Settler Colonialism + Native Ghosts
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The Sun of Words
The Sun of Words Excerpts from Aber ich lebe nur von den Zwischenräumen, an interview between Herbert Gamper and Peter Handke Wednesday April 9th to Saturday April 12th, 1986 On the morning of April 9th, 1986, it was an unusually warm day with the föhn wind blowing, and I met Peter Handke in front of the house where he was living on the Mönchsberg. He first lead me up to the tower, from where one can see down to the southern parts of Salzburg, over the plains and towards the mountains (the Untersberg and the Staufen). I asked him about the Morzger forest, whose southern extremities were visible, and about the nearby area where Loser, the protagonist of Across, lived. He asked whether these settings interested me, and this was what determined the first question I asked after we had gone down to sit at the small table by the well, in the tree-shadows, and I had taken the final, inevitable step, so that the game could begin, and switched on the tape recorder. We regretted that the singing of the chaffinches and the titmice would not be transcribed to paper; again and again it seemed to me ridiculous to pose a question in the middle of this concert. I told of a visit with Thomas Bernhard, many years ago, when, without my asking, he showed me the offices of the lawyer Moro (from the story Ungenach) in Gmunden, as well as the fallen trees infested with bark beetles at the edge of his land that had been reimagined as the General’s forest from the play Die Jagdgesellschaft. -
Complete Dissertation
VU Research Portal Renewing Destruction: Wind Energy Development in Oaxaca, Mexico Dunlap, A.A. 2017 document version Publisher's PDF, also known as Version of record Link to publication in VU Research Portal citation for published version (APA) Dunlap, A. A. (2017). Renewing Destruction: Wind Energy Development in Oaxaca, Mexico. General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. E-mail address: [email protected] Download date: 08. Oct. 2021 4 VRIJE UNIVERSITEIT Renewing Destruction: Wind Energy Development in Oaxaca, Mexico ACADEMISCH PROEFSCHRIFT ter verkrijging van de graad Doctor aan de Vrije Universiteit Amsterdam, op gezag van de rector magnificus prof.dr. V. Subramaniam, in het openbaar te verdedigen ten overstaan van de promotiecommissie van de Faculteit der Sociale Wetenschappen op donderdag 1 juni 2017 om 11.45 uur in de aula van de universiteit, De Boelelaan 1105 door Alexander Antony Dunlap geboren te Los Angeles 4 promotor: prof.dr. -
Discografía De BLUE NOTE Records Colección Particular De Juan Claudio Cifuentes
CifuJazz Discografía de BLUE NOTE Records Colección particular de Juan Claudio Cifuentes Introducción Sin duda uno de los sellos verdaderamente históricos del jazz, Blue Note nació en 1939 de la mano de Alfred Lion y Max Margulis. El primero era un alemán que se había aficionado al jazz en su país y que, una vez establecido en Nueva York en el 37, no tardaría mucho en empezar a grabar a músicos de boogie woogie como Meade Lux Lewis y Albert Ammons. Su socio, Margulis, era un escritor de ideología comunista. Los primeros testimonios del sello van en la dirección del jazz tradicional, por entonces a las puertas de un inesperado revival en plena era del swing. Una sentida versión de Sidney Bechet del clásico Summertime fue el primer gran éxito de la nueva compañía. Blue Note solía organizar sus sesiones de grabación de madrugada, una vez terminados los bolos nocturnos de los músicos, y pronto se hizo popular por su respeto y buen trato a los artistas, que a menudo podían involucrarse en tareas de producción. Otro emigrante aleman, el fotógrafo Francis Wolff, llegaría para unirse al proyecto de su amigo Lion, creando un tandem particulamente memorable. Sus imágenes, unidas al personal diseño del artista gráfico Reid Miles, constituyeron la base de las extraordinarias portadas de Blue Note, verdadera seña de identidad estética de la compañía en las décadas siguientes mil veces imitada. Después de la Guerra, Blue Note iniciaría un giro en su producción musical hacia los nuevos sonidos del bebop. En el 47 uno de los jóvenes representantes del nuevo estilo, el pianista Thelonious Monk, grabó sus primeras sesiones Blue Note, que fue también la primera compañía del batería Art Blakey. -
Agent-Based Programming Interfaces for Children Tina Quach
