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Trailblazer GNICUDORTNI Trailblazer Trailblazer Stfieneb & Skrep Rof Ruo Srebircsbus
The Sentinel The Sentinel The Sentinel Stress Free - Sedation Dentistr y September 14 - 20, 2019 tvweekSeptember 14tv - 20, 2019 week tvweekSeptember 14 - 20,George 2019 Blashford,Blashford, DMD 35 Westminster Dr. Carlisle (717) 243-2372 www.blashforddentistry.com Trailblazer INTRODUCING Trailblazer Trailblazer Benefits & Perks For Our Subscribers Introducing News+ Membership, a program for our Lilly Singh hosts “A Little subscribers, dedicated to ooering perks and benefits taht era Lilly Singh hosts “A Little Late With Lilly Singh” only available to you as a member. News+ Members will Late With Lilly Singh” continue to get the stories and information that makes a Lilly Singh hosts “A Little dioerence to them, plus more coupons, ooers, and perks taht Late With Lilly Singh” only you as a member nac .teg COVER STORY / CABLE GUIDE ...............................................2 COVER STORY / CABLE GUIDE ...............................................2 SUDOKUGiveaways / VIDEO RSharingELEASES ..................................................Events Classifieds Deals Plus More8 SCUDOKUROSSWORD / VIDEO .................................................................... RELEASES ..................................................83 CROSSWORD ....................................................................3 WORD SEARCH...............................................................16 CWOVERSPORTSORD STORY S...........................................................................EARCH / C...............................................................ABLE -
19 Lc 119 0450 H. R
19 LC 119 0450 House Resolution 518 By: Representative Hawkins of the 27th A RESOLUTION 1 Recognizing March 14, 2019, as Georgia Production Day at the state capitol; commending 2 Dallas Austin as the inaugural ambassador and honoree of Georgia Production Day; and for 3 other purposes. 4 WHEREAS, Dallas Austin has shown exemplary dedication, leadership, and philanthropy 5 to the Atlanta and greater Georgia creative communities in the disciplines of film and music 6 production; and 7 WHEREAS, Dallas has helped to shape the culture of Georgia and Atlanta as a 8 world-renowned producer of music and film as he publicly cites Georgia as his source of 9 creative inspiration; and 10 WHEREAS, he has helped establish Atlanta and Georgia as a production capital for music 11 with more than 100 million records sold, producing more than 60 hit singles that debuted on 12 the Billboard Hot 100 charts with over 20 songs spending numerous weeks in the Top 10 list, 13 most notably Boyz II Men, TLC, and Madonna, where his first production assignment was 14 with Klymaxx ("I Miss You") member Joyce "Fenderella" Irby's Motown single "Mr. DJ," 15 which had a rap by Doug E. Fresh that went to number two on the R&B Billboard's charts 16 in spring 1989; and 17 WHEREAS, Dallas has helped establish Atlanta and Georgia as a production capital for film 18 as executive producer or producer for six feature films, including Drumline (2002) and ATL 19 (2006), that, to date, have grossed more than $70 million; Dallas has worked as director 20 writer, or producer of 92 works of soundtrack, including the television shows "The Voice" 21 and "American Idol" and films such as Tag, Click, The Simpsons Movie, and Mrs. -
Sunday Morning Grid 1/17/16 Latimes.Com/Tv Times
