Is Parkland's SONALI the Next Big Thing in Pop?
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New Members Received May 20, 2018
Increasing Our Love for God & Neighbor HighlightTHE CONGREGATIONAL UNITED CHURCH OF CHRIST St. Charles (Campton Hills) • cuccstc.org May 3, 2018 • Issue 4 SEM’s to Return We are relaunching our church’s SEM (Summer Experience in Ministry) internship program! We’re very enthusiastic about this opportunity and confident that it will be a rich experience for the participants. The SEM interns, guided by the pastors, will join a program of action and reflection, sharing work and conversation with one another, and with children, youth, and adults of the church, exploring both “what we believe” and “how we live our faith.” SEM interns will be challenged to develop their own practical theology. There will be specific projects in ministry, occasions for leadership, invitations to be creative, chances for recreation and, every week, a conversation about what we’re learning. The SEM internship is open to CUCC members who are post-secondary students, graduating high school seniors through college. If you know of anyone who would be interested in applying for this opportunity, or have any questions, feel free to contact us directly. Grace and peace, The Rev. David Pattee The Rev. Josh Kuipers Senior Pastor Associate Pastor [email protected] [email protected] New Members Received May 20, 2018 Contact the church office if you ‘d like to be added to the list. To Members of the Church, Pray for each other so I want to thank you all who sent cards and encouraging that you may be healed.... words of hope to me during complications from knee surgery. -
Jack Knowles Lighting Designer
Jack Knowles Lighting Designer Jack was awarded the ADB Award for Plays at the 2018 Knight of Illumination Awards for his design of Barber Shop Chronicles. A closing slow-motion sequence … looks like a Baroque painting made manifest – lighting designer Jack Knowles mixes chiaroscuro and carnage WhatsOnStage on The Duchess of Malfi (Almeida) a teeming, eclectic visual vocabulary reflected in [...] the pregnant campfire spookiness of Jack Knowles’s lighting New York Times on Shipwreck (Almeida) Agents Dan Usztan Assistant [email protected] Charlotte Edwards 0203 214 0873 [email protected] 0203 214 0924 Credits In Development Production Company Notes CAROLINE, OR CHANGE Studio 54/Roundabout Broadway transfer 2021 Theatre Company Dir. Michael Longhurst Des. Fly Davis THE LION, THE WITCH AND Elliott and Harper Dir. Michael Fentiman, based on the THE WARDROBE Productions/UK Tour original production by Sally Cookson 2021 Des. Tom Paris SPRING AWAKENING Almeida Theatre Dir. Rupert Goold 2021 Des. Miriam Buether United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes FATAL ATTRACTION ATG/UK Tour Dir. Loveday Ingram 2022 Des. Morgan Large Theatre Production Company Notes BEGINNING Queens Theatre Hornchurch/UK Tour Revival of 2018 production 2021 Dir. Polly Findlay with Joe Lichtenstein Des. Fly Davis THE WINDSORS: ENDGAME Prince of Wales Theatre Dir. Michael Fentiman 2021 Des. Madeleine Girling GIN CRAZE! Royal and Derngate/ETT Dir. Michael Oakley 2021 Des. Hayley Grindle PIAF Nottingham Playhouse/Leeds Playhouse Dir. Adam Penford 2021 Des. Frankie Bradshaw THE BEACON Schauspiel Stuttgart Dir. -
Barber Shop Chronicles
Barber Shop Chronicles A Fuel, National Theatre, and West Yorkshire Playhouse co-production WHEN: VENUE: THURSDAY, NOV 8, 7∶30 PM ROBLE STUDIO THEATER FRIDAY, NOV 9, 7∶30 PM SATURDAY, NOV 10, 2∶30 & 7∶30 PM Photo by Dean Chalkley Program Barber Shop Chronicles A Fuel, National Theatre, and West Yorkshire Playhouse co-production Writer Inua Ellams Design Associate Director Bijan Sheibani Catherine Morgan Designer Rae Smith Re-lighter and Production Electrician Lighting Designer Jack Knowles Rachel Bowen Movement Director Aline David Lighting Associate Sound Designer Gareth Fry Laura Howells Music Director Michael Henry Sound Associate Fight Director Kev McCurdy Laura Hammond Associate Director Stella Odunlami Wardrobe Supervisor Associate Director Leian John-Baptiste Louise Marchand-Paris Assistant Choreographer Kwami