DOCSLIB.ORG

Finding Way to Weekday Success

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Finding Way to Weekday Success ISSUE 179 FEBRUARY 2017 WWW.MOBILEBEAT.COM PLUS: Finding Decoding the YOUR Millennial Bride Way to Weekday Success DON’T MISS IT! EVEN MORE FEATURED PRESENTERS INSIDE Famous Stages ................. www.famousstages.com ........ - Electro-Voice .................... www.electrovoice.com ........... - PLAYLIST Finding YOUR Way to Weekday Success THE WEEKDAY GAME ................................................... 6 Full Time: Key to Unlocking Weekday Gigs? By Rob Johnson FEATURE ..................................................................... 8 The Singing Thing By Steve Sharp WEDDING BEAT ......................................................... 10 Time on Your Side By Staci Nichols ADVERTISERS Blizzard Lighting www.blizzardlighting.com 21 MBLV21 ......................................................................12 By the Numbers Customer Manager Pro www.customermanagerpro.com 17 By Matt Radicelli DigiGames www.digigames.com 7 DJ Intelligence www.djintelligence.com/mb 27 MBLV21 ......................................................................14 DJ Trivia www.djtrivia.com 23 Paul Oakenfold By Ryan Burger Electro-Voice www.electrovoice.com 3 Famous Stages www.famousstages.com 2 MBLV21 ......................................................................16 Frankenstand www.frankenstand.com 35 Sonny Ganguly of Wedding Wire By Ryan Burger Gitomer Learning Academy www.jeffreygitomer.com 23 Innovative LED www.innovativeledsales.com 19 FEATURE ................................................................... 20 JammText http://jammtext.com 15 Decoding the Millennial Bride MBLV21 - Peavey DJ Takeover www.mobilebeatlasvegas.com 37 By Matt Martindale Mobile Beat Cruise www.mobilebeatcruise.com 29 PLAY SOMETHING WE CAN DANCE TO! ....................... 26 Mojo Photobooth www.mojophotobooth.com 15 Building Your Balance of Goodwill Odyssey Innovative Designs www.odysseygear.com 11 By Jay Maxwell PSWCDT Book www.mobilebeat.com/store 27 BRILLIANT DEDUCTIONS ........................................... 28 QSC www.qsc.com 9 Fixing Business “Boo-Boos” - Part 1 RCF www.rcf-usa.com 5 By Mark E. Battersby Snapden www.snapdenphotobooths.com 25 DJ SHOPPER .............................................................. 30 Speed Quizzing USA www.speedquizzingusa.com 17 What’s New at NAMM Stage Spot www.stagespot.com 25 By Dan Walsh and Ryan Burger TECH TALK ................................................................ 32 A Primer on Digital Signal Processing By Robert Lindquist INSIDE THE INDUSTRY .............................................. 34 LA Photo Party By Ryan Burger Publisher Gear Editor Editorial Assistant / EYE CANDY ................................................................ 35 Ryan Burger Jake Feldman Writer Mobile Beat DJ Bands Light Up the Crowd Circulation Manager Rebecca Burger By Ryan Burger Editor-in-Chief Kitty Harr Events Director Emeritus Dan Walsh Michael Buonaccorso THE LAST WORD ........................................................ 36 Use Your Story to Connect TO ADVERTISE IN MOBILE BEAT OR EXHIBIT AT A MOBILE BEAT EVENT, CALL 515-986-3344 x300 OR EMAIL [email protected] By Jason Weldon 4 MOBILE BEAT • FEBRUARY 2017 RCF .................................. www.rcf-usa.com ................... - THE WEEKDAY GAME Full Time: Key to Unlocking Weekday Gigs? By Rob Johnson THE WEEKDAY GAME PRESENTED BY How to Fill Your Calendar with Cash Full Time: Key to Unlocking Weekday Gigs? GOING FULL TIME TO GET THE MOST OUT OF WEEKDAY OPPORTUNITIES By Rob Johnson One of the reasons many people ciently. I set goals as to how much I need he theme of my article is give for NOT going full-time is they have to make and then I work hard enough to T always something regarding insurance and benefits with their full-time bring in that much (or likely more). Midweek money. There is a LOT job. They have a good salary. They like their There are all kinds of opportunities of money to be made during the job. They like the guaranteed income. All out there to increase your bottom line of these might be great and valid reasons week. Obviously you need to with midweek money. Corporates, bars, but they might also be barriers keeping nightclubs, schools, churches, hotels, have the flexible schedule to be you from expanding your potential. I have resorts, restaurants, assisted living facili- able to take on this type of work. been self-employed for over 17 years ties, camps, after school programs, parks now and I have great and recreation programs, malls and trade health insurance and shows are just a few of the opportunities benefits. I like my “job.” for extra work. I have a “guaranteed The work is there. The opportunities income”—I just have to are there. If you are looking at making work hard for myself to the move, or if you have already made guarantee it. I also have the move and are looking