Networked Governance of Freedom and Tyranny: Peace in Timor-Leste
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ANNUAL REPORT 2019 Revellers at New Year’S Eve 2018 – the Night Is Yours
AUSTRALIAN BROADCASTING CORPORATION ANNUAL REPORT 2019 Revellers at New Year’s Eve 2018 – The Night is Yours. Image: Jared Leibowtiz Cover: Dianne Appleby, Yawuru Cultural Leader, and her grandson Zeke 11 September 2019 The Hon Paul Fletcher MP Minister for Communications, Cyber Safety and the Arts Parliament House Canberra ACT 2600 Dear Minister The Board of the Australian Broadcasting Corporation is pleased to present its Annual Report for the year ended 30 June 2019. The report was prepared for section 46 of the Public Governance, Performance and Accountability Act 2013, in accordance with the requirements of that Act and the Australian Broadcasting Corporation Act 1983. It was approved by the Board on 11 September 2019 and provides a comprehensive review of the ABC’s performance and delivery in line with its Charter remit. The ABC continues to be the home and source of Australian stories, told across the nation and to the world. The Corporation’s commitment to innovation in both storytelling and broadcast delivery is stronger than ever, as the needs of its audiences rapidly evolve in line with technological change. Australians expect an independent, accessible public broadcasting service which produces quality drama, comedy and specialist content, entertaining and educational children’s programming, stories of local lives and issues, and news and current affairs coverage that holds power to account and contributes to a healthy democratic process. The ABC is proud to provide such a service. The ABC is truly Yours. Sincerely, Ita Buttrose AC OBE Chair Letter to the Minister iii ABC Radio Melbourne Drive presenter Raf Epstein. -
Who Gets to Tell Australian Stories?
Who Gets To Tell Australian Stories? Putting the spotlight on cultural and linguistic diversity in television news and current affairs The Who Gets To Tell Australian Stories? report was prepared on the basis of research and support from the following people: Professor James Arvanitakis (Western Sydney University) Carolyn Cage (Deakin University) Associate Professor Dimitria Groutsis (University of Sydney) Dr Annika Kaabel (University of Sydney) Christine Han (University of Sydney) Dr Ann Hine (Macquarie University) Nic Hopkins (Google News Lab) Antoinette Lattouf (Media Diversity Australia) Irene Jay Liu (Google News Lab) Isabel Lo (Media Diversity Australia) Professor Catharine Lumby (Macquarie University) Dr Usha Rodrigues (Deakin University) Professor Tim Soutphommasane (University of Sydney) Subodhanie Umesha Weerakkody (Deakin University) This report was researched, written and designed on Aboriginal land. Sovereignty over this land was never ceded. We wish to pay our respect to elders past, present and future, and acknowledge Aboriginal and Torres Strait Islander communities’ ongoing struggles for justice and self-determination. Who Gets to Tell Australian Stories? Executive summary The Who Gets To Tell Australian Stories? report is the first comprehensive picture of who tells, frames and produces stories in Australian television news and current affairs. It details the experience and the extent of inclusion and representation of culturally diverse news and current affairs presenters, commentators and reporters. It is also the first -
ABC NEWS Program Guide: Week 3 Index
1 | P a g e ABC NEWS Program Guide: Week 3 Index Index Program Guide .............................................................................................................................................................. 3 Sunday, 10 January 2021 ...................................................................................................................................... 3 Monday, 11 January 2021 ..................................................................................................................................... 9 Tuesday, 12 January 2021 ................................................................................................................................... 12 Wednesday, 13 January 2021 ............................................................................................................................. 15 Thursday, 14 January 2021 ................................................................................................................................. 18 Friday, 15 January 2021 ...................................................................................................................................... 21 Saturday, 16 January 2021 .................................................................................................................................. 24 2 | P a g e ABC NEWS Program Guide: Week 3 Sunday 10 January 2021 Program Guide Sunday, 10 January 2021 6:00am ABC News Update The top stories from ABC News, updating you on the latest headlines and the overnight -
Catalogue of the Exhibition