Agent-based Programming Interfaces for Children Supporting Blind Children in Creative Computing through Conversation by Tina Quach Submitted to the Department of Electrical Engineering and Computer Science in partial fulfillment of the requirements for the degree of Bachelor of Science in Computer Science and Engineering at the MASSACHUSETTS INSTITUTE OF TECHNOLOGY June 2019 c Massachusetts Institute of Technology 2019. All rights reserved. Author.............................................................. Department of Electrical Engineering and Computer Science May 17, 2019 Certified by. Andrew Sliwinski Research Scientist Thesis Supervisor Certified by. Mitch Resnick LEGO Papert Professor of Learning Research Thesis Supervisor Accepted by . Katrina LaCurts Chairman, Master of Engineering Thesis Committee 2 Agent-based Programming Interfaces for Children Supporting Blind Children in Creative Computing through Conversation by Tina Quach Submitted to the Department of Electrical Engineering and Computer Science on May 17, 2019, in partial fulfillment of the requirements for the degree of Bachelor of Science in Computer Science and Engineering Abstract Children that learn to express themselves creatively and think computationally are empowered to create rather than solely consume technology. They practice creativ- ity and learn strategies for solving problems, designing projects, and communicating ideas. However, children with visual impairments cannot access most programming experiences designed for beginners. This deprives these children of the chance to play with expressing themselves through programs that they design and create themselves. In this paper, we introduce Codi, a software agent that children can talk to in order to create, play, modify, and explore programs built using natural language. Through the design and implementation of Codi, I explore how agent-based programming in- terfaces can make programming accessible to children with visual impairments and multiple disabilities. -
NEW HAMPSHIRE Preliminary Discussions in Preparation for the Arrival of the Par Ticipants on Saturday
V Rolling Ridge Delegates To Convene Saturday By Charlotte Anderson Ten discussion leaders and the steering committee of the third annual Rolling Ridge Conference on Campus Affairs of UNH, are leaving tomorrow for North Andover, Mass., at 4:00 p.m. to hold NEW HAMPSHIRE preliminary discussions in preparation for the arrival of the par ticipants on Saturday. VOL. No. 42 Issue 6 Z413 Durham, N. H., October 23, 1952 PRICE 7 CENTS The theme of the conference will be “ Purpose and Participation on a Uni versity Campus,” with two subdivisions being “ Purpose and Participation in Academic Life,” and “Purpose and Par Mayor Stars Issues Statement I. C. Stars Wins By ticipation in Campus Life.” Questions Good Evening, Mr. and Mrs. America. Let’s go to . My five- under these two divisions will center star platform for the vear 1952 shall be: Close Margin; 3000 about leadership, student government, Star No. 1. student conduct, women’s regulations, discrimination extra-curricular social ac Be it heretofore, henceforth, and forwith known that as the new tivities, attendance rules, advisor system, Mayor of Durham, my reign over this far city shall be conceived Alumni Return Home cheating, faculty-student relations, fra in celluloid and thoroughly washed in chlorophyll. One of the most successful and well ternity and University relationship, van Star No. 2. attended Homecoming Weekends in dalism, and required courses. Be it also known that my first great production of the coming University history was highlighted by All conference delegates will gather in the close election of Mr. I. C. Stars, T-Hall parking lot at 1 :15 on Saturday, year will be centered in the College Woods and will star Boris of Phi Mu Delta, by a nine-vote mar and will register for the conference in Karloff and Margaret O’Brien in “Strange Love.” Co-featured with gin oyer his rival, Mr, Jones, of Sigma the T-Hall lobby. -
Understanding Atrocities.Indd
UNDERSTANDING ATROCITIES: REMEMBERING, REPRESENTING, AND TEACHING GENOCIDE Edited by Scott W. Murray ISBN 978-1-55238-886-0 THIS BOOK IS AN OPEN ACCESS E-BOOK. It is an electronic version of a book that can be purchased in physical form through any bookseller or on-line retailer, or from our distributors. Please support this open access publication by requesting that your university purchase a print copy of this book, or by purchasing a copy yourself. If you have any questions, please contact us at [email protected] Cover Art: The artwork on the cover of this book is not open access and falls under traditional copyright provisions; it cannot be reproduced in any way without written permission of the artists and their agents. The cover can be displayed as a complete cover image for the purposes of publicizing this work, but the artwork cannot be extracted from the context of the cover of this specific work without breaching the artist’s copyright. COPYRIGHT NOTICE: This open-access work is published under a Creative Commons licence. This means that you are free to copy, distribute, display or perform the work as long as you clearly attribute the work to its authors and publisher, that you do not use this work for any commercial gain in any form, and that you in no way alter, transform, or build on the work outside of its use in normal academic scholarship without our express permission. If you want to reuse or distribute the work, you must inform its new audience of the licence terms of this work. -
726708699321-Itunes-Booklet.Pdf
