DOCSLIB.ORG

Michael Jackson Thriller Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Michael Jackson Thriller Mp3, Flac, Wma Michael Jackson Thriller mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Pop Album: Thriller Country: UK Style: Disco MP3 version RAR size: 1468 mb FLAC version RAR size: 1720 mb WMA version RAR size: 1429 mb Rating: 4.7 Votes: 820 Other Formats: WMA DMF VOX APE VOC AAC FLAC Tracklist Hide Credits Wanna Be Startin' Somethin' Arranged By [Horn Arrangement] – Jerry Hey, Michael JacksonArranged By [Rhythm Arrangement] – Michael Jackson, Quincy JonesArranged By [Vocal Arrangement] – Michael JacksonBacking Vocals – Becky Lopez, Bunny Hull, James Ingram, Julia Waters, Maxine Waters, Michael Jackson, Oren WatersBass – Louis JohnsonElectric 1 6:03 Piano [Rhodes], Synthesizer – Greg PhillinganesGuitar – David Williams Percussion – Paulinho Da CostaPerformer [Bathroom Stomp Board] – Michael Jackson, Nelson Hayes, Steven RaySaxophone, Flute – Larry WilliamsSynthesizer – Bill Wolfer, Michael BoddickerTrombone – Bill Reichenbach Trumpet, Flugelhorn – Gary Grant, Jerry HeyWritten-By – Michael Jackson Baby Be Mine Arranged By [Horn Arrnangement] – Jerry HeyArranged By [Vocal, Rhythm And Synthesizer Arrangement] – Rod TempertonDrums – N'dugu Chancler*Guitar – David Williams Keyboards, Synthesizer – Greg PhillinganesProgrammed By 2 4:20 [Synthesizer Programming] – Anthony Marinelli, Brian Banks, Steve PorcaroSaxophone, Flute – Larry WilliamsSynthesizer – David Paich, Michael BoddickerTrombone – Bill Reichenbach Trumpet, Flugelhorn – Gary Grant, Jerry HeyWritten-By – Rod Temperton The Girl Is Mine Arranged By [Rhythm Arrangement] – David Paich, Quincy JonesArranged By [Strings], Conductor [Strings] – Jerry HeyArranged By [Synthesizer Arrangement] – David FosterArranged By [Vocal Arrangement] – Michael Jackson, Quincy JonesBass 3 3:42 – Louis JohnsonConcertmaster – Jerry Vinci*Drums – Jeff PorcaroElectric Piano [Rhodes] – Greg PhillinganesGuitar – Dean Parks, Steve LukatherPiano – David PaichProgrammed By [Synthesizer Programming] – Steve PorcaroSynthesizer – David FosterVocals – Paul McCartneyWritten-By – Michael Jackson Thriller Arranged By [Horn Arrangement] – Jerry HeyArranged By [Vocal, Rhythm And Synthesizer Arrangement] – Rod TempertonEffects – Bruce Cannon, Bruce 4 SwedienGuitar – David Williams Programmed By [Synthesizer Programming] – 5:57 Anthony MarinelliRap – Vincent Price Saxophone, Flute – Larry WilliamsSynthesizer – Brian Banks, Greg Phillinganes, Rod TempertonTrombone – Bill Reichenbach Trumpet, Flugelhorn – Gary Grant, Jerry HeyWritten-By – Rod Temperton Beat It Arranged By [Rhythm Arrangement] – Michael Jackson, Quincy JonesArranged By [Vocal Arrangement] – Michael JacksonDrums – Jeff PorcaroElectric Piano [Rhodes], Synthesizer – Greg PhillinganesGuitar – Paul Jackson*Guitar [Solo] – Eddie Van 5 HalenGuitar, Electric Bass – Steve LukatherKeyboards – Bill WolferPercussion 4:17 [Drum Case Beater] – Michael JacksonRecorded By [Eddie Van Halen's Solo] – Donn LandeeSynthesizer [Synclavier] – Tom BahlerSynthesizer [Synergy] – Greg SmithSynthesizer, Programmed By [Synthesizer Programming] – Steve PorcaroWritten-By – Michael Jackson Billie Jean Arranged By [String Arrangements] – Jerry HeyArranged By [Vocal, Rhythm And Synthesizer Arrangement] – Michael JacksonBass – Louis JohnsonConductor 6 [Strings] – Jeremy LubbockDrums – N'dugu Chancler*Electric Piano [Rhodes], 4:53 Synthesizer – Greg PhillinganesGuitar – David Williams Synthesizer – Greg SmithSynthesizer [Emulator] – Michael BoddickerSynthesizer, Programmed By [Synthesizer Programming] – Bill WolferWritten-By – Michael Jackson Human Nature Arranged By – David Paich, Steve Lukather, Steve PorcaroDrums – Jeff 7 PorcaroGuitar – Steve LukatherPercussion – Paulinho Da CostaSynthesizer – David 4:05 PaichSynthesizer [Emulator] – Michael BoddickerSynthesizer, Programmed