Odoom Barber Consultant Peter Atakpo Company Voice Work Charmian Hoare Pre-Production Manager Dialect Coach Hazel Holder Richard Eustace Tour Casting Director Lotte Hines Production Manager Sarah Cowan Wallace / Timothy / Mohammed / Tinashe Tuwaine Barrett Company Stage Manager Tanaka / Fifi Mohammed Mansaray Julia Reid Musa / Andile / Mensah Maynard Eziashi Deputy Stage Manager Ethan Alhaji Fofana Fiona Bardsley Samuel Elliot Edusah Assistant Stage Manager Winston / Shoni Solomon Israel Sylvia Darkwa-Ohemeng Tokunbo / Paul / Simphiwe Patrice Naiambana Costume Supervisor Emmanuel Anthony Ofoegbu Lydia Crimp Kwame / Fabrice / Brian Kenneth Omole Costume and Buying Supervisor Olawale / Wole / Kwabena / Simon Ekow Quartey Jessica Dixon Elnathan / Benjamin / Dwain Jo Servi Abram / Ohene / Sizwe David Webber Co-commissioned by Fuel and the National Theatre. Development funded by Arts Council England with the support of Fuel, National Theatre, West Yorkshire Playhouse, The Binks Trust, British Council ZA, Òran Mór and A Play, a Pie and a Pint. -
Style-Shifting in Vlogging: an Acoustic Analysis of “Youtube Voice”
Volume 3, Issue 1 Article 4 2017 Style-Shifting in Vlogging: An Acoustic Analysis of “YouTube Voice” Sarah Lee [email protected] ISSN: 2057-1720 doi: 10.2218/ls.v3i1.2017.1826 This paper is available at: http://journals.ed.ac.uk/lifespansstyles Hosted by The University of Edinburgh Journal Hosting Service: http://journals.ed.ac.uk/ Style-Shifting in Vlogging: An Acoustic Analysis of “YouTube Voice” Sarah Lee This article demonstrates evidence of context-related style-shifting on YouTube. This was achieved by comparing the vowels of vlogger Phil Lester in multiple contexts (a solo vlog, collaborative vlog, gaming video, and live video). A mixed-model regression found significant differences between the more scripted solo vlog context and the less scripted gaming and live videos: in the former, Lester’s FOOT/STRUT merger was reduced, and in the latter he showed considerable variability in his employment of the TRAP/BATH split. It is argued that this results from greater attention paid to level aspects of his Northern accent for an international audience. 1 Introduction Past sociolinguistic research on language use online revolved around the use of text-based communication, compensating for the “limited presence […] of spoken language” on the Internet (Crystal 2001:9). Much of this research examines the construction of identity, as the Web’s anonymous nature provides near-complete freedom in how users present themselves online (Rheingold 2000). As multimedia websites such as YouTube have become more popular, acoustic data on the Internet have also become more accessible. This side of the Internet represents a new context for investigating sociolinguistic theories such as intraspeaker variation. -
Texas Highway Events
TM TEXASHIGHWAYS EVENTS C A L E N D A R SUMMER 2018 JUNE • JULY • AUGUST FESTIVALS, CONCERTS, EXHIBITS, PARADES, AND ALL SNAPSHOT THINGS FUN Becker Vineyards’ Grape Stomp IN TEXAS! See more inside... EVENTS SUMMER 2018 or you might think Wichita Falls mile bicycle ride in the nation—and Ride or Die would celebrate its namesake with one of the largest in the world; last some fun on the water. Instead, the year the event welcomed some 11,000 he name says it all. The Hot- Wichita Falls Bicycle Club proposed a registrants for the weekend. This year, ter ’N Hell Hundred grew bicycle ride—100 miles in 100-degree Aug. 23-26, attendees can enjoy live out of efforts to find a special heat to celebrate 100 years, coining the outdoor concerts, a consumer show, a way for Wichita Falls to cel- name and a race that would attract spaghetti dinner, and more in addition Tebrate its 1982 centennial. In the intrepid cyclists to North Texas for to competing against the road, the hottest month of the year, most Texas decades to come. This annual August wind, and a heat that’s hotter than cities might plan an indoor festival— race is still the largest single-day 100- (you guessed it) hell. hh100.org ON THE COVER GRAPE EXPECTATIONS Make wine the old-fashioned way in Stonewall at the Becker Vineyards Annual Grape Stomp on Aug. 25-26 and Sept. 1-2. To toast the end of harvest season, half barrels will be filled with grapes so oenophiles can try their hand—well, foot—at crushing grapes. -
