DOCSLIB.ORG

TLC Creep Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
TLC Creep Mp3, Flac, Wma TLC Creep mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop / Funk / Soul Album: Creep Country: US Released: 1994 Style: RnB/Swing, Pop Rap MP3 version RAR size: 1841 mb FLAC version RAR size: 1179 mb WMA version RAR size: 1240 mb Rating: 4.4 Votes: 288 Other Formats: ASF DTS MP4 MOD WMA MPC MIDI Tracklist Hide Credits 1 Creep (Album Version) 4:30 Creep (Jermaine's Jeep Mix) Keyboards [Additional] – Stan "The Man" NortonMixed By – NealHPogue*Recorded By 2 5:11 [Assistant] – Rico Lumpkins*Remix, Producer [Additional], Mixed By – Shannon HouchinsRemix, Producer [Additional], Recorded By – Jermaine Dupri Creep (Untouchables Mix) Mixed By – Dennis MitchellMixed By [Assistant] – Aarin DellRecorded By – Joe 3 5:26 Quindy*Remix – The Untouchables Remix, Producer [Additional] – Edward "Eddie F" Ferrell*, Kenny "Love" Tonge*Written-By [Co-writer] – Lisa "Left Eye" Lopes Creep (Super Smooth Mix) Mixed By – Dennis MitchellMixed By [Assistant] – Aarin DellRecorded By – Joe 4 4:44 Quindy*Remix – The Untouchables Remix, Producer [Additional] – Edward "Eddie F" Ferrell*, Kenny "Love" Tonge*Written-By [Co-writer] – Lisa "Left Eye" Lopes Creep (DARP Mix) 5 Recorded By [Assistant] – Tim Harrigan, Will WilliamsRemix, Producer [Additional] – Dallas 4:51 Austin Creep (Untouchables Instrumental) Mixed By – Dennis MitchellMixed By [Assistant] – Aarin DellRecorded By – Joe 6 5:18 Quindy*Remix – The Untouchables Remix, Producer [Additional] – Edward "Eddie F" Ferrell*, Kenny "Love" Tonge* Companies, etc. Phonographic Copyright (p) – LaFace Records Manufactured For – Arista Records, Inc. Published By – EMI April Music Inc. Published By – 'TIZBIZ Music Published By – Pebbitone Music Manufactured By – Sonopress USA – 52079-01 Credits Art Direction – Christopher Stern Backing Vocals – Debra Killings Creative Director – Davett Singletary Executive-Producer – Antonio M. Reid*, Dallas Austin, Kenneth Edmonds, Perri Reid Management – Hiriam Management Photography By – Dah Len Producer, Instruments, Written-By – Dallas Austin Programmed By [Midi & Sound Design] – Rick Sheppard Recorded By – Alvin Speights, Leslie Brathwaite Recorded By [Assistant] – Brian Smith , Carl Glover Scratches – Sol Messiah Notes Track 1 contains a sample of "Hey Young World" written by R. Watters and performed by Slick Rick, published by Def American Songs, Inc., courtesy of Def Jam Recordings. Track 2 contains a sample of "Get Down" written and performed by Craig Mack, published by For Ya Ear Music, Justin Combs Publishing (ASCAP), courtesy of Bad Boy Entertainment / Arista Records. Tracks 3, 4 & 6 contain a sample of "Make The Music With Your Mouth" written by Marlon Williams and Marcel Hall, performed by Biz Markie, published by Warner Bros. Music / Marley Marl Music, Inc. / Cold Chillin' Music (adm. by Warner Chappell Music, Inc.), courtesy of Cold Chillin' Records. They also contain a sample of "They Want EFX" written by Andre Weston, Charles Bobbit, Willie Hines, Fred Wesley and James Brown, performed by DAS EFX, published by EMI April Music Inc. / Donna Dijon Music, courtesy