robert gibson flux and fire Twelve Poems (2004) 18 Night Music (2002) 3:53 James Stern, violin Eric Kutz, violoncello Audrey Andrist, piano 1 Aura 1:27 19 Flux and Fire (2006) 11:13 2 Wind Chime 1:10 Aeolus Quartet: 3 Cloudburst 0:57 Nicholas Tavani, Rachel Shapiro, violin 4 Reflection 2:21 Gregory Luce, viola 5 2:3 0:40 Alan Richardson, violoncello 6 Waves 1:04 7 Hommage 1:14 20 Night Music (2002) 3:52 8 Entropy 1:05 Katherine Murdock, viola 9 Barcarolle 1:24 10 Shoal 0:48 21 Offrande (1996) 9:11 11 Quatrain 1:23 Aeolus Quartet 12 Octave 1:41 22 Night Music (2002) 3:48 Soundings (2001) James Stern, violin Robert Oppelt, Richard Barber, Jeffrey Weisner, Ali Kian Yazdanfar, double bass Total: 60:54 13 Tenuous 2:23 14 Diaphanous 3:01 15 Nebulous 2:45 16 Luminous 3:03 17 Capricious 2:33 innova 993 © Robert Gibson. All Rights Reserved, 2018. innova® Recordings is the label of the American Composers Forum. www.innova.mu www.robertgibsonmusic.com Schoodic Peninsula Acadia National Park Offrande sketches (1996) Luxury, impulse! I draft a phrase and believe it protects me from this icy world, that goes through my body like a shoal of sardines. —Alain Bosquet “Regrets” (excerpt) from No Matter No Fact translation by Edouard Roditi My music has often been guided by imagery and emotion from poems that I have come to know and love. The boundaries between the arts are fluid, and the metaphor that for me most aptly illuminates this relationship—and the process of composition—is the act of translation. -
Greek Color Theory and the Four Elements [Full Text, Not Including Figures] J.L
University of Massachusetts Amherst ScholarWorks@UMass Amherst Greek Color Theory and the Four Elements Art July 2000 Greek Color Theory and the Four Elements [full text, not including figures] J.L. Benson University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/art_jbgc Benson, J.L., "Greek Color Theory and the Four Elements [full text, not including figures]" (2000). Greek Color Theory and the Four Elements. 1. Retrieved from https://scholarworks.umass.edu/art_jbgc/1 This Article is brought to you for free and open access by the Art at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Greek Color Theory and the Four Elements by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. Cover design by Jeff Belizaire ABOUT THIS BOOK Why does earlier Greek painting (Archaic/Classical) seem so clear and—deceptively— simple while the latest painting (Hellenistic/Graeco-Roman) is so much more complex but also familiar to us? Is there a single, coherent explanation that will cover this remarkable range? What can we recover from ancient documents and practices that can objectively be called “Greek color theory”? Present day historians of ancient art consistently conceive of color in terms of triads: red, yellow, blue or, less often, red, green, blue. This habitude derives ultimately from the color wheel invented by J.W. Goethe some two centuries ago. So familiar and useful is his system that it is only natural to judge the color orientation of the Greeks on its basis. To do so, however, assumes, consciously or not, that the color understanding of our age is the definitive paradigm for that subject. -
Sedletter: Volume 13 Number 2
S outhwest E ducational D evelopment SEDL L aboratory ETTERN ews VOLUME XIII N UMBER 2 OCTOBER 2001 Teachers— They matter I N S I D E most Are Our Teachers Good Enough?, PAGE 3 Are Alternative Certification Programs a Solution to the Teacher Shortage?, PAGE 8 Dumas Invests in Future with Permanent Sub Program, PAGE 13 Tough Enough to Teach, PAGE 17 Mentoring Program to Put Arkansas Teachers on Path to Success, PAGE 19 E-Mentoring for Math and Science Teachers Made Easy, PAGE 21 A Click Away: Online Resources for Recruitment, Retention, and Quality Issues, PAGE 22 A Changing For the past several years we’ve read predictions that the teacher workforce will change. During a recent “meet the teachers” night at my son’s high school, I realized this may be coming true. Only one of my son’s four teachers fit my conception of a traditional teacher, or at least my conception of a teacher who had followed a traditional career path. Teacher One teacher, in his early 50s, had spent 25 years running a successful software programming company. The second teacher had retired two years ago, but came out of retirement to teach three classes because the high school desperately needed a calculus teacher. The third had traveled Workforce the world and attended law school before deciding what he really wanted to do was teach. These teachers represent what may be a trend in the teaching profession, especially as schools and districts struggle to meet the estimated need of more than 2 million teachers over the next decade. -
MEXICO CITY BLUES Other Works by Jack Kerouac Published by Grove Press Dr
