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WELLESLEY-In-AIX SPRING 2017
WELLESLEY-in-AIX GUIDE AIX-PARIS (G.A.P.) Photo by Hannah Stiles, Fall 2016 Photo by Nikki Hwa, 2016-17 SPRING 2017 Table of contents Bienvenue à WIA p.2 I. Pre-departure information & arrival in Paris p.3 1. Passport, visas and other documents p.3 2. Insurance p.3 3. Travel arrangements p.4 4. What to pack: some tips p.5 5. Paris pre-session p.6 6. Safety & security p.8 7. Group activities & museum visits p.9 8. Practical information – Paris p.10 II. Practical information - France 1. Calendar & holidays p.13 2. Telling time & making appointments p.13 3. Health matters p.13 4. Personal safety & well-being p.15 5. Drugs, alcohol & French laws p.16 6. Electrical outlets & miscellaneous p.16 7. French newspapers & magazines p.17 8. Tipping p.17 9. Work & internships p.17 10. Recommended reading p.19 11. FAQ p.19 III. Le savoir-vivre en France p.23 IV. Academics – General information p.26 2016-17 calendar p.26 Higher Education & cultural differences p.26 Vocabulary of higher education in France p.28 Aix-Marseille Université (AMU) p.29 French grading system & grade conversion scale p.33 Other academic information p.34 WIA courses p.34 Ensuring your academic success in Aix : advice p.35 Transfer credit and role of the dossier de cours p.36 Extracurricular activities & student life in Aix p.38 WIA &Sciences-Po Aix p.39 Libraries p.40 V. Aix-en-Provence p.41 1. Wellesley-in-Aix Center p.42 2. -
The Art of Hans Arp After 1945
Stiftung Arp e. V. Papers The Art of Hans Arp after 1945 Volume 2 Edited by Jana Teuscher and Loretta Würtenberger Stiftung Arp e. V. Papers Volume 2 The Art of Arp after 1945 Edited by Jana Teuscher and Loretta Würtenberger Table of Contents 10 Director’s Foreword Engelbert Büning 12 Foreword Jana Teuscher and Loretta Würtenberger 16 The Art of Hans Arp after 1945 An Introduction Maike Steinkamp 25 At the Threshold of a New Sculpture On the Development of Arp’s Sculptural Principles in the Threshold Sculptures Jan Giebel 41 On Forest Wheels and Forest Giants A Series of Sculptures by Hans Arp 1961 – 1964 Simona Martinoli 60 People are like Flies Hans Arp, Camille Bryen, and Abhumanism Isabelle Ewig 80 “Cher Maître” Lygia Clark and Hans Arp’s Concept of Concrete Art Heloisa Espada 88 Organic Form, Hapticity and Space as a Primary Being The Polish Neo-Avant-Garde and Hans Arp Marta Smolińska 108 Arp’s Mysticism Rudolf Suter 125 Arp’s “Moods” from Dada to Experimental Poetry The Late Poetry in Dialogue with the New Avant-Gardes Agathe Mareuge 139 Families of Mind — Families of Forms Hans Arp, Alvar Aalto, and a Case of Artistic Influence Eeva-Liisa Pelkonen 157 Movement — Space Arp & Architecture Dick van Gameren 174 Contributors 178 Photo Credits 9 Director’s Foreword Engelbert Büning Hans Arp’s late work after 1945 can only be understood in the context of the horrific three decades that preceded it. The First World War, the catastro- phe of the century, and the Second World War that followed shortly thereaf- ter, were finally over. -
Over of Building and Construction Workers
`200 April 2020 • Vol.22 No.7 www.ConstructionWorld.in /CWmagazine /ConstructionWorldmagazine COVID-19 Impact on OPEN LETTER TO Construction and FINANCE MINISTER Infrastructure...38 Trending Floors & Ceilings...64 Modern Scaffolding & Formwork...40 Popular Roofs & Façades...46 Construction Waste Control...52 page...14 Over 80% of building and construction workers minimally skilled! The building, construction and real estate industry currently absorbs roughly 68 million people, of whom more than 90 per cent are deployed in building construction; and over 80 per cent of those employed in building and construction are minimally skilled. To cut its losses from a yawning Instant Subscription skill gap, India’s biggest employer needs the government and industry to act, as CW explores who should do what....28 SmartCitiesCouncil India LIVABILITY WORKABILITY SUSTAINABILITY JOIN WORLD-CLASS COMPANIES HELP CITIES BECOME MORE SUSTAINABLE WHAT the Council does... Smart