of EastWest Records. Track 5 contains a sample of "Hung Up On My Baby" written and performed by Isaac Hayes, published by Incense Productions, Inc., Fantasy Inc., courtesy of Fantasy Inc. Sleeve and inlay show a few mistakes in track times, notably on track 4, which is listed as 5:22 but is actually 4:44 in length. Issued in a standard jewel case with front and rear inserts, black disc tray. Barcode and Other Identifiers Barcode (Scanned): 730082408820 Barcode (Printed): 73008-24088-2 0 Matrix / Runout: 73008240882 + + 52079-1 SONOPRESS USA Rights Society: ASCAP Other versions Category Artist Title (Format) Label Category Country Year 21340 947JB TLC Creep (7", Jukebox) LaFace Records 21340 947JB UK 1996 LaFace Records, 74321 25677 2 TLC Creep (CD, Single) 74321 25677 2 UK 1994 Arista 73008-24088-1 TLC Creep (12") LaFace Records 73008-24088-1 US 1994 Creep (CD, Mini, LaFace Records, BVDA-95 TLC BVDA-95 Japan 1994 Single) Arista 73008-24093-1 TLC Creep (12") LaFace Records 73008-24093-1 US 1994 Related Music albums to Creep by TLC 1. Ted Heath And His Music - The Creep 2. Creep Division - Creep Division 3. Donell Jones - Life Goes On 4. Mystic Inane - Deep Creep 5. Creep - Unscrewed / All Night 6. Creep City - Slick Triptych 7. Ralph Marterie And His Orchestra - Love Theme / The Creep 8. Creep Dog - Bounce And Dip 9. Timber Timbre - Creep On Creepin' On 10. Creep Dog - Get My Groove On.
Load more

Recommended publications
  • 19 Lc 119 0450 H. R
    19 LC 119 0450 House Resolution 518 By: Representative Hawkins of the 27th A RESOLUTION 1 Recognizing March 14, 2019, as Georgia Production Day at the state capitol; commending 2 Dallas Austin as the inaugural ambassador and honoree of Georgia Production Day; and for 3 other purposes. 4 WHEREAS, Dallas Austin has shown exemplary dedication, leadership, and philanthropy 5 to the Atlanta and greater Georgia creative communities in the disciplines of film and music 6 production; and 7 WHEREAS, Dallas has helped to shape the culture of Georgia and Atlanta as a 8 world-renowned producer of music and film as he publicly cites Georgia as his source of 9 creative inspiration; and 10 WHEREAS, he has helped establish Atlanta and Georgia as a production capital for music 11 with more than 100 million records sold, producing more than 60 hit singles that debuted on 12 the Billboard Hot 100 charts with over 20 songs spending numerous weeks in the Top 10 list, 13 most notably Boyz II Men, TLC, and Madonna, where his first production assignment was 14 with Klymaxx ("I Miss You") member Joyce "Fenderella" Irby's Motown single "Mr. DJ," 15 which had a rap by Doug E. Fresh that went to number two on the R&B Billboard's charts 16 in spring 1989; and 17 WHEREAS, Dallas has helped establish Atlanta and Georgia as a production capital for film 18 as executive producer or producer for six feature films, including Drumline (2002) and ATL 19 (2006), that, to date, have grossed more than $70 million; Dallas has worked as director 20 writer, or producer of 92 works of soundtrack, including the television shows "The Voice" 21 and "American Idol" and films such as Tag, Click, The Simpsons Movie, and Mrs.
    [Show full text]
  • TLC Fanmail Mp3, Flac, Wma
    TLC Fanmail mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Fanmail Country: US Released: 1999 Style: RnB/Swing, Electro MP3 version RAR size: 1716 mb FLAC version RAR size: 1192 mb WMA version RAR size: 1350 mb Rating: 4.4 Votes: 165 Other Formats: ASF VOC AA VOX MP1 XM FLAC Tracklist Hide Credits 1 Fanmail 3:59 The Vic-E Interpretation - Interlude 2 0:18 Featuring – Vic-E Silly Ho 3 4:15 Featuring – Vic-E Whispering Playa - Interlude 4 0:52 Featuring – Papi No Scrubs 5 3:34 Backing Vocals – Kandi, Tameka "Tiny" CottleProducer – Kevin "She'kspere" Briggs I'm Good At Being Bad 6 4:37 Producer – Jimmy Jam & Terry Lewis If They Knew 7 4:04 Producer – Ricciano Lumpkins I Miss You So Much 8 4:56 Backing Vocals – Necia BrayProducer – Babyface, Daryl Simmons 9 Unpretty 4:38 My Life 10 4:01 Co-producer – Carl So-LoweProducer – Jermaine Dupri 11 Shout 3:57 Come On Down 12 4:17 Producer – Debra Killings Dear Lie 13 5:10 Producer – Babyface 14 Communicate - Interlude 0:51 15 Lovesick 3:52 16 Automatic 4:31 17 Don't Pull Out On Me Yet 4:33 Credits Backing Vocals – Debra Killings (tracks: 1, 3, 5, 7 to 13, 15 to 17) Producer – Cyptron (tracks: 1 to 3), Dallas Austin (tracks: 4, 7, 9, 11, 12, 14 to 17) Barcode and Other Identifiers Barcode: 7 3008-26055-2 6 Mastering SID Code: IFPI L239 Mould SID Code: IFPI 4121 Matrix / Runout: 73008260552RE1 Y1J 22 Other versions Category Artist Title (Format) Label Category Country Year Fanmail (CD, 73008 26055 2 TLC LaFace Records 73008 26055 2 Europe 1999 Album) Fanmail (CD, LaFace Records, 73008 26055 2 TLC 73008 26055 2 Europe 1999 Album, Ltd, Len) Arista, BMG LaFace Records, 73008-26055-4 TLC Fanmail (Cass) 73008-26055-4 New Zealand 1999 Arista, BMG Fanmail (CD, BMG Music Taiwan 73008-26055-2 TLC 73008-26055-2 Taiwan 1999 Album) Inc.
    [Show full text]
  • Chilli Dating Anyone in ? the 'Girls Cruise' Star Is Opening up About Heartbreak Navigation Menu
    Jul 22, · Chilli's journey towards finding love in the public eye has been well-documented from a high-profile relationship with Usher to What Chilli Wants, her former reality show about her quest to Author: Tai Gooden. Aug 20, · Rozonda “Chilli” Thomas, 47, wants Black women to shake up their dating habits and explore what it’s like to go out with men outside of their race.. One-third of the iconic girl group TLC. Is Chilli Dating Anyone In ? The 'Girls Cruise' Star Is Opening Up About Heartbreak Navigation menu. In, Thomas and Watkins performed a series of concerts in Asia. In, Thomas lost her dating and was ordered by doctors right to sing. Thomas began working on her chilli album in after the completion of dating for TLC's third album, FanMail. Jan 30, · Chilli, meanwhile, hasn't exactly had it easy in her dating life. Back in , she had a very high- profile relationship with the R&B singer Usher, which ended when she realized that he was. Rozonda Ocielian Thomas born February 27,, dated professionally as Chilli, is an American singer-songwriter, tionne, actress, television personality and model who rose to fame in the early s as a dating of group TLC, one of the best-selling girl groups of the 20th dating. Rozonda 'Chilli' Thomas is dated to have hooked up with Wayne Brady in. Aug 20, · Rozonda "Chilli" Thomas has some advice for Black woman looking for that Prince Charming,. She wants them to date "primarily" White men. Chilli spoke with Essence to promote the eight-part Netflix music documentary series Once In A Lifetime Sessions which features TLC.