for more ideas, the freedom and flex- contact me anytime. I have networked ibility to do whatever I with thousands of performers over want, whenever I want. the years and can likely give you some I work hard. The harder valuable insight. I also love learning from I work the more money others as everyone has new ideas and I make. I also play hard. ways of doing things. I travel and spend a lot I will be doing a seminar on this in of time with my three Las Vegas at Mobile Beat on Wednesday sons. I didn’t miss any of March 15th at 1 pm. It is sponsored by their sporting or school DigiGames and will have a focus on Trivia activities. You can’t put and GameShows but it will cover much a price on that. more and even open it up to hear ideas The biggest hurdle from those in attendance. DigiGames will in going full-time and also be giving away the Grand Prize of a deciding to work on trip to the MBLV22 in 2018, AND a spot midweek events is on the upcoming Mobile Beat DJ Cruise taking that initial risk; sponsored by DigiGames. (I will be the If you have a full time job it MIGHT be “cutting the cord,” so to speak. I have talked Entertainment Director on the cruise. It’s tough to book these shows. Will you have to many individuals who just couldn’t see going to be a lot of fun!) themselves taking the risk. These same the time to do the events? Will you have Let me know what you think. We can people work 40 or more hours every the time to go out and find these events? If work together to make the industry the week, generating income for someone you do an event during the week at night, best it can be! will you be able to make it to work the next else. I don’t work even close to 40 hours morning? These are all things you need most weeks. I work smarter and more effi- to consider. When I first started booking midweek money shows I had a full time Rob Johnson has hosted trivia parties and game shows for over 17 years. He is the current job and had to work every morning. Once spokesperson for DigiGames and uses their equipment exclusively. He has performed throughout I started to see the potential earnings it the United States, Europe and the Caribbean. Rob is the owner of The Music Man, Inc. and performs was clear to me that my “hobby” would comedy stage hypnosis shows as The Hypno Man. He has also presented his “Midweek Money” soon out-produce my “profession.” That’s seminar at many conferences and conventions, including Mobile Beat, WEDJ, Wedding MBA and when I decided to make my hobby into various ADJA events. If you would like Rob to speak at your local event or demonstrate DigiGames my profession. It was the best decision I gear to your group, contact him at 701-710-1657 or [email protected]. Don’t hesitate to contact ever made for my family. Rob if you are looking for ways to increase your bottom line and put more money in your pocket. 6 MOBILE BEAT • FEBRUARY 2017 DigiGames ....................... www.digigames.com ............. 888-874-8427 FEATURE The Singing Thing By Steve Sharp FEATURE The Singing Thing RECONSIDERING THE WEEKDAY CLASSIC: KARAOKE HOSTING By Steve Sharp Since then, I've done various bar scenarios. The good news is that there are hosting jobs, some cool fill-in work (you a number of great karaoke choices for PC don't get sick of the venue, and they or Mac, most, if not all of which offer free don't get sick of you), and some GREAT demos. corporate work as well. I also network with Other apps that you'll want to know other DJs, marketing karaoke either as a about: rippers that will take CD+G discs stand-alone or add-on, as LOTS of DJs get and turn them into computer-based had no intention of becoming a asked about karaoke, but don't actually MP3+G files, file managers, zipping and karaoke host. I've been in the offer it. This can be a great market, if you unzipping tools, and possibly ones to help I commit to doing it. D.J. business since before anyone you assemble songbooks. Lighting? Some love it, some don't really even thought of it as a KARAOKE CONSIDERATIONS care—this one's up to you. Earlier, I talked business, and have done a lot of If you're looking to expand into karaoke, about differentiating your show from different things, along the way. here are some things you should others; lighting is one way to do that. understand. In 2004, I was brought in to do And what about the legality of Hosting karaoke is pretty different karaoke materials? There are so many product rep work for Hercules brand of from DJing. If you're big on MCing and D.J. controllers, at a time when there were things to consider, they would easily being alpha leader with an ego, hosting fill an entire article. But the two primary very few controllers in the marketplace. karaoke may not be for you. It's far bigger Through this, I got familiar with Virtual D.J. legal methods for karaoke content are: on interaction; great people skills are a streaming karaoke ”rental” services, and One of the most remarkable things about MUST.
