DOCSLIB.ORG

Film 1314 Previous Nominations and Wins

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Film 1314 Previous Nominations and Wins EE British Academy Film Awards Sunday16 February 2014 Previous Nominations and Wins Includes this year’s nominations. Wins in bold. Leading Actor Chiwetel Ejiofor 2 nominations Orange Rising Star Award in 2006 Leading Actor in 2014: 12 Years a Slave Tom Hanks 4 nominations Leading Actor in 1995: Forrest Gump Leading Actor in 1999: Saving Private Ryan Leading Actor in 2001: Cast Away Leading Actor in 2014: Captain Phillips Christian Bale 2 nominations Supporting Actor in 2011: The Fighter Leading Actor in 2014: American Hustle Leonardo DiCaprio 3 nominations Leading Actor in 2005: The Aviator Leading Actor in 2007: The Departed Leading Actor in 2014: The Wolf of Wall Street Bruce Dern 1 nomination Leading Actor in 2014: Nebraska Leading Actress Amy Adams 4 nominations Supporting Actress in 2009: Doubt Supporting Actress in 2011: The Fighter Supporting Actress in 2013: The Master Leading Actress in 2014: American Hustle Cate Blanchett 6 nominations / 2 wins Leading Actress in 1999: Elizabeth Supporting Actress in 2000: The Talented Mr Ripley Supporting Actress in 2005: The Aviator Supporting Actress in 2008: I’m Not There Leading Actress in 2014: Blue Jasmine Emma Thompson 7 nominations / 2 wins Leading Actress in 1993: Howards End Leading Actress in 1994: The Remains of the Day Adapted Screenplay in 1996: Sense and Sensibility Leading Actress in 1996: Sense and Sensibility Supporting Actress in 2004: Love Actually Leading Actress in 2014: Saving Mr. Banks Judi Dench (this 15 nominations / 6 wins means that Judi is Most Promising Newcomer to Leading Film Roles in 1996: Four in the Morning the most nominated Supporting Actress in 1986: Wetherby actress in Film). Supporting Actress in 1987: A Room with a View NB: Albert Finney is the most nominated Supporting Actress in 1988: 84 Charing Cross Road actor at 9. Supporting Actress in 1989: A Handful of Dust Leading Actress in 1998: Mrs Brown Supporting Actress: Shakespeare In Love Fellowship in 2001 Supporting Actress in 2001: Chocolat Supporting Actress in 2002: The Shipping News Leading Actress in 2002: Iris Leading Actress in 2006: Mrs Henderson Presents Leading Actress in 2007: Notes on a Scandal Supporting Actress in 2012: My Week With Marilyn Supporting Actress in 2013: Skyfall Leading Actress in 2014: Philomena Sandra Bullock 1 nomination Leading Actress in 2014: Gravity Supporting Actor Barkhad Abdi 1 nomination Supporting Actor in 2014: Captain Phillips Bradley Cooper 2 nominations Leading Actor in 2013: Silver Linings Playbook Supporting Actor in 2014: American Hustle Daniel Brühl 1 nomination Supporting Actor in 2014: Rush Matt Damon 1 nomination Supporting Actor in 2014: Behind the Candelabra Michael Fassbender 3 nominations Orange Rising Star Award in 2009 Leading Actor in 2012: Shame Supporting Actor in 2014: 12 Years a Slave Supporting Actress Jennifer Lawrence 2 nominations Leading Actress in 2013: Silver Linings Playbook Supporting Actress in 2014: American Hustle Julia Roberts 3 