By [Synthesizer Programming] – Steve PorcaroWritten-By – John Bettis, Steve Porcaro P.Y.T. (Pretty Young Thing) Arranged By – James Ingram, Quincy JonesBacking Vocals [Additional Background Vocals] – Howard Hewitt*, James IngramDrums – N'dugu Chancler*Electric Bass – Louis JohnsonGuitar – Paul Jackson*Handclaps – Greg Phillinganes, James Ingram, 8 Louis Johnson, Michael Jackson, Steven RayKeyboards [Portasound Keyboard] – 3:58 James IngramSynthesizer, Programmed By [Synthesizer Programming] – Greg PhillinganesVocoder, Synthesizer [Emulator] – Michael BoddickerVoice [P.Y.T.'s] – Becky Lopez, Bunny Hull, Janet Jackson, LaToya Jackson*Written-By – James Ingram, Quincy Jones The Lady In My Life Bass – Louis JohnsonDrums – Jeff PorcaroElectric Piano [Rhodes] – Greg 9 PhillinganesGuitar – Paul Jackson*Synthesizer – David Paich, Steve 4:58 PorcaroSynthesizer [Emulator] – Michael BoddickerWritten-By, Arranged By – Rod Temperton Special Edition Bonus Material 10 Quincy Jones Interview Part I 2:18 Someone In The Dark 11 4:48 Lyrics By – Alan Bergman, Marilyn Bergman*Music By – Rod Temperton 12 Quincy Jones Interview Part II 2:04 Billie Jean (Home Demo From 1981) 13 2:20 Written-By – Michael Jackson 14 Quincy Jones Interview Part III 3:10 15 Rod Temperton Interview Part I 4:02 16 Quincy Jones Interview Part IV 1:32 Voice Over Session From "Thriller" 17 2:52 Voice [Spoken By] – Michael Jackson, Vincent Price 18 Rod Temperton Interview Part II 1:56 19 Quincy Jones Interview Part V 2:01 Carousel 20 1:49 Written-By – D. Freeman*, M. Sembello* 21 Quincy Jones Interview Part VI 1:17 Companies, etc. Phonographic Copyright (p) – MJJ Productions Inc. Copyright (c) – MJJ Productions Inc. Distributed By – Sony Music Glass Mastered At – Sony Music – S5044222000-0101 Published By – Mijac Music Published By – Warner-Tamerlane Publishing Corp. Published By – Rodsongs Published By – Almo Music Corp. Published By – Sony/ATV Tunes LLC Published By – Sony ATV Publishing Published By – Wb Music Corp. Published By – John Bettis Music Published By – Eiseman Music Co., Inc. Published By – Hen-Al Music Published By – Kings Road Music Published By – Yellow Brick Road Music Published By – Threesome Music Published By – Gravity Coat Music Published By – Haymaker Music Produced For – Quincy Jones Productions Recorded At – Ocean Way Recording Recorded At – Westlake Audio Remastered At – Bernie Grundman Mastering Credits Art Direction – Lane/Donald Art Direction [Special Edition] – David Coleman , Nancy Donald Co-producer – Michael Jackson (tracks: 1, 5, 6) Compiled By [Special Edition Material] – Bruce Swedien, Bruce Swedien Design [Slipcase Adaptation Design] – Andy Engel Design [Special Edition] – David Coleman , Monster X Edited By [Special Edition] – Rob Herrera, Stuart Brawley Engineer [Assistant, Additional Sound Sources, Original Album] – Mark Ettel Engineer [Assistant, Original Album] – Steve Bates Engineer [Technical, Original Album] – Matt Forger Executive-Producer [Special Edition] – Bruce Swedien, Michael Jackson Interviewee – Quincy Jones (tracks: 10, 12, 14, 16, 21), Rod Temperton (tracks: 15, 18) Mastered By [Originally Mastered By], Remastered By – Bernie Grundman Other [Styling] – Valadé / Design Pool Photography By – Dick Zimmerman Photography By [Special Edition] – Dick Zimmerman , Lester Cohen, Ralph Nelson, Jr.