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Debt Policy Under Constraints: Philip II, the Cortes, and Genoese Bankers1 by CARLOS ÁLVAREZ-NOGAL and CHRISTOPHE CHAMLEY*
bs_bs_banner Economic History Review (2013) Debt policy under constraints: Philip II, the Cortes, and Genoese bankers1 By CARLOS ÁLVAREZ-NOGAL and CHRISTOPHE CHAMLEY* Under Philip II, Castile was the first country with a large nation-wide domestic public debt. A new view of that fiscal system is presented that is potentially relevant for other fiscal systems in Europe before 1800. The credibility of the debt, mostly in perpetual redeemable annuities, was enhanced by decentralized funding through taxes administered by cities making up the Realm in the Cortes.The accumulation of short-term debt depended on refinancing through long-term debt. Financial crises in the short-term debt occurred when the service of the long-term debt reached the revenues of its servicing taxes. They were not caused by liquidity crises and were resolved after protracted negotiations in the Cortes by tax increases and interest rate reductions. ing Philip II, as head of the first modern super-power, managed a budget on Ka scale that had not been seen since the height of the Roman Empire.2 No state before had faced such extraordinary fluctuations and imbalances, both in revenue and expenditure. Large military expenses were required by the politics of Europe and the revolution in military technology. The variability in both revenue and expenses, coupled with a large foreign component, was met by large public borrowings up to modern levels, a historical innovation that, in later centuries, would be followed by the Netherlands, France, and England. Like eighteenth- century England, Castile (about 80 per cent of modern-day Spain) established its military supremacy through its superior ability to mobilize large resources through borrowing. -
Season 5 Article
N.B. IT IS RECOMMENDED THAT THE READER USE 2-PAGE VIEW (BOOK FORMAT WITH SCROLLING ENABLED) IN ACROBAT READER OR BROWSER. “EVEN’ING IT OUT – A NEW PERSPECTIVE ON THE LAST TWO YEARS OF “THE TWILIGHT ZONE” Television Series (minus ‘THE’)” A Study in Three Parts by Andrew Ramage © 2019, The Twilight Zone Museum. All rights reserved. Preface With some hesitation at CBS, Cayuga Productions continued Twilight Zone for what would be its last season, with a thirty-six episode pipeline – a larger count than had been seen since its first year. Producer Bert Granet, who began producing in the previous season, was soon replaced by William Froug as he moved on to other projects. The fifth season has always been considered the weakest and, as one reviewer stated, “undisputably the worst.” Harsh criticism. The lopsidedness of Seasons 4 and 5 – with a smattering of episodes that egregiously deviated from the TZ mold, made for a series much-changed from the one everyone had come to know. A possible reason for this was an abundance of rather disdainful or at least less-likeable characters. Most were simply too hard to warm up to, or at the very least, identify with. But it wasn’t just TZ that was changing. Television was no longer as new a medium. “It was a period of great ferment,” said George Clayton Johnson. By 1963, the idyllic world of the 1950s was disappearing by the day. More grittily realistic and reality-based TV shows were imminent, as per the viewing audience’s demand and it was only a matter of time before the curtain came down on the kinds of shows everyone grew to love in the 50s. -
The Twilight Zone: Landmark Television Derek Kompare
The Twilight Zone: Landmark Television Derek Kompare From the original edition of How to Watch Television published in 2013 by New York University Press Edited by Ethan Thompson and Jason Mittell Accessed at nyupress.org/9781479898817 This work is licensed under a Creative Commons Attribution-NonCommercial- NoDerivatives 4.0 International License (CC BY-NC-ND). 