Cities Council works with city leaders & officials across the country to make their cities more livable, workable and sustainable We give cities trusted, vendor-neutral guidance and best practices from the country’s leading experts. It provides Awareness, Advocacy, and Action. The Council gets cities ready to adopt smart technologies and connects them with our partners, who are leading stakeholders in the ecosystem Website: India.SmartCitiesCouncil.com FEW OF OUR PARTNERS TO KNOW MORE CONTACT: Tanveer Padode | Manager - Operations | Tel: 022 24175738 | Mob: +91 9324579821 | Emaill: [email protected] RESPOND (5T307) IN COLOR MOUNTAIN (05761) + RESPOND COLOR (5T310) IN COLOR MOUNTAIN LAKE (05327) | INSTALLED BRICK RESPOND (5T307) IN COLOR MOUNTAIN (05761) + RESPOND COLOR (5T310) IN COLOR MOUNTAIN LAKE (05327) | INSTALLED BRICK RESPOND (5T307) IN COLOR MOUNTAIN (05761) + RESPOND COLOR (5T310) IN COLOR MOUNTAIN LAKE (05327) | INSTALLED BRICK Step into a space designed to engage, evolve and revitalize the senses. -
WELLESLEY-In-AIX FALL 2017
WELLESLEY-in-AIX GUIDE AIX-PARIS (G.A.P.) Katie Nicolaou, Spring 2017 Gillian Courtney, Spring 2017 FALL 2017 Table of contents Bienvenue à WIA p.2 I. Pre-departure information & arrival in Paris p.3 1. Passport, visas and other documents p.3 2. Insurance p.4 3. Travel arrangements p.5 4. What to pack: some tips p.5 5. Paris pre-session p.6 6. Safety & security p.8 7. Group activities & museum visits p.9 8. Practical information – Paris p.10 II. Practical information - France 1. Calendar & holidays p.12 2. Telling time & making appointments p.12 3. Health matters p.13 4. Personal safety & well-being p.14 5. Drugs, alcohol & French laws p.15 6. Electrical outlets & miscellaneous p.16 7. French newspapers & magazines p.16 8. Tipping p.16 9. Work & internships p.17 10. Recommended reading p.18 11. FAQ p.19 III. Le savoir-vivre en France p.22 IV. Academics – General information p.25 Fall 2017 academic calendar p.25 Higher Education & cultural differences p.26 Academic policies and guidelines p.27 Vocabulary of higher education in France p.27 Aix-Marseille Université (AMU) p.28 French grading system & grade conversion scale p.32 IEP / Sciences-Po Aix p.33 WIA courses p.34 Other academic information p.35 Ensuring your academic success in Aix : advice p.35 Extracurricular activities & student life in Aix p.38 Libraries p.38 V. Aix-en-Provence 1. Wellesley-in-Aix Center p.39 2. The city p.40 3. Safety & security p.41 4. -
8123 Songs, 21 Days, 63.83 GB
Page 1 of 247 Music 8123 songs, 21 days, 63.83 GB Name Artist The A Team Ed Sheeran A-List (Radio Edit) XMIXR Sisqo feat. Waka Flocka Flame A.D.I.D.A.S. (Clean Edit) Killer Mike ft Big Boi Aaroma (Bonus Version) Pru About A Girl The Academy Is... About The Money (Radio Edit) XMIXR T.I. feat. Young Thug About The Money (Remix) (Radio Edit) XMIXR T.I. feat. Young Thug, Lil Wayne & Jeezy About Us [Pop Edit] Brooke Hogan ft. Paul Wall Absolute Zero (Radio Edit) XMIXR Stone Sour Absolutely (Story Of A Girl) Ninedays Absolution Calling (Radio Edit) XMIXR Incubus Acapella Karmin Acapella Kelis Acapella (Radio Edit) XMIXR Karmin Accidentally in Love Counting Crows According To You (Top 40 Edit) Orianthi Act Right (Promo Only Clean Edit) Yo Gotti Feat. Young Jeezy & YG Act Right (Radio Edit) XMIXR Yo Gotti ft Jeezy & YG Actin Crazy (Radio Edit) XMIXR Action Bronson Actin' Up (Clean) Wale & Meek Mill f./French Montana Actin' Up (Radio Edit) XMIXR Wale & Meek Mill ft French Montana Action Man Hafdís Huld Addicted Ace Young Addicted Enrique Iglsias Addicted Saving abel Addicted Simple Plan Addicted To Bass Puretone Addicted To Pain (Radio Edit) XMIXR Alter Bridge Addicted To You (Radio Edit) XMIXR Avicii Addiction Ryan Leslie Feat. Cassie & Fabolous Music Page 2 of 247 Name Artist Addresses (Radio Edit) XMIXR T.I. Adore You (Radio Edit) XMIXR Miley Cyrus Adorn Miguel Adorn Miguel Adorn (Radio Edit) XMIXR Miguel Adorn (Remix) Miguel f./Wiz Khalifa Adorn (Remix) (Radio Edit) XMIXR Miguel ft Wiz Khalifa Adrenaline (Radio Edit) XMIXR Shinedown Adrienne Calling, The Adult Swim (Radio Edit) XMIXR DJ Spinking feat. -