*, Sam Emerson, Stephen Vaughan Producer [Original Album] – Quincy Jones Recorded By [Additional Sound Sources, Original Album] – Humberto Gatica, Matt Forger Recorded By [Original Album], Mixed By [Original Album] – Bruce Swedien Typography [Lettering] – Mac James Notes Black disc surface Original album Produced for Quincy Jones Productions. Recorded and mixed using the Acusonic Recording Process. Additional sound sources recorded at Ocean Way Recording Studios, Los Angeles, CA. Recorded at Westlake Audio, Los Angeles, CA. Album recording began with the first sessions at Westlake Studios in Los Angeles with Michael Jackson and Paul McCartney recording "The Girl Is Mine" at 12:00 noon on Wednesday April 14, 1982 and concluded witht the last day of mixing the album on Monday November 8, 1982. Originally mastered on Thursday, November 11, 1982. The original album was released Tuesday, November 30, 1982 by Epic Records . The Quincy Jones interview: Part I: About "Someone In The Dark". Part II: About production, and several tracks on the album. Part III: About the album and music videos. Part IV: About how they got Vincent Price to appear on "Thriller". Part V: About "Carousel" Part VI: Final thoughts on the album. The Rod Temperton interview: Part I: About how they got Vincent Price to appear on "Thriller". Part II: About "Carousel". The voice over session from "Thriller" also includes Vincent Price reading a previously unreleased second verse. © 1982, 2001 MJJ Productions Inc./ ℗ 1982, 2001 MJJ Productions Inc./ Made in the EU. Tracks 1, 3, 5, 6: © 1982 Mijac Music (BMI) All rights on behalf of Mijac Music administered by Warner-Tamerlane Publishing Corp. (BMI). Tracks 2, 4, 9: © 1982 Rodsongs (ASCAP). All rights for Rodsongs controlled and administered by Almo Music Corp. (ASCAP). Track 7: © 1982 Sony/ATV Tunes LLC (ASCAP) / WB Music Corp. (ASCAP), John Bettis Music (ASCAP). All rights on behalf of Sony/ATV Tunes LLC administered by Sony/ATV Publishing. All rights on behalf of WB Music Corp. and John Bettis Music administered by WB Music Corp. (ASCAP). Track 8: © 1982 Eiseman Music Co. Inc. (BMI), Hen-Al Music (BMI), Kings Road Music (BMI)/Yellowbrick Road Music (ASCAP). All rights on behalf of Yellowbrick Road Music administered by WB Music Corp. (ASCAP). Track 11: Published by WB Music Corp. on behalf of Threesome Music (ASCAP)/Rodsongs (ASCAP) controlled and administered by Almo Music Corp. Track 13: Published
Load more

Recommended publications
  • Master's Thesis
    I Know I Am Someone: Michael Jackson, Thriller, and American Identity by Sara Tenenbaum B.A. in American Studies, May 2006, Brandeis University A Thesis submitted to The Faculty of the Columbian College of Arts and Sciences of George Washington University in partial fulfillment of the degree requirements for the degree of Master of Arts May 15, 2011 Thesis Directed by James A. Miller Professor of English and American Studies © Copyright 2011 by Sara Tenenbaum All rights reserved ii Abstract of Thesis "I Know I Am Someone: Michael Jackson, Thriller, and American Identity" This thesis addresses the cultural phenomenon surrounding Michael Jackson's 1982 album Thriller and uses it as a lens through which to view and analyze the development of a distinct American, primarily youth, identity in 1983 and 1984. It is structured using a three-prong approach that first analyzes the sonic work of the music of Thriller, second explores the characteristics of Michaelmania and the youth identity being constructed within the Michael Jackson pop explosion, and third analyzes the backlash from both the white and African American communities against Jackson in that time to illuminate his subversion and danger to the status quo. I argue that Jackson's act of profound crossover during the Thriller era triggered within the American youth an equally profound act of identity formation that transcended racial stratification in America's past and created a foundational part of our contemporary identity that moves slightly beyond America's troubled racial history. Using both the voices of his fans and his critics to tease out the work his person and his music did in the early 1980's, I advocate we keep Jackson and his work foregrounded in our study of popular culture in the late 20th and early 21st centuries, as his pop explosion fundamentally and permanently effected how Americans understand ourselves and our relations with each other.
