DOCSLIB.ORG

Mohawk Valley Irish Cultural

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Mohawk Valley Irish Cultural MOHAWK VALLEY IRISH CULTURAL Volume 14, Issue 4 EVENTS NEWSLETTER Apr 2017 Rain Fails to Dampen Utica’s St. Patrick’s Day Parade “And when it rains on your parade, look up rather than down. Without the rain, there would be no rainbow.” – G. K. Chesterton Cold snap, snow, rain? To some, it means hunkering down and waiting for fairer weather. To Central New Yorkers, that’s called “March,” and they know that a little inclement weather can’t dampen the indomitable spirit of the Irish and Irish-at-heart community. Capping a two-week period that had already brought both the bitter cold that caused the postponement of the St. Patrick’s Day Parade and, mere days later, a historic blizzard, Utica’s St. Patrick’s Day Parade stepped off on March 25th, with dancers and vehicles of all sizes braving Photo by Alex Cooper, Utica O-D the rainy conditions. The parade, led by Grand Marshal Vaughn Lang, featured over 120 units, all marching to the delight of kids of all ages. The spirit of giving also reigned, as 558 food items and $743.15 in cash were donated as part of the parade’s annual food drive to support Mother Marianne’s West Side Kitchen (the “$3.15” coming from Bernie Adorino’s 8 year old son, Nick, who collected bottles and cans for the drive!). As always, the job of selecting the winning units was difficult, but the parade judges announced the following winners: Bag Pipes Floats 1: Mohawk Valley Frasers 1: Stevens-Swan Humane Society 2: Syracuse Scottish Pipe Band 2: Cornhill Neighborhood Assoc. 3: Scotia Glenville Pipe Band 3: Fairles Wish Marching Units Vehicles 1: Johnston School of Irish Dance 1: New York State Police 2: Butler-Sheehan Academy of Irish Dance 2: Cars fleeing NYS Police (April Fool!) 3: Dogs of Ireland Fire Departments Other 1: Maynard Fire Department 1: Utica Safe Schools Build a Bike 2: Whitesboro Fire Department 2: Wilcor International 3: New Hartford Fire Department 3: Sullivan Contracting Inc. Mohawk Valley Irish Cultural Events - 1 Utica St. Patrick’s Day Raffle Winners Announced The luck of the Irish came through for seven happy ticket-holders. On March 26th, as a roomful of hopefuls at the Celtic Harp held their collective breath, Utica St. Patrick’s Day officials drew the names of seven lucky prize winners in the 2017 St. Patrick’s Parade Raffle. The popular raffle is conducted by the Great America Irish Festival each year to defray the costs of putting on the St. Patrick’s Day Parade. Taking home the prizes this year were: 1st Prize (party for 20 in the 1888 Tavern, FX Matt Brewing Company) – Sandra Robinson 2nd Prize (private catered dinner for 4 by O’Connor’s “A Moveable Feast”) – Gordon Tibbitts 3rd Prize ($100 Certificate for The Tailor & The Cook Restaurant) – Scarlett Pepe 4th Prize ($100 certificate to the Celtic Harp) – Brett Roberts 5th Prize (two tickets ($76 value) to “Irish Night at the Stanley”) – Dennis Breheny 6th Prize ($50 certificate to Gerber’s 1933 Tavern) – Bill Chromczak 7th Prize (four weekend passes to the 2017 Great American Irish Festival) – Vincent Scalise Congratulations to all, especially our new very very very best friend, Sandra Robinson! News from the Utica NY Area Irish Coalition – Sue Romero In January 2016, representatives of six Irish cultural organizations in the Utica, NY, area met at Nail Creek Pub to discuss plans for the 100th anniversary of the 1916 Easter Rising in Dublin. Each group had been active for many years in the area, but this was the first time they had all joined forces to one purpose. Marking the centenary of Ireland's independence from England seemed a fitting time to do that. The events - a documentary screening and a lovely dinner with music, poetry and speeches - helped us all feel connected to the commemorations happening in Dublin and all over the world. These events went so well (and meeting in local pubs to cook up plans for fun Irish cultural events was so much fun) that we just kept going. In September 2016, we were able to bring another fine event to the area when Dublin-based storyteller and singer Helena Byrne performed at the Kirkland Arts Center. Next, we’re working on a Bloomsday Pub Crawl. This event is done every year in Dublin and many other places around the world including Syracuse, but hasn't happened in Utica yet. Irish author James Joyce chronicles one day in the life of his fictional character Leopold Bloom in his novel Ulysses. The day is June 16, 1904, which has come to be known as Bloomsday. Our pub crawl will include historical and literary elements as well as readings from the book, and of course there will