London-Grammar-If-You-Wait-2013-Indie-320Kbps-Cbr-Mp3-Vx-P2pdl
London-grammar-if-you-wait-2013-indie-320kbps-cbr-mp3-vx-p2pdl London-grammar-if-you-wait-2013-indie-320kbps-cbr-mp3-vx-p2pdl 1 / 2 London Grammar - If You Wait 2013 Indie 320kbps CBR MP3 [VX] [P2PDL] Family Guy - The Complete Season 9 [HDTV] Masters Of Money S01E01 HDTV x264 .... London Grammar - If You Wait 2013 Indie 320kbps CBR MP3 [VX] [P2PDL], 12, 0, Sep. 8th '13, 99.3 ... 08d661c4be. London Grammar Truth Is A .... I Spit on Your Grave (2010) 1080p BrRip x264 - YIFY ... Various Artists - Indie/Rock Playlist: February (2014) ... Que - Can You Digg It (Hosted By DJ Pretty Boy Tank & DJ ... Chris Young - AM 2013 Country 320kbps CBR MP3 [VX] [P2PDL] ... Lil Wayne - Sorry For The Wait CDRip 2011 [Bubanee] POPULARA_2013 London Grammar - If You Wait 2013 Indie 320kbps CBR MP3 [VX] [P2PDL] Edguy.. x 8. Nil Karaibrahimgil--3 albums. Pop_Rock\brian adams & mel c – When You Are Gone.mp3 Pop_Rock\Brian ... Pop_Rock\Greenday – Are We The Waiting.mp3 ... Coldplay – Cemeteries Of London.mp3 ... TEMP\Imagine Dragons – Night Visions (Deluxe Version) 2013 Indie Rock 320kbps CBR MP3 [VX] [P2PDL] ... Strong – London Grammar.mp3. Capital cities in tidal wave of mystery 2013 indie 320kbps cbr mp3 vx elrion93 free ... London Grammar - If You Wait 2013 Indie 320kbps CBR MP3 [VX] [P2PDL] .... ... generator weeb tv premium.rar hit. 02cac431c2. london-grammar-if-you-wait-2013-indie-320kbps-cbr-mp3-vx-p2pdl. fanfindnewca's Ownd. London Grammar - If You Wait 2013 Indie 320kbps CBR MP3 [VX] [P2 · Magnet link This torrent has 5 comments. VIP Uploaded 09-08 2013, Size 99.32 MiB, ... -
A Collection of Poems and Songs) Del Vaugh Schmidt Iowa State University
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1989 Waitin' for the blow (a collection of poems and songs) Del Vaugh Schmidt Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Poetry Commons Recommended Citation Vaugh Schmidt, Del, "Waitin' for the blow (a collection of poems and songs)" (1989). Retrospective Theses and Dissertations. 204. https://lib.dr.iastate.edu/rtd/204 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. -------- Waitin' for the blow (A collection of poems and songs) by Del Vaughn Schmidt A Thesis Submitted to the Graduate Faculty in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Department: English Major: English (Creative Writing) Approved: Signature redacted for privacy //"' Signature redacted for privacy Signature redacted for privacy For College Iowa State University Ames, Iowa 1989 ----------- ii TABLE OF CONTENTS Page PREFACE iv POEMS 1 Feeding the Horses 2 The Barnyard 3 Colorado, Summer 1979 5 Arrival 8 Aliens 10 Communicating 12 Home 13 Jeff 15 Waitin' for the Blow 17 Real Surreal 21 Stove Wall 22 Positive 25 Playin' 26 Maybe it's the Music 27 SONGS 31 Have Another (for Colorado) 32 Wake Up 34 Unemployment Blues 36 Players 37 Train We're On 38 Institution 40 iii Farmer's Lament 42 Space Blues 44 You Would Have Made the Day 45 Four Nights in a Row 47 Helpless Bound 49 Carpenter's Blues 50 Hills 51 iv PREFACE Up to the actual point of writing this preface, I have never given much deep thought as to the difference between writing song lyrics and poetry. -
Nothing Happened
NOTHING HAPPENED A History Susan A. Crane !"#$%&'( )$*+,'-*". /',-- Stanford, California !"#$%&'( )$*+,'-*". /',-- Stanford, California ©2020 by the Board of Trustees of the Leland Stanford Junior University. All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording, or in any information storage or retrieval system without the prior written permission of Stanford University Press. Printed in the United States of America on acid-free, archival-quality paper Library of Congress Cataloging-in-Publication Data Names: Crane, Susan A., author. Title: Nothing happened : a history / Susan A. Crane. Description: Stanford, California : Stanford University Press, [2020] | Includes bibliographical references and index. Identifiers: LCCN 2020013808 (print) | LCCN 2020013809 (ebook) | ISBN 9781503613478 (cloth) | ISBN 9781503614055 (epub) Subjects: LCSH: History—Philosophy. | Collective memory. Classification: LCC D16.9 .C73 2020 (print) | LCC D16.9 (ebook) | DDC 901—dc23 LC record available at https://lccn.loc.gov/2020013808 LC ebook record available at https://lccn.loc.gov/2020013809 Cover design: Rob Ehle Cover photos: Historical marker altered from photo (Brian Stansbury) of a plaque commemorating the Trail of Tears, Monteagle, TN, superimposed on photo of a country road (Paul Berzinn). Both via Wikimedia Commons. Text design: Kevin Barrett Kane Typeset at Stanford University Press in 11/15 Mercury Text G1 A mind lively and at ease can do with seeing nothing, and can see nothing that does not answer. J#$, A0-",$, E MMA CONTENTS INTRODUCTION Episodes in a History of Nothing 1 EPISODE 1 Studying How Nothing Happens 21 EPISODE 2 Nothing Is the Way It Was 67 EPISODE 3 Nothing Happened 143 CONCLUSION There Is Nothing Left to Say 217 ACKNOWLEDGMENTS Thanks for Nothing 223 Notes! 227 Index 239 NOTHING HAPPENED Introduction EPISODES IN A HISTORY OF NOTHING !"#$# %&'()"**# +'( ,#**-. -
Black Pumas - Colors Episode 191
Song Exploder Black Pumas - Colors Episode 191 Hrishikesh: You’re listening to Song Exploder, where musicians take apart their songs and piece by piece tell the story of how they were made. My name is Hrishikesh Hirway. (“Colors” by BLACK PUMAS) Hrishikesh: Black Pumas formed in Austin, Texas in 2017, when singer Eric Burton met producer Adrian Quesada. Their self-titled debut was released in June 2019, and got them a Grammy nomination for Best New Artist. In this episode, they break down their hit song “Colors,” which Eric started writing ten years ago, when he was first learning how to play guitar. (“Colors” by BLACK PUMAS) Eric: My name is Eric Burton, and I sing and write music for the Black Pumas. (Music fades out) Eric: I wrote “Colors” probably a little bit over 10 years ago. At the time, I was leading praise and worship at this Presbyterian Church, and the hymnal music just wasn't doing it for me at the level that I was kind of yearning for it to happen. I loved experiencing the beautiful hymns and the airy music for what it was, but I wasn't attracted that much to singing those songs over and over again before creating my own. I always wanted to see like what a hymn might sound like from Eric Burton. (Acoustic guitar plucking) Eric: When the song first came to me, I was taking a nap on my uncle's rooftop actually, and I was having such a great day. The weather was great, the sunset looked pretty amazing, as it always does in New Mexico anyway, and I was just singing to, you know, exactly what I saw. -
Lyons Realty Withdraws Soil Mining Application Opponents ‘Overjoyed’ Were Among the Mine’S Adversaries
The Calendar: Depot Docs: Thunder Soul — You’ll want to dance | Page 7 FRIDAY, JUNE 22, 2012 69 MAIN ST., COLD SPRING, N.Y. | www.philipstown.info Lyons Realty Withdraws Soil Mining Application Opponents ‘overjoyed’ were among the mine’s adversaries. Various critics predicted a host of un- welcome byproducts, including water, By Liz Schevtchuk Armstrong air and noise pollution as well as heavy traffic and destruction of the area’s tran- ine days after opposition to pro- quility; raised the spectre of “spot zon- posed soil mining in Philipstown ing,” and threatened legal action if the Nproduced riveting testimony ZBA approved the application. Covered within and outside Town Hall, the appli- by a soil mining overlay district in the cants behind the controversy withdrew updated zoning code adopted in May their request for permission, derailing 2011, the Lyons tract is currently the only the mining venture. site of potential mining in Philipstown. Philipstown Supervisor Richard Shea The zoning code states that “mining ac- Garrison School Class of 2012 Photo by Maggie Benmour announced the pullback by Nathan and tivities require a special permit and are Ernest Lyons, of Lyons Realty LLC, at a allowed solely in the Soil Mining Overlay news conference Wednesday morning District.” Graduation Walk at Garrison School (June 20) in the same room that had seen Shea said “I’m sure” that proposals will 27 students graduate Grade Commencement. If a prophecy had a crowd denounce the mining idea at a come before the Town Board to change been written about the Garrison School’s Zoning Board of Appeals public hearing the zoning code and outlaw mining en- Class of 2012 when many of the class on June 11. -