    [Show full text]
  • Deconstructing Sodom and Gomorrah: a Historical Analysis Of
    Deconstructing Sodom and Gomorrah: A Historical Analysis of the Mythology of Black Homophobia A dissertation presented to the faculty of the College of Arts and Sciences of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Lance E. Poston December 2018 © 2018 Lance E. Poston. All Rights Reserved. 2 This dissertation titled Deconstructing Sodom and Gomorrah: A Historical Analysis of the Mythology of Black Homophobia by LANCE E. POSTON has been approved for the Department of History and the College of Arts and Sciences by Katherine Jellison Professor of History Joseph Shields Interim Dean, College of Arts and Sciences 3 ABSTRACT POSTON, LANCE E., PH.D., December 2018, History Deconstructing Sodom and Gomorrah: A Historical Analysis of the Mythology of Black Homophobia Director of Dissertation: Katherine Jellison This dissertation challenges the widespread myth that black Americans make up the most homophobic communities in the United States. After outlining the myth and illustrating that many Americans of all backgrounds had subscribed to this belief by the early 1990s, the project challenges the narrative of black homophobia by highlighting black urban neighborhoods in the first half of the twentieth century that permitted and even occasionally celebrated open displays of queerness. By the 1960s, however, the black communities that had hosted overt queerness were no longer recognizable, as the public balls, private parties, and other spaces where same-sex contacts took place were driven underground. This shift resulted from the rise of the black Civil Rights Movement, whose middle-class leadership – often comprised of ministers from the black church – rigorously promoted the respectability of the race.
    [Show full text]
  • Label Signings
    Updates New On The Charts This Month Label Signings MIDAS RECORDS Michelle Rene- (Keith Follese[[email protected]]/Brad Allen[[email protected]]) RECORD COMPANY ROWDY Artist- (A&R Person Responsible[e-mail address] Sammie- (Dallas Austin[[email protected]]) SATIN TIE PROD’NS. BIG MACHINE The Whispers- (Michael Gardner[[email protected]]) Dusty Drake- (Scott Borchetta[[email protected]]) SELECTRIC CATEGORY 5 Dalton- (David Bach[[email protected]]) Sammy Kershaw- (Ray Termini) SHANACHIE EQUAL VISION Phil Perry- (Danny Weiss[[email protected]]) The Sound Of Animals Fighting- (Dan Sandshaw[[email protected]]) Ann Nesby- (Randall Grass[[email protected]]) GOTHAM RECORDS Maysa- (Danny Weiss[[email protected]]) Mike Previti- (Patrick Arn[[email protected]]) SHOW DOG NASHVILLE J RECORDS Rebecca Lynn Howard- (Toby Keith) Paula Deanda- (Stephen Ferrera[[email protected]]) Tim Rushlow- (Toby Keith) Baby Bash- (Larry Jackson[[email protected]]) Lindsey Haun- (Toby Keith) JADE TREE Lynnville Train- (Toby Keith) SILVER WAVE Panda & Angel- (Tim Owens[[email protected]]/Darren Walters[[email protected]]) Shelley Morningsong- (James Marienthal[[email protected]]) Snowden- (Tim Owens[[email protected]]/Darren Walters[[email protected]]) SOULTHOUGHT ENT. KID RECORDINGS Donnie- (Craig Bowers[[email protected]]) Chris Brann- (Chris Brann[[email protected]]/Craig STOLEN TRANSMISSION Roseberry[[email protected]]/Assaf Nathan[[email protected]]) Bright Light
    [Show full text]
  • Microsoft Office Outlook
    Eliot I. Bernstein Full Name: Above and Beyond First Name: Above and Beyond Job Title: James Grant - Manager Business: 44 20 8742 4950 E-mail: enquiries Categories: call ultrafest 09 20090319 cmb sent email to 20090319 cmb per recept not manager James Grant Media Ltd 94 Strand On The Green Chiswick London W4 3NN tel: 020 8742 4950 fax: 020 8742 4951 email: enquiries James Grant Music Management was formed in the early part of 2005 by Nick Worsley and Simon Hargreaves and is a joint venture with long established TV Management Company James Grant Media. Heading up the company are two former Sony Music Entertainment Executives - Nick Worsley who was Head of Radio Promotions and Simon Hargreaves who was Head Of Press and Publicity. Bringing together over 20 years of music industry experience across both Major labels and the Independent sector - James Grant Music delivers a fresh and extremely potent force in the Music Business and is already breaking new ground in the Music Management arena. 1 Eliot I. Bernstein Full Name: Alina First Name: Alina E-mail: [email protected] E-mail Display As: Alina ([email protected]) Categories: call ultrafest 09 20090319 cmb sent email to the email above AFFILIATION: Sequence Production BOOKING CONTACT: [email protected] BIOGRAPHY Alina Sequence career has begun in 1994 when it has started to work as the assistant to the arranger in a sound studio. Greater support was rendered by Andrey Ivanov (Triplex), having given many useful knowledge in the field of electronic tools, becoming first producer Alina. In 1997 Alina Sequence bases under the beginning a promo-label " Sequence Records " which is engaged in producing of young electronic musicians, and also release of releases of Russian electronic music.