SUNDAY MORNING GRID 1/17/16 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Face the Nation (N) Paid Program College Basketball Michigan State at Wisconsin. (N) Å 4 NBC News (N) Å Meet the Press (N) Å News Paid Program Clangers Luna! LazyTown Luna! LazyTown 5 CW News (N) Å News (N) Å In Touch Paid Program 7 ABC News (N) Å This Week News (N) News (N) News Å Liberty Paid Eye on L.A. 9 KCAL News (N) Joel Osteen Schuller Pastor Mike Woodlands Paid Program 11 FOX Fox News Sunday FOX NFL Kickoff (N) FOX NFL Sunday (N) Football Seattle Seahawks at Carolina Panthers. (N) 13 MyNet Paid Program Paid Program 18 KSCI Man Land Paid Church Faith Paid Program 22 KWHY Cosas Local Local Local Local Local Local Local Local Local RescueBot Transfor. 24 KVCR Painting Painting Joy of Paint Wyland’s Paint This Oil Painting Cook Moveable Martha Pépin Baking Simply Ming 28 KCET Wunderkind 1001 Nights Raggs Space Edisons Travel-Kids Soulful Symphony With Darin Atwater: Song Motown 25 My Music 30 ION Jeremiah Youssef In Touch Leverage Å Leverage Å Leverage Å Leverage Å 34 KMEX Conexión En contacto Paid Program Fútbol Central (N) Fútbol Mexicano Primera División: Pumas vs Toluca República Deportiva (N) 40 KTBN Walk in the Win Walk Prince Carpenter Schuller In Touch PowerPoint It Is Written Pathway Super Kelinda Jesse 46 KFTR Paid Program Race to Witch Mountain ›› (2009, Aventura) (PG) Zona NBA Treasure Guards (2011) Anna Friel, Raoul Bova. -
TLC Fanmail Mp3, Flac, Wma
TLC Fanmail mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Fanmail Country: US Released: 1999 Style: RnB/Swing, Electro MP3 version RAR size: 1716 mb FLAC version RAR size: 1192 mb WMA version RAR size: 1350 mb Rating: 4.4 Votes: 165 Other Formats: ASF VOC AA VOX MP1 XM FLAC Tracklist Hide Credits 1 Fanmail 3:59 The Vic-E Interpretation - Interlude 2 0:18 Featuring – Vic-E Silly Ho 3 4:15 Featuring – Vic-E Whispering Playa - Interlude 4 0:52 Featuring – Papi No Scrubs 5 3:34 Backing Vocals – Kandi, Tameka "Tiny" CottleProducer – Kevin "She'kspere" Briggs I'm Good At Being Bad 6 4:37 Producer – Jimmy Jam & Terry Lewis If They Knew 7 4:04 Producer – Ricciano Lumpkins I Miss You So Much 8 4:56 Backing Vocals – Necia BrayProducer – Babyface, Daryl Simmons 9 Unpretty 4:38 My Life 10 4:01 Co-producer – Carl So-LoweProducer – Jermaine Dupri 11 Shout 3:57 Come On Down 12 4:17 Producer – Debra Killings Dear Lie 13 5:10 Producer – Babyface 14 Communicate - Interlude 0:51 15 Lovesick 3:52 16 Automatic 4:31 17 Don't Pull Out On Me Yet 4:33 Credits Backing Vocals – Debra Killings (tracks: 1, 3, 5, 7 to 13, 15 to 17) Producer – Cyptron (tracks: 1 to 3), Dallas Austin (tracks: 4, 7, 9, 11, 12, 14 to 17) Barcode and Other Identifiers Barcode: 7 3008-26055-2 6 Mastering SID Code: IFPI L239 Mould SID Code: IFPI 4121 Matrix / Runout: 73008260552RE1 Y1J 22 Other versions Category Artist Title (Format) Label Category Country Year Fanmail (CD, 73008 26055 2 TLC LaFace Records 73008 26055 2 Europe 1999 Album) Fanmail (CD, LaFace Records, 73008 26055 2 TLC 73008 26055 2 Europe 1999 Album, Ltd, Len) Arista, BMG LaFace Records, 73008-26055-4 TLC Fanmail (Cass) 73008-26055-4 New Zealand 1999 Arista, BMG Fanmail (CD, BMG Music Taiwan 73008-26055-2 TLC 73008-26055-2 Taiwan 1999 Album) Inc. -
Deconstructing Sodom and Gomorrah: a Historical Analysis Of
Deconstructing Sodom and Gomorrah: A Historical Analysis of the Mythology of Black Homophobia A dissertation presented to the faculty of the College of Arts and Sciences of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Lance E. Poston December 2018 © 2018 Lance E. Poston. All Rights Reserved. 2 This dissertation titled Deconstructing Sodom and Gomorrah: A Historical Analysis of the Mythology of Black Homophobia by LANCE E. POSTON has been approved for the Department of History and the College of Arts and Sciences by Katherine Jellison Professor of History Joseph Shields Interim Dean, College of Arts and Sciences 3 ABSTRACT POSTON, LANCE E., PH.D., December 2018, History Deconstructing Sodom and Gomorrah: A Historical Analysis of the Mythology of Black Homophobia Director of Dissertation: Katherine Jellison This dissertation challenges the widespread myth that black Americans make up the most homophobic communities in the United States. After outlining the myth and illustrating that many Americans of all backgrounds had subscribed to this belief by the early 1990s, the project challenges the narrative of black homophobia by highlighting black urban neighborhoods in the first half of the twentieth century that permitted and even occasionally celebrated open displays of queerness. By the 1960s, however, the black communities that had hosted overt queerness were no longer recognizable, as the public balls, private parties, and other spaces where same-sex contacts took place were driven underground. This shift resulted from the rise of the black Civil Rights Movement, whose middle-class leadership – often comprised of ministers from the black church – rigorously promoted the respectability of the race. -
