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Heritage Citation Selwyn Key details Also known as The Manse Addresses At 40 Dorchester Street, South Brisbane, Queensland 4101 Type of place House Period Victorian 1860-1890 Lot plan L21_RP127282 Key dates Local Heritage Place Since — 30 October 2000 Date of Citation — June 2015 Construction Roof: Corrugated iron; Walls: Brick - Painted Criterion for listing (A) Historical; (B) Rarity This house was constructed by 1881 and was used as a manse for the Congregational Church in South Brisbane. The manse became the residence of the church’s ministers, and was occasionally used to host social events. The manse remained in use by the church until 1964 when it served for a brief time as a community centre before being sold into private hands. The Manse remains in use as a private residence to this day. History The Congregational Church came to Queensland in the 1850s, with the establishment of churches at Ipswich and Brisbane. A South Brisbane parish was established relatively early, with a growing population and a popular minister ready to serve in the area. The first meeting of the South Brisbane church was held at the Mechanics Institute in Stanley Street on 9 July 1865. Its first permanent place of worship was established in Grey Street, Date of Citation — June 2015 Page 1 with the inaugural service held on 13 January 1867. South Brisbane was quickly growing into a popular residential suburb, and the South Brisbane Congregational Church attracted some of Brisbane’s prominent citizens, including banker Sir Alfred Charles Davidson and land agent Simon Fraser. The congregation reached out into the community, holding annual tea services and a series of public lectures. -
Aboriginal Camps As Urban Foundations? Evidence from Southern Queensland Ray Kerkhove
Aboriginal camps as urban foundations? Evidence from southern Queensland Ray Kerkhove Musgrave Park: Aboriginal Brisbane’s political heartland In 1982, Musgrave Park in South Brisbane took centre stage in Queensland’s ‘State of Emergency’ protests. Bob Weatherall, President of FAIRA (Foundation for Aboriginal and Islanders Research Action), together with Neville Bonner – Australia’s first Aboriginal Senator – proclaimed it ‘Aboriginal land’. Musgrave Park could hardly be more central to the issue of land rights. It lies in inner Brisbane – just across the river from the government agencies that were at the time trying to quash Aboriginal appeals for landownership, yet within the state’s cultural hub, the South Bank Precinct. It was a very contentious green space. Written and oral sources concur that the park had been an Aboriginal networking venue since the 1940s.1 OPAL (One People of Australia League) House – Queensland’s first Aboriginal-focused organisation – was established close to the park in 1961 specifically to service the large number of Aboriginal people already using it. Soon after, many key Brisbane Aboriginal services sprang up around the park’s peripheries. By 1971, the Black Panther party emerged with a dramatic march into central Brisbane.2 More recently, Musgrave Park served as Queensland’s ‘tent 1 Aird 2001; Romano 2008. 2 Lothian 2007: 21. 141 ABORIGINAL HISTORY VOL 42 2018 embassy’ and tent city for a series of protests (1988, 2012 and 2014).3 It attracts 20,000 people to its annual NAIDOC (National Aboriginal and Islander Day Observance Committee) Week, Australia’s largest-attended NAIDOC venue.4 This history makes Musgrave Park the unofficial political capital of Aboriginal Brisbane. -
Queensland Art Gallery Board of Trustees Annual Report 2010–11 Report of the Queensland Art Gallery Board of Trustees
2010–11 Queensland Art Gallery Board of Trustees Annual Report 2010–11 Report of the Queensland Art Gallery Board of Trustees 16 September 2011 The Honourable Rachel Nolan, MP Minister for Finance, Natural Resources and The Arts GPO Box 611 BRISBANE QLD 4001 Dear Minister I am pleased to present the Annual Report 2010–11 for the Queensland Art Gallery Board of Trustees. I certify that this annual report complies with: • the prescribed requirements of the Financial Accountability Act 2009 and the Financial and Performance Management Standard 2009, and • the detailed requirements set out in the Annual Report requirements for Queensland Government agencies. A checklist outlining the annual reporting requirements can be accessed online at www.qag.qld.gov.au/about_us/annual_reports Yours sincerely, Professor John Hay, AC Chair, Queensland Art Gallery Board of Trustees Contents Cover: 4 Introduction 80 Engagement with the Asia Pacific region The opening weekend of ‘Surrealism: The Poetry of • Vision • Asian and Pacific Collection Dreams’, showing Victor • Purpose • Australian Centre of Asia Pacific Art Brauner’s Loup-table • About the Queensland Art Gallery 82 Performance measures (Wolf-table) 1939,1947 | Donation of Jacqueline 83 Collection acquisitions Victor-Brauner 1982 | 7 Chair's overview 97 Exhibitions schedule and sponsors Collection: Musée national 101 Publications d'art moderne, Centre 11 Director’s overview Pompidou, Paris | © Victor 105 Statistical summary Brauner/ADAGP. Licensed 14 Background by Viscopy, Sydney, 2011 106 Financial performance 14 Government objectives • Summary of financial performance Inside cover: 15 Strategic plan 2010–15 Inside Céleste Boursier- • Budget versus actual results Mougenot’s from here 15 Operational plan 2010–11 to ear (v.13) 2010 sound • Financial statements installation for ‘21st 16 Outcomes • Certification of the financial statements Century: Art in the First • Independent auditor’s report Decade’ | Purchased 2011. -
The Art of Architecture
The Art of Architecture The Brisbane architect Lange Leopold Powell (1886-1938) and his work by John W. East Perspective drawing of the proposed St Martin's War Memorial Hospital, Ann Street, Brisbane, by Lange L. Powell, 1919. 2017 CONTENTS 1. Introduction . 1 2. Origins . 4 3. Early Years . 10 4. Chambers and Powell, 1910-1919 . 15 5. 1920-1927 . 30 6. Atkinson, Powell and Conrad, 1927-1931 . 55 7. 1931-1938 . 70 8. Conclusion . 84 Appendix: Selected Projects (in chronological order) . 85 1: Introduction Many architects like to think of themselves as artists (and, in some cases, with very good reason), but art and architecture do not always travel happily together. As the Sydney architect, Jack F. Hennessy junior, wrote in 1932, Many commercial men look upon architects as being unpractical and day-dreamers without any knowledge of business, but such is not the case, and it is up to us to prove it by our work and the advice we give. After all, in many cases a commercial building from the client's point of view is primarily a business investment, and he has every right to expect a good return from it, as well as a place to house him, his staff, and his goods. The artistic treatment of it is the architect's work, as is also the designing of it to obtain a good return.1 Jack Hennessy's artistic gifts were not negligible, but he never let them get in the way of a good business proposition, and he built an Australia-wide practice on the basis of this hard- headed formula. -
Queensland Review South Brisbane's Cultural
South Brisbane's Cultural Hub: From Post and Telegraph to Griffith Film School Author Metcalf, Bill Published 2012 Journal Title Queensland Review DOI https://doi.org/10.1017/qre.2012.24 Copyright Statement © 2012 Cambridge University Press. The attached file is reproduced here in accordance with the copyright policy of the publisher. Please refer to the journal's website for access to the definitive, published version. Downloaded from http://hdl.handle.net/10072/53014 Griffith Research Online https://research-repository.griffith.edu.au Queensland Review http://journals.cambridge.org/QRE Additional services for Queensland Review: Email alerts: Click here Subscriptions: Click here Commercial reprints: Click here Terms of use : Click here South Brisbane's Cultural Hub: From Post and Telegraph to Griffith Film School Bill Metcalf Queensland Review / Volume 19 / Issue 02 / December 2012, pp 217 233 DOI: 10.1017/qre.2012.24, Published online: 12 December 2012 Link to this article: http://journals.cambridge.org/abstract_S1321816612000244 How to cite this article: Bill Metcalf (2012). South Brisbane's Cultural Hub: From Post and Telegraph to Griffith Film School. Queensland Review, 19, pp 217233 doi:10.1017/qre.2012.24 Request Permissions : Click here Downloaded from http://journals.cambridge.org/QRE, IP address: 132.234.251.230 on 12 Jun 2013 Article South Brisbane’s Cultural Hub: From Post and Telegraph to Griffith Film School Bill Metcalf Entering Brisbane’s South Bank from the Victoria Bridge, we walk past the concrete 1980s Queensland Performing Arts Complex, the brick Queensland Conservato- rium and the modern, glass-fronted ABC Broadcasting buildings, then past assorted cafes and pseudo-beaches until reaching the Ship Inn. -
Queensland Women's Historical Association
