Private Charles Godfrey
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Department of English and American Studies English Language And
Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Gabriela Gogelová The Home Guard and the French Resistance in Situation Comedies by David Croft Bachelor‟s Diploma Thesis Supervisor: Stephen Paul Hardy, Ph. D. 2015 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………… Author‟s signature I would like to thank my supervisor, Stephen Paul Hardy, Ph.D., for his professional advice, encouragement and patience. Table of Contents General Introduction 5 Chapter I: Situation Comedy and the BBC 8 Chapter II: Analysis of Dad’s Army 12 Description of the Characters 12 The British Home Guard vs. Croft and Perry‟s Dad’s Army 25 Chapter III: Analysis of ‘Allo ‘Allo! 30 Description of the Characters 30 The French Resistance vs. Croft and Lloyd‟s ‘Allo ‘Allo! 41 Conclusion 46 Works Cited 52 English Resume 55 Czech Resume 56 General Introduction The Second World War was undoubtedly the most terrible conflict of the twentieth century and one of the most destructive wars in history. It may therefore seem surprising that comedy writer David Croft chose exactly this period as a background for his most successful situation comedies. However, the huge success of the series Dad’s Army and ‘Allo ‘Allo! suggests that he managed to create sitcoms that are entertaining for wide audience and not offensive despite their connection to the Second World War. This thesis focuses on two of David Croft‟s sitcoms, Dad’s Army and ‘Allo ‘Allo!. The firstly mentioned sitcom was created in cooperation with Jimmy Perry and ran on BBC1 almost ten years from 1968 to 1977. -
Vf Dad's Army Programme.Pub
16 May 2016 1 £2 Welcome Welcome to our Spring 2016 Producon of Dad’s Army. I think we can guarantee you a laugh a minute as we present three of the original TV episodes ‐ “Deadly Aachment”, “Mum’s Army” and “The Godiva Affair”. We’re delighted to have a few new faces on stage and we’re sure you’ll give them a warm welcome. As you will know we are in the early stages of our “Big Project” which will see the theatre upgraded and improved. We will be addressing issues of accessibility, health and safety and extending use of the theatre within the community. As a first step we have been busy fundraising to help towards the costs associated with our Project. These costs include emergency repairs to the roof (which we have now completed) and detailed architect’s drawings. There is more informaon available in our “Big Project” leaflet and if you join our mailing/email list we’d be very happy to keep you informed about progress. We are also currently in the early stages of looking at Community Ownership which would see the building come into the ownership of The Barony Players (we current‐ ly lease the building from Falkirk Council). As you can imagine this ambious project will take some years to achieve and along the way we will need to raise considera‐ ble amounts of money. With the help of you our audience we’re confident we’ll get there. We have launched our new website and connue to use Social Media to extend our reach. -
The Return of the Deadly Attachment by Niles Schilder Based on the Series by Jimmy Perry and David Croft SCENE 1
The Return of The Deadly Attachment By Niles Schilder Based on the series by Jimmy Perry and David Croft SCENE 1 Wilson is in the office reading the newspaper, Mainwaring enters. Wilson: Hello, Sir. Mainwaring: Hello, Wilson, it’s good news, isn’t it. Wilson: What is, Sir? Mainwaring: They’ve relaxed social distancing measures for Home Guard; we no longer have to stand two meters apart. Wilson: Oh, that is good news Sir, it was getting rather tiresome. Mainwaring: Yes, although I like my men to set a good example to the rest of the town. Wilson: Indeed, have you heard the news about the U-Boat crew? Mainwaring: No, I don’t think I have, what is it? Wilson: Well the day after they furloughed half the guards at the prisoner of war camp, a whole U-Boat crew escaped. Mainwaring: Oh dear, I don’t entirely approve of the furloughing of members of the British Army. I’m sure we will be roped in to recover them. Wilson: Yes, well they weren’t British sir, they were Polish guards. Mainwaring: Well what do they expect one load of foreigners, being guarded by another load of foreigners. Wilson: Well you see Sir, they are not foreigners to them only foreigners to us. Anyway that wasn’t the point I was making, I was wondering if they are the same U-Boat crew we dealt with a couple of months ago. Mainwaring: I should think it would be highly unlikely; they are bound to get caught though. I mean how do they expect to get across the country during a lockdown, they would need a damn good disguise. -
Mention the War: British Sitcoms and Military Masculinity
