Charlie Is My Darling the Stones in the Park Gimme Shelter The

Total Page:16

File Type:pdf, Size:1020Kb

Charlie Is My Darling the Stones in the Park Gimme Shelter The MARK HAYWARD E PHILIP TOWNSEND, DIVULGAÇÃO TOWNSEND, E PHILIP MARK HAYWARD 1965 1969 1969 1971 1972 Charlie Is My Darling The Stones in Gimme Shelter The Marquee Ladies & Gentlemen Registro da turnê que os Stones the Park Os renomados irmãos Club Live A turnê do clássico álbum duplo fizeram em 1965, na Irlanda, documentaristas Albert e David Exile on Main St. pelos Estados Em 5 de julho de 1969, dois dias Semanas antes de lançar o LP Sticky logo depois de (I Can’t Get No) Maysles acompanharam a Unidos, em 1972, ganhou esse após a morte do guitarrista Brian Fingers, os Stones apresentaram, Satisfaction alcançar o turnê americana dos Stones em registro ao longo de quatro Jones, os Stones se apresentaram em 6 de março de 1971, algumas número 1 nas paradas. É o 1969, iniciada em Nova York e apresentações no Texas. Para para 500 mil pessoas no Hyde Park, das faixas inéditas em uma primeiro filme da banda e marcada pelo trágico concerto muitos fãs, é o ápice da carreira em Londres. Jagger lê um poema apresentação no Marquee, lendário ficou anos engavetado até ser de Altamont, em San Francisco, dos Stones. Chama a atenção no em homenagem ao parceiro e clube londrino. O registro foi feito restaurado para as celebrações em 6 de dezembro. Neste show, desfile de clássicos faixas então apresenta o substituto de Jones, para uma rede de TV americana e dos 50 anos dos Stones, em a banda escalou os Hells Angels recentes como Tumbling Dice e Mick Taylor, com quem a banda destaca canções como Live with Me, 2012. Traz depoimentos de fãs como seguranças. Os alucinados Happy, esta com a performance de gravaria alguns de seus melhores I Got the Blues e Midnight Rambler, e dos músicos, que ainda não motoqueiros espancaram o Keith Richards em seu momento discos. No repertório, estão faixas sendo esta uma das faixas que compreendiam bem o fenômeno público e assassinaram um rapaz solo mais emblemático na do LP Let it Bleed, que seria lançado melhor representam a contribuição em gestação. Destaque para a negro quando Jagger terminou trajetória da banda – e, desde em dezembro daquele ano. de Taylor aos Stones. Disponível em explosiva performance de The Last de cantar Under My Thumb. então, presente no repertório ao Disponível em DVD e Blu-ray). DVD e Blu-ray. Time. Disponível em DVD e Blu-ray. Disponível em DVD e Blu-ray. vivo. Disponível em DVD e Blu-ray. 1975 1981 1997 2006 2013 LA Forum Live Let’s Spend Bridges to Babylon Shine a Light Sweet Summer Sun Registro da turnê que apresentou the Night Together O álbum homônimo de 1997 O disco A Bigger Bang (2005) Em meio à turnê comemorativa de o guitarrista Ronnie Wood, ganhou uma grande turnê rendeu momentos históricos seus 50 anos de estrada, os Stones A turnê disco Tattoo You (1981) foi substituto de Mick Taylor, que mundial, que trouxe os Stones para os Stones. Em fevereiro de voltaram em 2013 ao Hyde Park embalada pelo sucesso global pediu as contas por divergências pela segunda vez ao Brasil, em 2006, eles se apresentaram para de Londres para este grandioso de Star Me Up. Marca a era dos com Jagger e Richards. Wood abril de 1998, para shows em mais de 1 milhão de pessoas show. O ex-parceiro Mick Taylor, Stones levando multidões a faria sua estreia em estúdio no São Paulo e no Rio de Janeiro (a na Praia de Copacabana, no convidado especial da celebração, estádios com grandes cenários e ano seguinte, no disco Black primeira vinda foi em 1995). O Rio. E, nos dias 29 de outubro e comanda uma memorável versão efeitos pirotécnicos. Para filmar and Blue, imprimindo na banda baixista Bill Wyman, que havia 1º de novembro daquele ano, de Midnight Rambler e sobe ao a turnê, a banda contratou o sonoridade e presença de palco deixado o grupo no começo fizeram duas apresentações palco também em Satisfaction. diretor de cinema Hal Ashby (de mais afinadas com Richards. Entre da década, foi substituído especiais no pequeno palco do Este show tem um repertório que filmes como Ensina-me a Viver). os destaques deste show em Los pelo músico contratado Darryl Beacon Theatre, em Nova York, vem se repetindo nas paradas dos O repertório traz a sacolejante Angeles, uma bela versão de You Jones, que segue na estrada registradas pelo diretor Martin Stones pelo mundo e dá uma ideia Going to a Go-Go, cover de uma Can’t Always Get What You Want. com a banda. Este registro traz Scorsese em Shine a Light, filme do que a banda pode mostrar em faixa do The Miracles de 1965. Disponível em DVD e Blu-ray como atração convidada Dave lançado nos cinemas em 2008. Porto Alegre, em março próximo. Disponível em DVD e Blu-ray. Matthews. Disponível em DVD. Disponível em DVD e Blu-ray Disponível em DVD e Blu-ray..