MEXICO CITY BLUES Other Works by Jack Kerouac Published by Grove Press Dr. Sax Lonesome Traveler Satori in Paris and Pic (one volume) The Subterraneans MEXICO CITY BLUES Jack Kerouac Copyright © 1959 by Jack Kerouac All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, or the facilitation thereof, including information storage and retrieval systems, without permission in writing from the publisher, except by a reviewer, who may quote brief passages in a review. Any members of educational institutions wishing to photocopy part or all of the work for classroom use, or publishers who would like to obtain permission to include the work in an anthology, should send their inquiries to Grove/Atlantic, Inc., 841 Broadway, New York, NY 10003. Published simultaneously in Canada Printed in the United States of America Library of Congress Cataloging-in-Publication Data Kerouac, Jack, 1922-1969. Mexico City blues / Jack Kerouac. p. cm. eBook ISBN-13: 978-0-8021-9568-5 I. Title. PS3521.E735M4 1990 813’.54—dc20 90-2748 Grove Press an imprint of Grove/Atlantic, Inc. 841 Broadway New York, NY 10003 Distributed by Publishers Group West www.groveatlantic.com MEXICO CITY BLUES MEXICO CITY BLUES NOTE I want to be considered a jazz poet blowing a long blues in an afternoon jam session on Sunday. I take 242 choruses; my ideas vary and sometimes roll from chorus to chorus or from halfway through a chorus to halfway into the next. 1st Chorus Butte Magic of Ignorance Butte Magic Is the same as no-Butte All one light Old Rough Roads One High Iron Mainway Denver is the same “The guy I was with his uncle was the governor of Wyoming” “Course he paid me back” Ten Days Two Weeks Stock and Joint “Was an old crook anyway” The same voice on the same ship The Supreme Vehicle S. -
Read Ebook {PDF EPUB} Doctor Who Dust Breeding by Mike Tucker Doctor Who: Dust Breeding by Mike Tucker
Read Ebook {PDF EPUB} Doctor Who Dust Breeding by Mike Tucker Doctor Who: Dust Breeding by Mike Tucker. A Bad Quotation: " The girl from Perivale hits the jackpot again! " (Ace) The Terileptils, who created a sculpture placed in the Doctor's playroom, appeared as the main villains in the Fifth Doctor story The Visitation . The Doctor references the Fourth Doctor's City of Death when talking to Ace about the Mona Lisa. Bev Tarrant previously met the Seventh Doctor and Ace in The Genocide Machine . The Master's previously used aliases include Colonel Masters ( Terror of the Autons ) and Sir Gilles Estram ( The King's Demons ). The Master threatens to shrink Klemp to the size of a toy, referencing his tissue compression eliminator first used by "Colonel Masters" in Terror of the Autons . I'll Explain Later: The Master clearly disapproves of Madame Salvadori and her beguilement, as well as that of all of her guests, describing them as base peddlers of human misery and calling them uncivilised. How come this Master is so moral? This is the same incarnation who inhabited Nyssa's father Tremas, who would never have espoused such views. The Inquisitor's Judgement: Dust Breeding has a number of good ideas; the eeriest painting of human history being painted as a way for Munch to exorcise the screams of an alien life form in his head, the Master behind a bejewelled mask mixing with the corrupt upper echelons of society aboard an airborne art gallery, a planet with Daleks' screams echoing from the sands. Unfortunately the final script is too busy for its own good, with none of these ideas being given the focus or properly fleshed out. -
Security Policy, Social Networks, and Rio De Janeiro's Favelas Jason Bartholomew Scott Ph.D. Candidate D
Pacified Inclusion: Security Policy, Social Networks, and Rio de Janeiro’s Favelas Jason Bartholomew Scott Ph.D. Candidate Department of Anthropology University of Colorado-Boulder A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Doctor of Philosphy Department of Anthropology 2018 i This thesis entitled Pacified Inclusion: Security Policy, Social Networks, and Rio de Janeiro’s Favelas written by Jason Scott has been approved for the Department of Anthropology at the University of Colorado-Boulder Donna Goldstein Kaifa Roland Date The final copy of this thesis has been examined by the signatories, and we find that both the content and the form meet acceptable presentation standards of scholarly work in the above mentioned discipline. IRB protocol # 13-0015 ii Scott, Jason Bartholomew (Ph.D., Anthropology) Pacified Inclusion: Security Policy, Social Networks, and Rio de Janeiro’s Favelas Thesis Directed by Professor Donna M. Goldstein Dissertation Abstract This dissertation addresses the connections between everyday violence and digital technology. I describe three years of ethnographic research concerning a community policing program called “pacificação ” (pacification) in a Brazilian favela (shanty town). Alongside supporting a permanent police force that destabilized a powerful drug faction, pacification policy endorsed a wide range of social projects and dramatically reshaped the relationship between the Brazilian State and its marginalized citizens. Among the social projects associated with pacification were a number of “inclusão digital” (digital inclusion) programs that combined technical literacy with critical political literacy in the hope of disrupting exclusionary conditions. During my observations of these programs, I found what I call a hidden politics of digital reproduction.