Cover Image: Clive Hyde, The Eyes Have It, 1982; ‘Lindy Chamberlian is driven away in a prison vehicle after the guilty verdict at the Northern Territory Supreme Court, 1982’ INTRODUCTION The ‘Top End’ is a broad canvas, stretching across based Frédéric Mit interpret the ‘Top End’ quite the NT, WA and Qld and, depending on your literally through their iPhone ‘snaps’ comparing a vantage point, also inclusive of Australia’s northern year of skies in both cities, while award-winning neighbours: East Timor, Indonesia and Papua New photographer/writer Andrew Quilty’s Cyclone Guinea, for example. Onto this broad canvas lies Yasi Aftermath investigates the fallout from more a myriad of lives and landscapes, layers of history menacing skies in the cyclone-prone tropics. and drama both epic and everyday. How we see or understand this region and its people is largely the challenge of the photojournalist, charged with From Megan Lewis’s award-winning Conversations capturing the sense of a real-life character or event with the Mob series/publication, portraying Martu Exhibited at Northern Centre for Contemporary Art (NCCA) and Darwin Waterfront, May/June 2014 through the lens of their camera and their readiness life in the Great Sandy Desert, to Martine Perret’s Curated by Maurice O’Riordan, Crystal Thomas & Glenn Campbell to put themselves ‘there’. acclaimed Trans Dili series focusing on transgender life in East Timor, to Ed Wray’s disturbing Monkey NCCA, 3 May to 1 June 2014 Town exposé of a street performing monkey in Glenn Campbell, Brian Cassey, -
Funded Organisation with a Particular Charter Outlining Its Corporate Functions to the Public
The Senate Inquiry into the ABC SUBMISSION TO THE SENATE INQUIRY INTO THE ABC As I understand it the ABC is a taxpayer- funded organisation with a particular Charter outlining its corporate functions to the public. It states among other things, a commitment to diversity, national identity, accurate dissemination of information and entertainment. I have watched over the past 5 years or so with increasing dismay at the deterioration of a once highly principled, fair and informative journalistic approach to news, current affairs and debate on crucial issues that really matter to the public of Australia. Accurate and Factual Debate on Critical Issues affecting the Australian Public This Senate Inquiry must ensure that the ABC returns to the method of presenting debates of a critical nature with proper facts and distinguished peer reviewed science as much as they allow the sceptics and nay sayers to voice their opinion. The ABC should NOT develop a ratings mentality over proper informed and credible debate. The ABC is the only antidote to the reprehensible mainstream media we have in this country. It is very worrying that there are signs that the ABC is moving in a similar direction. For example I was particularly angered by the ABC’s portrayal in 2011/12 of the Carbon Price debate, choosing on many occasions to take the lead for its information from the Australian Newspaper and over exposing the debate of sceptics, merchants of doubt and climate change deniers. Examples of this fact can be seen time and time again on 7.30, Insiders, Q&A and the DRUM. -
The Walk on Campus
The Walk on Campus A unique, half-day workshop for educators interested in bringing Paul Salopek’s Out of Eden Walk into the university classroom The Walk on Campus WORKSHOP FOR UNIVERSITY EDUCATORS N PARTNERSHIP WITH THE PULITZER CENTER on Crisis Reporting, the Out of Eden Walk is offering half-day workshops on university campuses designed to share Pulitzer Prize-winner Paul Salopek’s style of “slow” journalism on digital platforms. We invite professors across disciplines to join us, whether in journalism, geography, international studies, anthropology, environmental science, education, or other fields. In this practical, fast-pacedI workshop, journalist Grounded in the Walk’s literature and spirit of and educator Don Belt of the University of Rich- innovation, Belt developed his curriculum at mond shares ideas on using Salopek’s historic, Virginia Commonwealth University and the seven-year, 22,000-mile reportage to teach stu- University of Richmond in close collaboration dents to slow down, carefully observe, and use the with Salopek, who is supported by the Knight digital tools in their hip pockets to tell the subtle, Foundation, the National Geographic Society, powerful stories that “fast” journalists often over- the Pulitzer Center, and others. look in the rush to feed a 24/7 news cycle. The Walk on Campus Workshop draws from Belt’s classroom experience and Salopek’s rich “We were inspired by Paul’s work body of work, including more than 150 dispatches to apply the philosophy of slow and feature articles and ongoing innovations in the use of digital cartography, photography, journalism to covering the streets videography, language translations, sound record- and neighborhoods of our ings, social media, and own city. -
Vii-Migration-Program Copy 3