Label Signings
Updates New On The Charts This Month Label Signings MIDAS RECORDS Michelle Rene- (Keith Follese[[email protected]]/Brad Allen[[email protected]]) RECORD COMPANY ROWDY Artist- (A&R Person Responsible[e-mail address] Sammie- (Dallas Austin[[email protected]]) SATIN TIE PROD’NS. BIG MACHINE The Whispers- (Michael Gardner[[email protected]]) Dusty Drake- (Scott Borchetta[[email protected]]) SELECTRIC CATEGORY 5 Dalton- (David Bach[[email protected]]) Sammy Kershaw- (Ray Termini) SHANACHIE EQUAL VISION Phil Perry- (Danny Weiss[[email protected]]) The Sound Of Animals Fighting- (Dan Sandshaw[[email protected]]) Ann Nesby- (Randall Grass[[email protected]]) GOTHAM RECORDS Maysa- (Danny Weiss[[email protected]]) Mike Previti- (Patrick Arn[[email protected]]) SHOW DOG NASHVILLE J RECORDS Rebecca Lynn Howard- (Toby Keith) Paula Deanda- (Stephen Ferrera[[email protected]]) Tim Rushlow- (Toby Keith) Baby Bash- (Larry Jackson[[email protected]]) Lindsey Haun- (Toby Keith) JADE TREE Lynnville Train- (Toby Keith) SILVER WAVE Panda & Angel- (Tim Owens[[email protected]]/Darren Walters[[email protected]]) Shelley Morningsong- (James Marienthal[[email protected]]) Snowden- (Tim Owens[[email protected]]/Darren Walters[[email protected]]) SOULTHOUGHT ENT. KID RECORDINGS Donnie- (Craig Bowers[[email protected]]) Chris Brann- (Chris Brann[[email protected]]/Craig STOLEN TRANSMISSION Roseberry[[email protected]]/Assaf Nathan[[email protected]]) Bright Light -
Microsoft Office Outlook
Eliot I. Bernstein Full Name: Above and Beyond First Name: Above and Beyond Job Title: James Grant - Manager Business: 44 20 8742 4950 E-mail: enquiries Categories: call ultrafest 09 20090319 cmb sent email to 20090319 cmb per recept not manager James Grant Media Ltd 94 Strand On The Green Chiswick London W4 3NN tel: 020 8742 4950 fax: 020 8742 4951 email: enquiries James Grant Music Management was formed in the early part of 2005 by Nick Worsley and Simon Hargreaves and is a joint venture with long established TV Management Company James Grant Media. Heading up the company are two former Sony Music Entertainment Executives - Nick Worsley who was Head of Radio Promotions and Simon Hargreaves who was Head Of Press and Publicity. Bringing together over 20 years of music industry experience across both Major labels and the Independent sector - James Grant Music delivers a fresh and extremely potent force in the Music Business and is already breaking new ground in the Music Management arena. 1 Eliot I. Bernstein Full Name: Alina First Name: Alina E-mail: [email protected] E-mail Display As: Alina ([email protected]) Categories: call ultrafest 09 20090319 cmb sent email to the email above AFFILIATION: Sequence Production BOOKING CONTACT: [email protected] BIOGRAPHY Alina Sequence career has begun in 1994 when it has started to work as the assistant to the arranger in a sound studio. Greater support was rendered by Andrey Ivanov (Triplex), having given many useful knowledge in the field of electronic tools, becoming first producer Alina. In 1997 Alina Sequence bases under the beginning a promo-label " Sequence Records " which is engaged in producing of young electronic musicians, and also release of releases of Russian electronic music. -
Punk Is Dead” Catalog Includes, the SST Records the Inventory Representing the “Punk Is Collection, C