nominations / 1 win Leading Actress in 1991: Pretty Woman Leading Actress in 2001: Erin Brockovich Supporting Actress in 2014: August: Osage County Lupita Nyong’o 1 nomination Supporting Actress in 2014: 12 Years a Slave Oprah Winfrey 1 nomination Supporting Actress in 2014: The Butler Sally Hawkins 1 nomination Supporting Actress in 2014: Blue Jasmine Director Alfonso Cuarón: 5 nominations / 1 win Gravity Film Not in the English Language in 2003: Y Tu Mama Tambien Original Screenplay in 2003: Y Tu Mama Tambien Outstanding British Film in 2005: Harry Potter and The Prisoner of Azkaban Film Not in the English Language in 2007: Pan’s Labyrinth David O. Russell: 2 nominations / 1 win American Hustle Adapted Screenplay in 2013: Silver Linings Playbook Director in 2014: American Hustle Martin Scorsese: 12 nominations / 3 wins The Wolf of Wall Director in 1976: Alice Doesn’t Live Here Anymore Street Director in 1977: Taxi Driver Director in 1984: The King of Comedy Best Film in 1991: Goodfellas Adapted Screenplay in 1991: Goodfellas Director in 1991: Goodfellas Director in 2003: Gangs of New York Director in 2005: The Aviator Director in 2007: The Departed Fellowship in 2012 Documentary in 2012: George Harrison: Living in the Material World Director in 2012: Hugo Director in 2014: The Wolf of Wall Street Paul Greengrass: 6 nominations, 1 win Captain Phillips Original Screenplay in 2007: United 93 Director in 2007: United 93 Outstanding British Film in 2007: United 93 Director in 2008: The Bourne Ultimatum Outstanding British Film in 2008: The Bourne Ultimatum Director in 2014: Captain Phillips Steve McQueen: 12 4 nominations, 1 win Years a Slave Outstanding British Film in 2009: Hunger Outstanding Debut by a British Writer, Director or Producer in 2009: Hunger Outstanding British Film in 2012: Shame Director in 2014: 12 Years a Slave Others Clio Barnard 2 nominations Outstanding Debut by a British Writer, Director or Producer in 2011 : The Arbor Outstanding British Film in 2014: The Selfish Giant Woody Allen 24 nominations, 10 wins (recipient for the Screenplay in 1978: Annie Hall most nominations in Direction in 1978: Annie Hall Film). We believe he has won the Leading Actor in 1978: Annie Hall most BAFTAs! Screenplay in 1980: Manhattan Best Film in 1980: Manhattan Direction in 1980: Manhattan Leading Actor in 1980: Manhattan Original Screenplay in 1984: Zelig Original Screenplay in 1985: Broadway Danny Rose Original Screenplay in 1986: The Purple Rose of Cairo Best Film in 1986: The Purple Rose of Cairo Original Screenplay in 1987: Hannah and Her Sisters Best Film in 1987: Hannah and Her Sisters Leading Actor in 1987: Hannah and Her Sisters Director in 1987: Hannah and Her Sisters Original Screenplay in 1988: Radio Days Best Film in 1988: Radio Days Original Screenplay in 1991: Crimes and Misdemeanors Best Film in 1991: Crimes and Misdemeanors Director in 1991: Crimes and Misdemeanors Original Screenplay in 1993: Husbands and Wives Original Screenplay in 1996: Bullets Over Broadway Fellowship in 1997 Original Screenplay in 2012: Midnight in Paris Original Screenplay 2014: Blue Jasmine .