Recommended publications
  • The Clash and Mass Media Messages from the Only Band That Matters
    THE CLASH AND MASS MEDIA MESSAGES FROM THE ONLY BAND THAT MATTERS Sean Xavier Ahern A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2012 Committee: Jeremy Wallach, Advisor Kristen Rudisill © 2012 Sean Xavier Ahern All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor This thesis analyzes the music of the British punk rock band The Clash through the use of media imagery in popular music in an effort to inform listeners of contemporary news items. I propose to look at the punk rock band The Clash not solely as a first wave English punk rock band but rather as a “news-giving” group as presented during their interview on the Tom Snyder show in 1981. I argue that the band’s use of communication metaphors and imagery in their songs and album art helped to communicate with their audience in a way that their contemporaries were unable to. Broken down into four chapters, I look at each of the major releases by the band in chronological order as they progressed from a London punk band to a globally known popular rock act. Viewing The Clash as a “news giving” punk rock band that inundated their lyrics, music videos and live performances with communication images, The Clash used their position as a popular act to inform their audience, asking them to question their surroundings and “know your rights.” iv For Pat and Zach Ahern Go Easy, Step Lightly, Stay Free. v ACKNOWLEDGMENTS This thesis would not have been possible without the help of many, many people.
    [Show full text]
  • 2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
    2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson,
    [Show full text]
  • 1969 Free Concert
    1969 free concert click here to download The Altamont Speedway Free Festival was a counterculture-era rock concert in in the United States, held at the Altamont Speedway in northern California ​Jefferson Airplane · ​Rolling Stones/Grateful · ​Security · ​Reactions. Meredith Curly Hunter, Jr. (October 24, – December 6, ) was an year-old African-American man who was killed at the Altamont Free Concert. The Stones in the Park generally refers to a free outdoor festival held in Hyde Park on 5 July , headlined by The It was the Stones' first public concert in over two years, and was planned as an introduction of new guitarist, Mick Taylor. Death of Meredith Hunter during the Rolling Stones concert Rolling Stones - Altamont Speedway Free. Music fans dance and sing to the Rolling Stones at a free concert at the Altamont Raceway Park near Livermore, Calif. on Dec. 6, It's festival time! Find and share Altamont Free Concert setlists. Find a The Rolling Stones & Guests* - Altamont Free Concert first pressing or reissue. Complete your The Rolling Stones & Guests* collection. Shop Vinyl. It was rock 'n' roll's darkest day, Saturday December 6, , when the Rolling Stones decided to play a 'free' concert at an abandoned. The Rolling Stones' US Tour was a remarkable tour at a remarkable time. Some say Altamont – the free concert tacked on to the end. Do you intend to go to any more of these mass concerts? 1) Promise a free concert by a popular rock group which rarely appears in this. During the Stones' American tour in , they faced repeated In response, the band decided to end the tour with a free concert in San.