be refreshments at each pub. Later in the year when the new Irish Cultural Center building is complete, we plan to host a day of workshops. Many of our own members have skills in Irish arts like fiddle playing, dance, and language, so they'll be on hand to teach some of the classes. We also hope to invite well-known teachers from other places like Boston and New York. These plans are still on the drawing board and wide open for suggestions. So, if you’ve been to something like Bloomsday or Irish arts workshops and came away with great memories, we’d love to hear about it and incorporate as many good ideas as we can. And we’ve made it really easy for you to chime in by creating an online suggestion box. Just go to our website. You’ll find a survey form on the home page. And make sure to like our Facebook page for all the event details as we announce them. Mohawk Valley Irish Cultural Events - 2 Martin McGuinness, IRA Leader Turned Peacemaker, Dies at 66 Martin McGuinness, a former Irish Republican Army commander and Sinn Fein political leader who helped negotiate peace in Northern Ireland after decades of sectarian violence and later became a senior official in its power-sharing government, died after a brief illness March 21st, 2017. He was 66. A polarizing figure for his involvement in IRA activities beginning in the 1960s and early 70s, including 1972’s Bloody Sunday, McGuinness had grown to be a savvy and persuasive negotiator and peacemaker. He and Sinn Fein’s President Gerry Adams changed the history of the islands of Ireland and Britain by persuading the IRA to take the political path despite grave warnings that peace could not be achieved, and that men like Michael Collins had died trying to achieve the same. McGuinness was one of the main architects of the Good Friday Agreement which formally cemented the Northern Ireland peace process, and later, took part in two of the most iconic moments in recent Irish history during his time as a leader of Sinn Fein. In the first, in 2007, he embraced long-time hard line unionist rival the Reverend Ian Paisley and forged a consensus on how to govern Northern Ireland through power- sharing. Then, in 2012, he met with Queen Elizabeth during a trip she Photo of Martin McGuinness’ funeral taken by made to Belfast in his capacity as the North’s deputy first minister. Once MVICE reader, Roberta Van Tassell O’Shaughnessy fierce rivals, they came to realize that the only hope for the future was a joint working relationship that produced positive results. Martin McGuinness’s work is done, but his memory and achievements will last forever and always be synonymous with peace in Ireland. May he rest in peace. (passages lifted – albeit with reverence – from various media sources). “An Irish Night at The Stanley” Delivers Nonstop Entertainment The Stanley Theatre was awash in the Irish spirit last Friday as three musical acts gave their all to a packed house; all part of the (now annual) event known as “Irish Night at the Stanley.” Taking the stage first was local favorites The Blarney Rebel Band, who ably kicked off the show with a crisp selection of crowd favorites and original music, including the first-ever live performance of their “Pile High the Pennywall,” backed by a choir of 20 talented students from Proctor and Sauquoit high schools. Amping it up a notch was Philadelphia’s BarleyJuice, who presented a high-energy set that included their biggest hit, “Beware the Weekend Irish,” well-chosen mashups of Irish/conventional songs, and they closed with the fiery ending of the Who’s “Baba O’Reilly.” And as always, bringing the house down was Kansas City’s The Elders, with a fast-paced set of Elders classics and new material. Especially memorable were “Luck of the Irish,” “The Story of a Fish (with the now-famous “Capitol Theater Fish-Sticks”), “Appalachian Paddy” and of course the moving “Men of Erin.” The mood of the room was not lost on frontman Ian Byrne, who endeared himself to the appreciative crowd with “We love coming to Utica. It’s like coming home.” Joining each band throughout the night were dancers from The Johnston School of Irish Dance and The Butler- Sheehan Academy of Traditional Irish Dance, and the evening closed (at least at the theater!) with the very popular meet-and-greet/photo session in the lobby. Thanks go to Debbie Kessler of Kessler Promotions, the CNY Labor Council, and to Stanley director Jerry Kraus for making it all possible. Here’s looking to next year! Mohawk Valley Irish Cultural Events - 3 “How to Defuse a Bomb: The Project Children Story” – Review by Tom Malley Many people in the area are familiar with the term Project Children, especially those in the Irish culture.