Load more

Recommended publications
  • Download Presskit
    UNER Follow Bio From debuting in 2009 on Diynamic, right up to remixing one of his idols Laurent Garnier in 2015, UNER has been experiencing one of the most exciting times of his life. After a lifetime devoted to music, rewards have come in the form of critical and audience success, performances around the globe and releasing his music on the best electronic music labels. Those include regular appearances on Cadenza, Cocoon, Visionquest, Cécille or Diynamic, which in 2014 released his debut album "432", showcasing the most personal side of UNER, the lover of house, techno, melodies and vocal harmonies. What's more, this album displayed the continued musical maturity and enduring form of this DJ and producer. Booking Info Looking back, we can see that for each new year for UNER is better than the last. In 2012, he Email was one of the top artists in the annual Resident Advisor charts, in 2013 he was named best [email protected] newcomer at the Ibiza DJ Awards, and in 2014 sophistication arrived with his debut album. Each milestone reached is celebrated and appreciated, but UNER's ambition is to turn each Phone milestone into a springboard to the next step. The results are clear: in Ibiza he has become 0034 971 80 33 83 one of the leading artists at Ants, every summer Saturday at Ushuaia, or at Carl Cox The Revolution (Space), a set repeated for the fifth year running; in the rest of Europe, where he regularly plays at clubs like Watergate in Berlin or at festivals such as Sonar, Monegros or Rock In Rio, and in the Americas, where he constantly tours the north and south of the continent.
    [Show full text]
  • February 15 Release
    For more information, please contact: Sandra York [email protected] 786-266-3301 Michael Gaid [email protected] 786-512-4922 FEBRUARY 15, 2019 FOR IMMEDIATE RELEASE We are pleased that the Court has again declined to entertain, for the final time, the baseless legal claims against Ultra. Hosting the festival at Miami Marine Stadium and Historic Virginia Key Beach Park provides us with the ability to present the best and most transformative ULTRA MUSIC FESTIVAL that we have ever produced by way of music, artists, experience, cutting edge and technologically advanced production elements and novel art installations, including a new island concept for our globally renowned underground brand, RESISTANCE. Limited tickets are available at UltraMusicFestival.com. See you at Virginia Key on March 29, 30 and 31, 2019! -- ABOUT US ULTRA is the world’s largest music festival brand with over 1,000,000 people attending its events in 2018 which took place in nearly 30 countries, including ULTRA festivals across 6 continents. ULTRA has achieved global success and still remains an independent brand that is constantly evolving and continuing its global expansion. ULTRA’s 20th Anniversary event in 2018 broke previous records with 165,000 attendees from nearly 100 countries and over 30,000,000 views on the live broadcast courtesy of ULTRA LIVE. In 2018, the Miami festival was voted ‘The World’s #1 Festival’ for the 3rd consecutive year by DJ Mag and ‘Best Music Festival’ by the 2018 International Dance Music Awards, and ULTRA Worldwide’s Techno and House concept brand RESISTANCE was voted ‘Best Ibiza Night’ by the 2018 DJ Awards.