2016 PUNK IS DEAD Lux Mentis, Booksellers Lux Mentis Booksellers specializes in fine press, artist books, first editions, Punk rock evolved over several and esoterica with a particular emphasis generations and manifestations of youth on challenging and unusual materials. culture beginning in the 1970s. Even after 40 years, punk subculture still We actively collaborate with archives demonstrates the capability to influence and special collections libraries to meet successive contemporary elements of the research and collecting needs of art, music, and fashion regardless of its public learning institutions, private, original intention to lambast conformity. independent libraries and collections with primary sources. Selected inventory in the “Punk is Dead” catalog includes, the SST Records The inventory representing the “Punk is Collection, c. 1979-1996; original Dead” collection is a retrospective artwork from famed punk artist, selection of critical primary source Raymond Pettibon; correspondence materials documenting the punk rock from Gordon Gano, original member of movement of the 1970s-1990s. The the Violent Femmes; and several unique collection illustrates the profound fanzine and alternative publications. subculture of punk from an artistic and politically fueled era from Los Angeles, Lux Mentis regularly features and New York, and London. showcases punk culture related materials at major ABAA book fairs and Please contact us for an appointment or continues to cultivate the acquisition of with questions regarding the inventory. subculture materials for research and collection development purposes. 110 Marginal Way #777 Portland, ME 04101 Member: ILAB/ABAA T. 207.329.1469 Email: [email protected] Front cover image: From the SST [email protected] Records Collection, detail of “Outcry” Web: http://www.luxmentis.com magazine Blog: http://www.asideofbooks.com Cataloged created by Kim Schwenk and edited by Ian Kahn 2 Ginn, Greg, Pettibon, Raymond, et al. -
Arrowverse Expands
AJW Landscaping • 910-271-3777 We’ll makeyour yard BOO-ti-ful! October 5 - 11, 2019 Ruby Rose as Kate Kane in “Batwoman” Arrowverse 12780 S Caledonia Rd expands Laurinburg, NC 28352 910-276-7474 Joy Jacobs, Store Manager 234 E. Church Street, Laurinburg NC 910-277-8588 www.kimbrells.com Page 2 — Saturday, October 5, 2019 — Laurinburg Exchange Holy diversity Batman!: ‘Batwoman’ premieres on CW By Breanna Henry I say that Batwoman, a.k.a. Kate With the beautifully androgynous pect from Batwoman and Alice’s TV Media Kane, is a fantastic character with a Ruby Rose (“The Meg,” 2018) at on-screen relationship. For those ton of incredible story potential. the helm (or cowl) and Rachel not familiar with Rucka’s work, just may or may not own an overflow- As someone who’s already a fan, Skarsten (“Acquainted,” 2018) know that you’re in for some of the Iing stack of comic books that’s I’m very interested to see how CW’s playing the totally twisted Alice, “Batwoman” comic books’ most getting dangerously close to weigh- “Batwoman” recreates, reimagines CW’s newest prime-time addition to outrageous, unexpected and dis- ing more than its current shelf can or reinvents the title character, and its DC Comics-based Arrowverse — turbing twists and turns. The psy- handle, so it’s safe to trust me when luckily I won’t have to wait long. “Batwoman” — premieres Sunday, chedelic imagery and mind-warping Oct. 6. colors for which the comic is known FOR NEW ACCOUNTS Not everyone seems to be as ex- don’t seem to have been carried cited as I am about CW’s “Batwom- over to the new TV series, but other an.” Many of the preemptively neg- such DC Comics television pro- UP ative thoughts are likely the result grams (“Arrow,” “The Flash,” “Su- SAVE of people being afraid. -
TLC Creep Mp3, Flac, Wma