Load more

Recommended publications
  • Discography Section 6: E (PDF)
    1 NOEL EADIE Noel Eadie, soprano with orchestra Recorded London, ca August 1927 Home sweet home (John H. Payne; Henry Bishop) Broadcast 144; Unison 144(8”) Comin’ thro the rye (Robert Brenner) Broadcast 144; Unison 144(8”) Noel Eadie, soprano vocal with José Brath. piano Recorded Studio C, Small Queen’s Hall, Langham Place, London, Thursday, 22nd. August 1929 Bb-17272-1/2 An Eriskay love lilt (trad. arr. Marjorie Kennedy Fraser) HMV unissued Bb-17273-1/2 Heart of fire, love (trad) HMV unissued Recorded Studio C, Small Queen’s Hall, Langham Place, London, Tuesday, 24th. September 1929 Bb-17272-3/4 An Eriskay love lilt (trad. Marjorie Kennedy Fraser) HMV unissued Bb-17273-3 Heart of fire, love (trad) HMV unissued THE ECLIPSE BAND Recorded London, 1908 – 1914 6191 KV Reminiscences of Scotland – part 1 Eclipse 109 6192 KV Reminiscences of Scotland – part 2 Eclipse 109 NOTE: These German produced records were 10” diameter and fine grooved. They are reputed to play for up to five minutes. JOHN EDINGTON Vocal with Miss McConnell, piano Recorded London, Tuesday, 8th. October 1929 BR-2665-2 Bonnie wee thing (Robert Burns; trad. arr. George Fox) HMV B-3554 BR-2664-2 Mary Morrison (Robert Burns; trad. arr. Alfred Moffat) HMV B-3554 CITY OF EDINBURGH BAND (Known as Grassmarket Band until 1925) John Falds, conductor Recorded Usher Hall, Lothian Road, Edinburgh, Saturday, 14th. October 1950 Othello – tone poem. part 1 (Drake Rimmer) Isis – no number Othello – tone poem. part 2 (Drake Rimmer) Isis – no number Pageantry – suite. part 1 (Herbert Howells) Isis – no number Pageantry – suite.
    [Show full text]
  • A-Cr-Ccp-907/Pf-001 3-1-1 Common Training Pipe Band
    A-CR-CCP-907/PF-001 COMMON TRAINING PIPE BAND – BASIC MUSICIAN INSTRUCTIONAL GUIDE SECTION 1 EO S115.01 – IDENTIFY ELEMENTS OF PITCH Total Time: 40 min PREPARATION PRE-LESSON INSTRUCTIONS Resources needed for the delivery of this lesson are listed in the lesson specification located in A-CR-CCP- 907/PG-001, Pipe Band–Basic Musician Qualification Standard and Plan, Chapter 4. Specific uses for said resources are identified throughout the instructional guide within the TP for which they are required. Review the lesson content and become familiar with the material prior to delivering the lesson. PRE-LESSON ASSIGNMENT N/A. APPROACH An interactive lecture was chosen for this lesson to present elements of pitch. INTRODUCTION REVIEW N/A. OBJECTIVES By the end of this lesson the cadet shall have identified the elements of pitch. IMPORTANCE It is important for cadets to know the elements of pitch because it allows the cadets to read music which is the foundation to all practical music training activities. Teaching Point 1 Describe Staves Time: 5 min Method: Interactive Lecture STRUCTURE Staves are a set of parallel lines. Originally staves were many, many lines, and were reduced for ease of reading the music. The system that is used today is a staff made of five lines and four spaces. 3-1-1 A-CR-CCP-907/PF-001 Director Cadets 3, 2008, Ottawa, ON: Department of National Defence Figure 3-1-1 The Staff NUMBERING OF LINES AND SPACES To number the lines, start at the bottom and number them one through five.
