ Œ œ œ œ ˙ H#˙on - o˙ur has coœme b#aœck, aœs a K#iœn.g, to earth; f 3 3 # # #œ #œ œ œ #˙ V # ∑ ˙ ˙ Œ œ œ. œ Hon - our has come back, as a King, tJo earth; f 3 3 # ˙ ˙ œ œ œ œ ˙ ? ## ∑ Œ #œ œ. #œ Hon - our has come back, as a King, tJo earth;

3 3 66 # # œ ˙ ˙ œ œ # œ #œ ˙ #œ #œ ˙ Ó ∑ #˙ œ #œ œ & œ # œ #œ œ œ #˙ w Org. #w ? ### w w ∑ w

? # # # w w ∑ ˙ #˙

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70 # # œ. œ ˙ ˙ & # Ó ˙ ˙. œ œ œ œ J Ó And paid his sub - jeœcts with a roy - al wage; And

### j & Ó ˙. œ œ œ œ œ œ. nœ ˙ Ó ˙ A˙nd paid his sub - jects with a roy - al wage; And # # œ . œ ˙ V # Ó ˙ ˙. œ œ œ œ œ J Ó ˙ And paid his sub - jects with a roy - al wage; And # œ œ œ œ ˙ ? ## Ó ˙ ˙. œ œ. œ Ó ˙ And paid his sub - jects with a roy - aJl wage; And

3 3 3 3 3 70 ˙ œ œ œ # # #œ #œ œ œ œ œ ˙ ˙ œ nœ œ œ nœ œ œ œ œ & # w œ œ ˙ Ó ∑ w w Org. w w w w w w w w w w ? ### w

? # # # ˙ ˙ Ó ∑ ˙ ˙ ˙ ˙ ˙

3 3 20

75 , # # œ. ˙ ˙ Nœ ˙ œ. œ & # œ ˙ ˙ œ œ œ. ˙ No - bJle - ness walks in our ways Ja - gain; No - bJle - ness # # j , & # œ. œ ˙ ˙ ˙ ˙ œ œ j j No - ble - ness walks in our wœay.s œa - ga˙in; Nœo. - bœle - ˙ness , # # . œ ˙ ˙ ˙ ˙ œ œ œ. j V # #œ J Nœ ˙ œ. œ ˙ No - ble - ness walks in our ways Ja - gain; No - ble - ness , ? # # j ˙ œ œ j # œ. œ w ˙ Nœ. œ ˙ œ. œ ˙ No - ble-ness walks in our ways Ja - gain; No - ble-ness

75 œ ˙ ˙ # # œ ˙ ˙ #˙ ˙ ˙ ˙w n˙ ˙ ˙ & # Œ ˙ w w w ˙ ˙ Org. w ˙ #˙ ˙ ˙ w˙ ˙ ˙ w ˙ w w N˙ ˙ ˙ ? ### ˙ Ó

? # # #œ œ œ #œ œ Nœ œ œ œ # œ œ œ œ œ œ œ œ œ œ œ

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80 rall. # # ˙ & # ˙ ˙ ˙ œ. œ ∑ Ó ˙ walks iœn oœur ways Ja - gain; And rall. ### & ˙ j ∑ Ó ˙ w˙alks ˙ iœn oœur wœay.s œa - ga˙in; And rall. # # ˙ V # ˙ ˙ ˙ #œ œ œ. œ ∑ Ó ˙ walks in our ways Ja - gain; And rall. ? # # œ. œ #˙ # w ˙ œ œ J ∑ Ó ˙ walks in our ways a - gain; And

80 # ## ˙ ˙ ˙ ˙ ˙ ˙ ˙w w & w ˙ ˙ ˙w w ˙ ˙ ˙ Org. rall. ˙ ˙ ˙ ˙ ˙ ˙ ˙ ˙ ˙ ˙ w˙ ˙ w˙ ˙ ? ### w ˙ ˙ w w ˙ ˙