    [Show full text]
  • TLC Fanmail Mp3, Flac, Wma
    TLC Fanmail mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Fanmail Country: Canada Released: 1999 Style: RnB/Swing, Electro MP3 version RAR size: 1751 mb FLAC version RAR size: 1325 mb WMA version RAR size: 1208 mb Rating: 4.2 Votes: 408 Other Formats: MMF VOC AU DTS FLAC AIFF WAV Tracklist Hide Credits 1 Fanmail 3:59 The Vic-E Interpretation - Interlude 2 0:18 Featuring – Vic-E Silly Ho 3 4:15 Featuring – Vic-E Whispering Playa - Interlude 4 0:52 Featuring – Papi No Scrubs 5 3:34 Backing Vocals – Kandi, Tameka "Tiny" CottleProducer – Kevin "She'kspere" Briggs I'm Good At Being Bad 6 4:37 Producer – Jimmy Jam & Terry Lewis If They Knew 7 4:04 Producer – Ricciano Lumpkins I Miss You So Much 8 4:56 Backing Vocals – Necia BrayProducer – Babyface, Daryl Simmons 9 Unpretty 4:38 My Life 10 4:01 Co-producer – Carl So-LoweProducer – Jermaine Dupri 11 Shout 3:57 Come On Down 12 4:17 Producer – Debra Killings Dear Lie 13 5:10 Producer – Babyface 14 Communicate - Interlude 0:51 15 Lovesick 3:52 16 Automatic 4:31 17 Don't Pull Out On Me Yet 4:33 Credits Backing Vocals – Debra Killings (tracks: 1, 3, 5, 7 to 13, 15 to 17) Producer – Cyptron (tracks: 1 to 3), Dallas Austin (tracks: 4, 7, 9, 11, 12, 14 to 17) Other versions Category Artist Title (Format) Label Category Country Year Fanmail (CD, 73008 26055 2 TLC LaFace Records 73008 26055 2 Europe 1999 Album) Fanmail (CD, LaFace Records, 73008 26055 2 TLC 73008 26055 2 Europe 1999 Album, Ltd, Len) Arista, BMG LaFace Records, 73008-26055-4 TLC Fanmail (Cass) 73008-26055-4 New Zealand 1999 Arista, BMG Fanmail (CD, BMG Music Taiwan 73008-26055-2 TLC 73008-26055-2 Taiwan 1999 Album) Inc.
    [Show full text]
  • Punk Is Dead” Catalog Includes, the SST Records the Inventory Representing the “Punk Is Collection, C
    2016 PUNK IS DEAD Lux Mentis, Booksellers Lux Mentis Booksellers specializes in fine press, artist books, first editions, Punk rock evolved over several and esoterica with a particular emphasis generations and manifestations of youth on challenging and unusual materials. culture beginning in the 1970s. Even after 40 years, punk subculture still We actively collaborate with archives demonstrates the capability to influence and special collections libraries to meet successive contemporary elements of the research and collecting needs of art, music, and fashion regardless of its public learning institutions, private, original intention to lambast conformity. independent libraries and collections with primary sources. Selected inventory in the “Punk is Dead” catalog includes, the SST Records The inventory representing the “Punk is Collection, c. 1979-1996; original Dead” collection is a retrospective artwork from famed punk artist, selection of critical primary source Raymond Pettibon; correspondence materials documenting the punk rock from Gordon Gano, original member of movement of the 1970s-1990s. The the Violent Femmes; and several unique collection illustrates the profound fanzine and alternative publications. subculture of punk from an artistic and politically fueled era from Los Angeles, Lux Mentis regularly features and New York, and London. showcases punk culture related materials at major ABAA book fairs and Please contact us for an appointment or continues to cultivate the acquisition of with questions regarding the inventory. subculture materials for research and collection development purposes. 110 Marginal Way #777 Portland, ME 04101 Member: ILAB/ABAA T. 207.329.1469 Email: [email protected] Front cover image: From the SST [email protected] Records Collection, detail of “Outcry” Web: http://www.luxmentis.com magazine Blog: http://www.asideofbooks.com Cataloged created by Kim Schwenk and edited by Ian Kahn 2 Ginn, Greg, Pettibon, Raymond, et al.