Canterbury Christ Church University's Repository of Research Outputs Http
Canterbury Christ Church University’s repository of research outputs http://create.canterbury.ac.uk Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. Alexe, B. (2015) The YouTube creators' community: challenging the rules of traditional media production and broadcast. M.A. thesis, Canterbury Christ Church University. Contact: [email protected] The YouTube creators’ community: Challenging the rules of traditional media production and broadcast Figure 0 by Bogdan Alexe Canterbury Christ Church University Thesis submitted for the degree of MA by Research in Media, Arts and Design (Journalism) 2015 1 Table of Contents Submission Inventory 3 Abstract 4 Introduction 6 Aims of Thesis 7 Methodology 8 A History of Broadcasting (1936-2015) 11 How youtubers challenge the norms of traditional TV broadcasting and production 18 1. Pitch 19 2. Stars/Interviewees 24 3. Quality/Equipment/Budget 26 4. Crew 28 5. Style/Audience Engagement 30 6. Social Media & Communities/Comments & Censorship 34 7. Income 39 8. Managing content/Agents & Networks 44 9. Copyright 46 Conclusion 48 Appendix 1. -
Det Händer Skåne & Köpenhamn
SKÅNES STÖRSTA EVENEMANGSMAGASIN # 05/06 • MAJ/JUNI 2018 #05/06 MAJ/JUNI 2018 05/06 Köpenhamn SHOPPING - NÖJE - KULTUR TVÅ INTERNET- NÖRDAR I RAMPLJUSET Sid. 33–49 ROSKILDES MUSIKFEST TERNHEIM UTMANING M FL TILL TORSJÖ I HINDERBANAN CPH STAGE RÖDE ORM FIRAR TEATERN – EN HEROISK BERÄTTELSE BIOKONST KULTUR • EVENEMANG • TIPS • SKÅNE • KÖPENHAMN PÅ CLICK FESTIVAL GO! MAGAZINE HAPPINESS GROUP inne håll IS WHAT WE MAJ / JUNI 2018 SKÅNE DO BEST! 06 I DETTA NUMMER 6–32 Skåne 27 32 Tips, Skåne 33–49 Köpenhamn 50 Information 12 GO! DUBAI GHOSTBUSTERAT THE VOID: BE A NOVEMBER DECEMBER 2017 FABULOUS FOOD OUR FAVOURITE Följ oss på AT THE CULINARY FESTIVAL THE ICONIC RESTAURANTS, SPA NEW SHOPPING AND SOUKS zieIRONMAN GO!DUBAI JANUAR EBRUARI 2018 LA PERLE: www.facebook.com DALING 11 /magasinetdethander JAWDROING Dan&Phil pressbild, Jerker Josefsson, Bengt Persson TWELVE DAYS WITHGRAND OPENING OF Omslagsfoto: LOUVRE NEW ABU DHABI magazine CIRQUELIVE AT AUTISM ROCK ARENA www.dethander.com – DET HÄNDER 3 DU SOLEIELTON JOHN CULTURE – ENTERTAINMENT ARE YOU AnnonsGO.indd 1 TOUGH 2018-01-31 15:09 – TO-DO – 1 – – RESTAURANTS ENOUGH? STAND-UP COMEDY WITH –EVITA CHRIS ROCK DON´TSHOPPING CRY FOR – ME ARGENTINAEVENTS UP CLOSE AND PERSONAL WITH – EVENTS MR WATSON SHOPPING – 1 – – – RESTAURANTS – TO-DO – ENTERTAINMENT CULTURE KÅSERI Haj po(dd) daj! Kan man, utifrån vad man har för poddar i finnas så vänder vanligt folk sociala medier sin mobil, tala om vilken personlighetstyp ryggen. man är? Lite som ”säg mig vem du umgås med Om man leker med tanken att Malmö så skall jag tala om för dig vem du är”. -
The Torch, May/June 2018
This half term has witnessed the largest number of Kate Harrison Grade 3 Saxophone Merit students to ever receive an ABRSM (The Associated Isobel Buttigieg-Cook Grade 6 Clarinet Pass Board of the Royal Schools of Music) qualification for Niamh Hazlewood Grade 4 Clarinet Pass their chosen musical instrument. Holly Moore Grade 4 Clarinet Pass A huge well done to the following pupils for all their Georgia Clarke Grade 4 Clarinet Pass Emma Walters Grade 4 Musical Theatre Distinction hard work: Kirin Howat Grade 5 Theory Merit Lori Grainger: Grade 4 Piano Distinction and Grade 4 Special praise should go to Lori Grainger, who managed Flute Distinction to receive grade 4s for two separate instruments, and Abigail Darrell Grade 5 Singing Pass also to Isobel Buttigieg-Cook and Simone Moore, whose Rebecca Swift Grade 5 Clarinet Merit respective Grade 6 and Grade 7 qualifications translate Leah Saxton Grade 2 Singing Distinction into UCAS points they can use to get into university! James Jones Grade 4 Acoustic Guitar Merit Ben Maguire Grade 2 Guitar Distinction It is always important to celebrate achievements in Simone Moore Grade 7 Violin Pass creative subjects such as music and recognise the Caitie Swallow Grade 4 Violin Pass importance that such creative individuals can contribute Alicja Hopko Grade 4 Violin Pass to a vibrant and balanced society. Abi King Grade 2 Violin Merit Summer Crossword 1 2 By Ngai Wa Yuen, Year 7 3 Across: Down: 4 1. Helps you protect your eyes from 2. Clothes you wear when you swim the sun (10) (8,7) 5 3. -