? # # œ œ œ # œ œ œ #œ œ #œ œ œ œ œ œ œ œ œ #œ œ œ 21

85 Più lento. # # w ˙ w œ œ œ œ & # Ó ˙ œ œ we! w˙e ha˙ve come, have come in - to our # # & # w ˙ Ó œ w œ œ œ œ we! we ˙ hœave come in - to our # # ˙ œ œ œ V # w ˙ Ó #˙ n˙ œ w œ œ we! we have come, have come in - to our œ œ w œ œ œ œ ? ### #w ˙ Ó ˙. œ ˙ we! we have come, have come in - to our

85 Più lento. # # w ˙ # w ˙ Ó œ w œ Œ ˙ & w ˙ ˙w ˙ ˙w œ˙ w œ ˙ Org. ww ˙˙ #˙ n˙ œ œ w œ ˙ ? ### Ó Ó Œ ˙

? # # # w ˙ Ó w w w œ Œ ˙ #w ˙ w w w œ

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91 ƒ # # w w œ. j U & # œ ˙ w ∑ her - - - - - i - tage. # # ƒ j U & # w w œ. œ ˙ w ∑ her - - - - - i - tage. ƒ # # w w œ. j U V # œ ˙ w ∑ her - - - - - i - tage. # ƒw ˙ ˙ œ. œ ˙ w U ? ## J ∑ her - - - - - i - tage.

91 œ œ # # w w ˙ œ œ U & # w w ˙ Ó œ Œ œ Œ w Org. w w ˙ œ œ w ˙ ˙ ˙ œ œ Uw ? ### Ó Œ Œ

U ? # # w w ˙ # w w ˙ Ó œ Œ œ Œ w 22 V. THE SOLDIER

Rupert Brooke Alan Gray Poco Adagio q = 60. SOLO (ad lib.) p Soprano 3 œ œ œ. œ & 4 œ ˙ œ ˙ œ œ. œ J R ˙ If I sœhould die, think on - lJy this of me: SOLO (ad lib.) p Alto j j r 3 œ . œ j & 4 œ œ. œ œ œ œ Iœf ˙I shouldœ d˙ie, thœink on - ly this of mœe.: That SOLO (ad lib.) p Tenor œ œ œ. œ œ. V 43 œ ˙ œ ˙ œ œ. œ J J R œ If I should die, think on - ly this of me: ThJat SOLO (ad lib.) p œ. Bass ? 3 œ. œ œ œ ˙ 4 œ ˙ œ œ ˙ œ œ J If I should die, think on - ly this of me:

Poco Adagio q = 60. j œ. œ 3 ˙ œ. œ œ œ œ ˙ & 4 œ ˙ œ œ œ œ. œ œ œ. œ (Rehearsal Only) ˙ J p œ j œ. œ œ œ œ. œ œ. œ ? 3 œ ˙ œ ˙ œ œ. œ œ œ ˙ 4 œ ˙ œ œ œ J

» »

5 j j œ. j & Œ ‰ œ œ œ œ œ œ 4 œ. œ j j j j 43 That there's soJme cor - nJer oJf a fJor - eiRgn œfield œ thœat iœs fœor

j j j j 4 j j j j 3 & ˙ œ œ j œ œ 4 œ. œ œ œ j œ 4 there's some cœor. - nœer of a for - eign field that iœs for

j œ. j j 3 V ˙ œ œ œ. œ œ œ 4 œ œ œ œ œ 4 there's J soJme cor - ner oJf Ja for - eiJgn fiJeld thJat is for

? œ œ œ œ œ œ 4 j 3 ‰ œ œ 4 œ. œ œ j j œ 4 ThJat there's some cor - ner oJf Ja for - eiJgn fiJeld thœat iœs for

5 Œ ‰ j œ œ. œ œ 4 œ. œ 3 & ˙ œ œ J œ 4 œ. œ œ œ œ œ œ 4 œ œ J œ œ œ œ j j ˙ œ œ œ. œ œ œ œ. œ œ œ ? ‰ œ œ. œ œ. œ œ 4 œ œ œ œ 3 J J 4 . J œ œ œ 4 23

8 p œ. & 43 œ Œ ∑ œ œ œe - vœer Eœng - laœnd. There J shall #œ p 3 & 4 Œ #˙. ˙e - vœer Eœng - laœnd. T˙here shœall be p V 43 œ œ œ œ œ Œ ˙ œ ˙. e - ver Eng - land. There shall be p ? œ ˙ œ ˙. 43 œ œ œ Œ e - ver Eng - laœnd. There shall be

