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The Tin Drum by Günter Grass « « HMH Book Clubs HMH Bo
The Tin Drum by Günter Grass « « HMH Book Clubs HMH Bo... http://hmhtrade.com/bookclubs/discussion-guides/the-tin-drum-... HMH Book Clubs Find great new books for your reading group! The Tin Drum by Günter Grass 20 May 2010, 1:31 pm A TEACHER’S GUIDE TO THE TEACHER The Tin Drum, without question one of the landmark novels of the twentieth century, was originally published in English in Ralph Manheim’s outstanding translation. It was a huge bestseller; it almost instantly made its young author a major figure in world literature. This fiftieth anniversary edition, newly translated by Breon Mitchell, is more faithful to Günter Grass’s style and rhythm, restores many omissions, and reflects more fully the complexity of the original work. As he relates in his thorough Translator’s Afterword, Mitchell has created this new Tin Drum under the careful guidance, and with the close and willing cooperation, of Grass himself. “It is precisely the mark of a great work of art that it demands to be retranslated,” notes Mitchell. “We translate great works because they deserve it — because the power and depth of the text can never be fully realized by a single translation, no matter how inspired.” Now, after half a century, and in Mitchell’s capable hands, The Tin Drum has lost none of its original “power and depth,” its strength and relevance, its epic majesty. The vast, sweeping account of Oskar Matzerath, whose life story also functions as the story of modern Germany itself, is as rich and evocative as ever before. -
6 X 10.5 Long Title.P65
Cambridge University Press 978-0-521-70019-1 - The Cambridge Companion to Gunter Grass Edited by Stuart Taberner Excerpt More information STUART TABERNER Introduction Just as the idea for this volume was being developed for the Cambridge Companion series in the summer of 2006 the dramatic news broke that Gu¨ nter Grass, the internationally renowned, Nobel prize-winning author who was to be its subject, had admitted for the first time in public that he had been a member, aged seventeen, of the Waffen SS, the elite German army organisation notorious for its fanatical obedience to Hitler and its prominent role in Nazi atrocities. In Germany, Grass’s critics rushed to denounce what they saw as his hypocrisy (after all, he had long been lecturing his compatriots on the need to confront their past openly), with conservative journalist and newspaper editor Joachim Fest memorably commenting that he would not buy a used car from ‘this man’, while his supporters leaped to his defence, claiming that his revelation, overdue though it might be, by no means invalidated more than half a century of vigorous campaigning for the embedding of democratic values in the post- fascist Federal Republic, Grass’s unrelenting concern with the Nazi period in his literary works as far back as the publication of The Tin Drum in 1959, or his untiring agitation for freedom and human rights across the globe. Internationally, Grass’s fellow authors mostly stood up for an esteemed colleague, pointing not only to his record of political activism and social engagement on causes ranging from environmentalism and the Third World to racism and social exclusion but also to the breadth of his achievements as a writer, poet, dramatist, artist and essayist. -
115 Book Reviews
115 BOOK REVIEWS 116 FOCUS ON GERMAN STUDIES 17 117 MAXIM BILLER. Der gebrauchte Jude. Köln: Kiepenheuer & Witsch, 2009. 174 S. € 16.95 axim Biller, regular contributor to the New Yorker as well as the Frankfurter Allgemeine Zeitung, never was someone to have a M safe place in the hearts of a conventional middle-class audience. Selling his novel Esra (2003) is still illegal in Germany, after his former girlfriend sued him for explicit descriptions of their relationship. Biller is not a writer of sublime poetry. His field is social criticism, scathing sarcasm and provocation. With Der gebrauchte Jude, he turns his skill to his experiences as a Jew in present-day Germany. The Germans lose out quite clearly, being portrayed as clumsy and embarrassed when confronted with someone like himself, “der in Deutschland nicht vorgesehen war” (11). There is the fellow student who puts it to him that the Israelis are avenging Auschwitz in their treatment of the Palestinians. There is his professor Delgarde who mentions during the final oral exam, “Die Juden fehlen uns genauso wie wir ihnen” (41). Delgarde disagrees with the author’s condemnation of Thomas Mann’s latent anti-Semitism, suggesting that Mann’s later “literarische Wiedergutmachung” compensated for it (43). It is chilling to read that as late as the 1980’s, on a visit to the Bayrischer Rundfunk, following a smart remark, a presenter shouted: “Was wollen Sie hier? Warum gehen Sie nicht zurück nach Israel, wo Sie herkommen?!” (55). An incident like this seems incredible to the second generation after the war, the author’s contemporaries. -