    [Show full text]
  • Mick Jagger © Felix Aeppli 04-2020 / 09-2021
    Memo From Turner Mick Jagger © Felix Aeppli 04-2020 / 09-2021 1001 July 26, 1943 Born in Dartford, Kent: Michael Philip Jagger. 1001A Late 1961 Bob Beckwith’s home, Bexleyheath, near Dartford, and/or Dick Taylor’s home, Dartford, Kent: LITTLE BOY BLUE AND THE BLUE BOYS, SOME OLD SONGS (Download EP, Promotone / iTunes, May 27, 2013: cuts 1-6, 8 [1, 4, 5 plus repeats of 2, 3 all incomplete]); THE ROLLING STONES FILES 1961-1964 (BT CD: cuts 1-6, 8 [1, 4, 5 plus repeats of 2, 3 all incomplete]); THE ROLLING STONES, REELIN’ & ROCKIN’ (BT CD: cuts 1-5 [all incomplete]); DOWN THE ROAD APIECE (STONES TOURING HISTORY VOL. 1) (BT CD: cuts 1, 9 [1 longer, but still incomplete]); HOW BRITAIN GOT THE BLUES (BT CD: cuts 2, 3, 6, 8), BILL WYMAN’S BLACK BOX (BT CD [VGP]: cuts 2, 3, 6, 8); GENUINE BLACK BOX (BT CD box set [Disc 1]: cuts 5, 11-13); REEL TIME TRIP (BT CD: cut 7): 1. Around And Around, 2. Little Queenie, 3. Beautiful Delilah (all Berry), 4. La Bamba (Trad. arr. Valens), 5. Go On To School (Reed) [not Wee Baby Blues (Turner, John- son)], 6. I Ain’t Got You (Carter), 7. I’m Left, You’re Right, She’s Gone (Kesler, Taylor), 8. Down The Road Apiece (Raye), 9. Don’t Stay Out All Night (Arnold), 10. I Ain’t Got You (Carter), 11. Johnny B. Goode, 12. Little Queenie, 13. Beautiful Delilah (all Berry) MJ: vocals; Keith Richards: guitar, Bob Beckwith: guitar, and maybe harmonica (13); Dick Taylor: bass, guitar, drums (probably 13); Alan Etherington: maracas, drums, back-up vocals; – NOTES: Cuts 1-13: 30 minutes reel-to-reel tape of which the original was bought by Mick Jagger at Christie’s auction house, London, May 25, 1995, for £ 50,250; Cut 10: Existence unconfirmed; Cuts 11-13: Might come from a January, 1962, session at Dick Taylor’s home; – In spite of respective rumours, LITTLE BOY BLUE AND THE BLUE BOYS just rehearsed in their parents homes and never had a public appearance.
    [Show full text]
  • History in the Taking – 40 Years of Photoforum Gus Fisher Gallery 6 – 28 June 2014 Curated by Nina Seja and Geoffrey H
    History in the Taking – 40 Years of PhotoForum Gus Fisher Gallery 6 – 28 June 2014 Curated by Nina Seja and Geoffrey H. Short Gallery One: Display Cabinet One - Origins Photographic Exhibition John B. Turner and Barry Clothier at Artides Gallery of Arts, Wellington, June 14–25, 1965. Poster. Maori in Focus: Photographs from the Dominion Museum from 1885–1923, Palmerston North Art Gallery, 1970. Organised by Gallery Director Ian North and John B. Turner. Flyer. Nineteenth Century New Zealand Photographs exhibition, Govett-Brewster Art Gallery, New Plymouth. Curated by John B. Turner, with research assistance from Malcolm Ross. Catalogue and installation photo. Looking & Seeing exhibition, National Art Gallery, Wellington, 1970. Don Campbell, Olaf John, Ross Leigh Hawkes, Fiona Pitt, Theo Schoon, Burton Bros., John B. Turner, John H.G. Johns, William Main, and Max Coolahan. Catalogue/flyer. Photography: A Visual Dialect. 10 Contemporary N.Z. Photographers, directed by John Fields and published collaboratively by the photographers: Gary Baigent, Simon Buis, Richard Collins, John Fields, Ken Foster, Alan Leatherby, Roy Long, Mac Miller, Max Oettli, and John B. Turner. Group exhibition, Barry Lett Galleries, Auckland, 17 – 28 July, 1972: Simon Buis, Mac Miller, Richard Collins, Gary Baigent, John B. Turner, Ans Westra, John Fields, and Do Van Toan. Catalogue. Good luck John! : Part 1 : Under the influence : being evidence of a life in which photography has played an important part by John B. Turner. J. Turner 1985. Page 363 – reproduces a 1970 document, A Matter of Purpose, which can be seen as a prototype foundation document for PhotoForum. Courtesy of Elam Library.
    [Show full text]
  • Endless Connections 22.08.12
    Endless Connections: New Zealand secular intentional rural communities founded in the 1970s A thesis submitted in fulfilment of the requirements for the degree of Master of Arts in History at Massey University by Robert Jenkin 22/08/2012 1 We are the music makers, And we are the dreamers of dreams, Wandering by lone sea-breakers, And sitting by desolate streams; World-losers and world-forsakers, On whom the pale moon gleams: Yet we are the movers and shakers Of the world for ever, it seems. Arthur O'Shaughnessy, 1874 2 Acknowledgements First I thank my supervisor, Dr Kerry Taylor, who encouraged me to begin this thesis and has helped me complete it, a longer process than either of us originally expected. Throughout he has encouraged and given sound advice. I am also grateful to Dr Geoff Watson, my Post Graduate Co-ordinator for his advice and support. My partner Anne, a committed member of Rainbow Valley Community for more than thirty years, helped in many ways, and came with me on some parts of my research journey, acting as a photographer at interviews. I also thank my father Ian, whose love of people and their stories distinctively shaped the way I see the world. I have been greatly helped by Olive Jones, who last year finished a PhD thesis on New Zealand communities. We shared ideas over a twelve-month period, during which time she generously let me have copies of hard-to-find but highly relevant material. Lyman Sargent in his turn supplied me with a recently updated digital version of New Zealand Intentional Communities: A Research Guide, 1 and Lucy Sargisson provided me with some of her related articles.