    [Show full text]
  • Film Soleil 28/9/05 3:35 Pm Page 2 Film Soleil 28/9/05 3:35 Pm Page 3
    Film Soleil 28/9/05 3:35 pm Page 2 Film Soleil 28/9/05 3:35 pm Page 3 Film Soleil D.K. Holm www.pocketessentials.com This edition published in Great Britain 2005 by Pocket Essentials P.O.Box 394, Harpenden, Herts, AL5 1XJ, UK Distributed in the USA by Trafalgar Square Publishing P.O.Box 257, Howe Hill Road, North Pomfret, Vermont 05053 © D.K.Holm 2005 The right of D.K.Holm to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of the publisher. Any person who does any unauthorised act in relation to this publication may beliable to criminal prosecution and civil claims for damages. The book is sold subject tothe condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated, without the publisher’s prior consent, in anyform, binding or cover other than in which it is published, and without similar condi-tions, including this condition being imposed on the subsequent publication. A CIP catalogue record for this book is available from the British Library. ISBN 1–904048–50–1 2 4 6 8 10 9 7 5 3 1 Book typeset by Avocet Typeset, Chilton, Aylesbury, Bucks Printed and bound by Cox & Wyman, Reading, Berkshire Film Soleil 28/9/05 3:35 pm Page 5 Acknowledgements There is nothing
    [Show full text]
  • Code Title Artists Composer 8664 (Just Like) Starting Over John Lennon John Lennon (Shake, Shake, Shake) Shake Your K.C
    CODE TITLE ARTISTS COMPOSER 8664 (JUST LIKE) STARTING OVER JOHN LENNON JOHN LENNON (SHAKE, SHAKE, SHAKE) SHAKE YOUR K.C. & THE SUNSHINE 8699 CASEY / FINCH BOOTY BAND 8094 10,000 PROMISES BACKSTREET BOYS SANDBERG 8001 100 YEARS FIVE FOR FIGHTING ONDRASIK, JOHN 8563 1-2-3 GLORIA ESTEFAN G. ESTEFAN/ E. GARCIA 8572 19-2000 GORILLAZ ALBARN/HEWLETT 8642 2 BECOME 1 JEWEL KILCHER/MENDEZ 9058 20 YEARS OF SNOW REGINA SPEKTOR SPEKTOR MICHAEL LEARNS TO 8865 25 MINUTES JASCHA RICHTER ROCK WATKINS/GAZE/RICHARDSO 8767 4 AM FOREVER LOSTPROPHETS N/OLIVER/LEWIS JAMES HARRIS/TERRY 8208 4 SEASONS OF LONELINESS BOYZ II MEN LEWIS 9154 5, 6, 7, 8 STEPS LIPTON AND CROSBY 9370 5:15 THE WHO PETE TOWNSHEND 9005 500 MILES PETER, PAUL & MARY HEDY WEST 8140 52ND STREET BILLY JOEL BILLY JOEL JOEM FAHRENKROG- 8927 99 RED BALLOONS NENA PETERSON/CARLOS KARGES 8674 A CERTAIN SMILE JOHNNY MATHIS WEBSTER/FAIN 8554 A FIRE I CAN'T PUT OUT GEORGE STRAIT DARRELL STAEDTLER 8594 A FOOL IN LOVE IKE & TINA TURNER TURNER 8455 A FOOL SUCH AS I ELVIS PRESLEY BILL TRADER 9224 A HARD DAY'S NIGHT THE BEATLES LENNON/ MCCARTNEY 8054 A HORSE WITH NO NAME AMERICA DEWEY BUNNEL 9468 A LIFE ON THE OCEAN WAVE P.D. 9469 A LITTLE MORE CIDER TOO P.D. DURITZ/BRYSON/MALLY/MIZ 8320 A LONG DECEMBER COUNTING CROWS E/GILLINGHAM/VICKREY 9112 A LOVER'S CONCERTO SARAH VAUGHAN LINZER / RANDEL 9470 A MAIDENS WISH P.D. ENGELBERT LIVRAGHI/MASON/PACE/MA 8481 A MAN WITHOUT LOVE HUMPERDINCK RIO 9183 A MILLION LOVE SONGS TAKE THAT GARY BARLOW GERRY GOFFIN/CAROLE 8073 A NATURAL WOMAN ARETHA FRANKLIN KING/JERRY WEXLER 9157 A PLACE IN THE SUN STEVIE WONDER RON MILLER/BRYAN WELLS 9471 A THOUSAND LEAGUES AWAY P.D.