32 The Twilight Zone Landmark Television Derek Kompare Abstract: Few programs in television history are as iconic as Te Twilight Zone, which lingers in cultural memory as one of the medium’s most distinctive aesthetic and cultural peaks. Derek Kompare examines the show’s signature style and voice of its emblematic creator Rod Serling, exploring how the program’s legacy lives on today across genres and eras. As with any other art form, television history is in large part an assemblage of exemplary works. Industrial practices, cultural infuences, and social contexts are certainly primary points of media histories, but these factors are most ofen recognized and analyzed in the form of individual texts: moments when par- ticular forces temporarily converge in unique combinations, which subsequently function as historical milestones. Regardless of a perceived historical trajectory towards or away from “progress,” certain programs have come to represent the confuence of key variables at particular moments: I Love Lucy (CBS, 1951–1957) revolutionized sitcom production; Monday Night Football (ABC, 1970–2005; ESPN, 2005–present) supercharged the symbiotic relationship of sports and tele- vision; Hill Street Blues (NBC, 1981–1987) introduced the “quality” serial drama to primetime. Te Twilight Zone (CBS, 1959–1964) is an anomalous case, simultaneously one of the most important and least representative of such milestones. -
El Librero Ángel Corradi Y La Distribución Y Venta De Las Obras De La Real Academia Española a Mediados Del Siglo Xviii
El librero Ángel Corradi y la distribución y venta de las obras de la Real Academia Española a mediados del siglo XVIII The bookseller Angelo Corradi and his involvement in the selling and distribution of the books edited by the Royal Spanish Academy during the reigns of Ferdinand VI and Charles III GABRIEL SÁNCHEZ ESPINOSA Queen’s University Belfast CESXVIII, núm. 30 (2020), págs. 743-772 DOI: https://doi.org/10.17811/cesxviii.30.2020.743-772 ISSN: 1131-9879 CESXVIII, núm. 30 (2020), págs. 743-772 743 RESUMEN A partir de las cuentas conservadas en el Archivo de la Real Academia Española rela- tivas a la relación comercial establecida entre la Academia Española y el librero madri- leño de origen genovés Ángel Corradi durante los reinados de Fernando VI y primera mitad del de Carlos III, este artículo busca profundizar en la ventaja que supone para un librero dieciochesco el ser designado como su librero privilegiado por alguna de las nuevas instituciones culturales de nuestro siglo XVIII. Corradi, desde su establecimiento en la madrileña calle Carretas y sirviéndose de las nuevas posibilidades ofrecidas por la prensa periódica, no solamente actuará como distribuidor exclusivo de la producción impresa de la Academia Española durante estos años, de cuya venta se ofrece aquí un análisis cuantitativo, sino que ejercerá también como proveedor de las necesidades librarias de dicha institución. PALABRAS CLAVE Comercio del libro, Real Academia Española, Ángel Corradi, librería, anuncios de li- bros, Gaceta de Madrid, Diccionario de Autoridades, concursos académicos, Las naves de Cortés destruidas. ABSTRACT Using as a starting point the accounts presented by the Genoa-born bookseller Angelo Corradi to the different treasurers of the Royal Spanish Academy during the reigns of Ferdinand VI and Charles III, this study aims to offer an accurate portrayal of his role as the designated bookseller of this significant cultural institution of Bourbon Spain. -
Os Cinquenta Anos Do Festival Eurovisivo Português
Revista Brasileira de Estudos da Canção – ISSN 2238-1198 Natal, n.6, jul-dez 2014. Disponível em: www.rbec.ect.ufrn.br Festival RTP da Canção: Os cinquenta anos do festival eurovisivo português José Fernando Saroba Monteiro1 [email protected] Resumo: Em 2014 o Festival RTP da Canção chega ao seu cinquentenário. Surgido para escolher uma canção portuguesa para concorrer no Festival Eurovisão da Canção, o festival português tornou-se uma plataforma para o descobrimento e reconhecimento de diversos artistas, além de apresentar canções que hoje são vistas como verdadeiras expressões da alma portuguesa. Mesmo Portugal nunca tendo vencido o Eurovisão, o Festival RTP da Canção continua a ser realizado como uma forma de celebração da música portuguesa e de erguer os ânimos da produção musical em nível nacional. Palavras-chave: Festival RTP da Canção; Festival Eurovisão da Canção; Música Portuguesa. Abstract: In 2014, the RTP Song Festival reaches its fiftieth anniversary. Arisen to choose a Portuguese song to compete in the Eurovision