    [Show full text]
  • Pipe Band Uniforms, Highland Dress & Accessories
    PIPE BAND UNIFORMS, HIGHLAND DRESS & ACCESSORIES KILTS Made in Scotland by Leading Kiltmaker - 100% Worsted Cloth Gent’s Full Kilts Medium Worsted Cloth .............................8 yard Kilt .......$ 720.00 ..................................................................9 yard Kilt .......$ 750.00 Old & Rare Range - Medium Worsted .......8 yard Kilt .......$ 795.00 ..................................................................9 yard Kilt .......$ 825.00 Heavy Weight Stock Cloth .........................8 yard Kilt .......$ 765.00 ..................................................................9 yard Kilt .......$ 795.00 Special Weave - 16oz Cloth .......................8 yard Kilt .......$ 925.00 ..................................................................9 yard Kilt .......$ 990.00 Dancer’s Full Kilts ............................................................................. From $ 475.00 Ladies Semi-Kilt LTWT Wstd Cloth, up to 100 cm hips Machine Sewn ........................ From $ 350.00 Ladies Hostess Kilt Ankle Length 100% Worsted, up to 100cm hips. Machined ....................... $ 590.00 Straight Skirt - Reever cloth ........................................................................ $ 240.00 All of the above to measure - Delivery 8-10 weeks JACKETS Made to measure from Scotland - Delivery 8-10 weeks Several styles including Argyll, Crail, Montrose, Prince Charlie and Band Tunics to detail Plain Barathea Cloth, Crail & Argyll Style .................. $ 490.00 Tweed Crail & Argyll Style .......................................
    [Show full text]
  • Spring 2015 Vol. 44, No. 1 Table of Contents
    Spring 2015 Vol. 44, No. 1 Table of Contents 4 President’s Message Music 5 Editorial 33 Jimmy Tweedie’s Sealegs 6 Letters to the Editor 43 Report for the Reviews Executive Secretary 34 Review of Gibson Pipe Chanter Spring 2015 35 The Campbell Vol. 44, No. 1 Basics Tunable Chanter 9 Snare Basics: Snare FAQ THE VOICE is the official publication of the Eastern United 11 Bass & Tenor Basics: Semiquavers States Pipe Band Association. Writing a Basic Tenor Score 35 The Making of the 13 Piping Basics: “Piob-ogetics” Casco Bay Contest John Bottomley 37 Pittsburgh Piping EDITOR [email protected] Features Society Reborn 15 Interview Shawn Hall 17 Bands, Games Come Together Branch Notes ART DIRECTOR 19 Willie Wows ‘Em 39 Southwest Branch [email protected] 21 The Last Happy Days – 39 Metro Branch Editorial Inquiries/Letters the Great Highland Bagpipe 40 Ohio Valley Branch THE VOICE in JFK’s Camelot 41 Northeast Branch [email protected] ADVERTISING INQUIRIES John Bottomley [email protected] THE VOICE welcomes submissions, news items, and ON THE COVER: photographs. Please send your Derek Midgley captured the joy submissions to the email above. of early St. Patrick’s parades in the northeast with this photo of Rich Visit the EUSPBA online at www.euspba.org Harvey’s pipe at the Belmar NJ event. ©2014 Eastern United States Pipe Band EUSPBA MEMBERS receive a subscription to THE VOICE paid for, in part, Association. All rights reserved. No part of this magazine may be reproduced or transmitted by their dues ($8 per member is designated for THE VOICE).