Eterei E Senza Tempo, La Raffinatezza Dei London Grammar
Eterei e senza tempo, la raffinatezza dei London Grammar Fonte foto: http://www.clashmusic.com/features/otw-523-london- grammar Inaspettati e contraddittori. Sono le prime parole che mi vengono in mente per descrivere questo trio londinese. A prima vista potrebbero essere scambiati per il solito gruppetto scontato. Scontata è la storia della loro formazione, tre ragazzini che si incontrano all’Università e cominciano a suonare in locali e pub, riscuotono i primi successi sul web e pubblicano l’album di debutto. Scontata è l’estetica stessa della band. Vedendo la cantante Hannah Reid la prima cosa che si pensa è sicuramente che sia tanto bella quanto musicalmente banale, ma appena apre bocca lascia senza fiato e iniziano a sgretolarsi i pregiudizi sul trio.Minimali, semplici, fondamentalmente pop. Ma non un pop commerciale, suoni più ricercati, dal gusto un po’ambien t ed elettronico che si fondono in modo efficacissimo alla voce cavernosa, potente, morbida e senza tempo di Hannah. Un timbro eccezionalmente originale e una gran tecnica che non si tradisce, anzi si esprime al meglio, in live. A differenza di tante colleghe che devono compensare le carenze vocali in altra maniera, Hannah si presenta sul palco coi suoi classici pantaloni a vita alta, le converse, i capelli legati e il viso candido ed etereo. Senza tanti orpelli, immobile durante le performance, con le mani intrecciate, solo lei e la sua incredibile voce, rendendo il contesto superfluo. http://www.youtube.com/watch?v=g5XRdOwGb6Q London Grammar è un nome che pian piano inizia a echeggiare anche in Italia. La formazione del gruppo risale solo al 2012 ma hanno già ottenuto presenze d’eccezione come al Glastonbury Festival e allo Sziget. -
12364 Front.Qxp
cover_pages.qxp 10/15/2007 7:58 AM Page 1 Sharing, Privacy and Trust in Our Networked World A Report to the OCLC Membership Sharing, Privacy and Trust in Our Networked World A Report to the OCLC Membership Sharing, Privacy and Trust in Our Networked World A Report to the OCLC Membership Principal contributors Cathy De Rosa, MBA, Vice President for the Americas and Global Vice President of Marketing Joanne Cantrell, Marketing Analyst Andy Havens, Manager, Creative Services Janet Hawk, MBA, Director, Market Research & Analysis Lillie Jenkins, PhD, MSIS, Market Research Support Specialist Graphics, layout and editing Brad Gauder, Creative Services Writer Rick Limes, Art Director Contributors Diane Cellentani, MBA, Market Research Consultant to OCLC Tam Dalrymple, MLS, Senior Information Specialist Larry Olszewski, PhD, MLS, Director, OCLC Library Sam Smith, Art Director Tom Storey, Editor OCLC Dublin, Ohio USA Copyright © 2007, OCLC Online Computer Library Center, Inc. 6565 Kilgour Place Dublin, Ohio 43017-3395 ALL RIGHTS RESERVED. No part of this publication may be reproduced, stored in a retrieval system or transmitted, in any form or by any means, electronic, mechanical, photocopying or otherwise, without prior written permission of the copyright holder. The following are trademarks and/or service marks of OCLC Online Computer Library Center, Inc.: Find in a Library, OCLC, the OCLC logo, WebJunction, WorldCat® and WorldCat.org. Third-party product, service, business and other proprietary names are trademarks and/or service marks of their respective owners. Printed in the United States of America Cataloged in WorldCat on September 11, 2007 OCLC Control Number: 170923242 ISBN: 1-55653-370-5 12 11 10 09 08 07 1 2 3 4 5 6 Table of Contents Introduction vii Methodology xi Our Digital Lives 1-1 Our Social Spaces 2-1 Privacy, Security and Trust 3-1 U.S.