QUEENSLAND WOMEN’S HISTORICAL ASSOCIATION SIGNIFICANCE ASSESSMENT OF THE COLLECTION Judith McKay June 2016 Cover: Gold and emerald bracelet presented to Lady Bowen in 1867 by the young women of Queensland (Image by Tim Nemeth) CONTENTS 1 EXECUTIVE SUMMARY 1 2 METHODOLOGY 3 3 OVERVIEW OF THE ASSOCIATION AND ITS COLLECTION 3 4 BRIEF HISTORY OF THE ASSOCIATION 4 5 HISTORY AND DEVELOPMENT OF THE COLLECTION 6 6 DESCRIPTION OF THE COLLECTION 9 6.1 COSTUME AND COSTUME ACCESSORIES. 9 6.2 QUILTS . .11 6.3 OTHER TEXTILES . .12 6.4 ARTWORKS . .14 6.5 FURNITURE . .14 6.6 SILVER. .15 6.7 CHINA. .16 6.8 ORNAMENTS . .16 6.9 SOUVENIRS . .17 6.10 KITCHEN EQUIPMENT. .18 6.11 LAUNDRY EQUIPMENT. .18 6.12 SEWING EQUIPMENT . .18 6.13 PERSONAL ITEMS AND MEDICAL EQUIPMENT . .19 6.14 TOYS AND NURSERY EQUIPMENT . .19 6.15 HANDICRAFTS. .20 6.16 JEWELLERY. .21 6.17 MEDALS . .22 6.18 BADGES . .23 6.19 INDIGENOUS ARTEFACTS . .23 6.20 LIBRARY . .23 6.20.1 MANUSCRIPTS. .23 6.20.2 EPHEMERA . .24 6.20.3 ILLUMINATED ADDRESSES . .25 6.20.4 SHEET MUSIC . .26 6.20.5 AUTOGRAPH BOOKS AND SCRAPBOOKS . .26 6.20.6 MAPS. .26 6.20.7 BOOKS . .27 6.20.8 PERIODICALS. .27 6.20.9 PHOTOGRAPHS. .27 6.21 QWHA ARCHIVES. .28 7 CONDITION OF THE COLLECTION 28 8 COMPARATIVE MUSEUM COLLECTIONS 29 9 STATEMENT OF SIGNIFICANCE FOR THE COLLECTION 30 10 KEY RECOMMENDATIONS 31 11 ASSESSMENT OF THE COLLECTION’S MOST SIGNIFICANT ITEMS 33 11.1 PIONEER PATRICK LESLIE’S CHRISTENING ROBE AND . -
The South Brisbane Municipal Chambers: a Landmark with Many Pasts
The South Brisbane Municipal Chambers: A landmark with many pasts Peter Roennfeldt p.roennfeldt@griffith.edu.au Abstract During its 125-year history, the South Brisbane Municipal Chambers (Old Town Hall) has had numerous custodians and functions. Designed as a prominent landmark directly across the Brisbane River from the Queensland Parliament building, its ornate architectural features make it a unique example of late colonial extravagance. With the absorption of the City of South Brisbane into the greater Brisbane City Council in 1925, the building lost its original purpose, but was subsequently deployed in various ways. After serving as a Council Works Depot, it became the headquarters of the US armed forces Military Police during World War II, and was then converted into post-war residential flats for government engineers and architects. Since the late 1950s, ‘The Chambers’ has been an educational and cultural centre, initially as the first campus of the Queensland Conservatorium of Music, then as a centre for adult learning, and finally now in its completely refurbished form as part of the girls’ school Somerville House. This ‘building biography’ traces the various phases of this iconic landmark from the viewpoint of those who worked, lived or studied there, and also provides insights into its social context within the South Brisbane community. Known affectionately but erroneously as the ‘Old Town Hall’, the South Brisbane Municipal Chambers has served many purposes over the past 125 years. Until the distinctive edifice was purchased by Somerville House in the late 1990s, it had periodically adapted to the widely contrasting demands of local government and the US Armed Forces. -
QUEENSLANDNEWS Occur in 1999
Volume 29:1 1999 Box 220 Holme Building Pnnt Post Regulations No: PP24359/00 114 University of Sydney 2006 ISSN 0156-9295 Secrerary: phone/fax (+61.2) or (02) 9558 6618 sections of the SouthEast Transit Busway project corridor. Funher excavation work is to QUEENSLANDNEWS occur in 1999. Moreton Freezing Works (Thomas Settlement of South Brisbane commenced Borthwick and Sons) durin o the Moreton Bay penal era (1824-1842). Much:::> ofthe natural vegetation was cleared in In December 1998 Ann Wallin and Associates the late 1820's to grow grain and other conducted a heritage study on the former cultivated crops, leading to a number of Bonhwicks' meatworks at Murarrie on the conftontations with local Aborigines. This Brisbane River. The facility operated between cultivation ceased around 1830. 1911 and 1981. Over the years fife and vandalism have extensively damaged the Timber was hauled along tracks to the South remaining buildings. The brief sought site Brisbane riverbank for transpon via ship to recording prior to re-development. Sydney. In 1842 thirty-six allotments of land Investigation centred on the surviving original in South Brisbane were sold in the first land fabric: the Boiler House, Engine Room sales held in Sydney. Shrewd investors noted (established on high masonry foundations as its potential as being the first point of contact protection from floodwaters), Engineering for visitors from Ipswich and the Downs. The workshop, Tallow House and tallow storage wharves along Stanley Quay were the sheds, remnants ofthe original Beef Kill Floor, commercial hub of Brisbane settlement in the and a timber wharf. 1840s and by 1850 five wharves on Stanley Quay handled 80% oflocal trade.