Song Contest, the Portuguese festival has become a platform for the discovery and recognition of several artists, as well as to present songs that are seen today as a true expression of the Portuguese soul. Although Portugal has never won the Eurovision, the RTP Song Festival continues to be held as a way to celebrate the Portuguese music and to raise the spirits of music production at national level. Keywords: RTP Song Festival; Eurovision Song Contest; Portuguese Music. Introdução Surgido em 1964 com a finalidade de escolher uma canção para representar Portugal no Festival Eurovisão2, o Festival RTP da Canção completa, em 2014, cinquenta anos. -
Debt Policy Under Constraints: Philip II, the Cortes, and Genoese Bankers1 by CARLOS ÁLVAREZ-NOGAL and CHRISTOPHE CHAMLEY*
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Universidad Carlos III de Madrid e-Archivo This is a postprint version of the following published document: Carlos Álvarez Nogal , C. and Chamley, Christophe (2014). Debt policy under constraints between Philip II, the Cortes and Genoese bankers. Economic History Review, v. 67, n. 1, pp. 192-213. Available in: http://dx.doi.org/10.1111/1468-0289.12010 © Wiley Debt policy under constraints: Philip II, the Cortes, and Genoese bankers1 By CARLOS ÁLVAREZ-NOGAL and CHRISTOPHE CHAMLEY* Under Philip II, Castile was the first country with a large nation-wide domestic public debt. A new view of that fiscal system is presented that is potentially relevant for other fiscal systems in Europe before 1800. The credibility of the debt, mostly in perpetual redeemable annuities, was enhanced by decentralized funding through taxes administered by cities making up the Realm in the Cortes.The accumulation of short-term debt depended on refinancing through long-term debt. Financial crises in the short-term debt occurred when the service of the long-term debt reached the revenues of its servicing taxes. They were not caused by liquidity crises and were resolved after protracted negotiations in the Cortes by tax increases and interest rate reductions. ing Philip II, as head of the first modern super-power, managed a budget on Ka scale that had not been seen since the height of the Roman Empire.2 No state before had faced such extraordinary fluctuations and imbalances, both in revenue and expenditure. -
TWILIGHT ZONE Di Fabio Giovannini
ROD SERLING’S THE TWILIGHT ZONE di Fabio Giovannini “C’è una quinta dimensione, oltre a quelle conosciute dall’uomo: è una dimensione grande come lo spazio e smisurata come l’infinito, è a mezza strada fra la luce e l’ombra, fra la scienza e la superstizione, fra la sommità delle cognizioni dell’Uomo ed il fondo dei suoi smarrimenti. È la dimensione della fantasia, è una zona che noi chiamiamo: ‘Il confine della realtà’. Dal 1959 milioni di schermi televisivi hanno trasmesso queste parole introduttive per una serie di telefilm che prometteva di condurre lo spettatore nella “quinta dimensione”. Le pronunciava, almeno nella versione originale americana, un serio personaggio dal naso schiacciato, Rod Serling. Nel 1959, quando iniziò The Twilight zone, era un personaggio del tutto sconosciuto, ma dopo un solo anno gli americani riconoscevano immediatamente la voce e i tratti di questo ospite che accompagnava nel territorio tra la luce e le tenebre, tra la scienza e la superstizione. Rod Serling in Italia non ha avuto alcuna fama, ma le sue parole “introduttive” sono egualmente entrate nelle tranquille case del bel- paese, per qualche anno. Le persone normali di Ai confini della realtà sempre precipitate in situazioni straordinarie, erano cesellate sul modello del cittadino medio statunitense, ma anche l’uomo comune italiano poteva identificarsi nelle fobie umane portate agli eccessi dall’abile Rod Serling. Twilight Zone (letteralmente la zona del crepuscolo) il serial televisivo che in Italia è stato trasmesso dalla RAI all’inizio degli anni Sessanta con il titolo Ai confini della realtà è stata la più lunga serie Tv di argomento fantastico prodotta negli Stati Uniti, se si eccettua la soap-opera Dark Shadows (le avventure del vampiro buono Barnabas Collins). -
Apresentação Do Powerpoint