    [Show full text]
  • Graduate Showcase
    Graduate entertainment | media | arts | technology GAMES Continuing the original's ground-breaking approach Music Production – contributed to the game in roles to artistic direction, innovative gameplay, and such as Visual Eff ects Artist, Motion Capture Studio engrossing storytelling, The Last of Us Part II was Technician, Sound Designer, Dialogue Designer, built by large, collaborative teams at Naughty and more. Dog Studios and Sony Interactive Entertainment, "Our team was huge, we had almost 80 people just including more than 20 Full Sail grads. animating,” says Computer Animation grad and Alumni from multiple degree programs – including Cinematic Animator Drew Kedra. Game Art, Game Design, Game Development, Computer Animation, Film, Recording Arts, and Laura Sardinha Kidde TOP 25 Schools to study Lead User Interface Designer GAME DESIGN Blizzard Entertainment "I always played games my whole life. I always loved by Princeton Review 2014–2016, 2018-2020 games. And very early on in my life, I knew [I wanted to work at] Blizzard because of the Diablo games," says Game Design master’s grad Laura Sardinha Kidde. "It was my fi rst online RPG, and I was amazed by it." Today, Laura works as a Lead User Interface Designer with Blizzard, contributing her skills in art, design, and delegation to the video game developer's massively popular MMORPG, World of Warcraft. In her current role, she oversees UI features for all World of Warcraft expansions and patches, while working with her team to implement user feedback and maintain the artistic integrity of the beloved fantasy franchise. Nive Rajasekaran Mark Diaz Client Gaming Membership Gameplay Programmer Specialist id Software (DOOM franchise) Xbox at Microsoft Mark Diaz graduated from the Game Development program in 2014.
    [Show full text]
  • Bubba Sparxxx the Charm Mp3, Flac, Wma
    Bubba Sparxxx The Charm mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: The Charm Country: US Released: 2006 MP3 version RAR size: 1465 mb FLAC version RAR size: 1585 mb WMA version RAR size: 1185 mb Rating: 4.5 Votes: 578 Other Formats: AHX AC3 AIFF ADX APE FLAC AA Tracklist Hide Credits 1 Represent 3:36 2 Heat It Up 3:44 Claremont Lounge 3 4:08 Featuring – Coool Breeez*, Killer Mike As The Rim Spins 4 2:59 Scratches – Cooley CVocals [Additional] – Debra Killings That Man Backing Vocals – Bianca SpearsFeaturing – Duddy Ken, Sleepy BrownGuitar – Tony 5 3:53 LoveKeyboards – Marvin "Chanz" ParkmanProducer – Mr. DJ, Slimm JimWritten-By – D. Sheats*, J. Smith*, K. Richardson, P. Brown* The Otherside 6 3:57 Featuring – Petey Pablo, Sleepy Brown Aint' Life Grand 7 Drums [Programming] – Big BoiFeaturing – Scar Keyboards – Kevin Kendricks*Producer 4:47 – Big BoiWritten-By – A. Patton*, R. Wade*, T. Smith* Run Away 8 Featuring – Frankie J*Guitar – Jeremy Von NidaMixed By – Bobby Stamps, Micah 4:00 BennettProducer – James D. "Sted-Fast" Hargrove II, Jason "Koko" Bridges 9 Wonderful 3:43 Ms. New Booty 10 4:40 Featuring – Mr. Collipark, Ying Yang Twins Hey! (A Lil Gratitude) 11 3:59 Mixed By – Demo Castellon*Producer – TimbalandVocals [Additional] – Timbaland Ms. New Booty Video 7:32 Featuring – Mr. Collipark, Ying Yang TwinsFilm Director – Marcus Raboy Credits Executive-Producer – Antwan "Big Boi" Patton* Executive-Producer [Co-executive] – Andy Mathis, Bobby Stamps Mastered By – Bernie Grundman Mixed By – John Frye (tracks: 5, 7, 9, 10), Manny Marroquin (tracks: 6), Mark "Exit" Goodchild (tracks: 3), Phil Tan (tracks: 1, 4), Rayseay.com* (tracks: 2) Producer – Mr.