    [Show full text]
  • Traditional Music of Scotland
    Traditional Music of Scotland A Journey to the Musical World of Today Abstract Immigrants from Scotland have been arriving in the States since the early 1600s, bringing with them various aspects of their culture, including music. As different cultures from around Europe and the world mixed with the settled Scots, the music that they played evolved. For my research project, I will investigate the progression of “traditional” Scottish music in the United States, and how it deviates from the progression of the same style of music in Scotland itself, specifically stylistic changes, notational changes, and changes in popular repertoire. I will focus on the relationship of this progression to the interactions of the two countries throughout history. To conduct my research, I will use non-fiction sources on the history of Scottish music, Scottish culture and music in the United States, and Scottish immigration to and interaction with the United States. Beyond material sources, I will contact my former Scottish fiddle teacher, Elke Baker, who conducts extensive study of ethnomusicology relating to Scottish music. In addition, I will gather audio recordings of both Scots and Americans playing “traditional” Scottish music throughout recent history to compare and contrast according to their dates. My background in Scottish music, as well as in other American traditional music styles, will be an aid as well. I will be able to supplement my research with my own collection of music by close examination. To culminate my project, I plan to compose my own piece of Scottish music that incorporates and illustrates the progression of the music from its first landing to the present.
    [Show full text]
  • Medley Construction
    CONSTRUCTING A PIPE BAND MEDLEY FOR COMPETITION By P/M Brett Tidswell, National Piping and Ensemble Adjudicator HISTORY Pipe Bands used to perform March, Strathspey and Reel sets only in competition. In the 1950’s the Edinburgh Police under PM Donald Shaw Ramsay started to incorporate hornpipes and jigs into their repertoire and shortly after, the medley was introduced into competition to allow bands a wider variety of music and to give play to some of the smaller tunes that bands seemed to be overlooking. The medley has now developed into a complex structure rather than a few nice tunes thrown together. The intention of this article is to highlight some of the methods used to construct an entertaining and musical medley. The guidelines in no way are meant to inhibit the compiler/composer, however, good musical taste and some adherence to tradition are still called for when compiling a medley for competition. Scottish Power LENGTH There are obviously constraints when compiling a competition medley as distinct from a concert medley. The first of these is the length. Generally in higher grades the rules require a 5 – 7 minute medley and a lesser time in the lower grades. Ensure that you check the rules and test the length of the medley from the first roll until the end of the performance, at tempo. ©schoolofpiping.com Page 1 INTRODUCTION Again there is often a rule constraint here. Most call for two three pace rolls with the band stepping off on the first beat of the roll. If you are trying to be inventive and vary from this, it is best to check the rules of the Associations who have jurisdiction in the places you intend to compete.