ANTÓNIO CALVÁRIO SIMONE DE OLIVEIRA MADALENA IGLÉSIAS EDUARDO NASCIMENTO CARLOS MENDES SÉRGIO BORGES TONICHA FERNANDO TORDO PAULO DE CARVALHO DUARTE MENDES CARLOS DO CARMO OS AMIGOS GEMINI MANUELA BRAVO JOSÉ CID CARLOS PAIÃO DOCE ARMANDO GAMA MARIA GUINOT ADELAIDE FERREIRA DORA DUO NEVADA DA VINCI NUCHA DULCE PONTES DINA ANABELA SARA TAVARES TÓ CRUZ LÚCIA MONIZ CÉLIA LAWSON ALMA LUSA RUI BANDEIRA LIANA MTM RITA GUERRA SOFIA VITÓRIA 2B NONSTOP SABRINA VÂNIA FERNANDES FLOR-DE-LIS FILIPA AZEVEDO HOMENS DA LUTA FILIPA SOUSA SUZY LEONOR ANDRADE SALVADOR SOBRAL CLÁUDIA PASCOAL ANTÓNIO CALVÁRIO SIMONE DE OLIVEIRA MADALENA IGLÉSIAS EDUARDO NASCIMENTO CARLOS MENDES SÉRGIO BORGES TONICHA FERNANDO TORDO PAULO DE CARVALHO DUARTE MENDES CARLOS DO CARMO OS AMIGOS GEMINI MANUELA BRAVO JOSÉ CID CARLOS PAIÃO DOCE ARMANDO GAMA MARIA GUINOT ADELAIDE FERREIRA DORA DUO NEVADA DA VINCI NUCHA DULCE PONTES DINA ANABELA SARA TAVARES TÓ CRUZ LÚCIA MONIZ CÉLIA LAWSON ALMA LUSA RUI BANDEIRA LIANA MTM RITA GUERRA SOFIA VITÓRIA 2B NONSTOP SABRINA VÂNIA FERNANDES FLOR- DE-LIS FILIPA AZEVEDO HOMENS DA LUTA FILIPA SOUSA SUZY LEONOR ANDRADE SALVADOR SOBRAL CLÁUDIA PASCOAL ANTÓNIO CALVÁRIO SIMONE DE OLIVEIRA MADALENA IGLÉSIAS EDUARDO NASCIMENTO CARLOS MENDES SÉRGIO BORGES TONICHA FERNANDO TORDO PAULO DE CARVALHO DUARTE MENDES CARLOS DO CARMO OS AMIGOS GEMINI MANUELA BRAVO JOSÉ CID CARLOS PAIÃO DOCE ARMANDO GAMA MARIA GUINOT ADELAIDE FERREIRA DORA DUO NEVADA DA VINCI NUCHA DULCE PONTES DINA ANABELA SARA TAVARES TÓ CRUZ LÚCIA MONIZ CÉLIA LAWSON ALMA LUSA RUI BANDEIRA LIANA -
Da Cruzada À Demanda a Tradição Épica Da Ordem Dos Templários Na Baixa Idade Média Portuguesa Séculos Xii - Xiv
UNIVERSIDADE FEDERAL DE GOIÁS FACULDADE DE CIÊNCIAS HUMANAS E FILOSOFIA PROGRAMA DE PÓS-GRADUAÇÃO EM HISTÓRIA ADEMIR LUIZ DA SILVA DA CRUZADA À DEMANDA A TRADIÇÃO ÉPICA DA ORDEM DOS TEMPLÁRIOS NA BAIXA IDADE MÉDIA PORTUGUESA SÉCULOS XII - XIV Goiânia, 2008 2 ADEMIR LUIZ DA SILVA DA CRUZADA À DEMANDA A TRADIÇÃO ÉPICA DA ORDEM DOS TEMPLÁRIOS NA BAIXA IDADE MÉDIA PORTUGUESA SÉCULOS XII - XIV Tese apresentada ao Programa de Pós-graduação em História da Universidade Federal de Goiás, para obtenção do título de Doutor em História. Área de concentração: Culturas, Fronteiras e Identidades. Linha de pesquisa: História, Memória e Imaginários Sociais. Orientadora: Profa. Dra. Dulce Oliveira Amarante dos Santos Goiânia, 2008 3 ADEMIR LUIZ DA SILVA DA CRUZADA À DEMANDA A TRADIÇÃO ÉPICA DA ORDEM DOS TEMPLÁRIOS NA BAIXA IDADE MÉDIA PORTUGUESA SÉCULOS XII - XIV Tese defendida no Programa de Pós-graduação em História da Universidade Federal de Goiás, para obtenção do título de Doutor em História, aprovada em ......... de ............................... de ............ pela Banca Examinadora constituída pelos seguintes professores: ...................................................................................................................... Profa. Dra. Dulce Oliveira Amarante dos Santos (UFG) Presidente da Banca ............................................................................................................................ Profa. Dra. Maria Eurydice de Barros Ribeiro (UnB) .............................................................................................................................. -
Redalyc.Discos Na Revolução: a Produção Fonográfica Da Canção De Protesto Em Portugal Na Senda Da Revolução Do 25 De Ab
Trans. Revista Transcultural de Música E-ISSN: 1697-0101 [email protected] Sociedad de Etnomusicología España Castro, Hugo Discos na Revolução: A produção fonográfica da canção de protesto em Portugal na senda da Revolução do 25 de Abril de 1974 Trans. Revista Transcultural de Música, núm. 19, 2015, pp. 1-28 Sociedad de Etnomusicología Barcelona, España Disponível em: http://www.redalyc.org/articulo.oa?id=82242883014 Como citar este artigo Número completo Sistema de Informação Científica Mais artigos Rede de Revistas Científicas da América Latina, Caribe , Espanha e Portugal Home da revista no Redalyc Projeto acadêmico sem fins lucrativos desenvolvido no âmbito da iniciativa Acesso Aberto TRANS 19 (2015) ARTÍCULOS/ARTICLES Discos na Revolução: A produção fonográfica da canção de protesto em Portugal na senda da Revolução do 25 de Abril de 1974 Hugo Castro (FCSH – Universidade Nova de Lisboa) Resumen Abstract Embora a canção de protesto em Portugal