PERSPECTIVES: MIGRATION NOVEMBER 14 & 15, 2015 Photo by Ashley Gilbertson Commemorating 10 years of VII and IGL collaboration and the 30th anniversary of the Institute for Global Leadership, the world’s leading photojournalists from the VII Photo Agency will explore their coverage of the continuing migration and merging of societies and cultures through a series of presentations and panels featuring recent work from the Syrian refugee crisis followed by a day of hands on workshops. THE AGENDA Saturday, November 14: SEMINARS 1:15 PM: PART ONE – HISTORY: The First Migration Sunday, November 15: Man has been seeking better opportunities since our ancestors’ first migration out WORKSHOPS of Africa. John Stanmeyer is documenting man’s journey and subsequent evolution with National Geographic’s Out of Eden Project – an epic 21,000-mile, 11:00 AM: Street Photography seven year odyssey from Ethiopia to South America. Ed Kashi and Maciek Nabrdalik will 2:00 PM: PART TWO – CRISIS: The European Refugee Crisis lead students around Boston and guide them on how to approach VII photographers are documenting the developing refugee crisis from its origins subjects, compose their frames, and in the Syrian uprising to the beaches of Greece and beyond. Technology has both find new and unexpected angles. An expanded the reach and immediacy of their work while challenging our definition editing critique with the of a true image. photographers will follow the VII Photographers: Ron Haviv, Maciek Nabrdalik, Franco Pagetti and Ashley shooting session. Gilbertson Panelist: Glenn Ruga, Founder of Social Documentary Network and ZEKE 11:00 AM: Survival: The Magazine Complete Travel Toolkit Moderated by Sherman Teichman, Founding Director, Institute for Global Leadership, Tufts University Ron Haviv will share tips and tricks on how best to survive and thrive in the 3:30 PM Break before, during, and after of a shoot. -
Future Directions for Educational Research Michael Samuel
Opening address at the 2014 SAERA conference Angels in the wind: future directions for educational research Michael Samuel (Chair of the Local Organizing Committee) Stanmeyer, John 2013. ‘Sign’, National Geographic An annual prestigious event in the calendar of professional press photographers, photojournalists and documentary photographers is the World Press Photo Award. This event in 2013 was co-ordinated by the World Press Photo Office in Amsterdam and attracted 98 671 submitted images by 5 754 photographers from 132 countries (http://www.worldpressphoto.org/awards/2014). The independent jury of judges for the 57th annual event selected this photograph above by John Stanmeyer, a USA journalist of the National Geographic as the wining photographic image in the category ‘Contemporary issues’. Stanmeyer had 148 Journal of Education, No. 61, 2015 simply titled his image ‘Sign’. It was accompanied by the explanation of his attempt to capture the challenges facing the would-be migrants alongside the coast of Djibouti (North East Africa). These haunting ‘army of shadows’ (RADAR Worldwide, 2014) reflects groups of prospective migrants who are aiming to make the journey to better life opportunities by crossing over the oceans into the Middle East or beginning the journey into Europe. Coming from the surrounding countries of Somalia, Ethiopia and Eritrea, this image depicts a new kind of Exodus facing the participants who stand alongside the shores searching for signals on the cellphones, aiming to connect a last call to family and friends back home, aiming to connect with the traffickers who had promised a safe passage (legal or not) into the lands of prospects. -
On Digital Crossings in Europe
Sandra Ponzanesi and Koen Leurs On digital crossings in Europe Article (Published version) (Refereed) Original citation: Ponzanesi, Sandra and Leurs, Koen (2014) On digital crossings in Europe. Crossings: Journal of Migration and Culture, 5 (1). pp. 3-22. ISSN 2040-4344 DOI: 10.1386/cjmc.5.1.3_1 Reuse of this item is permitted through licensing under the Creative Commons: © 2014 Intellect Ltd CC BY-NC This version available at: http://eprints.lse.ac.uk/56884/ Available in LSE Research Online: July 2015 LSE has developed LSE Research Online so that users may access research output of the School. Copyright © and Moral Rights for the papers on this site are retained by the individual authors and/or other copyright owners. You may freely distribute the URL (http://eprints.lse.ac.uk) of the LSE Research Online website. CJMC 5 (1) pp. 3–22 Intellect Limited 2014 Crossings: Journal of Migration & Culture Volume 5 Number 1 © 2014 Intellect Ltd Article. English language. doi: 10.1386/cjmc.5.1.3_1 sandra Ponzanesi Utrecht University Koen Leurs London School of Economics on digital crossings in europe abstract Keywords ‘On digital crossings in Europe’ explores the entanglements of digital media and Europe migration beyond the national and mono-ethnic focus. We argue how borders, iden- diaspora tity and affectivity have been destabilized and reconfigured through medium-specific border technological affordances, opting for a comparative and postcolonial framework that digital focuses on diversity in conjunction with cosmopolitan aspirations. Internet applica- racism tions make it possible to sustain new forms of diaspora and networks, which operate postcolonial within and beyond Europe, making issues of ethnicity, nationality, race and class digital humanities not obsolete but transformed. -