    [Show full text]
  • John Williams John Williams
    v8n01 covers 1/28/03 2:18 PM Page c1 Volume 8, Number 1 Original Music Soundtracks for Movies & Television Trek’s Over pg. 36 &The THE Best WORST Our annual round-up of the scores, CDs and composers we loved InOWN Their WORDS Shore, Bernstein, Howard and others recap 2002 DVDs & CDs The latestlatest hits hits ofof thethe new new year year AND John Williams The composer of the year in an exclusive interview 01> 7225274 93704 $4.95 U.S. • $5.95 Canada v8n01 issue 1/28/03 12:36 PM Page 1 CONTENTS JANUARY 2003 DEPARTMENTS COVER STORY 2 Editorial 14 The Best (& the Worst) of 2002 Listening on the One of the best years for film music in recent Bell Curve. memory? Or perhaps the worst? We’ll be the judges of that. FSM’s faithful offer their thoughts 4 News on who scored—and who didn’t—in 2002. Golden Globe winners. 5 Record Label 14 2002: Baruch Atah Adonei... Round-up By Jon and Al Kaplan What’s on the way. 6 Now Playing 18 Bullseye! Movies and CDs in By Douglass Fake Abagnale & Bond both get away clean! release. 12 7 Upcoming Film 21 Not Too Far From Heaven Assignments By Jeff Bond Who’s writing what for whom. 22 Six Things I’ve Learned 8 Concerts About Film Scores Film music performed By Jason Comerford around the globe. 24 These Are a Few of My 9 Mail Bag Favorite Scores Ballistic: Ennio vs. Rolfe. By Doug Adams 30 Score 15 In Their Own Words The latest CD reviews, Peppered throughout The Best (& the Worst) of including: The Hours, 2002, composers Shore, Elfman, Zimmer, Howard, Film scores in 2002—what a ride! Catch Me If You Can, Bernstein, Newman, Kaczmarek, Kent and 21 Narc, Ivanhoe and more.
    [Show full text]
  • The Ripple Effect
    The Ripple Effect Press Kit The Ripple Effect examines the struggle to keep arts alive for inner city children and reveals the power of arts education to educate the heart and impact schools and the lives of those living in poverty. Synopsis: Grammy-award winner and first time director, Bunny Hull, shines a light on the value of arts in education. The Ripple Effect follows the unique approach of Dream A World Education as professional artists provide arts programs to children in early elementary grades, parents and teachers in some of the poorest areas of Los Angeles. The film highlights the lack of funding, why the arts are so critical to the education of our youth and school communities, and how the benefits of the arts go far beyond what we’ve imagined. As we hear from immigrant parents, educators, and administrators, we find out why the investment in educating children’s hearts is as important as investing in educating their minds, and how the effect causes a ripple that is felt by families, school culture, and ultimately the entire community. Contact: Bunny Hull (323) 932-0534 Cell: (213) 448-7727, [email protected] or Leslie Friedman (818) 268-9016, [email protected] Producer Dream A World Education, Inc. www.dreamaworldedu.org Producer Cinema Verde Productions Inc. www.cinemaverdeproductions.com www.dreamaworldedu.org 256 So. Robertson Blvd. Suite 2288 • Beverly Hills, CA 90211 • (323) 932-0534 Contact: Bunny Hull (213) 448-7727 Bunny Hull Producer/Director Bunny Hull is a Grammy® Award-winner and first time Director who to comes to film inspired by the need to tell a story about the remarkable impact music and the arts has on the lives of children and adults in impoverished inner city schools.
    [Show full text]
  • 1980'S Or Later.Pre-Owned Sheet Music
    1980’s or later.Pre-owned Sheet Music. 1980 1981 1982 1984 1985 1986 1987 1988 1992 1997 Please note the following as a guide to condition and pricing. ex No marks or deteriation Priced £15 good As appropriate for age of the manuscript. No tears but possible fine creasing. Slight marks on front cover (e.g. shop stamp or owner’s name) or pencil inside. Priced £12 fair Some damage such as edging tears. Reasonable for age of manuscript. Priced £5 Album Contains several songs and photographs of the artist(s). Priced £15+ subject to condition. Year Year of print. Usually the same year as copyright © but not always Photo Artist(s) photograph on front cover n/a No artist photo on front cover LOOKING FOR THESE ARTISTS? You’ve come to the right place for The Bangles, Eric Clapton, Howard Jones, Stevie Wonder, Madonna, Gary Numan, Paul McCartney or theme tunes from the decade’s most