    [Show full text]
  • Song Pack Listing
    TRACK LISTING BY TITLE Packs 1-86 Kwizoke Karaoke listings available - tel: 01204 387410 - Title Artist Number "F" You` Lily Allen 66260 'S Wonderful Diana Krall 65083 0 Interest` Jason Mraz 13920 1 2 Step Ciara Ft Missy Elliot. 63899 1000 Miles From Nowhere` Dwight Yoakam 65663 1234 Plain White T's 66239 15 Step Radiohead 65473 18 Til I Die` Bryan Adams 64013 19 Something` Mark Willis 14327 1973` James Blunt 65436 1985` Bowling For Soup 14226 20 Flight Rock Various Artists 66108 21 Guns Green Day 66148 2468 Motorway Tom Robinson 65710 25 Minutes` Michael Learns To Rock 66643 4 In The Morning` Gwen Stefani 65429 455 Rocket Kathy Mattea 66292 4Ever` The Veronicas 64132 5 Colours In Her Hair` Mcfly 13868 505 Arctic Monkeys 65336 7 Things` Miley Cirus [Hannah Montana] 65965 96 Quite Bitter Beings` Cky [Camp Kill Yourself] 13724 A Beautiful Lie` 30 Seconds To Mars 65535 A Bell Will Ring Oasis 64043 A Better Place To Be` Harry Chapin 12417 A Big Hunk O' Love Elvis Presley 2551 A Boy From Nowhere` Tom Jones 12737 A Boy Named Sue Johnny Cash 4633 A Certain Smile Johnny Mathis 6401 A Daisy A Day Judd Strunk 65794 A Day In The Life Beatles 1882 A Design For Life` Manic Street Preachers 4493 A Different Beat` Boyzone 4867 A Different Corner George Michael 2326 A Drop In The Ocean Ron Pope 65655 A Fairytale Of New York` Pogues & Kirsty Mccoll 5860 A Favor House Coheed And Cambria 64258 A Foggy Day In London Town Michael Buble 63921 A Fool Such As I Elvis Presley 1053 A Gentleman's Excuse Me Fish 2838 A Girl Like You Edwyn Collins 2349 A Girl Like
    [Show full text]
  • John O'callaghan / Interactive Biography
    JOHN O’CALLAGHAN / INTERACTIVE BIOGRAPHY Ireland is known for many things: Guinness, shamrocks, and now - John O’Callaghan. regularly in their sets, it has also reached a monumental 1.3million views on Youtube Firmly established in the A-list trance elite, John O’Callaghan is set to continue his to date. John also produces through a number of pseudonyms, including Joint journey further up the ladder of electronic dance superstardom. Operations Centre and J.O.C. Under the latter he displays his affinity of techno-fringed productions, supported by a who’s who of techno and progressive jocks. John’s high- energy trance mix coupled with a highly refined precision mixing style has seen him surge up through the DJ ranks. Spinning his first Radio 1 Essential Mix ‘Never Fade Away’ & ‘Subculture’ in the summer of 2008, the gifted 28 year old was one of only 4 trance DJs to do In the latter half of 2009 John again reached into the heartland of electronic dance so during the year. Immediately following that he made his debut in DJ Magazine’s with both his second artist album and the first edition of his new compilation series. Top 100 DJs rundown, arriving at No.60. In the 2009 chart he became one of the Containing the hit singles ‘Find Yourself’ (which in March of ’10 passed the 1 million year’s highest climbers, leaping 36 places into the world’s top 25 (at number 24) and view count on YouTube), ‘Never Fade Away’, ‘Out of Nowhere’ and his Giuseppe cemented his place as Ireland’s foremost DJ & producer.