Load more

Recommended publications
  • Spring Breakers” Was Pure Gold, but for Some Reason, Tye Sheridan’S Passionate Line-Reading from “Mud” Stands Out
    SATURDAY, JANUARY 4, 2014 14. ‘Mud’ Sure, everything that came out of James Franco’s blinged-out mouth in “Spring Breakers” was pure gold, but for some reason, Tye Sheridan’s passionate line-reading from “Mud” stands out. You can hear the pain and betrayal in his teenage voice, as well as the sound of broken prom- ises and unmet expectations. It’s a simple line of dialogue from writer-director Jeff Nichols but it packed one hell of a punch. 15. ‘Blackfish’ It was a pretty good year for villains, with The Animals from “You’re Next” giving Michael Fassbender (“12 Years a Slave”) and Woody Harrelson (“Out of the Furnace”) a run for their money. But for my money, the villain I’d hate to be locked in a dark room with is Tilikum the Whale from the terrifying documentary “Blackfish.” It used to be a dream to go to SeaWorld, but now, it’s a nightmare. 16. ‘Upstream Color’ Even the people who like and defend this movie seem to have no idea what it all means. I don’t need a movie to answer all my questions, or for my cinematic narratives to be tied up with a bow, but this movie doesn’t make a lick of sense and Shane Carruth’s refusal to explain it is that much more frustrating. This self-distributed art house sen- sation is more “art” than “movie.” 17. ‘World War Z’ Remember when the press wrote off this zombie epic 24. ‘American Hustle’ great about his nearly wordless performance? Stick me on a sight unseen, months before its release? Well guess what - I’ll bet most of you didn’t see Melissa Leo’s villainy in boat all alone in the Indian Ocean and I could deliver an it was actually pretty damn good.
    [Show full text]
  • Du 18 Décembre 2019 Au 21 Janvier 2020 N°
    Du 18 décembre 2019 Cinéma Art Et Essai au 21 janvier 2020 Jeune Public N° 171 Patrimoine CINÉMA BIARRITZ Recherche À l'affiche Entre nous SORTIES NATIONALES Star Wars, épisode IX : L'Ascension 4 de Skywalker Echo 4 Play 4 Notre dame 5 The lighthouse 5 Un vrai bonhomme 5 La Vérité 6 L'a dieu 6 Les siffleurs 7 Joyeux solstice d’hiver ! 1917 7 Pour oublier la noirceur des temps, l’année s’achèvera, sur nos écrans, avec un feu d’artifice de films destinés aux jeunes et moins jeunes… Les studios Disney proposent, à la fois, le deuxième épisode de La Reine des neiges ÉVÉNEMENTS - AVANT PREMIÈRES et le neuvième de la saga Star Wars, sous-titré L’Ascension de One California Day 8 Skywalker. Gageons que les recettes engrangées permettront à la Les dieux de Molenbeek 8 compagnie fondée par Walt Disney en 1923 de conforter, encore, sa première place mondiale dans l’industrie des médias et de l’entertainment. Soirée Courts-métrages 9 La bonne épouse 9 Pour les plus mûrs, trois grands films de genre seront à l’affiche. Un film fantastique, The Lighthouse de Robert Eggers avec Willem Dafoe À DÉCOUVRIR AU ROYAL et Robert Pattinson. Présenté à la Quinzaine des Réalisateurs à Cannes Le meilleur reste à venir 10 cette année, le dernier film de Robert Eggers a marqué par son travail formel - un noir et blanc splendide, au format standard, obtenu par À Couteaux Tirés 10 l’utilisation d’une pellicule 35mm avec des jeux de lentilles et de filtres Cunningham 10 datant des années 30 – pour construire un huis-clos angoissant.
    [Show full text]
  • PGIP Programme in Detail Rev 3 20
    !1 of !6 Giles Foreman Centre" for Acting A LEADING PROFESSIONAL ACTING STUDIO, "BASED IN THE HEART OF SOHO " " " ACTOR TRAINING | FILM & TV PRODUCTION | CORPORATE" COMMUNICATION LONDON | NEW" YORK | PARIS "" What" makes the GFCA 16-month advanced Professional Intensive " Acting/Acting-Directing Programme unique? Our Advanced course is equivalent in level to Post Graduate study. However, the training is designed for those creative individuals - from any background - who have the capacity, ability and motivation to enter the Industry. The programme involves 30+ hours of intensive classes and rehearsal exercises per week, taught by top- level specialist coaches, each with extensive professional experience. There are in-house showings throughout the course, and plays are presented to the public and Industry during the final two terms. During the final term, as well as advanced-level classes, students may join the Spotlight Casting Graduate scheme; scenes are filmed for showreel, there are Industry events, and a range of further performance opportunities. These continue after the conclusion of the formal training. We take only a single cohort of Intensive-Route acting students each year, to provide a focussed training designed to bring out individual strengths, and we welcome applications from people from a wide variety of previous backgrounds and experience. The programme is tailored towards the unique mix of talent drawn to our centrally-located Studio from across the UK, Europe and beyond. We have excellent links with UK and European Casting Directors, as well as a base in New York, and ofer many opportunities to showcase talent to European casting directors, largely due to the strong connections formed by our Director, Giles Foreman and his extensive work as a film acting-coach.