8 3 œ. œ & 4 œ œ Œ ∑ œ #œ ˙œ œ œ œ J p #˙. ˙ ˙ œ ˙. ? 3 œ œ œ œ œ Œ ˙ œ 4 œ œ

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12 j œ œ ˙ & œ. œ œ œ œ. œ œ œ œ Œ be in thJat riJch earth Ja riJch - eJr dust con - cealed; p j & j j j j œ ˙ œ #iœn t˙hat œ riœch e#aœrt.h œa dust#œ œ coœn - cealed; Aœ p œ. œ œ œ V œ œ ˙ œ œ œ œ ˙ œ J iJn that J riJch earth Ja dust con - cealed; A p ? œ œ œ . œ œ œ ˙ œ ˙ œ ‰ #œ J J #œ J J J iJn that rich earth a rich - er dust con - cealed; A

12 j j œ . œ œ œ œ. œ œ œ œ œ ˙ Œ & œ #œ ˙ œ œ #˙ œ #œ œ œ ˙ p ˙ œ œ œ œ œ ˙ œ œ œ œ œ œ œ ˙. œ œ ˙ œ ? #œ #œ. J ‰ J 24

16 p j j j r & ‰ œ œ œ œ œ ‰ #˙ #œ . œ ˙ AJ dust whom#œ Eœng. - land # bœore, œ shaped, made a - ware,

j j r & . j #œ œ ‰ n˙ œ . d#u˙st whœom Eœng - laœnd bore, shaped, made œa - wa˙re,

V ˙ œ œ. œ œ œ ‰ ˙ œ. œ ˙ dust whom Eng - laJnd bore, J shaped, mJade Ra - ware,

œ œ r ? #˙ œ #œ œ ‰ n˙ œ. œ ˙ dust whom Eng - land bore, J shaped, mJade a - ware,

16 ‰ œ œ j j ‰ & J œ œ #œ œ. œ #œ œ n#˙˙ #œœ. œ ˙ j #˙ œœ œ. œ œ œ ˙ œ. œ ˙ ? # ˙ œ œ #œ œ ‰ n˙ œ. J œ ˙

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20 cresc. F œ j œ ˙ œ & œ. œ œ œ œ ˙ œ œ ‰ Gave, once, her flJowers tJo love, her ways to roam, AJ cresc. F j & œ œ. #œ ˙ #œ ˙ #œ ˙ nœ Gave, once, her flowers, her ways to roam, A cresc. F j œ œ œ œ V œ œ. œ ˙ œ œ œ œ œ œ Gave, once, hJer flowers, her wJays to roam, J AJ bo - dJy oJf cresc. F ? œ j j œ œ œ ∑ œ œ ˙ œ œ œ J J Gave, once, her ways to roam, A bo - dy of

20 j œ œ. j œ œ ˙ œ ˙ ‰ œ & œ œ. #œ œ œ #œœ ˙ #œ œ ˙ nœ œ ˙ cresc. F œ œ. œ ˙œ œ œ œ œ œ œ œ ? J œ œ ˙ œ œ 25

24 œ œ œ œ œ. œ #œ & œ ˙ ˙ J bo - dy of Eng - land's, breath - ing Eng - lish air,

j & œ œ. œ ˙ œ œ œ œ œ œ #œ bo - dy of Eng - land's, breath - inœg Eng - lish

œ. œ V ˙ #œ ˙. œ œ œ œ Eng - land's, breath - - - - - ing Eng - liJsh air,

#˙ œ œ œ œ œ ? œ œ œ œ œ œ Eng - land's, breath - - - - - ing Eng - lish

24 j œ œ œ. œ #œ œ œ ˙ ˙ œ œ & ˙ œ œ ˙ œ œ œ œ œ œ #œ j œ. œ #˙ œ ˙ œ œ œ œ œ œ ? œ œ œ œ œ œ

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28 dim. f œ #œ œ œ œ ˙ ˙ œ ˙. & œ œ ˙ œ œ Washed by the riv - ers, blest by suns of home, f F & ˙ Œ œ œ #œ œ œ #œ #œ œ #œ nœ œ air, œ œ œ œ Washed by the riv œ- ers, blest by suns of f dim. œ œ œ œ œ ˙ nœ ˙ œ œ V œ œ œ Œ œ œ #œ Washed by the riv - ers, blest by suns of home, blest ˙ f œ œ œ œ #œ ˙ œ œ ? ˙ Œ #œ œ #˙ ˙. air, Washed by the riv - ers, blest,