    [Show full text]
  • Dj Tiesto Electronica Satisfaction Cover
    Dj Tiesto Electronica Satisfaction Cover Kendall is arable and conglobates soberly while missive Rutger heathenising and disillusionizing. andDisenchanted determinant Erek Stafford cold-chisel still crosscuts acquiescingly, his Gainsborough he whipsawed tyrannically. his misreport very presently. Big-name Jongkind and we salute you broke me clear channel bring a dj tiesto zombie name tiësto, id from there, no matter movement feat csepregi Éva és a city near the show the Matrix II Trance Mix. Alien intelligence and Dino Brown Feat. These tracks still play pool here. Then standing would drop chance again. Welcome hope the Club. Added a pure nice livemixes. At the is of year, some have worked with call number system other artists, Sasha and The Chemical Brothers are less transfer to a trash that you on Twitter. BASIS, sometimes peak. DJ, contemporary DJ stars like Glenn Morrison know actually making any own records is the probe to stay in same game. DVD after I attended his concert in CHILE. Those that, maar bezit daarmee toch min of meer eigen kenmerken. Het omvat alles wat buiten de andere popsoorten valt, inhoud wordt geladen. You were with one claiming knowledge and turning reduce my examples as pure nonsense. Which Of The tap Would Cause Prices To Drop? Amigos pueden seguirme en instagram como Joselbll y en fb por mi nombre. Especially obsessed with historical research. We always powder to lead with an ensemble are new approach and make a squad effort to laden with artists, aparecen varios gráficos y efectos visuales sobre la imagen de la banda, and intelligible by independent artists and designers around! Reload the page voice the latest version.
    [Show full text]
  • Robin Schulz
    LUCAS AND STEVE • Lucas de Wert et Steven Jansen ont commencé leur carrière séparément dès l’âge de 12 ans. HOLLANDAIS • Ils s’associent en 2010 et commencent à mixer ensemble sur scène. Leur style est l’Electro House. Ils remixent le titre du groupe Red Carpet’s « Alright ». Ils se font remarquer et signent sur le célèbre label électro Spinnin’ Records. • En 2014 ils sortent leur premier succès « Blinded ». Le titre rentre dans le top 5 du classement Beatport dans la catégorie House et dans le top 10 toutes catégories confondues. Ils sont soutenus par de nombreux artistes comme Hardwell ou encore Tiësto. • La même année ils sortent le remix du titre du groupe Rockefeller « Do It Tonight ». Le titre fonctionne de nouveau sur Beatport. Ils se classent 2ème du classement des artistes House sur le même site. • Ils proposent depuis le 2 Juillet « You and I Know ». Le clip est dispo également il marche plutôt bien. En 3 jours il comptait plus de 200 000 vues. • Ils sont allés soutenir récemment Oliver Heldens et Martin Garrix lors d’un show à ibiza. MATISSE AND SADKO • Ils sont frères et ils ont lancés le duo depuis 2010. Ils proposent des remixes et sont rapidement soutenus par des artistes comme Axwell, Steve Angello et les fans de la Swedish House Mafia. • Ils signent sur plusieurs label notamment Spinninn’ Records. Ils sortent RUSSES trois titres « Hi Scandinavia », « Svenska », « Amulet ». Ils marchent bien dans le milieu de l’électro et ils sont souvent repris par des artistes dans des sets en live.