    [Show full text]
  • Houston Paparazzi
    Tom Hariel & Neon Boots Office Manager Justin Bryan Earnest Mcdowell enjoying the Galloway playing pool on Sunday Texans vs. Tennessee Titans game on Sunday houston paparazzi Fun @ Neon Boots trodding the boards Pamela Robinson & friends having ...from 30 a birthday party easy, but more experienced directors don’t always pull it off this well. And she wisely guides her cast into line-readings that give some of the overwritten passages a know- ing, ironic edge. As Chandler, a young man with a big imagination who may be too smart for his own good, recent UNO graduate Mason Joiner gives a remarkable performance, projecting the requisite intelligence when talking about astronomical events and other scientific subjects. Yet he makes plain the emotional brittleness that his upbringing First night of dance lessons has engendered and Chandler’s desper- ate yearning to free himself from the stric- tures his mother has imposed. He’s like a colt with an IQ of 180 eager to play in new pastures (even if he still sleeps on Star Neon Boots Live! ~ Houston, Texas Wars sheets). I can imagine a Shivaree, who seems to have traveled the world at a young age, either a bit more earth-mothery and weatherbeaten than Ashton Akridge or, conversely, more diaphanous and gamine- like. Akridge seems to split the difference, a kind of minor league Sally Bowles with a Former Mr. BRB Craig Sanford & syrupy Southern accent, innocently seduc- Donnie Pledger-Manzano having a ing with an appealing down-to-earth pres- few before dance class ence that camouflages a toughened spine.
    [Show full text]
  • January 2012 at BFI Southbank
    PRESS RELEASE November 2011 11/77 January 2012 at BFI Southbank Dickens on Screen, Woody Allen & the first London Comedy Film Festival Major Seasons: x Dickens on Screen Charles Dickens (1812-1870) is undoubtedly the greatest-ever English novelist, and as a key contribution to the worldwide celebrations of his 200th birthday – co-ordinated by Film London and The Charles Dickens Museum in partnership with the BFI – BFI Southbank will launch this comprehensive three-month survey of his works adapted for film and television x Wise Cracks: The Comedies of Woody Allen Woody Allen has also made his fair share of serious films, but since this month sees BFI Southbank celebrate the highlights of his peerless career as a writer-director of comedy films; with the inclusion of both Zelig (1983) and the Oscar-winning Hannah and Her Sisters (1986) on Extended Run 30 December - 19 January x Extended Run: L’Atalante (Dir, Jean Vigo, 1934) 20 January – 29 February Funny, heart-rending, erotic, suspenseful, exhilaratingly inventive... Jean Vigo’s only full- length feature satisfies on so many levels, it’s no surprise it’s widely regarded as one of the greatest films ever made Featured Events Highlights from our events calendar include: x LoCo presents: The London Comedy Film Festival 26 – 29 January LoCo joins forces with BFI Southbank to present the first London Comedy Film Festival, with features previews, classics, masterclasses and special guests in celebration of the genre x Plus previews of some of the best titles from the BFI London Film Festival:
    [Show full text]
  • Mere Anarchy? the Films and Short Stories of Woody Allen