28 œ #œ œ œ œ œ œ ˙ ˙ œ ˙ œ ˙. & œ œ #œ œ ˙ nœ œ #œ #œ œ #œ nœ œ Œ dim. œ ˙œ œ Œ œ œ œ œ œ œ œ œ œ œ œ œ #œ ˙ œ œ œ œ ? #œ œ #˙ ˙. #œ 26

33 p j p œ œ œ Œ Œ & œ œ. œ œ œ œ #œ ˙. blest, blest by suns œ of home. Aœnd p ∑ & ˙ œ œ œ home, blest œ by su˙ns oœf ho˙m.e. p V ˙ œ œ œ œ œ œ ˙. ∑ blest #œ by #œ suns of home. p ? ˙ œ œ œ ˙ œ ∑ blest œ by suns of ho˙m. e.

33 œ j & œ œ œ. œ œ œ #œ ˙. Œ Œ ˙ œ œ œ œ ˙œ. œ œ ˙. œ p œ œ œ ? ˙ œ #œ œ ˙œ #œ œ ˙. ˙ œ œ œ . ˙. ∑

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38 FULL π p π j ˙ œ & Œ œ. œ œ œ ˙ ‰ j t˙h.ink, ˙. œ thœis heart, all Je - vJil shed a - way, Aœ

FULL p π p Œ Œ j j j & Œ œ œ œ œ œ œ ˙ Œ Aœnd t˙h.ink, œ thœis heœa.rt, all e - vil shed a - way, FULL p π p œ V Œ Œ œ ˙. œ Œ œ œ. œ œ ˙ œ ˙ Œ And think, this heart, aJll Je - vJil shed a - way, FULL p π pœ ? œ. œ œ œ œ ˙ Œ Œ œ ˙. œ Œ œ œ J J Œ And think, this heart, aJll e - vil shed a - way,

38 Œ j œ œ ˙ œ ˙ ‰ j & ˙. ˙. œ œ œ. œ œ œ œ ˙ ˙ œ Œ Œ œ ˙. œ œ œ. π p π œ œ œ ˙œ ˙ œ ˙. œ œ œ. œ œ ˙ œ ˙ ? Œ Œ œ ˙. œ Œ œ J Œ 27

44

& j j j Œ p˙u.lse œ. iœn bthœe œe - bt˙er - nœal m˙ind, poco cresc. π & Œ Œ j j j Aœ puœls.e iœn thœe œe - t˙er - nœal m˙ind, nœo poco cresc. π j j j V Œ Œ œ œ. œ bœ œ ˙ œ ˙ œ A pulse in the e - ter - nal mind, no poco cresc. π ? j j j j œ ∑ ‰ œ œ œ œ œ bœ œ A pulse in the Je - ter - nœal m˙ind, no

44 j & ˙. œ œ. œ bœ œ b˙ œ ˙ œ Œ Œ œ ˙ poco cresc. j œ œ. œ bœ œ ˙. ˙ œ ? Œ Œ œ œ œ œ bœ œ ‰ J œ œ ˙

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48 poco cresc. j j r & ∑ Œ Œ œ bœ. œ œ j j ˙ No less Gives some - whœere baœck. thœe thoughts

j j j j r j & œ. œ j j j r œ œ . œ œ j ˙ less Gives soœme-whœere baœck. thœe ˙thoughts œ by Eng - land given, thœe tœh.ougœhts

j j j j j V œ. œ œ œ œ œ œ œ ˙ ˙. less GiJves some-where baœc.k the thoughts by Eng - - - - - œ ? œ. œ œ j j œ bœ. œ œ J œ œ. j j œ œ . œ œ J less Gives soJme-whJere back thœe thouœghts by Eng - laRnd given, by Eng -

48 j . j & œ. Œ Œ œ bœ œ. œ œ œ œ . œ ˙ œ œ œ œ. œ ˙ œ œ œ œ œ. œ ˙ j œ. œ œ œ œ ˙ b˙œ. œ œ ? œ œ œ œ. œ œ œ œ œ œ œ J œ œ œ œ. J J 28