Download the ISWC 2012 Adjunct Proceedings
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Department of English and American Studies Advice-Giving on Twitter 2018
Masaryk University Faculty of Arts Department of English and American Studies Teaching English Language and Literature for Secondary Schools Petra Seidlová Advice-giving on Twitter Master’s Diploma Thesis Supervisor: Doc. Mgr. Jan Chovanec, PhD. 2018 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Author’s signature I would like to thank my supervisor, Doc. Mgr. Jan Chovanec, PhD., for his valuable advice and support. Table of conents 1. Introduction ................................................................................................. 6 1.1. Social Media ............................................................................................ 8 1.1.1. General characteristics ...................................................................... 9 1.1.2. Twitter ............................................................................................... 9 1.1.3. Twitter facilities .............................................................................. 11 1.1.4. Privacy ............................................................................................ 13 1.2. YouTubers ............................................................................................. 14 2. Advice-giving ........................................................................................... 16 2.1. Definition .............................................................................................. 17 2.2. Phatic function -
Culturally Inclusive Online Learning for Capacity Development Projects in International Contexts
ISSN: 2311-1550 2020, Vol. 7, No. 1, pp. 5-30 Culturally Inclusive Online Learning for Capacity Development Projects in International Contexts Charlotte Nirmalani Gunawardena University of New Mexico, USA Abstract: This paper explores cultural inclusivity in online learning design by discussing two international capacity development projects: an online tutor mentor development programme in Sri Lanka and a hybrid physician assistant training programme in Ghana. Inclusivity involves establishing partnerships and conducting needs assessments to maximise the capacity that already exists within a given context, and addressing cultural factors that impact online learning — developing a learning community, negotiating identity, power, and authority, generating social presence, supporting collaboration, engaging in authentic inquiry-based learning, navigating interactions in a second language, and developing co-mentoring relationships to support learning. The paper provides a framework, WisCom (Wisdom Communities) to guide the design of culturally inclusive online learning incorporating lessons learned from international projects. By emphasizing divergent thinking, consensus building, and the exploration of multiple solutions to complex, real-world problems, WisCom maximises opportunities for participants’ diverse backgrounds and experiences to be valued. Keywords: online learning, cultural inclusivity, culturally inclusive learning design, international partnerships, capacity development. Introduction Capacity development projects in international contexts, either funded by donor agencies or local governments, are increasingly relying on digitalization to achieve educational goals in both formal and non-formal sectors. A global survey of higher education institutions spanning all continents, more than 30 countries and 69 cases, concluded that: “Digital technology has become near ubiquitous in many countries today or is on a path to reach this state in the near future” (Orr, Weller & Farrow, 2018, p. -
Smart Financial Center Bag Policy
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