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March 1986 Page 8 Daily Nebraskan Tuesday, 11,

O n Ernie1 ILdHJLMJLMtCJl. n n mb piredietab sun, beautoify By Charles Lieurance Senior Reporter

Considering 's popular- ity, it's amazing he's been able to keep his filmmaking territory all to himself. After all, his neurotic, paranoid New Yorker persona isn't registered at the patent office. Any bright college philo- sophy major with a keen wit has the ability to turn the texts of Nietzsche, Wittgenstein, Hegel and Schopenauer inside-ou-t by applying them to the real f, world. The average person's concern with greater metaphysical questions end when they become accountants or .J piano tuners, for sanity's sake. Allen lias applied his deceptively formulaic approach to any number of genres since 19G!); science fiction ("Sleeper"), the Neil Simon-typ- e comedy ("Play it again, Sam"), film noir (""), fantasy ("") and most recently, the domestic melodrama, "."

Movie Review

Allen does more than just parodies, which saves him from being an overly sentimental version of Mel Brooks. Allen knows too much to slide over the surface of a genre and he's too cynical to take even his romantic nihilism too seriously. For awhile it was "hip" to be like Woody Allen, to be an intellectual, vulnerable male with all your salary invested in psychoanalysis. Now, in the age of Rambo, Allen has taken the emphasis off himself in his of films. "" and "The Purple Courtesy Rose of Cairo" excluded him entirely Farrow, Hershey and Wiest portray the sisters In Woody Allen's new 'Hannah and "Hannah and Her sisters" casts film, and Her Sisters.' him as an interesting bit player, like a Rosencrantz or Guildenstern, provid- in and out of each pie, scurrying others creating art, of being artistic, of being is an imposing wraith, but life is Woody Allen films). The scene in which ing comic relief from the family melo- that one in the emotional lives, glitch auteur and maverick and successful all what happens to you while you wait. Allen's character, faced with the chasm drama and setting the would have been disasterous. Allen philosophical, machinery at once. could do sitcoms and Sure, maybe Nietzsche and Kierke- of eternity, opts for Catholicism, is moral tone. The of the film is plot engagingly they'd come off like Renoir, Cukor, Fel- gaard are right, but sex is more fun. funnier than anything he's written in a Allen casts few in "Han- elaborate because of surprises simple, only the lini and Douglas Sirk all rolled into Sure, love is fragile and tenuous, but long while. nah." His ensemble is familiar of it (Mia quantity characters incorporates. one. What's occasionally irritating is death would be a lot harder to take At the end of Allen's "" Farrow as Hannah, Tony Roberts) and Hannah is the successful Allen's domineering, knowledge of this fact. Some- without some good solid blows from the main character tells a story about a when it isn't irri-tating- familiar, it's older forced into ly predictable. sister, nurturing her times his philosophical asides are Eros and Cupid. man who walks into his office Allen has the same eye for two sisters and to analyst's interesting enough guilt power predictable, but only in the For Woody Allen fans none of this is to complain of an love faces that Fellini has, seduc- the American unsatisfactory finding average family. context of Woody Allen. If this were a news is hot as the next alien birth on affair with a woman who thinks she's a tive beauty in the most eccentric of In and out of this walk husbands, Spielberg film, all life in the film would the cover of the Weekly World News, chicken. facial features. The off-han- only real surprise lovers, senile dead for the d artists, stop comments on but his arguments are always more "Why do you keep back to in casting is Michael Caine as Han- of from going parents (show people course, Nietzsche, life, death, Catholicism, convincing and more sublime, more her?" The asks the man. nah's husband, Elliot. Caine is such a the old business analyst school), partners, Judaism and Krishna that litter this mature and filled with conviction. "Because I need the The man matter-of-fac- t actor eggs." casual, that it children, secretaries, theatrical direc- film. If it seems as I've seems the though missed replies. intricacies of a Woody Allen tors, rock bands and enough stylistic But in "Hannah and Her the some Sisters," of the beauties the film has to Why do we keep going back to Woody film would bore him. devices to raise "Hannah and Her Sis- can audience just relax and know offer in this review, I'll try to sum up Allen films, if are in But everyone is picture perfect. The ters" from melodrama to art. where they many ways exactly Woody Allen is taking here. The filmwork is immaculate and predictable? plot of the film involves so many peo-- Woody Allen is always conscious of them and how he'll get there. Sure, it's in color (always a surprise lately in We need the eggs.