93 ANETTE PANKRATZ Mention the War: British Sitcoms and Military Masculinity 1. Introduction "Military virtues such as aggression, strength, courage and endurance have repeatedly been defined as the natural and inherent qualities of manhood" and "the soldier has become the quintessential figure of masculinity" (Dawson 1994, 1; cf. Braun 1996, 180; Connell 2005, 73, 213). Despite the assertive tone of these statements, military masculinity is fraught with contradictions and paradoxes. Soldiering, especially the killing of people in combat, can be seen as morally ambiguous (Braun 1996, 180). More importantly, the ideal type of military masculinity can never be reached and is enmeshed in a "dense web of double binds" (Belkin 2012, 4), that is, in disciplinary rituals that address soldiers as "girls" or "poofs" or in exercises that infantilise and feminise them (Belkin 2012, 33). Since the abolishment of National Service in 1961, serving in the army has become a very specialised occupation for a minority of the population in Britain and the warrior hero has been superseded by figures such as the "entrepreneurial individual" (Connell 2005, 254). (British) situation comedies featuring soldiers, from The Army Game (ITV, 1957- 1966) to Bluestone 42 (BBC, 2013-2015), broach this field of tensions with comic intent. They operate with incongruity between the exemplary figure of the warrior hero and its real-life performance, either by turning the norm upside down or by exaggerating and stereotyping it. The implicit juxtaposition of the ideal and its comic Other also puts into play different versions of masculinity, from the anxiously overt or the supposedly 'normal' to the deficient or explicitly dissident. -
Dads Army: Complete Radio Series Two Pdf, Epub, Ebook
DADS ARMY: COMPLETE RADIO SERIES TWO PDF, EPUB, EBOOK Jimmy Perry,David Croft,Arthur Lowe,John Le Mesurier,Full Cast | 1 pages | 14 Dec 2016 | BBC Audio, A Division Of Random House | 9781471366604 | English | London, United Kingdom Dads Army: Complete Radio Series Two PDF Book Mainwaring teaches the men to use the public telephone system as emergency communication. I love it. Audio Software icon An illustration of a 3. Episode list Missing episodes Radio episodes. Some actors can end up feeling resentful when a role comes to define them, but Lavender has no such reservations. Private Pike's mother agrees to take in a child evacuee, but Wilson misunderstands her and believes she is pregnant. By the third episode, screened on 14 August, the critics were catching up with public enthusiasm. They seem unlikely to win and their chances worsen when Jones has a bout of malaria. Cancel Save. Frazer's increasingly dictatorial manner soon alienates the platoon. Mainwaring is charged with showing a light and taken to court by a gleeful Hodges. Swallow's Bank takes a direct hit during an air-raid, but the bomb fails to explode, leaving Mainwaring and Wilson stuck in the vault with it. The Day the Balloon Went Up. Mainwaring spots an unexploded bomb caught in the wires. Namespaces Article Talk. One section, though, mistakes the other for the enemy. Ten Seconds From Now. From Wikipedia, the free encyclopedia. After Frazer moans about Mainwaring wasting his time with irrelevant lectures, he allows Frazer become Captain for a couple of days - but the power goes to his head. -
April 2013 V4
April 2013 Josh Hindle ———- Helen Atkinson ————— David Smith and Liz Rowell all set for action at the filming in Towneley Hall Pretty as a Picture The magnificent Regency Room at Towneley Hall became a film set for the movie scenes of the Theatre Company’s latest production ‘Singin in the Rain’. Visitors to the Hall, on a rather snowy Sunday afternoon, thought they had stepped back in time as they gazed on the fabulous scene of ladies and gentlemen in full court dress. Only the cameras of our intrepid film crew John and Margaret Morgan gave away the fact that this was a film set and they had not been transported in a time warp. With a full entourage of Director, Wardrobe, Wigs and Musical Director in attendance visitors to the Hall may have been forgiven for thinking that our Company members were a professional film crew. But unfortunately no one dared ask the stars for their autographs!!! Lights, Camera, ACTION! 2 Booking WARDROBE REPORT 2012 Arrangements for ALL Pendle Hippodrome Shows DISCOVER PENDLE Boundary Mill Stores The Monday Night Wardrobe Team Pam Irene Jen Barbara Margaret Vivary Way Colne Pat Marilyn Florence Just call in to book your seats Or ring 01282 856186 Once again our Wardrobe team have had Open daily 10 am to 8 pm a very busy and successful year. The Sundays 11 am to 5 pm ladies enjoy their weekly wardrobe £1 per Booking - Fee Applicable sessions, it is their fund raising effort for Theatre plan available the Theatre, and they are pleased to report that from January to December ONLINE 2012 they made £8000 for Theatre funds. -
Comedy Is a Serious Business