popular TV series. Just look for the name on the lists below. TITLE WRITER & COMPOSER CONDITION PHOTO YEAR Agadoo M.Symile/M.Delancery/J.Peram good Black Lace 1985 All my ex‟s live Sanger D &LyndiaJ.Shafer good George Strait 1986 in Texas Always Jonathan, David & Wayne Lewis ex Atlantic Starr 1987 Always there S.May/L.Osborne/D.Black good Marti Webb 1986 American made Bob Dipiero/Pat McManus ex The Oak Ridge Boys 1983 American music P.McGee ex The Pointer Sisters 1982 Amigo Black Slate ex Black Slate 1980 Amy rainbow L.Bricusse ex Andy Williams 1980 Another one John Deacon ex Queen 1980 bites the dust Anything for you G.M.Estefan ex Gloria Estefan 1987 Are you getting
    [Show full text]
  • Program-Queens-Soul.Pdf
    Toronto Symphony Orchestra Sir Andrew Davis, Interim Artistic Director Steven Reineke, Principal Pops Conductor Tuesday, May 7, 2019, 8:00pm Jeff Tyzik, conductor Wednesday, May 8, 2019, 2:00pm Brie Cassil, vocalist Wednesday May 8, 2019, 8:00pm Melissa McMillan, vocalist Shayna Steele, vocalist All arrangements by Jeff Tyzik John Fogerty Terry Britten & Graham Lyle “Proud Mary” “What’s Love Got to Do with It” Mack Gordon & Harry Warren George Merrill & Shannon Rubicam “At Last” “I Wanna Dance with Somebody (Who Loves Me)” Bunny Hull, John Gilutin & Sharon T. Robinson Carole King & Gerry Goffin “New Attitude” “Will You Still Love Me Tomorrow” Jim Weatherly Amy Winehouse “Midnight Train to Georgia” “You Know I’m No Good” Kenneth Gamble, Leon Huff & Adele Adkins & Greg Kurstin Cary Gilbert “Hello” “Don’t Leave Me This Way” Otis Redding Adele Adkins & Paul Epworth “Respect” “Rolling in the Deep” Ronnie Shannon Alicia Keys “I Never Loved a Man (The Way “Fallin’” I Love You)” Billy Squier, Jeff Bhasker, Narada Michael Walden & Salaam Remi & Alicia Keys Jeffrey Cohen “Girl on Fire” “Freeway of Love” Norman Whitfield & Barrett Strong Gerry Goffin, Carole King & Jerry Wexler “I Heard It through the Grapevine” “(You Make Me Feel Like) A Natural Woman” Intermission 30 TORONTO SYMPHONY ORCHESTRA May 8 Performance Sponsor THE ARTISTS Jeff Tyzik conductor Jeff Tyzik made his TSO début in February 2003. GRAMMY Award winner Jeff Tyzik is one of America’s most innovative and sought after pops conductors. Tyzik is recognized for his brilliant arrangements, original programming, and engaging rapport with audiences of all ages. This is the sixth season that Tyzik has held The Dot and Paul Mason Principal Pops Conductor’s Podium at the Dallas Symphony Orchestra.
    [Show full text]
  • 2012 Commencement Program Columbia College Chicago
    Columbia College Chicago Digital Commons @ Columbia College Chicago Commencement Programs College Publications 5-5-2012 2012 Commencement Program Columbia College Chicago Follow this and additional works at: http://digitalcommons.colum.edu/commencement Part of the History Commons Recommended Citation Columbia College Chicago, "2012 Commencement Program" (2012). Commencement Programs, College Publications, College Archives & Special Collections, Columbia College Chicago. This Book is brought to you for free and open access by the College Publications at Digital Commons @ Columbia College Chicago. It has been accepted for inclusion in Commencement Programs by an authorized administrator of Digital Commons @ Columbia College Chicago. C\I '"0 C\I LL 0 (/) (/) <( _j u w I I- LL 0 1- z w ~ w u z w ~ ~ 0 u Commencement of the Graduates of Undergraduate and Graduate Programs in Theatre, Dance, Dance/Movement Therapy and Counseling, N Radio, Television, Audio Arts & Acoustics, .-t 0 Science and Mathematics N Saturday, May 5, 2012, 9:00 a.m. LL 0 PRESHOW Cf) The 2012 Commencement preshow features performances by Columbia College Chicago's Cf) student ensembles: <t: .....J (.) The Columbia College Jazz Ensemble (Scott Hall. Director) The Columbia College Gospel Choir (Walter Owens, Director) N w The R& B Ensemble (Chuck Webb, Director) .-t I I- Pop Rock Ensemble: Showcase (William Boris, Director) 0 N LL Joe Cerqua, Producer/Director 0 Steve Hadley, Associate Producer I- I- J. Richard Dunscomb, Chair, Music Department z z w PROCESSIONAL w March ofthe Columbians ~ ~ By Scott Hall w w (.) (.) Walk 1his Way z By Joe Perry and Steven Tyler z w w ' The Star Spangled Banner ~ ~ Words by Francis Scott Key ~ Music by John Stafford Smith ~ 0 Arranged by Joe Cerqua 0 (.) (.) 1 Lift Every Voice and Sing Music by J.