Nobel Prize in Literature Winning Authors 2020
NOBEL PRIZE IN LITERATURE WINNING AUTHORS 2020 – Louise Gluck Title: MEADOWLANDS Original Date: 1996 DB 43058 Title: POEMS 1962-2012 Original Date: 2012 DB 79850 Title: TRIUMPH OF ACHILLES Original Date: 1985 BR 06473 Title: WILD IRIS Original Date: 1992 DB 37600 2019 – Olga Tokarczuk Title: DRIVE YOUR PLOW OVER THE BONES OF THE DEAD Original Date: 2009 DB 96156 Title: FLIGHTS Original Date: 2017 DB 92242 2019 – Peter Handke English Titles Title: A sorrow beyond dreams: a life story Original Date: 1975 BRJ 00848 (Request via ILL) German Titles Title: Der kurze Brief zum langen Abschied 10/2017 NOBEL PRIZE IN LITERATURE WINNING AUTHORS Original Date: 1972 BRF 00716 (Request from foreign language collection) 2018 – No prize awarded 2017 – Kazuo Ishiguro Title: BURIED GIANT Original Date: 2015 BR 20746 /DB 80886 Title: NEVER LET ME GO Original Date: 2005 BR 21107 / DB 59667 Title: NOCTURNES: FIVE STORIES OF MUSIC AND NIGHTFALL Original Date: 2009 DB 71863 Title: REMAINS OF THE DAY Original Date: 1989 BR 20842 / DB 30751 Title: UNCONSOLED Original Date: 1995 DB 41420 BARD Title: WHEN WE WERE ORPHANS Original Date: 2000 DB 50876 2016 – Bob Dylan Title: CHRONICLES, VOLUME 1 Original Date: 2004 BR 15792 / DB 59429 BARD 10/2017 NOBEL PRIZE IN LITERATURE WINNING AUTHORS Title: LYRICS, 1962-2001 Original Date: 2004 BR 15916 /DB 60150 BARD 2015 – Svetlana Alexievich (no books in the collection by this author) 2014 – Patrick Modiano Title: DORA BRUDER Original Date: 1999 DB 80920 Title: SUSPENDED SENTENCES: THREE NOVELLAS Original Date: 2014 BR 20705 -
Helmut Böttiger Nach Den Utopien Eine Geschichte Der Deutschsprachigen Gegenwartsliteratur Paul Zsolnay Verlag Vienna 2004 ISBN 3-552-05301-8
Translated extract from Helmut Böttiger Nach den Utopien Eine Geschichte der deutschsprachigen Gegenwartsliteratur Paul Zsolnay Verlag Vienna 2004 ISBN 3-552-05301-8 pp. 21-36 Helmut Böttiger After the Utopias A History of Contemporary German-Language Literature Translated by Jeff Tapia © Litrix.de 2004 Contents Introduction………………………………………………………………………… 7 At the Helm Günter Grass and His Century……………………………………………………… 21 Both a Threat and a Temptation. Christa Wolf and the Public Sphere……………... 28 The Irony Trap. Martin Walser and Little Robert ………………………………... 37 In No-Man’s-Bay. Peter Handke’s Dilatoriness…………………………………… 47 Humor and Melancholy Wilhelm Genazino and the Secrecy of Salesladies…………………………….…… 55 Markus Werner and Zündel Fever………………………………………………….. 67 The Black Forest is Everywhere. Thomas Strittmatter…………………………….. 78 Late Modernism of the East Wolfgang Hilbig. The Meuselwitz Complex………………………………………. 85 Reinhard Jirgl. A Barricade of Letters ……………………………………………... 98 Durs Grünbein. On Mount Olympus………………………………………………. 112 Kathrin Schmidt. The Fantastic Wenches…………………………………………. 125 Herta Müller. Errant Thoughts…………………………………………………….. 133 Fritz Rudolf Fries. Intoxication in No-Man’s Land……………………………….. 142 Knowledge, Emptiness, I Botho Strauß. The Dispersed Individual.………………………………………….. 159 Ulrich Peltzer. The Dream of History……………………………………………. 171 Marcel Beyer. The New Geography………………………………………………. 184 Ernst-Wilhelm Händler. The Timeliness of Trade Conventions.........................….. 195 Robert Menasse. Taking It All Apart…………….………………………………. -
Catastrophe and Identity in Post-War German Literature. Aaron Dennis Horton East Tennessee State University