    [Show full text]
  • Hornpipes, Jigs, Strathspeys, and Reels Are Different Types of Celtic Dances
    Hornpipes, Jigs, Strathspeys, and Reels are different types of Celtic dances. Piobaireachd is an ancient and poetic style of music that is best played for somber occasions. Name Type Hark! The Herald Angels Sing Christmas Here We Come A Wassailing Christmas I Saw Three Ships Christmas Jingle Bells Christmas Little Drummer Boy Christmas O Come All Ye Faithful Christmas Joy to The World Christmas We Wish You a Merry Christmas Christmas Alex and Hector Hornpipe Ballachulish Walkabout, The Hornpipe Crossing the Minch Hornpipe Jolly Beggarman, The Hornpipe Papas Fritas Hornpipe Rathven Market Hornpipe Redondo Beach Hornpipe Sailor's Hornpipe, The Hornpipe Streaker, The Hornpipe Walrus, The Hornpipe Alan MacPherson of Mosspark Jig Banjo Breakdown, The Jig Blue Cloud, The Jig Brest St. Marc (The Thunderhead) Jig Cork Hill Jig Ellis Kelly's Delight Jig Glasgow City Police Pipers, The Jig Gold Ring, The Jig Honey in the Bag Jig Irish Washerwoman, The Jig Judge's Delimma, The Jig Paddy's Leather Breeches Jig Paddy's Leather Breeches (D. Johnstone setting) Jig Patrick's Romp Jig Phat John Jig Scotland the Brave Jig Wee Buns Jig 79th's Farewell to Gibraltar March All the Blue Bonnets are Over the Border March Argylls Crossing the River Po March Arthur Bignold of Lochrosque March Atholl Highlanders March Balmoral Highlanders March Barren Rocks of Aden, The March Battle of the Somme March Battle of Waterloo March Bonnie Charlie March Bonny Dundee March Brown Haired Maiden, The March Cabar Feidh March Castle Dangerous March Cullen Bay March Farewell
    [Show full text]
  • 2002 Scottish Games
    Try our Lindsay's 80/- (Shilling) Brewed Especially for the St. Louis Scottish Games. Schlafly Beer 2t DO Locust, Saint Louis, MO 63 t 03 3t 4-24t -BEER www.schlafly.com CeudMile Failtel ~ ~ "A Hundred Thousand Welcomes!" Table of Contents Greetings, and welcome to our Second Annual l Scottish Games & Cultural Festival of the 21st Ceud Mile Failte century! CEO's Message. 2 Ceremonies .. 3 It seems almost like yesterday when we were at the Help ....... ... 4 fun-filled 2001 Games, rain and all. Although a lot has Animals & Birds . ... 5 changed around us, other traditions have been revived Athletics. ...... 6 and solidified. The modern Scottish Games are a British Car Show & Clubs ...... 10 celebration of the deep and rich cultural heritage that Children's Activities .. ..... 11 originated in Scotland and is recognized throughout Entertainment 12 America. We are pleased to continue to present such Overview Schedule ........._.... .... 17 a festive and exciting occasion within Forest Park. Site Map ..................................... 18 The uplifting spirits of Scotland and America will again be intertwined with History/Storytelling 20 culture, heritage, and celebration during the St. Louis Games. We encourage Scottish Genealogy . ..22 you to take the opportunity to be entertained by the wonderful skills of Photo Opportunity ..... ... _.23 competing dancers, athletes, pipers, and drummers. Listen to the folk musicians, Highland Dancing .. 24 storytellers, and Clan historians. View some classics at the British car show, Piping & Drumming ..... 26 and watch the sheepdogs perform. Sample some great food and find unique Clan History ... .... _28 gifts. I guarantee that the assembled tartans of the Clans and the full force of Gaelic .............._.......
    [Show full text]
  • February 2007 Newsletter
    Welcome to Vibrationdata Acoustics • Shock • Vibration • Signal Processing February 2007 Newsletter Greetings Feature Articles I encourage everyone to research his family history and to draw strength from his heritage, particularly in the face of adversity. Although my ancestors came to America from a number of European nations, my family name comes from Scotland. Clan Irvine is a lowland Scottish clan. The clan’s motto is: Sub sole sub umbra virens. This is a Latin phrase for “Flourishing in the sun and in the shade.” This month I pay honor to my Scottish ancestors via two articles on bagpipe music. The bagpipes are not exclusively Scottish, however. Historically, people throughout many regions of the world enjoyed bagpipe music. The Italian Zampognari, for example, continue this tradition. Sincerely, Bagpipe History page 2 Bagpipe Acoustics page 9 Tom Irvine Email: [email protected] The photo is of professional bagpiper Ken Smith. 1 Bagpipe History by Tom Irvine carrying an indignant, asthmatic pig under his arm. Unfortunately, the manmade sound never equaled the purity of the sound achieved by the pig. On the other hand, a piper’s rendition of “Amazing Grace” or “Scotland the Brave” can stir the soul of some listeners, bringing tears to their eyes. Bagpipes throughout the World The bagpipe is commonly associated with music from the British Isles, particularly with the Celts of Scotland. The bagpipe originated, however, in the Middle East, some four thousand years ago, perhaps among shepherds who had ready access to the animal skins from which the bag was made. Figure 1. Uilleann Pipes A myriad of folk bagpipe instruments have Uilleann Pipes are a bellows-blown bagpipe.