    [Show full text]
  • Where Was Wargames Filmed
    Where was wargames filmed Continue So I realize I'm like one of maybe ten holdouts left in the world, but I still have an AOL account. I know, I know - 1995 called, it wants its email address back. I think I'm finally ready to give up, though, because the search function right. Up. Sucks. Previously it was great - I could enter a keyword I knew had been written in a particular correspondence, and up would pop the exact email I was looking for. I used to use it regularly when I wrote my posts. I can't always remember the exact process behind each site search (how I came to start looking for a place, how I found out a specific detail, etc.), so in the past I would look back through old emails sent to various sources (like Mike, from MovieShotsLA, or Owen, from the When Write Is Wrong blog) to update my memory. And AOL always came through! That's no longer the case. When he woke up last Sunday, Grim Cheaper announced that he wanted to go to Big Bear Lake for a few days to play in the snow. So we literally tossed some items of clothes in a bag and went straight up the mountain. It was such a last-minute trip that I didn't even remember bringing my good camera - or my stalking notebook. It wasn't until we checked into our hotel that I remembered wargames had been filmed in the area. Early last year, Owen and I tracked down the cabin where Falken (John Wood) lived in the 1983 film, but unfortunately I didn't have my notes available to check the address.
    [Show full text]
  • Peter Thomas
    Music Soundtracks for Motion Pictures and Television V OLUME 4, NUMBER 9 Williams’s Award Page 48 GoldenGolden AgeAge GreatsGreats HollywoodHollywood composerscomposers onon postagepostage stampsstamps! PPAPILLONAPILLON REVISITEDREVISITED GoldsmithGoldsmith doesdoes Devil’sDevil’s IslandIsland PETERTHOMASPETERTHOMAS MeetMeet thethe kingking ofof GermanGerman schwingschwing CDREVIEWSCDREVIEWS TheThe latestlatest releasesreleases Ht: 0.816", Wd: 1.4872", Mag: 80% BWR: 1 $4.95 U.S. • $5.95 Canada FSM Presents Silver Age Classics • Limited Edition CDs Now available: FSMCD Volume 2, Number 8 The Complete Unreleased Original Soundtrack Jerry Goldsmith came into his own as a creator of thrilling western scores with 1964’s Rio Conchos,a hard-bitten action story that starred Richard Boone, Stuart Whitman and Tony Franciosa. Rio Conchos was in many ways a reworking of 1961’s The Comancheros (FSMCD Vol. 2, No. 6, music by Elmer Bernstein), but it lacked the buoyant presence of John Wayne and told a far darker and more nihilistic tale of social outcasts thrown together on a mission to find a hidden community of Apache gun-runners. It was the dawn of a new breed of grittier, more psychologically hon- est westerns, and Jerry Goldsmith was the perfect composer to provide these arid and violent tales with a new musical voice. Goldsmith had already scored several westerns before Rio Conchos, including the acclaimed contemporary west- ern Lonely Are the Brave. But Rio Conchos saw Goldsmith marshal- ing his skills at writing complex yet melodically vibrant action music, with several early highlights of his musical output contained by Jerry Goldsmith within. The composer’s title music is characteristically spare and One-Time Pressing of 3,000 Copies folksy, belying the savage intensity of what is to follow, yet his main theme effortlessly forms the backbone for the score’s violent set- pieces and provides often soothing commentary on the decency and nobility buried beneath the flinty surfaces of the film’s reluc- tant heroes.