Olivia Newton-Joh- n and mom in my kitchen Vegetable dreams: the fear of the fresh 1 don't go grocery shopping very If I ever do go to the it's store, merely "Really," he said, walking over. you read to see if an I often. I vait until mom is in to load on you're alcoholic," away, its brakes squealing, I tore loose Usually my up Ramen Pride noodles, "Yeah, but then, I probably drink to so said, turning Olivia, from the air bag, grabbed Spittle and town she will go with me and volun- frozen pizzas, and the ever popular TV more of other too." every brand, "Yes," she said. as far as 1 could from teer to buy for me all those things I dinner. leaped away the We talked beer for hours, then went "I added two more to it." car. can't afford . . . like red meat and few. Of course, the stores are a and had a "Really, what did you add?" I brand-nam- e liquor landed on my dresser, clear across toilet paper. I walked over to the different matter. Anyway, kitchen "Have you ever woke up in another the room from bed. a of water and drank my Spittle yelped Actually, budget concerns aren't my sink, poured glass state wearing clothing of the opposite and bit me. main reason for it. avoiding grocery stores. sex?" I blame the whole incident on bulk it's fear. I'm scared of My mother asked me what time I'd Olivia Mainly major laughed. She has a nice laugh. foods and fresh vegetables. gotten home. I said I didn't know. I She never asked supermarkets. me about the second I was in a major supermarket the Bill asked her why she was sauteeing mush- I added. Last night I awoke from a question other day and on a wild impulse decided deep sleep G) rooms at 3:30 in the morning. She I walked to and a dream about a desert island and AHen the refrigerator and to load up on fresh vegetables. A guy in L smiled and turned back to the stove. door. a store. I went opened the Suddenly a giant auto a white apron told me I had to each giant Macy's department Jp Newton-Joh- n put Olivia asked me if I air into the kitchen for a drink of water. bag exploded and slammed me vegetable in a separate plastic bag had a drinking problem. I said no, it's the far wall. Olivia Newton-Joh- was at against because they have different prices. sitting the only thing I do well. I woke the kitchen table her toes in A Miller beer distributor came into up fast, sitting in the front "The same for the bulk pastas," he putting I'm really funny like that in my seat her mouth and a woman was the office the other day to a of my car, on a railroad track. I had said. pick up s. sauteeing dreams. I have a hundred one-iiner- mushrooms at the stove. copy of the paper so he could check crashed into the red flashing light pole. I walked out of the store with what . Then it struck me that Olivia Miller's advertisement. It's been The air bag was puffed up into face. seemed like hundreds always Newton-Joh- n my cf plastic bags, The woman at the stove kept saying probably wouldn't be sit- I had a personal policy of mine to make obviously fallen asleep at the each with barely one item green "Fresh vegetables, fresh vegetables . . . ting in my kitchen at 3:30 a.m. wheel. friends with any person connected in pepper, onion, brocolli, mushrooms, mmm . . . They're so good for you." "Mom, what's Olivia Newton-Joh- I a any way with the brewing, distribution neard train whistle and saw a beansprouts, water chestnuts, maca- locked lot like mother. doing in my kitchen." She a my cr serving of beer. single bright light blaring down the roni, noodles, oranges, apples and sev- "I always saute? mrhrooms this I I I tracks. screamed and eral kinds of fresh Since started college mostly tat So I looked ur from my desk and cf the :,h struggled greens. time morning," ?aid, "If you against the but I was , "Y-- iirbag, stuck. My sit in now. fast food, like burgers and fries, pizza u I a'-.u They the refrigerator know, prcbibiy drink ever caine pome, j? i wild knew." of res- dcK, Spittle, slept peacefully beside me 111 cook. them or eat or of the downtown cloister Miller than itr-ycs-- .:.v. (.'.:.:., Maybe someday any Iter die us tr, car 8 r.ei. them ra'.v, Mother always said bay fresh taurant offerings. campus." 'AM Finally, Tilth the train only yaids vegetables. So i did.