East Tennessee State University Digital Commons @ East Tennessee State University Electronic Theses and Dissertations Student Works 12-2005 Catastrophe and Identity in Post-War German Literature. Aaron Dennis Horton East Tennessee State University Follow this and additional works at: https://dc.etsu.edu/etd Part of the History Commons Recommended Citation Horton, Aaron Dennis, "Catastrophe and Identity in Post-War German Literature." (2005). Electronic Theses and Dissertations. Paper 1061. https://dc.etsu.edu/etd/1061 This Thesis - Open Access is brought to you for free and open access by the Student Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. Catastrophe and Identity in Post-War German Literature ____________________ A thesis presented to the faculty of the Department of History East Tennessee State University In partial fulfillment of the requirements for the degree Master of Arts in History ____________________ by Aaron Horton December 2005 ____________________ Stephen G. Fritz, PhD, Chair Professor Christa Hungate William D. Burgess Jr., PhD Keywords: Germany, literature, novels, identity, memory ABSTRACT Catastrophe and Identity in Post-War German Literature by Aaron Horton The purpose of this study is to examine selected German literature dealing with issues of history and identity in light of the catastrophic reshaping of society after World War II and reunification. The research process will involve an examination of selected authors and their works that are most relevant to the topic. In order to provide a clear understanding not only of important literary themes but also of the appropriate historical context, attention will be devoted to providing biographical information in addition to critical literary analysis. -
Prolegomena 1
Notes Prolegomena 1. See Walkowitz, “The Location of Literature,” p. 533. 2. Adelson, The Turkish Turn in Contemporary German Literature, p. 23. 3. See Madsen, “World Literature and World Thoughts,” p. 58. I am drawing on Madsen’s thoughts on Auerbach further down the text as well. 4. Lukács, Entwicklungsgeschichte des modernen Dramas, p. 10, 12. Translation is mine. 5. Lukács, “Zur Theorie der Literaturgeschichte,” p. 32. Translation is mine. 6. Moretti, “The Soul and the Harpy,” p. 11. 7. Lukács, The Theory of the Novel , p. 72–73. 8. Moretti, Modern Epic, p. 6. 9. Moretti, “The Soul and the Harpy,” p. 9. 10. Steiner, Extraterritorial , p. 11. 11. Moretti, Modern Epic, p. 6. 12. Moretti, Graphs, Maps, Trees, p. 57. 13. Ibid., p. 64. 14. Seyhan, Writing Outside the Nation, p. 9. 15. Said, Culture and Imperialism, p. 337. 16. See Rushdie, “Günter Grass,” p. 277. 17. See Said, “Refl exions on Exile,” p. 174. 18. Prendergast, “The World Republic of Letters,” p. 23. 19. Levin, “Literature and Exile,” p. 62. 20. Brandes, The Emigrant Literature, p. vii. 21. Levin, “Literature and Exile,” p. 62. 22. Auerbach, “Philology and Weltliteratur,” p. 17. 23. Said, Culture and Imperialism, p. 386. 24. Bhabha, The Location of Culture, p. 5. 25. Ibid., p. 12. 26. Damrosch, What is World Literature? p. 283. On the concept of Weltliteratur, see also Prendergast (ed.), Debating World Literature; Moretti, “Conjectures on World Literature” and Graphs, Maps, Trees; and Thomsen’s forthcoming Mapping World Literature: International Canonization and Transnational Literatures. 27. Cooppan, “World Literature and Global Theory,” p. -
Identity, Modernity, and the Holocaust in Günter Grass's Die Bl
UNIVERSITY OF CALIFORNIA Los Angeles Unencumbered by History: Identity, Modernity, and the Holocaust in Günter Grass’s Die Blechtrommel and Christa Wolf's Kindheitsmuster A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Germanic Languages by David Lloyd Barry 2015 © Copyright by David Lloyd Barry 2015 ABSTRACT OF THE DISSERTATION Unencumbered by History: Identity, Modernity, and the Holocaust in Günter Grass’s Die Blechtrommel and Christa Wolf's Kindheitsmuster by David Lloyd Barry Doctor of Philosophy in Germanic Languages University of California, Los Angeles, 2015 Professor Todd S. Presner, Chair In this dissertation I argue that Die Blechtrommel and Kindheitsmuster present, comparatively, in relation to their specific authors and societies, fictive counterparts to cultural perspectives on the National Socialist period of German history that have also been developed in the disciplines of history, sociology, and related fields with their grounding constructs. The explicative methodology is freely adapted from ideas by Edward Said into an analytic modality based on the comparison of multiple critical perspectives. I propose that the sense of the works emerges from cultural discourses and narratives