    [Show full text]
  • Code Title Artists Composer 7979 Wow Country Regine Velasquez Roy Del Valle 7980 Philippine National Anthem Various Artist Julia
    CODE TITLE ARTISTS COMPOSER 7979 WOW COUNTRY REGINE VELASQUEZ ROY DEL VALLE 7980 PHILIPPINE NATIONAL ANTHEM VARIOUS ARTIST JULIAN FELIPE IYUGYOG MO, SAYAW DARLING & HEP 7983 WILLIE REVILLAME LITO CAMO HEP HOORAY MEDLEY 7981 BOOM TARAT-TARAT WILLIE REVILLAME LITO CAMO 7982 IGILING-GILING WILLIE REVILLAME LITO CAMO 7985 TANGO, BOOGIE, CHA-CHA WILLIE REVILLAME LITO CAMO 7984 PAPI MO AKO WILLIE REVILLAME LITO CAMO ARTISTS FOR PHIL NIEVA/BLANCO/VILLEGAS/VI 7986 BIYAHE TAYO! (PFIZER-BONAMINE) TOURISM LLEGAS 7987 KAIBIGAN LANG PALA LILET BERNADETTE GUTIERREZ 7988 KUNG MAIBABALIK KO LANG REGINE VELASQUEZ CHRISTINE BENDEBEL 7989 SALAMAT, SALAMAT MUSIKA GARY GRANADA GARY GRANADA 7990 URONG SULONG REGINE VELASQUEZ CHRISTINE BENDEBEL 7991 HERE I AM AIR SUPPLY NORMAN SALLITT 7992 FROM A DISTANCE BETTE MIDLER GOLD, JULIE DIANA ROSS & LIONEL 7993 ENDLESS LOVE LIONEL RICHIE RICHIE 7994 TEARS IN HEAVEN ERIC CLAPTON JENNINGS / CLAPTON 7995 HELLO LIONEL RICHIE LIONEL RICHIE 7996 HERO MARIAH CAREY CAREY/ AFANASIEFF MIKE RENO & ANN 7997 ALMOST PARADISE E. CARMEN/ D. PITCHFORD WILSON 7998 A WHOLE NEW WORLD P. BRYSON & R. BELLE MENKEN /RICE 7999 TONIGHT I CELEBRATE MY LOVE P. BRYSON & R. FLACK G. GOFFIN / M. MASSER 8000 I JUST CALLED TO SAY I LOVE YOU STEVIE WONDER STEVIE WONDER 8001 100 YEARS FIVE FOR FIGHTING ONDRASIK, JOHN LUNDIN, SCHULZE AND 8002 BYE BYE BYE 'N SYNC CARLSON KRISTIAN LUNDEN & 8003 TEARIN' UP MY HEART 'N SYNC MARTIN SANDBERG 8004 I'M NOT IN LOVE 10CC GRAHAM GOULDMAN JONES/PARKER/KEITH/SCA 8005 LET THIS GO 112 NDRICK HASHIDA NARAMURA 8006 SUKIYAKI 4 P.M. ROKUSUKE DAVID FRANK/STEVE 8007 THE HARDEST THING 98 DEGREES KIPNER WAAKTAR/FURUHOLMEN/HA 8008 TAKE ON ME A-HA RKET ERNIE ISLEY/MARVIN ISLEY/O'KELLY 8009 AT YOUR BEST (YOU ARE LOVE) AALIYAH ISLEY/RONALD ISLEY/CHRIS JASPER 8010 EVERYBODY PLAYS THE FOOL AARON NEVILLE BAILEY/CLARK/ WILLIAMS MARTIN FRY/MARK 8011 POISON ARROW ABC LICKLEY/STEVE SINGLETON/MARK WHITE 8012 WHEN SMOKEY SINGS ABC MARTIN FRY/MARK WHITE JONAS BERGGREN/ULF 8013 ALL THAT SHE WANTS ACE OF BASE EKBERG 8014 DON'T TURN AROUND ACE OF BASE A.
    [Show full text]
  • Skills Like This
    SKILLS LIKE THIS A Monty Miranda film 88 minutes South by Southwest Audience Award Winner Distributed by: Publicity: Ken Eisen Sasha Berman Shadow Distribution Shotwell Media 76 Main St 2721 Second Street #205 Waterville, ME 04901 Santa Monica, CA 90405 207-872-5111 310-450-5571 www.shadowdistribution.com [email protected] Running Time: 88 min Format: 35 mm Sound Format: Dolby 5.1 Trailer and official website: www.skillslikethis.com Press Kit and Stills: www.shadowdistribution.com SYNOPSES Short Synopsis Max Solomon faces the awful truth that he will never be a writer. But that doesn't mean his creative energy goes to waste. In a desperate attempt to find his talent, he turns to crime, albeit in his own idiosyncratic and non- violent way. In this inventive comedy, three friends (and a bank teller) have their lives turned upside down when one of them realizes that larceny might be his best skill. Long Synopsis The day before his 25th birthday, Max Solomon faces the awful truth that he will never be a writer. In a desperate attempt to find his next artistic endeavor, he turns to crime and pulls off a great feat. His newfound talent ignites a passion within him and sends his two best friends on their own journeys. Tommy, the slacker, is inspired to enter the job market, and Dave, only too aware of the consequences of grand theft, becomes obsessed with writing the perfect apology letter. It may not be the time to fall in love, but when Max meets Lucy, it's decision time.
    [Show full text]