    Mere Anarchy? The Films and Short Stories of Woody Allen Lecturer: PD Dr. Stefan L. Brandt, Guest Professor Basic information: Hauptseminar, 2 SWS, ECTS-Studium, ECTS-Credits: 7; application at KOS. Room and time: AR-K 122/123, Tuesdays, 16-18. First session: April 1, 2008. Modules: LCM-MA-M5.3 (Literatur-, Kultur-, und Mediensoziologie) ab 4; Medienkultur-MA-2.2 (Medienanalyse Ton Audiovision) ab 4; Medien und Gesellschaft-MA-2.2 (Medienanalyse Ton Audiovision) ab 4; M-PEB-Diplom-A3 (Medienanalyse AV) (ab 4); AmL-5 (Medien: Theorie, Geschichte, Praxis) ab 4; ENG-GHR-M5.2 (Texte und Medien) ab 4; ENG-GYM- M9a.8 (Textsorten und Medien) ab 4; ENG-BK-M6.1 (Texte und Medien) ab 4. Maximum number of participants: 50 Short description: »It's not that I'm afraid to die,« Woody Allen once told a journalist, »I just don't want to be there when it happens«. This statement, quizzical and absurd as usual, ties in with another aphorism, reportedly the first Allen joke to be published: »I am two with Nature.« Until this very day, Woody Allen is one of the most prolific and renowned artists that America has generated in the 20th century. Receiving his first Emmy Award for a script for the Ed Sullivan Show as early as 1957, Allen has since won four Oscars, the O. Henry Award for the best short story in 1977, as well as numerous other prizes in the U.S. and Europe. What makes Allen’s work, which encompasses comedies, dramas, expressionist films and acting roles as well as literary works, so unique and so influential? This course will deal with the central themes and motifs negotiated in Allen’s oeuvre – black humor, psychology, Jewishness, New York City, human relationships, and the absurdities of (post)modern life.
    [Show full text]
  • BFI Poll Reveals UK's Favourite Black Star Performance
    BFI POLL REVEALS UK’S FAVOURITE BLACK STAR PERFORMANCE: SIDNEY POITIER AS “MISTER TIBBS” In the Heat of the Night Angela Bassett’s courageous portrayal of Tina Turner in What’s Love Got to Do with It voted as top performance by over 100 industry experts London: (embargoed until 16:30 BST) Thursday 20 October, 2016 – To mark this week’s official launch of its BLACK STAR season, the BFI announced today that Sidney Poitier’s critically-acclaimed and seminal performance as Detective Virgil Tibbs in In the Heat of the Night (dir. Norman Jewison, 1967) has been voted the public’s Favourite Black Star Performance in a poll which included 100 performances spanning over 80 years in film and TV. Running alongside the public poll, a separate poll of over 100 industry experts voted for Angela Bassett’s Oscar®- nominated performance as Tina Turner in What’s Love Got to Do with It (dir. Brian Gibson, 1993). UK Public Poll Pam Grier followed in second place with her terrific turn as the titular character in Quentin Tarantino’s Jackie Brown – an homage to the 1970’s era of Blaxploitation films in America; Michael K. Williams was number three with his unforgettable portrayal of the legendary Omar Little, the openly gay, notorious stick-up man with a strict moral code feared by drug dealers across the city of Baltimore, in the socially and politically charged hit television series The Wire. British actor Chiwetel Ejiofor followed in fourth with his visceral portrayal of Solomon Northup, his break-out performance in Steve McQueen’s ground-breaking, Oscar®-winning true story, 12 Years A Slave; and Morgan Freeman rounded out the top five with his acclaimed, quiet and layered performance in Frank Darabont’s Oscar®-nominated cult classic, The Shawshank Redemption.