Comedy is a Serious Business ROBERT Wn..JTER' In Lecture form this paper was illustrated with video clips. These are noted beLow in boxes in the text. The actors' banter in Plautus' time has changed little over the centuries. Asides to the audience continue to be used in Shakespeare. In 1938 Rogers and Hart used the Comedy of Errors as a basis for the musical The Boys from Syracuse. The asides to the audience as a theme was repeated in the popular Frankie Howard series Up Pompeii, UK of the 1970s. In comedy, the continuity of tradition and content is possibly clearer than in any other theatrical form since it can be demonstrated not only in terms of plot and literary influence, but also in theatrical practice. The Oxford dictionary defines comedy as a Stage Play of light, amusing and often satirical character, chiefly representing everyday life, with a happy ending. A great deal of stress can be laid on 'timing' - the ability to know how long an audience can be kept waiting. Add to this the actors' gift to a 'live audience' which can direct the audience to anticipate the funny side of any given situation with gestures, emphasis on certain words and pacing, and is under the control of the actors. It is here that you have a very important ingredient for success in a stage production. Film and television have to have different base lines, since the judgement of how funny a scene is or could be is a very subjective matter, primarily because the director and editor essentially control * Robert Winter has worked as an editor with Eating Studios and Yorkshire TeLevision, and has enjoyed an extensive career in film and television. -
Private Joe Walker
DAlcop Dad’s Army copyright Jimmy Perry & David Croft. File compilations copyright Gordon Brodie & Christopher Leather Section 1 : Main Characters : Private Joesph Walker CHARACTER Private Joseph Walker PLAYED BY James Beck FULL NAME Joseph Walker NICKNAME None ADDRESS Not Known TELEPHONE NUMBER Not Known DATE & PLACE OF BIRTH Date not confirmed, but thought to be in early years of the 1900s. We do know that he was born in Plaistow, East London and that his father was a Tram driver from West Ham depot. BRIEF DESCRIPTION About 5’10”/5’11” in height, blackish/brown swept back hair with sideburns, thin moustache, medium build, Cockney accent. HOME GUARD RANK Private. Once promoted to Sergeant by Captain Frazer, and promoted to Sergeant again with rest of platoon when Private Pike misinterpreted platoon orders. CIVILIAN/DAYTIME JOB Dealer in essential supplies. Previously worked as used car salesman before War for his cousin in London. Once described himself as a banana salesman and a wholesale supplier of illuminated signs. May have worked at one time as a Hall Porter at Park Lane Hotel. WORK ADDRESS 1b Slope Alley, Walmington-on-Sea He also had a shed up a track just off Eastgate Road which held various blackmarket goods, even a Fire Engine. Also had a stall at the Saturday Market from which Mrs Pike once bought some silk knickers that had been made from a parachute Walker had found. WORK TELEPHONE NUMBER Not Known 1 DAlcop Dad’s Army copyright Jimmy Perry & David Croft. File compilations copyright Gordon Brodie & Christopher Leather EDUCATED AT Not confirmed but believed to be at local schools in East London. -
Dad's Army to Celebrate the Fiftieth Anniversary of Dad's Army First Reaching Our Screens Here's a Fun Quiz About the Programme and the Actors in It
Copyright © 2021 www.kensquiz.co.uk Dad's Army To celebrate the fiftieth anniversary of Dad's Army first reaching our screens here's a fun quiz about the programme and the actors in it. 1. What is the name of the fictional town in which Dad's Army is set? 2. Who sang the theme song to TV's Dad's Army? 3. Which Dad's Army character was a black market spiv? 4. In TV's Dad's Army what was Captain Mainwaring's first name? 5. In Dad's Army what occupation does Private Frazer have? 6. What nickname did the ARP Warden Hodges give Captain Mainwaring in TV's Dad's Army? 7. Which member of the Dad's Army cast wrote the play "The Ghost Train"? 8. In TV's Dad's Army what are the names of Private Godfrey's two elderly sisters, with whom he lives? 9. Which of the Dad's Army platoon was a butcher? 10. What did Private Pike call Sergeant Wilson in TV's Dad's Army? 11. Who played the role of ARP Chief Warden Hodges in TV's Dad's Army? 12. Who wrote Dad's Army? 13. Which member of the Dad's Army cast had a UK No1 single in 1971? 14. What was the name of Mainwaring's brother who appeared in the 1975 Dad's Army Christmas special? 15. Which Dad's army character was famous for saying "They don't like it up 'em!"? 16. What role did Dad's Army actor Arthur Lowe play in Coronation Street from 1960-65? 17. -
A Pub Is for Life … Not Just Christmas