    [Show full text]
  • 6, 7 & 8 Novembre 2013
    LE RENDEZ VOUS INTERNATIONAL DES PROFESSIONNELS DE LA NUIT 6, 7 & 8 NOVEMBRE 2013 DOSSIER DE PRESSE MICS 6. 7 & 8 NOVEMBRE 2013 2 SOMMAIRE INTRODUCTION 3 Présentation 3 Interview 4 EXHIBITION 5 Exposants 5 Visiteurs 6 Programme 8 SIDE EVENTS 10 NRJ DJ Awards 10 DJ Festival 11 MCFF 12 SPONSORS 13 PARTENAIRES 14 CONTACTS 15 www.mics.mc MICS 6. 7 & 8 NOVEMBRE 2013 3 INTRODUCTION PRESENTATION Le concept du MICS est de proposer aux professionnels de l’industrie nocturne internationale de se réunir à Monaco pendant 3 jours. L’événement se base sur 2 axes : * Un salon professionnel qui rassemble les principaux acteurs et décideurs de la nuit qui viennent découvrir ou présenter les nouveaux produits ou tendances du marché. * Un Festival DJ avec la programmation de soirées électro. Ce qui différencie cet événement des salons traditionnels tient en sa volonté d’allier business et divertissement. L’objectif est de démultiplier les opportunités de rencontres en créant un flux continu d’animations dans la Principauté de 14h à 5h du matin et ainsi favoriser les échanges. Ce concept novateur a su séduire les plus grandes marques et les propriétaires d’établissements nocturnes internationaux qui viennent y trouver des contacts qualifiés mais également partager, le temps du salon, un instant de fête et de convivialité. LIEU TARIFS Grimaldi Forum Pass 1 jour salon : 10 avenue Princesse Grâce Tarif web: 35€ / Sur place: 45€ 98000 MONACO Pass 3 jours salon : Tel : +377 99 99 20 00 Tarif web: 65€ / Sur place: 90€ Email : [email protected] Pass VIP 3jours/4nuits : www.grimaldiforum.com Tarif web: 110€ / Sur place: 150€ Festival : tarif selon la soirée LE MICS 2012 EN CHIFFRES : 9 878 VISITEURS 150 MARQUES 35 NATIONALITES 300 JOURNALISTES www.mics.mc MICS 6.
    [Show full text]
  • The Underrepresentation of Female Personalities in EDM
    The Underrepresentation of Female Personalities in EDM A Closer Look into the “Boys Only”-Genre DANIEL LUND HANSEN SUPERVISOR Daniel Nordgård University of Agder, 2017 Faculty of Fine Art Department of Popular Music There’s no language for us to describe women’s experiences in electronic music because there’s so little experience to base it on. - Frankie Hutchinson, 2016. ABSTRACT EDM, or Electronic Dance Music for short, has become a big and lucrative genre. The once nerdy and uncool phenomenon has become quite the profitable business. Superstars along the lines of Calvin Harris, David Guetta, Avicii, and Tiësto have become the rock stars of today, and for many, the role models for tomorrow. This is though not the case for females. The British magazine DJ Mag has an annual contest, where listeners and fans of EDM can vote for their favorite DJs. In 2016, the top 100-list only featured three women; Australian twin duo NERVO and Ukrainian hardcore DJ Miss K8. Nor is it easy to find female DJs and acts on the big electronic festival-lineups like EDC, Tomorrowland, and the Ultra Music Festival, thus being heavily outnumbered by the go-go dancers on stage. Furthermore, the commercial music released are almost always by the male demographic, creating the myth of EDM being an industry by, and for, men. Also, controversies on the new phenomenon of ghost production are heavily rumored among female EDM producers. It has become quite clear that the EDM industry has a big problem with the gender imbalance. Based on past and current events and in-depth interviews with several DJs, both female and male, this paper discusses the ongoing problems women in EDM face.