    [Show full text]
  • A Dangerous Method
    A David Cronenberg Film A DANGEROUS METHOD Starring Keira Knightley Viggo Mortensen Michael Fassbender Sarah Gadon and Vincent Cassel Directed by David Cronenberg Screenplay by Christopher Hampton Based on the stage play “The Talking Cure” by Christopher Hampton Based on the book “A Most Dangerous Method” by John Kerr Official Selection 2011 Venice Film Festival 2011 Toronto International Film Festival, Gala Presentation 2011 New York Film Festival, Gala Presentation www.adangerousmethodfilm.com 99min | Rated R | Release Date (NY & LA): 11/23/11 East Coast Publicity West Coast Publicity Distributor Donna Daniels PR Block Korenbrot Sony Pictures Classics Donna Daniels Ziggy Kozlowski Carmelo Pirrone 77 Park Ave, #12A Jennifer Malone Lindsay Macik New York, NY 10016 Rebecca Fisher 550 Madison Ave 347-254-7054, ext 101 110 S. Fairfax Ave, #310 New York, NY 10022 Los Angeles, CA 90036 212-833-8833 tel 323-634-7001 tel 212-833-8844 fax 323-634-7030 fax A DANGEROUS METHOD Directed by David Cronenberg Produced by Jeremy Thomas Co-Produced by Marco Mehlitz Martin Katz Screenplay by Christopher Hampton Based on the stage play “The Talking Cure” by Christopher Hampton Based on the book “A Most Dangerous Method” by John Kerr Executive Producers Thomas Sterchi Matthias Zimmermann Karl Spoerri Stephan Mallmann Peter Watson Associate Producer Richard Mansell Tiana Alexandra-Silliphant Director of Photography Peter Suschitzky, ASC Edited by Ronald Sanders, CCE, ACE Production Designer James McAteer Costume Designer Denise Cronenberg Music Composed and Adapted by Howard Shore Supervising Sound Editors Wayne Griffin Michael O’Farrell Casting by Deirdre Bowen 2 CAST Sabina Spielrein Keira Knightley Sigmund Freud Viggo Mortensen Carl Jung Michael Fassbender Otto Gross Vincent Cassel Emma Jung Sarah Gadon Professor Eugen Bleuler André M.
    [Show full text]
  • Be Unveiled, in Crowded Race
    Lifestyle FRIDAY, DECEMBER 13, 2013 Actress Olivia Wilde reads nominations at the 71st Annual This image released by The Weinstein Company shows This publicity image released by HBO shows Julia Louis- Golden Globe Awards nominations announcement event, Judi Dench, left, and Steve Coogan in a scene from Dreyfus in the comedy series “Veep.” yesterday at the Beverly Hilton Hotel in Beverly Hills, ‘Philomena.’ California. —AFP photos Golden Globe nominees to be unveiled, in crowded race olden Globe organizers unveil nomi- nominees are likely to include cult series nations for their annual movie awards “Breaking Bad” and Netflix’s political drama Gshow yesterday, as Hollywood’s hon- “House of Cards,” while “Girls” and “Modern ors season gets into full swing with a bumper Family” are expected to be shortlisted in the cast of hotly-tipped contenders. Historical best comedy category. Best acting nominees drama “12 Years a Slave” got an early boost may include Bryan Cranston (“Breaking Bad”), on the eve of the Globes nominations, top- Kevin Spacey (“House of Cards”), Claire Danes ping the Screen Actors Guild (SAGs) nods (“Homeland”), Kerry Washington (“Scandal”), Wednesday with four. But this year’s race Jim Parsons (“The Big Bang Theory”), Michael risks being particularly crowded, with a string of films winning critical acclaim, ranging from 3D sci-fi spectacle “Gravity” to historical epics like “Lee Daniels’ The Butler” and crime dra- ma “American Hustle.” On the acting front, early frontrunners include big names like Meryl Streep, Forest Whitaker, Tom Hanks, Robert Redford and Cate Blanchett, but also This film image released by Warner Bros.