of memory involving the relationship between personal subjectivity and German cultural identity. Evaluating claims of history as narrative, also interrogates the roles of individual and collective memory in the construction of those discourses and narratives, as well as analyzing the "legitimizing" narratives of nation states. As ii such, the relation of these to concepts of modernity is also an issue for discussion. That these concepts were viewed differently in the Federal Republic of Germany and German Democratic Republic has important consequences for literature produced in those societies, including Grass’s and Wolf's works, in terms of narrative viewpoint and overall communicative strategies. -
Front Matter
Cambridge University Press 978-0-521-87670-4 - The Cambridge Companion to Gunter Grass Edited by Stuart Taberner Frontmatter More information the cambridge companion to gu¨ nter grass Gu¨ nter Grass is Germany’s best-known and internationally most successful living author, from his first novel The Tin Drum to his recent controversial autobiography. He is known for his tireless social and political engagement with the issues that have shaped postwar Germany: the difficult legacy of the Nazi past, the Cold War and the arms race, environmentalism, unification and racism. He was awarded the Nobel Prize for Literature in 1999. This Companion offers the widest coverage of Grass’s oeuvre across the range of media in which he works, including literature, television and visual arts. Throughout, there is particular emphasis on Grass’s literary style, the creative personality which inhabits all his work, and the impact on his reputation of revelations about his early involvement with Nazism. The volume sets out, in a fresh and lively fashion, the fundamentals that students and readers need in order to understand Grass and his individual works. A complete list of books in the series is at the back of the book. © Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-87670-4 - The Cambridge Companion to Gunter Grass Edited by Stuart Taberner Frontmatter More information THE CAMBRIDGE COMPANION TO GU¨ NTER GRASS EDITED BY STUART TABERNER © Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-87670-4 - The Cambridge Companion to Gunter Grass Edited by Stuart Taberner Frontmatter More information cambridge university press Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, Sa˜o Paulo, Delhi Cambridge University Press The Edinburgh Building, Cambridge cb2 8ru,UK Published in the United States of America by Cambridge University Press, New York www.cambridge.org Information on this title: www.cambridge.org/9780521700191 # Cambridge University Press 2009 This publication is in copyright. -
Novels Recommended for Optional Reading
Continuing Studies POL 142 Hans N. Weiler Winter Quarter 2003/2004 Memo # 2 European Politics and European Fiction: Novels recommended for optional reading Writers have their own way of reflecting on social and political reality, and often provide a refreshingly new and different perspective on the issues that social scientists analyze in their way. Europe and European fiction are a particularly interesting case in point: from the role of women in society to the continued presence of the past, from the attitudes and prejudices of different social groups towards one another to the complex relationship between religion and state, and from the legacies of war and destruction to the challenges of modern technology – there is a wealth of literary testimony that provides important insights in its own right into the complexities of contemporary Europe. In my lecture for the second session of the course (January 13), I will comment on the role of fiction and visual art in studying the affairs of Europe. The following is a highly idiosyncratic list of contemporary European fiction that, over the years, I have found to be not only enjoyable reading, but also a fascinating commentary on some of the key issues that have shaped the Europe of today. All of these books are available in English in the Stanford libraries, quite a few of them also commercially in paperback edition; if all else fails, you can borrow my copy. The list is rather heavily skewed towards German fiction, which reflects not only my predilections, but also a particularly rich choice of German books dealing with social and political issues.