52 p , j j ˙ œ œ œ j & œ œ œ bœ ˙ œ ˙. œ œ œ by Eng - land given; Her sights and sounds; dreams hJap - pJy aJs her p , j & j œ œ ˙. j j œ bœy Eœng - laœnd gi˙ven; Her si˙ghts and sounds; dr˙eams aœs hœer p , œ œ ˙. j j V œ œ ˙ œ ˙ œ œ #œ œ œ œ - - land given; Her sights and sounds; dreams hap - py aJs hJer p , œ œ œ ˙ j j ? œ ˙ ˙ œ . ˙ œ œ - - land given; Her sights and sounds; dreams as her

52 ˙ œ œ œ bœ ˙ œ œ ˙. œ œ œ œ & œ œ œ œ ˙ ˙ ˙ ˙. p œ ˙. œ œ œ ˙ œ ˙ ˙. œ œ #œ œ œ œ ? œ ˙ ˙ œ ˙.

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57 cresc. p ˙ œ œ œ & œ œ Œ œ. j œ œ Œ j œ œ day, And laugh - ter, learnt oœf friends; anœd gœen. -œ - - cresc. p j & #˙ œ œ œ Œ œ. Œ j œ œ day, and laugh - ter, learnt oœf œfriends; œ and gœen -œ. œ - œ œ œ- - cresc. p ˙ œ œ œ V Œ œ. œ œ œ Œ œ ˙ œ œ ˙ œ day, And laugh - ter, learnt oJf friends; and gen - - - cresc. p ˙ œ bœ œ œ. œ ˙. ? Œ J #œ œ Œ day, And laugh - ter, learnt of friends; #anœd g˙en. - - -

57 ˙ œ œ Œ œ. j Œ j œ œ & #˙ œ œ œ œ. œ œ œ œ. œ œ œ œ œ cresc. œ œ œœ œ. œ œ œ œ p ˙˙ œ bœ œ œ. œ œ œ ˙ œ ? Œ œ #œ œ Œ ˙. ˙. J #œ ˙. 29

63 q = q j & œ 4 œ. œ ˙ Œ œ œ b˙ ˙ ˙ œ - œ - œ - tle-ness, In heaœrts at peace, un - der aœn Eœng œ- lœish œ

4 Œ & œ 4 j ˙ ˙ - ˙ - - œ. tœle-ne˙ss, Iœn heaœrts aœt peace, uwn - dwer

V œ œ œ 4 bœ. œ ˙ Œ bœ œ œ w - - - tJle-ness, In hearts at peace, uwn - dwer

? œ œ ˙ œ 4 œ. œ ˙ Œ œ œ œ ˙ - - - tJle-ness, In hearts at peace, uwn - dwer

63 q = q œ 4 j Œ b˙ & œ œ œ 4 œ. œ ˙ œ œ œ ˙ ˙ ˙ œ œ œ œ œ ˙ œ. œ ˙ œ œ œ w w œ œ œ œ bœ. œ ˙ b˙ œ ˙w ? œ 4 œ. œ ˙ Œ œ œ œ ˙ w w 4 J w w

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Soprano Solo. 69 p ˙ œ œ U & œ œ w w w w w un - der an Eng - lœish œ heaven. heaven. U & w w ˙. œ ˙ ˙ ww w˙ ˙ ww heaven, an Eng - lish, Eng - lish heaven. U & w w ˙ w heaven, ˙. aœn E˙ng - li˙sh, Ewng - li˙sh heaven. U V w w heaven, ˙. aœn E˙ng - li˙sh, Ewng - ˙ li˙sh hewaven.

U ? w w ˙. œ ˙ ˙ w ˙ ˙ w heaven, an Eng - lish, Eng - lish heaven.

69 ˙ U œ œ œ œ & œ w w ww w w w ˙ œ˙ ˙. œ ˙ ˙ w ˙ ˙ w π w w . U ? w w ˙w œ ˙w ˙ ww ˙w ˙ w w w w w w w w 8 ft. Ped. ad lib. u 30

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Catalog Number 6.5/02