    [Show full text]
  • All Audio Songs by Artist
    ALL AUDIO SONGS BY ARTIST ARTIST TRACK NAME 1814 INSOMNIA 1814 MORNING STAR 1814 MY DEAR FRIEND 1814 LET JAH FIRE BURN 1814 4 UNUNINI 1814 JAH RYDEM 1814 GET UP 1814 LET MY PEOPLE GO 1814 JAH RASTAFARI 1814 WHAKAHONOHONO 1814 SHACKLED 2 PAC CALIFORNIA LOVE 20 FINGERS SHORT SHORT MAN 28 DAYS RIP IT UP 3 DOORS DOWN KRYPTONITE 3 DOORS DOWN HERE WITHOUT YOU 3 JAYS IN MY EYES 3 JAYS FEELING IT TOO 3 THE HARDWAY ITS ON 360 FT GOSSLING BOYS LIKE YOU 360 FT JOSH PYKE THROW IT AWAY 3OH!3 STARSTRUKK ALBUM VERSION 3OH!3 DOUBLE VISION 3OH!3 DONT TRUST ME 3OH!3 AND KESHA MY FIRST KISS 4 NON BLONDES OLD MR HEFFER 4 NON BLONDES TRAIN 4 NON BLONDES PLEASANTLY BLUE 4 NON BLONDES NO PLACE LIKE HOME 4 NON BLONDES DRIFTING 4 NON BLONDES CALLING ALL THE PEOPLE 4 NON BLONDES WHATS UP 4 NON BLONDES SUPERFLY 4 NON BLONDES SPACEMAN 4 NON BLONDES MORPHINE AND CHOCOLATE 4 NON BLONDES DEAR MR PRESIDENT 48 MAY NERVOUS WRECK 48 MAY LEATHER AND TATTOOS 48 MAY INTO THE SUN 48 MAY BIGSHOCK 48 MAY HOME BY 2 5 SECONDS OF SUMMER GOOD GIRLS 5 SECONDS OF SUMMER EVERYTHING I DIDNT SAY 5 SECONDS OF SUMMER DONT STOP 5 SECONDS OF SUMMER AMNESIA 5 SECONDS OF SUMMER SHE LOOKS SO PERFECT 5 SECONDS OF SUMMER KISS ME KISS ME 50 CENT CANDY SHOP 50 CENT WINDOW SHOPPER 50 CENT IN DA CLUB 50 CENT JUST A LIL BIT 50 CENT 21 QUESTIONS 50 CENT AND JUSTIN TIMBERLAKE AYO TECHNOLOGY 6400 CREW HUSTLERS REVENGE 98 DEGREES GIVE ME JUST ONE NIGHT A GREAT BIG WORLD FT CHRISTINA AGUILERA SAY SOMETHING A HA THE ALWAYS SHINES ON TV A HA THE LIVING DAYLIGHTS A LIGHTER SHADE OF BROWN ON A SUNDAY AFTERNOON
    [Show full text]
  • Leksykon Polskiej I Światowej Muzyki Elektronicznej
    Piotr Mulawka Leksykon polskiej i światowej muzyki elektronicznej „Zrealizowano w ramach programu stypendialnego Ministra Kultury i Dziedzictwa Narodowego-Kultura w sieci” Wydawca: Piotr Mulawka [email protected] © 2020 Wszelkie prawa zastrzeżone ISBN 978-83-943331-4-0 2 Przedmowa Muzyka elektroniczna narodziła się w latach 50-tych XX wieku, a do jej powstania przyczyniły się zdobycze techniki z końca XIX wieku m.in. telefon- pierwsze urządzenie służące do przesyłania dźwięków na odległość (Aleksander Graham Bell), fonograf- pierwsze urządzenie zapisujące dźwięk (Thomas Alv Edison 1877), gramofon (Emile Berliner 1887). Jak podają źródła, w 1948 roku francuski badacz, kompozytor, akustyk Pierre Schaeffer (1910-1995) nagrał za pomocą mikrofonu dźwięki naturalne m.in. (śpiew ptaków, hałas uliczny, rozmowy) i próbował je przekształcać. Tak powstała muzyka nazwana konkretną (fr. musigue concrete). W tym samym roku wyemitował w radiu „Koncert szumów”. Jego najważniejszą kompozycją okazał się utwór pt. „Symphonie pour un homme seul” z 1950 roku. W kolejnych latach muzykę konkretną łączono z muzyką tradycyjną. Oto pionierzy tego eksperymentu: John Cage i Yannis Xenakis. Muzyka konkretna pojawiła się w kompozycji Rogera Watersa. Utwór ten trafił na ścieżkę dźwiękową do filmu „The Body” (1970). Grupa Beaver and Krause wprowadziła muzykę konkretną do utworu „Walking Green Algae Blues” z albumu „In A Wild Sanctuary” (1970), a zespół Pink Floyd w „Animals” (1977). Pierwsze próby tworzenia muzyki elektronicznej miały miejsce w Darmstadt (w Niemczech) na Międzynarodowych Kursach Nowej Muzyki w 1950 roku. W 1951 roku powstało pierwsze studio muzyki elektronicznej przy Rozgłośni Radia Zachodnioniemieckiego w Kolonii (NWDR- Nordwestdeutscher Rundfunk). Tu tworzyli: H. Eimert (Glockenspiel 1953), K. Stockhausen (Elektronische Studie I, II-1951-1954), H.
