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Dohnanyi Intermezzo Piano.Pdf TheThe AmericanAmericanThe American ViolaViola SocietyViolaSociety Society intermezzointermezzointermezzo fromfrom symphonysymphonyfrom symphony no.no. 11 no. 1 ErnoErno DohnányiDohnányiErno Dohnányi (1877-196o)(1877-196o)(1877-196o) ReductionReduction Reduction forfor SoloSolo ViolaViola for Solo andand Viola PianoPiano and Piano AVSAVS Publications PublicationsAVS 040a Publications040a 040a Preface Ernő Dohnányi’s Symphony No. 1 in D Minor, op. 9, was composed between 1900 and 1901 and premiered by the Hallé Orchestra, conducted by Hans Richter, on January 30, 1902. The brief Intermezzo presented here is the fourth of the symphony’s five movements and is scored for solo viola and a reduced orchestra. Writing about the premiere performance, a reviewer for the Manchester Guardian remarked: The ensuing Intermezzo, with a return to the cor anglais theme [from the second movement], now assigned to a single viola, is a little unkindly written for the solo instrument, the key being B major and the ordinary tuning adhered to, so that open strings are of little or no use. Musically, however, it is a remarkably well conceived interlude, bringing just the element of contrast which is required by the tone-picture.1 The solo viola part—despite any reservations about the key of B major—is suitably written for the instrument, while the orchestral accompaniment is sympathetically scored to the advantage of the viola. The American Viola Society is pleased to publish this movement in its original version (AVS 040) and in a version for solo viola with a piano reduction (AVS 040a). David M. Bynog, editor Notes 1. “The Hallé Concerts,” Manchester Guardian, January 31, 1902. While the review does not mention the soloist, Simon Speelman was principal viola of the Hallé Orchestra during the time. Intermezzo Solo Viola from Symphony No. 1 Ernő Dohnányi Edited and with a Piano Reduction by David M. Bynog Andante poco moto j j œ # # ˙. ˙. œ œ œ œ œ œn œ œ œ œ œ œ œ œ B # # 3 ˙. ˙. œ œ œ œ œ œ#œ #4Piano espress. œ œ œ ∑ ∑ ∑ #œ 8 j œ œn œ œn nœ œ œ œ nœ œ œ B #### œ œ œ œ œ œ œ œ œ nœ#œ œ œ # œ #œ œ œ 14 nœ B #### œ œ. œ œ. œ œn˙ œ œ œ nœ œ œ œ nœ nœ œ œ #œ#œ # J œ œ œ œ ˙ A 20 œ œ œ 1 # ## œ œ œ œ. œ œ . œ. B # # œ œ œ œ Œ Œ ∑ ‰ œ œ#œ œ œ decresc. #espress.