    [Show full text]
  • False Authenticity in the Films of Woody Allen
    False Authenticity in the Films of Woody Allen by Nicholas Vick November, 2012 Director of Thesis: Amanda Klein Major Department: English Woody Allen is an auteur who is deeply concerned with the visual presentation of his cityscapes. However, each city that Allen films is presented in such a glamorous light that the depiction of the cities is falsely authentic. That is, Allen's cityscapes are actually unrealistic recreations based on his nostalgia or stilted view of the city's culture. Allen's treatment of each city is similar to each other in that he strives to create a cinematic postcard for the viewer. However, differing themes and characteristics emerge to define Allen's optimistic visual approach. Allen's hometown of Manhattan is a place where artists, intellectuals, and writers can thrive. Paris denotes a sense of nostalgia and questions the power behind it. Allen's London is primarily concerned with class and the social imperative. Finally, Barcelona is a haven for physicality, bravado, and sex but also uncertainty for American travelers. Despite being in these picturesque and dynamic locations, happiness is rarely achieved for Allen's characters. So, regardless of Allen's dreamy and romanticized visual treatment of cityscapes and culture, Allen is a director who operates in a continuous state of contradiction because of the emotional unrest his characters suffer. False Authenticity in the Films of Woody Allen A Thesis Presented To the Faculty of the Department of English East Carolina University In Partial Fulfillment of the Requirements for the Degree MA English by Nicholas Vick November, 2012 © Nicholas Vick, 2012 False Authenticity in the Films of Woody Allen by Nicholas Vick APPROVED BY: DIRECTOR OF DISSERTATION/THESIS: _______________________________________________________ Dr.
    [Show full text]
  • Ethics in Crimes and Misdemeanors
    Ethics in Crimes and Misdemeanors How do we get at the ethical content of a movie? Let’s begin with a slightly easier question: Why should ethicists go to the movies? What can they expect to learn? One obvious reason is that ethicists like most people might simply enjoy watching movies. What I have in mind, however, is why ethicists qua ethicists should go to the movies. What can they learn as ethicists by watching films? The answer to this question will give us some ideas about how to get at the ethical content of movies. Jerry Goodenough has identified four reasons a philosopher as a philosopher might want to go to the movies.[1] Adapting his classification scheme to ethics in particular, we could say first of all that an ethicist might go to the movies because he was interested in ethical questions about the film medium itself and the nature of the film experience. Is, for example, going to the movie like going into Plato‘s gave? Secondly, an ethicist might want to go to the movies because films often illustrate moral theses or problems. Sophie’s Choice (Alan J. Pakula, 1982) clearly illustrates an ethical dilemma few parents would ever want to face in real life. Countless movies and TV shows illustrate ethical problems doctors face when called upon to save murderers, especially when not saving them would benefit a large number of people. Those who teach ethics, or philosophy, through films, usually concentrate on movies that illustrate ethics. Note that a film can illustrate ethical problems without being explicitly about ethics and without dealing with these problems systematically, not to say argumentatively.
    [Show full text]
  • YC Department of English Fall 2019 Course Offerings
    YC Department of English Fall 2019 Course Offerings If you’re wondering which Fall 2019 English courses are right for you or have questions about the English major or minor or the Writing minor, contact the Chair of the English Department, Dr. Lauren Fitzgerald [email protected]. For information about the Media Studies Minor contact Dr. Rachel Mesch [email protected]. They would be happy to speak with you. REQUIRED FOR ENGLISH MAJORS Both Literary Studies & Creative Writing concentrations ENG 4001 Senior Colloquium Sec 261 W 6:00 - 8:30 Professor Rachel Mesch The revised Colloquium will be a 3-credit course for both Literary Studies and Creative Writing students, taking place in online and face-to-face sessions in a single semester. Each of the sessions will focus on a work of literature and at least one modern refashion- ing of it, whether through film, fiction, graphic novel, or another art form. Students will respond to these works through a variety of prompts that will elicit both traditional liter- ary analysis and other forms of creative expression over the course of the semester. Stu- dents will also be responsible for leading discussion in at least one session. At the end of the semester, students will submit a written paper that they will then present to faculty examiners in a discussion in which they will be asked to reflect more synthetically on the work of the Colloquium. As with the other writing prompts, they will have a variety of options for the form that this final paper takes, from traditional literary analysis to other forms of creative writing.
    [Show full text]