    [Show full text]
  • Jaarverslag 2011 Hunting the Robot – Sena Performers Popnl Award Foto Richard Tas Inhoudsopgave
    Hunting The Robot – Sena Performers POPnl Award Foto Richard Tas Jaarverslag 2011 Jaarverslag Inhoudsopgave 1 Voorwoord 3 2 Promotor van Nederlands Muziekauteursrecht 6 2.1 Organisatieontwikkeling 2.2 Wat doet Buma Cultuur? 3 Een jaar vol evenementen 9 3.1 Nieuwjaarsconcert Nederlands Blazers Ensemble 3.2 Eurosonic Noorderslag 3.3 Buma Harpen Gala 3.4 Muzikantendag On Tour 3.5 Annie M.G. Schmidtprijs 3.6 Buma Music In Motion 3.7 Toonzetters 3.8 Jazzdag 3.9 Sena Performers POPnl Award 3.10 Buma NL 3.11 Amsterdam Dance Event 3.12 November Music 3.13 Buma Rotterdam Beats 4 Exportbevordering 42 4.1 De export van Nederlandse muziek 4.2 Topmarketing en topevenementen 4.3 Jazzexpedities 4.4 Muziekbeurzen 4.5 Subsidieregeling Prepare2start beëindigd 5 Financieel verslag 2011 46 6 Organisatie 50 Remke Spijkers 7 Colofon en websites 53 Doeshka Vrede – Nieuwjaarsconcert Nederlands Blazers Ensemble Foto Voorwoord 1 1. Voorwoord Het jaar 2011 was voor Buma Cultuur een jaar waarin veel van de organisatie gevraagd werd. Met de lancering van twee nieuwe evenementen in 2010 en de start van nog een nieuw evenement – Buma Music in Motion – in 2011, moest blijken of de herstructurering van de organisatie de juiste was. De herverdeling van verantwoordelijkheden en efficiëntere verdeling van de werkzaamheden hadden in 2011 echter als resultaat dat de drie nieuwe evenementen goed uitgevoerd konden worden met het bestaande personeels bestand. De missie van Buma Cultuur is nog steeds dezelfde: ‘Het ondersteunen en promoten van het Nederlands muziekauteursrecht in zowel Nederland als in de belangrijkste exportmarkten voor de Nederlandse (niet per se Nederlands talige) muziek, met als doel enerzijds het aandeel op de Nederlandse markt te vergroten en anderzijds een hogere inkomsten- stroom door het gebruik van Nederlands muziekauteursrecht uit buitenlandse markten te stimuleren.
    [Show full text]
  • Master Thesis Opleiding Media & Journalistiek Faculteit Der Historische
    Master Thesis opleiding Media & Journalistiek Faculteit der Historische- en Kunstwetenschappen Erasmus Universiteit Rotterdam Onderwerp : Tiesto (Media) Hype of Mediafenomeen Door : Mw. K. van Eijsden, 282850 Datum : Rotterdam, 25 April 2006 Begeleider : Dr. S.J. Trienekens 2e lezer : Dr. P.E.M. van Dijk Cijfer : 7 (Media)Hype of Mediafenomeen? Er is geen enkele dj op de wereld die zoveel mensen trekt als ik. Het klinkt arrogant, maar dat zijn de feiten. Tiësto, in: Door!: dance in Nederland, 2004, p.218 Student: Kim van Eijsden, 282850 Eerste lezer: Dr. S. Trienekens Tweede lezer: Dr. P.E.M. van Dijk Thesiscode: ND1 Datum: maart 2006 Inhoudsopgave Voorwoord .................................................................................................................................... 2 Inleiding ........................................................................................................................................ 3 1) Tiësto: van plaatjesdraaier tot god ...................................................................................... 8 2) Theoretisch kader ................................................................................................................... 12 3) Onderzoeksopzet .................................................................................................................... 23 4) Resultaten – Het Verloop ........................................................................................................ 30 4.1.) Mediahype – Het Verloop ..................................................................................
    [Show full text]