tivesse sido While protest song in Portugal had been configured in part during configurada, em parte, durante o período ditatorial que antecedeu the dictatorship that preceded the Revolution of the 25 April 1974, a Revolução do 25 de Abril de 1974, é já num contexto it is in a revolutionary context that this musical expression was revolucionário que esta expressão musical foi difundida em grande spread on a large scale, acquiring a prominent position in the escala, adquirindo uma posição de destaque no panorama musical Portuguese music scene. This article examines the record português. Este artigo analisa a produção fonográfica durante os production during the years that permeated the revolution, having anos que permeiam a revolução, tendo como principal enfoque os as main focus the records that were published during this period. -
Returns to Sovereign Lending in Habsburg Spain, 1566–1600
Explorations in Economic History 48 (2011) 1–19 Contents lists available at ScienceDirect Explorations in Economic History journal homepage: www.elsevier.com/locate/eeh Serial defaults, serial profits: Returns to sovereign lending in Habsburg Spain, 1566–1600 Mauricio Drelichman a,b,⁎, Hans-Joachim Voth c,d a The University of British Columbia, Canada b CIFAR, Canada c ICREA/Universitat Pompeu Fabra, Spain d CREI, Spain article info abstract Article history: Philip II of Spain accumulated debts equivalent to 60% of GDP. He also defaulted four times on Received 1 April 2010 his short-term loans, thus becoming the first serial defaulter in history. Contrary to a common Available online 18 October 2010 view in the literature, we show that lending to the king was profitable even under worst-case scenario assumptions. Lenders maintained long-term relationships with the crown. Losses JEL classification: sustained during defaults were more than compensated by profits in normal times. Defaults N23 were not catastrophic events. In effect, short-term lending acted as an insurance mechanism, F34 allowing the king to reduce his payments in harsh times in exchange for paying a premium in G12 tranquil periods. © 2010 Elsevier Inc. All rights reserved. Keywords: Sovereign debt Serial default Rate of return Profitability Spain 1. Introduction Sovereign lending is a risky business. From its earliest days, lenders put their fate into the hands of princes. Many lost capital, property, and some, their lives. Payment stops, defaults, and outright repudiations have been common since individuals and banks started lending to sovereigns. A select group of states have failed to honor their obligations multiple times, earning the moniker of ‘serial defaulters’ (Reinhart et al., 2003). -
Hereditary Genius Francis Galton
Hereditary Genius Francis Galton First published in 1869. Second Edition, with an additional preface, 1892. Second corrected proof of the first electronic edition, 2000. Based on the text of the second edition. The page numbering and layout of the second edition have been preserved, as far as possible, to simplify cross-referencing. This is an uncorrected proof. Although it has been checked against the print edition, expect minor errors introduced by conversion and transcription. Please notify the editor Gavan Tredoux <[email protected]> of any errors, typographical or otherwise, you may encounter. This document forms part of the archive of Galton material available at http://galton.org. Original electronic conversion by Michal Kulczycki, based on a facsimile prepared by Gavan Tredoux. This edition was edited, cross-checked and reformatted by Gavan Tredoux. HEREDITARY GENIUS AN INQUIRY INTO ITS LAWS AND CONSEQUENCES BY FRANCIS GALTON, F.R.S., ETC. London MACMILLAN AND CO. AND NEW YORK 1892 The Right of Translation and Reproduction is Reserved CONTENTS CONTENTS ____________________________________________________ ix PREFATORY CHAPTER TO THE EDITION OF 1892._________________ vii PREFACE______________________________________________________ iv CONTENTS ____________________________________________________ vi ERRATA _______________________________________________________ vii INTRODUCTORY CHAPTER. ______________________________________ 1 CLASSIFICATION OF MEN ACCORDING TO THEIR REPUTATION.____ 6 CLASSIFICATION OF MEN ACCORDING TO THEIR NATURAL