    [Show full text]
  • Issue 333 Fall 2004
    B.C. PIPERS’ ASSOCIATION NewsletterNewsletter Simon Fraser University Pipe Band 2004 World Drum Corps Champions FALL 2004 ISSUE NO. 333 BC Pipers’ Association Newsletter • Fall 2004 1 B.C. PIPERS’ ASSOCIATION B.C. Pipers’ Association Newsletter FALL 2004 Newsletter ISSUE NO. 333 Robert MacNeil Editor • Bonnie Ridout Design Editor • An Affiliated Association of the Jan Mattock Royal Scottish Pipe Band Association Contributing Editor and Member of the • Alliance of North American Pipe Band Associations Sharon Hampson Advertising • FALL 2004 Melissa Maxwell Cover Design • FEATURES Bob Dunsire World Pipe Band Championships Results ....................................................................... 4 Webmaster BCPA Developmental Grants .......................................................................................... 7 • BCPA 2004 Grand Aggregate Standings ....................................................................... 10 Summer Journal - Piping Hot Summer Drummer ........................................................ .13 International Solo Results ............................................................................................. 15 Newsletter Distribution Promotions List ............................................................................................................. 16 Bill and Sharyn Elder Keith Highlanders Trip to Scotland ............................................................................... 18 • CD Review - 90 Years on the Beat - Vancouver Police Pipe Band .............................
    [Show full text]
  • Setting-Up a Pipe Corps
    Setting-up a Pipe Corps By Andrew Fuller The 78th Fraser Highlanders Pipe Band (from Ontario, Canada) competing at the 2007 World Pipe Band Championships with 30 pipers. ©schoolofpiping.com Page 1 Contents INTRODUCTION ....................................................................................................................................... 3 DEFINITION OF “SETTING-UP” ................................................................................................................ 3 UNIFORMITY OF EQUIPMENT ................................................................................................................. 4 SELECTING EQUIPMENT .......................................................................................................................... 4 Bags ..................................................................................................................................................... 5 Blowpipe/mouthpiece ........................................................................................................................ 5 Blowpipe Valves .................................................................................................................................. 6 Photo 1 ............................................................................................................................................ 6 Photo 2 ............................................................................................................................................ 7 Chanter Reeds ....................................................................................................................................
    [Show full text]
  • Donald Patrick Sargent a Celebration of 70 Years Of
    Donald Patrick Sargent A celebration of 70 years of composing – by Geoff Hore Donald Patrick Sargent 2013 ‘Composing is the easiest thing in the world, if you can do it. Pipe Major Donald MacLeod’ THE FIRST ARTICLE in this series about New Zealand Composers of Bagpipe Music was published in the New Zealand Pipe Band magazine August 2001 and the composer who featured was Donald Patrick Sargent. The article coincided with the publication of The Muckle Dram Collection that contained 95 of Donald’s tunes. Since that milestone in New Zealand bagpipe music publishing history, he has continued composing and recently a number of significant events have occurred that warrants the retelling of his life story as well as updating recent developments. Donald Patrick Sargent was born in Dannevirke, a small provincial town in the lower part of the North Island of New Zealand on 11 July 1925. He was the youngest of five children by nine years and had three brothers and a sister. During his childhood he lived at Matamau, a country district a few miles north of Dannevirke where his parents had a small farm. His father was New Zealand born with parents from Lincolnshire in England, whilst his mother’s family came from Tipperary in Ireland. Oddly enough it was his father who had a passionate fondness for the music of the Highland Bagpipe and saw to it that Donald was taught the pipes at 10 years of age. His first teacher was George Rose who was a member of the Ruahine Highland Pipe Band. George used to call at the farm on his way to band practice at the Matamau country hall.
    [Show full text]