    [Show full text]
  • 6-07 Publc Lives.Indd
    P U B L I C LIVES S GOSPEL MUSIC BLARES, MEMBERS of the Word of Faith Fam- ily Worship Cathedral instinc- CAN’T A tively rock in their seats. The Praise Team dancers emerge from every direction and move toward the makeshift stage in front of the pulpit. Their costumes TOUCH sway with every twirl and kick. The per- formance elicits thunderous applause and arbitrary amens from the churchgoers, decked out in their Sunday best—ornate THIS hats and shiny suits. A quick scan of the sanctuary reveals a congregant who trig- ENTERTAINMENT ATTORNEY JOEL Katz’s gers an instant Sesame Street–esque “one CLIENTELE RANGES FROM WILLIE of these things is not like the others” NELSON TO BIG Oomp—not TO response. You’d blurt “what the hell?”— MENTION DALLAS AUSTIN AND ORRIN if you weren’t in church. He’s sitting off to the side ferociously HATCH. By Chandra R. Thomas clapping, his eyes fixed on one of the performers. That he’s the only white man—not to mention Jewish—in this pre- dominantly black Austell church isn’t the main reason he’s a standout. Nor is it the reason churchgoers and clergy alike flock around him and his wife after the service. He’s Joel Katz, Atlanta’s top entertain- ment attorney, arguably one of the top in the field nationally. The dancer—the blonde who captured his attention—is his wife, and this is their church. However incongruous it may seem to others, Katz feels completely at home here. Katz has made a career out of being at ease around a diverse mix of people.
    [Show full text]
  • Healing Through VOD
    The InsIde RepoRt APRIL 2020 Breaking News From Behind the Walls VOLUME 1 ISSUE 1 Healing Through VOD By DOUGLAS L. BAKER / FCF Close your eyes and begin to visualize someone hurting you. Imagine losing the innocence that life once ofered you. Imagine the loss of property, safety, or even the life of a loved one. Immerse yourself in the emotional, physical, fnancial, and spiritual pain brought about by someone else’s misdeeds. Now, ask yourself, “What would healing look like, sound like, feel like? Could I ever truly start to heal?” In 1970, a juvenile probation ofcer thought so. He had a magnifcent idea about how healing can begin. How something so simple, yet commonly discounted by many, can afect both those who have been hurt, and those who have hurt people. Healing can begin with the most natural and simplest of human endowments - words. The Victim Ofender Dialogue (VOD), or as it was called in its initial inception Victim Ofender Mediation, began as an experiment in Kitchener, Ontario (Canada). A probation ofcer convinced a judge that two adolescents convicted RF2 Box 999 event participants / FCF of vandalism should meet the victims of their crimes. After the meetings, the judge ordered the two juveniles to pay restitution as a condition Redemption Through the Wire of probation. Thus, the VOD had its origins as a probation-based, post-conviction, sentencing Article And photos By ERIC DAVIS / FMCC into a new type of CrossFit community, many of which are alternative inspired by a probation ofcer’s belief springing to life in prisons around the state.
    [Show full text]