Issue 55 – Winter 2013 FREE – Please take one Magazine of North Oxfordshire Branch of CAMRA A Pub Is For Life … Not Just Christmas The festive season is usually considered a busy time for the pub trade, as Christmas works parties are held, students return home from university and the public in general seem happier to spend their hard-earned cash in the convivial atmosphere of their local. However, the run-up to Christ- mas (when some are saving up for the impending festive spend) and especially the lull which fol- lows New Year are times when local licensees would be more than pleased if drinkers brought custom to their pubs. – but it is still of great concern to save our community pubs for a It’s good to see that the rates that many communities in our number of years now (see posters at which pubs are closing has Branch (and beyond) will lose a above), and it’s worth pondering slowed down a little – from the valuable social asset, and some over some statistics collected in alarming peak of 52 per week in will be left entirely publess. a recent survey to consider just 2009 to a worrying 26 per week CAMRA has run a campaign how valuable an asset a local pub is in people’s lives, and why they Beer On Tap Is Runner-Up need to be saved from closure. • 75% had celebrated a friend’s or We’ve received the good news family birthday in a pub that Beer on Tap is runner-up • 48% had celebrated a life at a in our local CAMRA Region’s wake Magazine of the Year this year. -
©2013 Tal Zalmanovich ALL RIGHTS RESERVED
©2013 Tal Zalmanovich ALL RIGHTS RESERVED SHARING A LAUGH: SITCOMS AND THE PRODUCTION OF POST-IMPERIAL BRITAIN, 1945-1980 by TAL ZALMANOVICH A dissertation submitted to the Graduate School-New Brunswick Rutgers, The State University of New Jersey In partial fulfillment of the requirements For the degree of Doctor of Philosophy Graduate Program in History Written under the direction of Prof. Bonnie Smith And Approved by ---------------------------------------- ---------------------------------------- ---------------------------------------- ---------------------------------------- New Brunswick, New Jersey May, 2013 ABSTRACT OF THE DISSERTATION Sharing a Laugh: Sitcoms and the Production of Post-Imperial Britain, 1945-1980 By Tal Zalmanovich Dissertation Director: Bonnie Smith Sharing a Laugh examines the social and cultural roles of television situation comedy in Britain between 1945 and 1980. It argues that an exploration of sitcoms reveals the mindset of postwar Britons and highlights how television developed both as an industry and as a public institution. This research demonstrates how Britain metamorphosed in this period from a welfare state with an implicit promise to establish a meritocratic and expert-based society, into a multiracial, consumer society ruled by the market. It illustrates how this turnabout of British society was formulated, debated, and shaped in British sitcoms. This dissertation argues that both democratization (resulting from the expansion of the franchise after World War I) and decolonization in the post-World War II era, established culture as a prominent political space in which interaction and interconnection between state and society took place. Therefore, this work focuses on culture and on previously less noticed parties to the negotiation over power in society such as, media institutions, media practitioners, and their audiences. -
Brexit, the Second World War and Cultural Trauma
Journal for Cultural Research ISSN: 1479-7585 (Print) 1740-1666 (Online) Journal homepage: https://www.tandfonline.com/loi/rcuv20 The language of leaving: Brexit, the second world war and cultural trauma Jon Stratton To cite this article: Jon Stratton (2019): The language of leaving: Brexit, the second world war and cultural trauma, Journal for Cultural Research, DOI: 10.1080/14797585.2019.1633073 To link to this article: https://doi.org/10.1080/14797585.2019.1633073 Published online: 28 Jun 2019. Submit your article to this journal Article views: 171 View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=rcuv20 JOURNAL FOR CULTURAL RESEARCH https://doi.org/10.1080/14797585.2019.1633073 The language of leaving: Brexit, the second world war and cultural trauma Jon Stratton School of Creative Industries, University of South Australia, Adelaide, Australia ABSTRACT ARTICLE HISTORY This article considers the language use in the Brexit debate, espe- Received 3 January 2019 cially by the leading figures who argued for Leave. I argue that Accepted 13 June 2019 historically those who identify as English have had anxieties KEYWORDS focused around invasion, occupation and loss of sovereignty. In Brexit; World War 2; cultural 1940 these fears materialised in the possibility of invasion by trauma; Dad’s Army Hitler’s forces. The unresolved cultural trauma associated with these fears has meant that discussions about the United Kingdom’s presence in the European Union have tended to framed in language referring to World War 2 where the European Union’s impact on the United Kingdom is rhetorically constructed in the emotive terms of Nazi invasion, occupation and loss of sovereignty.