C a L L F O R E N T R I
61st Sponsored by Missouri School of Journalism with support from Fuji Photo Film, National Geographic and MSNBC.com Call for Entries welcomes you to the 61st competition! Special Interest As one of the world’s oldest, largest and most highly respected photojournalism contests, we • Open judging in Columbia, On the front: are proud to continue our history of providing a Missouri, Feb. 14 -March 4, 2004. “”Friends” venue for thoughtful and educational discourse Sudanese friends in the Islamic north committed to the advancement of the profession. • PDF Entries are allowed in Editing converse in a breakfast restaurant categories for the first time! where life is comfortable. In their The Pictures of the Year International competition is civilzed world, they are removed from conducted annually to recognize excellence in photojournalism •Pictures of the Year International the war in the south. by honoring press photographers, editors and the institutions Endowment Drive continues: Randy Olson where they are employed. Winning images from POYi have questions should be directed to Aurora / challenged photographers across the globe to push themselves to [email protected]. National Geographic Society, see more critically. Publications noted for their outstanding use Magazine Photographer of the Year • Books published in the past three of photographs have inspired re-thinking and redesign at other years can be entered in the Best media outlets. Photography Book On the back: Individual awards in 45 categories will be presented for category. “Loneliness of the newspaper and magazine photojournalism and for picture editing. long-distance ski jumper” Highest honors go to the Newspaper Photographer of the Year, • Two new categories to Preparing for ski jump in parking recognize conflict and war photog- lot, 2002 Winter OlympicsPark the Magazine Photographer of the Year, the World Understanding raphy. -
LH Annual Report 2007
Annual Report La’o Hamutuk January – December 2007 Table of Contents Mission............................................................................................................................................2 Situational background.................................................................................................................2 Goals and objectives......................................................................................................................4 Program activities .........................................................................................................................4 Bulletin........................................................................................................................................4 Website and email list .................................................................................................................5 Radio program.............................................................................................................................6 Public meetings ...........................................................................................................................6 Resource center and library.........................................................................................................6 International and national media.................................................................................................6 Principal areas of research, monitoring and advocacy..............................................................7 -
SMILE an Anthology by VII Photo
SMILE An anthology by VII Photo Opening night February 4, 2016, 7 PM Exhibition runs through March 4, 2016 Alserkal Avenue, Unit 36, Street 8, Al Quoz, Dubai About the exhibition There’s a story about a photographer who For years worked throughout Asia. She’d arrive in each new country with her bags oF equipment and Find a local Fixer to take her to meet her subjects. In each new language she learned the words “Don’t Smile!”, which she’d bark at her subjects beFore she shot their picture. AFter all–smiling is contagious, outwardly careFree, and may remove sentiments oF objectivity or hard-hitting news value. There is something about a smiling subject that could suggest inauthenticity or a lack oF gravitas in the moment; the very act oF smiling seems to soFten the drama oF an otherwise weighty situation. A cursory search oF archival images by world-renowned VII Photo agency photographers seems to show we oFten Frown upon smiles in our photographs. The Smile exhibition brings together images oF people smiling – most oFten a taboo expression in photojournalism – into a collection oF powerFul images gathered during the most important historical events that have shaped the past thirty years. Compiled as a group, they reveal the astonishing range oF human behavior that smiles represent. Pride powers a smile, power emboldens a smile, we smile to seduce or be seduced. But we also smile when we lie, when we’re scared or anxious. In Fact, just one variant oF the eighteen diFFerent smiles recognizes enjoyment, and it’s this universal variant that unites us as human beings.