œ œ J 27 œ. # ## œ# œ œ œ n˙. œ œn . œn œn œ nœnœ œ œ œ n˙. B # œ #œ œ œ œ 3 3 # 3 cresc. nœ J 3 œ œ 33 nœ œ nœ nœ œ nœ œ# œ # ## #œ œ nœ œ œ œ œ œ œ œ œ œ . J œn . B # œ 3 & nœ œ # ‹œ œ 3 nœ f B 38 # # nœ œ œ nœ # # œ nœ œn . œ œ. œn œ œ nœ œ œ# . œ B œ œ œ œ j & # J J J nœ œ jœ œ ƒ decresc.œ 43 C nœ œ 11 4 œn . j nœ œ # # ˙. œ œn œ nœ B # # œ œ nœ œ ‰Œ Œ nœ # n˙ nœ J ∑ ∑ poco rit. - - - - - - - - - - a tempo 64 U # # nœ œnœ œ œ nœ nœ œb #œ ˙. ˙. ˙. B # # ‰ nœ œ nœ & #œ œ œ # nœ œ œ decresc. nœ #œ π p ©American Viola Society 2015, AVS 040a Intermezzo from Symphony No. 1 Ernő Dohnányi Edited and with a Piano Reduction by David M. Bynog Andante poco moto œ œn œ Viola # ## 3 œ œ œ œ œ œ B # # 4 ∑ ∑ ∑ espress. (bassoons) ˙. ˙. (strings) # ˙. ˙. œ ? ## # 3 ˙. ˙. œ & j j j j j # 4 J œ œ œ œ œ œ œ œ œ œ œ Piano œ œ œ œ œ œ œ œ œ œ œ . p π ? # # 3 # ## 4 n˙. œ ŒŒ ∑ ∑ n˙. ˙. ˙. œ 6 j # œ œn œ œ œn œ B ## # œ œ œ œ œ# œ œ œ œ œ œ # œ œ# œ œ œ 6 # # # # j j j j j j ŒŒ j j & # œ œ œ œ œ œ œ œ œ œ œ œ œ nœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ J J œ œ # ? ## # ∑ ∑ ∑ ˙. n˙. # ˙. ˙ π 11 œn # œ œ œ œn œ œ œ œn œ œ B ## # œ œ œn œ# œ œ. J # œ# œ 11 #### j j j j j j & # œ œ œ œ j j nœ œ œ œ œ nœ œn œ œ nœ œ œ œ nœ nœ œ (pizz.) ? # # œ. # ## ∑ ŒŒ œ. J ‰Œ Œ Œ œn œ œ. ©American Viola Society 2015, AVS 040a 2 Dohnányi - Intermezzo 15 # # œ n˙ œ œ œ B # # œ. œ œ œ œ œn œ œ œn œn œ œ œ ˙ œ# œ# # œ 15 # œ . œ. œ œ nœ œ . nœ. œ ## # j ? œ œ œ œn œ œ œ.œn n œ ‰Œ Œ Œ n˙ œ œn & # J J J J J dolce nnœ π # # j j ? # # œ œ. ‰ ‰ j nœ ∑ Œ ‰ j‰ ‰ œ # œ . nœ . nœ œ œ œ . œn . œn ˙. œ. A 20 # œ œ œ œ B ## # œ œ œ. œ œ ŒŒ ∑ ‰ # œ œ œ œ œ œ œ# decresc. espress.œ# œ 20 (oboes) # nœ œ j j ? ## # œ œ œ œ œ œ œ œ œ‰Œ. & ˙. ˙. œ œ œ œ # J J ˙. #˙. œ (strings)œ œ œ p π ? # # j j j j n˙. # ## œ œ œ œ œ ‰Œ . ˙. ŒŒ& œ œ œ œ. (bassoons)n˙ ˙. œ ˙. œ œ œ œ œ. œ 26 # œ. B ## # œ. œ. œ #œœ œ œ œ# œ œ n˙. œ œ œ œn . œn # 3 cresc. œn J J 3 œ œ 26 (oboe) # # j ˙. œn ˙ # # ‰Œ Œ ∑ ˙ œ# & # œ dolce p j j j j j . #### j j j nœ ? nœ. nœ & # ‰ œ œ œ œ œ œ œ œ œ œ œ nœ œ œ œ œ nœ nœ. nœ. Dohnányi - Intermezzo 3 31 # # nœœ œn œn œ œ n˙. œ œ œ œ œ œn œ B # # œ œ œ# œn & œ # 3 3 œ‹ œ 3 3 f 31 (violin) # ## # #œ œn œ œ œ œ. œn ˙. œn & # nœ J dolce ˙ P j . œn nœ œ œ œ œ œ œ #œ œœ œ œ ‰ œ nœ œ ? # # J J J J œ œ œ œ œ # ## J J b˙. b˙. p 35 # # œ œ œ œ œn œ œn œ# . œ # ## œ J œn . œn œ œ œn œn . œ & œn J 35 # ## # œn & # ˙. #˙. œ œn nœ œ nœ nœ œ. J j j j j œ œ œ œ j # œ œ œ œ ‰nnnœœ œœ œœ œœ nnnœœ œ œ ‰ nœ œ œ ? ## # nœ œ œ œ nœ œ œ œ n œ œ œ n œ œ œ # n˙. b˙. J n˙. n˙. b˙. n˙. B 39 # # œn œ œ œn # ## œ. œn œ œ œn œ œ# . œ B œ œ œ œ j j & J J œn œ œ œ ƒ decresc.œ 39 f #### ˙ n˙. ˙. ˙ œ & # œ œn decresc. ‰ nnœ œ œ œ ‰Œ Œ cresc. œ œ œ j j J J #œ œ œ œ ? #### ‰ n œ œ œ œ ‰Œ j‰ ∑ # œ nœ nœ bœ b˙. F œ œn œ œn œb b˙ œ . J F 4 Dohnányi - Intermezzo 43 # ## œ ˙. œ B # # n˙ œn œ œ œn J ‰Œ Œ 43 œ # # œ œn œ nœ œ œ œ œ œ œ œ #œ # ## nœ #œ nœ & espress. #œ œ P (winds) . j ‰ œ œ n˙ œ ‰ nœ œ ? # # nœ˙. n ˙ œ nœ ˙ œ œ œ œ # ## ∑ n˙ nœ nœ œ #n˙˙ œœ p ‰ nœ . ˙ œ ‰ p . J (pizz.). . * * 47 # # B # ## ∑ ∑ ∑ ∑ 47 j # œ #œ œ œ œ œ ## # œ œ œ œ œ œ œ œ œ #œ & # #œ œ œ Œ Œ Œ #˙ œ ˙ œ ˙ œ . # # ˙ œ œ œ œ ˙ œ œ ˙ œ œ œ ˙. œ œ œ ? # # ‰ œ œ ˙ œ œ œ ‰ œ œ œ ˙ œ # . ‰ . ‰ œ . * * * . 51 # # B # ## ∑ ∑ ∑ ∑ 51 nœ œ œ œ nœ œ œ nœ #### œ œ œ œ. œ œ. & # J nœ œ œ . œ. nœ . œ. Œ Œ œ nœ œ œ œ. n˙ nœ #˙ #œ nœ œ ? # ## œ ˙ œ œ n ˙˙ œ œ nœ ˙. œ œ # # nœ œ œ œ #œ œ n˙. nœ œ ‰ ‰ . ‰ . * * * Dohnányi - Intermezzo 5 55 C # # B # ## ∑ ∑ ∑ ∑ ∑ 55 # ## œ œ œ œn ˙ œ œ œ œ œ œnœ œ œ œn œ œ œn œ & # # nœ œ œnœ œ œ . œ. nœ œ. n˙ Œ ˙ Œ . # # nœ. œ œ œ œ n ˙ nœ œ œ n˙ nœ n˙. nœ œ gnnœ ? # # œ nœ œ œ œ œ ˙. œ œ œ Œ Œ g nœ # ‰ nœ ‰nœ œ ‰ œ g . * * * * 60 # # B # ## ∑ ∑ ∑ ∑ ‰ œn œ œn œn œ p 60 # ## ˙ n nœ œ ˙. & # # œn œ nœ œ nœ œn œn . nœ œ n˙. ‰ œ J ‰Œ nœ œ nœ ˙. decresc.J . π nœ . π nœ. œ ? # # g nœ œ. n˙. ˙. # ## Œ g œnœ ∑ n ˙. ˙. n˙. g n˙. poco rit. - - - - - - - - - - - - - - - - - - - a tempo U 65 œn œn ˙. ˙. ˙. œn œ œb œ# œ œ œ# # ## œn œ œ œ# œ B # # œn decresc. π poco rit. - - - - - - - - - - - - a tempo 65 . ˙. ˙. ˙. U˙. # ## . n˙. ˙. ˙. ˙. ˙. & # # n#˙. ˙. ˙. ˙. ˙. ˙. #˙. ˙. œ œ #œ œ ŒŒ ‰#œ œ . U ? # # # ## n˙. ˙. ˙. ˙. ˙. ˙. n˙. ˙. ˙. ˙. ˙. ˙. π AVS PUBLICATIONS VIOLA SOLO VIOLA AND PIANO VIOLA AND ORCHESTRA Bob Cobert Jeanne Behrend Ernő Dohnányi Music for Only One Lonely Viola.
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