    [Show full text]
  • Ideology, the Counterculture, and the Avant Garde: Positioning the Filmmaker and the Spectator in Four Films of Late-1960S America
    DePaul University Via Sapientiae College of Communication Master of Arts Theses College of Communication Spring 6-2015 Ideology, the Counterculture, and the Avant Garde: Positioning the Filmmaker and the Spectator in Four Films of Late-1960s America Mary Bronstein Cantoral DePaul University Follow this and additional works at: https://via.library.depaul.edu/cmnt Part of the Communication Commons Recommended Citation Cantoral, Mary Bronstein, "Ideology, the Counterculture, and the Avant Garde: Positioning the Filmmaker and the Spectator in Four Films of Late-1960s America" (2015). College of Communication Master of Arts Theses. 29. https://via.library.depaul.edu/cmnt/29 This Thesis is brought to you for free and open access by the College of Communication at Via Sapientiae. It has been accepted for inclusion in College of Communication Master of Arts Theses by an authorized administrator of Via Sapientiae. For more information, please contact [email protected]. Ideology, the Counterculture, and the Avant-Garde Positioning the Filmmaker and the Spectator in Four Films of Late-1960s America by Mary Bronstein Cantoral Thesis Presented to the Faculty of the Graduate School of DePaul University in Partial Fulfillment of the Requirements for the Degree of Master of Arts in Media and Cinema Studies DePaul University June 2015 Dedication To Professor of Physics Eduardo Cantoral for our communication through a noiseless channel Acknowledgements I would like first and foremost to thank my thesis chair Michael DeAngelis for his steadfast encouragement in this endeavor, as well as my committee member Amy Tyson; their suggestions, encouragement and recognition of my scholarly promise have been fruitful.
    [Show full text]
  • Woodstock: Community and Legacy
    Pedro Jorge Duarte Silva Ramos Woodstock: Community and Legacy Dissertação de Mestrado em Estudos Ingleses e Estudos Americanos, orientada pelo Doutor Stephen Wilson e co-orientada pela Doutora Teresa Tavares, apresentada ao Departamento de Línguas, Literaturas e Culturas da Faculdade de Letras da Universidade de Coimbra 2014 Faculdade de Letras Woodstock: Community and Legacy Ficha Técnica: Tipo de trabalho Dissertação de Mestrado Título Woodstock: Community and Legacy Autor Pedro Jorge Duarte Silva Ramos Orientador Doutor Stephen Daniel Wilson Coorientadora Doutora Maria Teresa de Castro Mourinho Tavares Identificação do Curso 2º Ciclo em Estudos Ingleses e Estudos Americanos Área científica Línguas e Literaturas Estrangeiras Especialidade/Ramo Estudos Americanos Data 2014 Data da realização das provas públicas de defesa 30 de Julho de 2014 Constituição do júri Doutora Jacinta Maria Cunha Rosa Matos Doutora Maria José Florentino Mendes Canelo e Doutor Stephen Daniel Wilson Classificação obtida 18 Valores Agradecimentos Agradeço a todos os meus professores de licenciatura e de mestrado, em especial, à Doutora Maria Teresa de Castro Mourinho Tavares e ao Doutor Stephen Daniel Wilson, meus orientadores de dissertação de mestrado. Uma palavra de agradecimento também para a Doutora Hilary Owen e a Doutora Anastasia Valassopoulos, que orientaram a minha investigação na Universidade de Manchester. Agradeço também aos meus pais, que sempre acreditaram em mim e que me incutiram o gosto pela música da década de sessenta. Abstract The Woodstock Festival in 1969 was, without a doubt, a significant event of the Sixties. The event was envisioned as a music festival, at which youngsters could socialise, and as an important social statement.
