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At Village Theatre Encore Arts Seattle JANUARY 2019 January 2019 Volume 18, No. 3 Paul Heppner President Mike Hathaway Senior Vice President Kajsa Puckett MAKE ROOM IN YOUR LIFE Vice President, Sales & Marketing For More Genay Genereux Lasting Connections Enriching Hobbies Intellectual Pursuits Accounting & Office Manager Production At UWRA-affiliated University House Issaquah, Susan Peterson Vice President, Production active seniors are making room for more Jennifer Sugden stimulating community and memorable moments Assistant Production Manager in their retirement years. Ana Alvira, Stevie VanBronkhorst Production Artists and Graphic Designers Schedule a visit or learn more Sales Amelia Heppner, Marilyn Kallins, Terri Reed (425) 200-0331 | eraliving.com San Francisco/Bay Area Account Executives Devin Bannon, Brieanna Hansen, Ann Manning Ask about special benefits for members. Seattle Area Account Executives 181220 Crossroads Village Theater 4.75x4.875 f.pdf 1 12/20/18 10:24 AM Carol Yip Sales Coordinator Marketing Shaun Swick Senior Designer & Digital Lead Ciara Caya Marketing Coordinator Encore Media Group 425 North 85th Street Seattle, WA 98103 p 800.308.2898 | 206.443.0445 f 206.443.1246 [email protected] www.encoremediagroup.com Encore Arts Programs and Encore Stages are published monthly by Encore Media Group to serve musical and theatrical events in the Puget Sound and San Francisco Bay Areas. All rights reserved. ©2019 Encore Media Group. Reproduction without written permission is prohibited. 2 VILLAGE THEATRE ROBB HUNT Executive Producer JERRY DIXON Artistic Director Book & Lyrics by Music by TOM JONES HARVEY SCHMIDT (Based on “The Fourposter” by JAN DE HARTOG) Originally Produced on Broadway by DAVID MERRICK Originally Directed by GOWER CHAMPION Francis J. Gaudette Theatre Everett Performing Arts Center January 17 – February 24, 2019 March 1 – 24, 2019 Director/Choreographer Music Director/Orchestrations MICHAEL ARNOLD BRUCE MONROE Scenic Designer Costume Designer Lighting Designer DAVID SUMNER KAREN ANN LEDGER THORN MICHAELS Sound Designer Stage Manager Assistant Stage Manager BRENT WARWICK BRENDA K. WALKER* SHANE UNGER Properties Manager Wig Master Master Scenic Artist RACHEL BENNICK DOUGLAS DECKER JULIA B. FRANZ Technical Director Production Manager Costume Shop Manager BRADLEY C. BIXLER JAY MARKHAM ESTHER GARCIA I Do! I Do! is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.MTIShows.com SHOW SPONSOR SHOW MEDIA SPONSOR SEASON SPONSORS PRODUCING SPONSORS SEASON MEDIA SPONSOR DIRECTING SPONSOR IN-KIND SEASON SUPPORT Made possible in part by assistance from the Snohomish County hotel-motel tax fund. VILLAGE THEATRE’S 2018–2019 SEASON THE NOTEWORTHY LIFE MATILDA I DO! I DO! THE CURIOUS INCIDENT OF THE MILLION DOLLAR OF HOWARD BARNES November 8, 2018 – January 17 – DOG IN THE NIGHT-TIME QUARTET September 13 – November 18, 2018 February 3, 2019 March 24, 2019 March 14 – May 19, 2019 May 9 – July 28, 2019 Director’s Note Cast My process for approaching a new Agnes ................................................................................................................................................Kendra Kassebaum* project is always the same. I get the Michael .......................................................................................................................................................... Peter Saide* script or screenplay as soon as I can and I let it sit on my desk until I UNDERSTUDIES know I can read through it nonstop Agnes ........................................................................................................................................................Jessica Skerritt* Michael ................................................................................................................................................Kevin Vortmann* without interruptions for the first, and sometimes the last, time. I turn off my phone, line up a couple of mechanical #2’s and turn the page. If something Orchestra seems confusing, I circle it and move on. I don’t pause to figure it out because Conductor .................................................................................................................................................Bruce Monroe I know the audience isn’t going to get Keyboard 1 ............................................................................................................................................Michael Matlock to take that pause either. I ignore the Keyboard 2 ................................................................................................................................................Julia Thornton Violin ....................................................................................................................................................... Winnie Dungey “Stage directions” in order to align Cello ..............................................................................................................................Grant Olson or Rachael Beaver myself with the same creative freedom Bass .................................................................................................................................................................. Chris Jones afforded the original director, but I don’t Flute, Piccolo, Clarinet, Soprano Sax ....................................................................Dane Andersen or Dewey Marler erase them either. For me, theatre is a Oboe, English Horn, Clarinet ................................................................................Koryn Orcutt or Bruce Carpenter sacred tradition of storytelling that is Clarinet, Bass Clarinet, Bassoon, Bari Sax ....................................................................... Derek Smith or Jay Easton meant to be passed on. I mark what I Trumpet .......................................................................................................................................................... Greg Lyons love, and what I don’t love, and I listen French Horn .............................................................................................................................................David McBride to my gut. I also listen to what my body Trombone ...................................................................................................................... Keith Winkle or Rebecca Ford tells me. Am I emotional? Confused? Percussion ....................................................................................................................................................Alec Wilmart Bored? When I got the script for I Do! I Do! I turned the page and read, “This story Musical Numbers covers 50 years of marriage of Michael There will be a 15-minute intermission between acts. and Agnes beginning in 1898” . and I was hooked. The pages turned themselves and I went through two ACT I ACT II pencils. I was delighted to see how “All the Dearly Beloved” “Where Are the Snows” relatable these themes are even now “Together Forever” “When the Kids Get Married” and how beautiful music will always “I Do! I Do!” “The Father of the Bride” be beautiful music. I wondered if the “Good Night” “What Is a Woman” incredible director/choreographer Gower “I Love My Wife” “Someone Needs Me” Champion had the same reaction when “Something Has Happened” “Roll up the Ribbons” “My Cup Runneth Over” “This House” he read it back in 1965 and opened it “Love Isn’t Everything” on Broadway in 1966. I Do! I Do! is an “Nobody’s Perfect” inviting reminder that although some “A Well Known Fact” things change, good and bad, some “Flaming Agnes” things stay the same – and some things, “The Honeymoon Is Over” good and bad, will always get you right in the gut! —Michael Arnold Crew Master Stage Carpenter (Issaquah) .................................................................................................... Whitman Paylor Master Stage Carpenter (Everett) .......................................................................................................Chris Mikolaizik Lead Stagehand-Props .............................................................................................................................. Sam Izenman Lead Stagehand-Motors .............................................................................................................................Emily Kettler Master Sound Engineer (Issaquah) .......................................................................................................Brent Warwick Master Sound Engineer (Everett) .............................................................................................................Kurt Conway Wardrobe Head (Issaquah)..................................................................................................................Heather Andress Wardrobe Head (Everett) ..................................................................................................................... Pamela Weinzatl Master Electrician (Issaquah) .....................................................................................................................Paul Arnold Master Electrician (Everett)........................................................................................................................... Paul Sharp Followspots .....................................................................................................................Jenna Kearns, Edward
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