    [Show full text]
  • ATLAS Annual Conference 2018 Destination Dynamics Copenhagen, Denmark 26-29 September, 2018
    ATLAS Annual Conference 2018 Destination Dynamics Copenhagen, Denmark 26-29 September, 2018 Abstract Book 2 Content Introduction ............................................................................................. 14 Keynote Speakers ................................................................................... 15 Jonas Larsen .......................................................................................................................15 Jarkko Saarinen ...................................................................................................................16 Hazel Tucker ........................................................................................................................17 Miša Novak ...........................................................................................................................18 Dejan Križaj ..........................................................................................................................18 Organizers ............................................................................................... 19 Bio sketches delegates .......................................................................... 20 Abstracts ................................................................................................. 43 Institutional thickness, tourism-led local economic development planning and the Elmina 2015 Strategy...........................................................................................................43 Emmanuel Akwasi Adu-Ampong
    [Show full text]
  • A Comparative Analysis of Four Long-Established Intentional Communities in New Zealand
    http://researchcommons.waikato.ac.nz/ Research Commons at the University of Waikato Copyright Statement: The digital copy of this thesis is protected by the Copyright Act 1994 (New Zealand). The thesis may be consulted by you, provided you comply with the provisions of the Act and the following conditions of use: Any use you make of these documents or images must be for research or private study purposes only, and you may not make them available to any other person. Authors control the copyright of their thesis. You will recognise the author’s right to be identified as the author of the thesis, and due acknowledgement will be made to the author where appropriate. You will obtain the author’s permission before publishing any material from the thesis. Keeping it together: A comparative analysis of four long-established intentional communities in New Zealand A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy in Sociology at University of Waikato by Olive Jones 2011 Abstract Through a comparative analysis of four long-established intentional communities in New Zealand, this thesis examines the extent to which each one has sustained, adapted or abandoned its original ideals and aspirations over time. Analysis of in- depth interviews with current and former participants reveals ways that ideological beliefs, organisational processes, and foundation structures have shaped the distinctive cultures that have developed in each community. The relevance of the assertion that long-lived intentional communities share a common purpose and a desire to live beyond mainstream society, and the assumption that longevity and survival can be considered to be the same thing, are challenged.
    [Show full text]
  • The Rolling Stones the Ultimate Guide Contents
    The Rolling Stones The Ultimate Guide Contents 1 The Rolling Stones 1 1.1 History .................................................. 2 1.1.1 Early history ........................................... 2 1.1.2 1962–1964: Building a following ................................ 2 1.1.3 1965–1967: Height of fame ................................... 4 1.1.4 1968–1972: “Back to basics” ................................... 7 1.1.5 1972–1977: Mid '70s ...................................... 9 1.1.6 1978–1982: Commercial peak .................................. 10 1.1.7 1983–1988: Band turmoil and solo efforts ............................ 11 1.1.8 1989–1999: Comeback, return to popularity, and record-breaking tours ............ 12 1.1.9 2000–2011: A Bigger Bang and continued success ........................ 13 1.1.10 2012–present: 50th anniversary and covers album ........................ 14 1.2 Musical development ........................................... 15 1.3 Legacy .................................................. 17 1.4 Tours ................................................... 17 1.5 Band members .............................................. 18 1.5.1 Timeline ............................................. 19 1.6 Discography ................................................ 19 1.7 See also .................................................. 20 1.8 References ................................................ 20 1.8.1 Footnotes ............................................. 20 1.8.2 Sources .............................................. 33 1.9 Further
    [Show full text]
  • Proposed Agenda Inquiry@Queen's Undergraduate Conference
    Inquiry@Queen’s 12th Annual Undergraduate Research Conference Program March 8 & 9, 2018 Queen’s Learning Commons Stauffer Library queensu.ca/iatq TABLE OF CONTENTS CONFERENCE AGENDA --------------------------------------------------------------------------- 4 Session I: Kids! --------------------------------------------------------------------------------------- 5 Session II: Emancipation & Empowerment I --------------------------------------------------- 7 Session III: Innovation: Improving our Health and our Lives I ----------------------------- 9 Session IV: Science! ------------------------------------------------------------------------------- 12 Session V: Digital Detectives ------------------------------------------------------------------- 14 Session VI: Emancipation & Empowerment II ----------------------------------------------- 16 Session VII: Money -------------------------------------------------------------------------------- 18 Session VIII: Innovation Improving our Health and Lives II ------------------------------ 20 Session IX: Social Media, Human Behaviour ------------------------------------------------ 22 AMS Panel discussion on Undergraduate Research --------------------------------------- 24 Session X: Pizza with Posters ------------------------------------------------------------------- 24 Session XI: Music and Theatre Magic --------------------------------------------------------- 25 Session XII: Human Rights ---------------------------------------------------------------------- 27 Session XIII: Breakout ----------------------------------------------------------------------------
    [Show full text]