TLC Creep mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop / Funk / Soul Album: Creep Country: US Released: 1994 Style: RnB/Swing, Pop Rap MP3 version RAR size: 1841 mb FLAC version RAR size: 1179 mb WMA version RAR size: 1240 mb Rating: 4.4 Votes: 288 Other Formats: ASF DTS MP4 MOD WMA MPC MIDI Tracklist Hide Credits 1 Creep (Album Version) 4:30 Creep (Jermaine's Jeep Mix) Keyboards [Additional] – Stan "The Man" NortonMixed By – NealHPogue*Recorded By 2 5:11 [Assistant] – Rico Lumpkins*Remix, Producer [Additional], Mixed By – Shannon HouchinsRemix, Producer [Additional], Recorded By – Jermaine Dupri Creep (Untouchables Mix) Mixed By – Dennis MitchellMixed By [Assistant] – Aarin DellRecorded By – Joe 3 5:26 Quindy*Remix – The Untouchables Remix, Producer [Additional] – Edward "Eddie F" Ferrell*, Kenny "Love" Tonge*Written-By [Co-writer] – Lisa "Left Eye" Lopes Creep (Super Smooth Mix) Mixed By – Dennis MitchellMixed By [Assistant] – Aarin DellRecorded By – Joe 4 4:44 Quindy*Remix – The Untouchables Remix, Producer [Additional] – Edward "Eddie F" Ferrell*, Kenny "Love" Tonge*Written-By [Co-writer] – Lisa "Left Eye" Lopes Creep (DARP Mix) 5 Recorded By [Assistant] – Tim Harrigan, Will WilliamsRemix, Producer [Additional] – Dallas 4:51 Austin Creep (Untouchables Instrumental) Mixed By – Dennis MitchellMixed By [Assistant] – Aarin DellRecorded By – Joe 6 5:18 Quindy*Remix – The Untouchables Remix, Producer [Additional] – Edward "Eddie F" Ferrell*, Kenny "Love" Tonge* Companies, etc. Phonographic Copyright (p) – LaFace Records Manufactured For – Arista Records, Inc. Published By – EMI April Music Inc. Published By – 'TIZBIZ Music Published By – Pebbitone Music Manufactured By – Sonopress USA – 52079-01 Credits Art Direction – Christopher Stern Backing Vocals – Debra Killings Creative Director – Davett Singletary Executive-Producer – Antonio M. -
8.00 November/December 2011
November/December 2011 $8.00 www.hollywoodvinemag.com A few of our fans: A bit of what we do: Booklets Mini-Poster w/ Easel Brochures Name Tags Business Cards Newsletters CD/DVD Covers Note Cards Designer Books Notepads Envelopes Photo Cards Fashion Books Post Cards Flyers Posters Folders Product Labels Headshots Programs ID Badges Rack Cards Invitations Stickers Labels Scan to PDF (Archiving) Laminates Scripts Letterheads Stationary Packages Look Books Theatre Programs Memopads Window Clings Menus Zed Cards With over 100 years of combined experience, the dedicated team at Nonstop will tackle any job! Ask for Nonstop Ken for the best deals at (323) 464-1640 6140 Hollywood Blvd. Los Angeles, CA 90028 www.nonstopprinting.net 2 www.hollywoodvinemag.com March/April 2012 (323) 464- 1640 2012 COMING THIS SUMMER March/April 2012 www.hollywoodvinemag.com 3 Where Do Hollywood & Vine Readers Live? LOS ANGELES, CALIFORNIA PACIFIC PALISADES, CALIFORNIA STERLING, VIRGINIA CARACAS, DISTRITO FEDERAL, VENEZUELA, TOKYO, TOKYO, JAPAN LANCASTER, PENNSYLVANIA SPRINGFIELD, VIRGINIA BOLIVARIAN REPUBLIC OF MOSCOW, MOSKVA, RUSSIAN FEDERATION VENICE, FLORIDA SAN FRANCISCO, CALIFORNIA CAPE CORAL, FLORIDA BEIJING, BEIJING, CHINA CAMBRIDGE, MASSACHUSETTS SAN DIEGO, CALIFORNIA CANYON COUNTRY, CALIFORNIA WASHINGTON, DISTRICT OF COLUMBIA ONTARIO, CALIFORNIA ROWLAND HEIGHTS, CALIFORNIA CAMBRIA, CALIFORNIA SUNNYVALE, CALIFORNIA ORLANDO, FLORIDA ROME, LAZIO, ITALY GRANADA HILLS, CALIFORNIA MOUNTAIN VIEW, CALIFORNIA CENTRALIA, WASHINGTON SAN MARINO, CALIFORNIA HAMMOND, -
The South According to Quentin Tarantino
University of Mississippi eGrove Electronic Theses and Dissertations Graduate School 2015 The South According To Quentin Tarantino Michael Henley University of Mississippi Follow this and additional works at: https://egrove.olemiss.edu/etd Part of the American Studies Commons Recommended Citation Henley, Michael, "The South According To Quentin Tarantino" (2015). Electronic Theses and Dissertations. 887. https://egrove.olemiss.edu/etd/887 This Thesis is brought to you for free and open access by the Graduate School at eGrove. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of eGrove. For more information, please contact [email protected]. THE SOUTH ACCORDING TO QUENTIN TARANTINO A Thesis presented in partial fulfillment of requirements for the degree of Master of Arts in the Department of the Center for the Study of Southern Culture The University of Mississippi by MICHAEL LEE HENLEY August 2015 Copyright Michael Lee Henley 2015 ALL RIGHTS RESERVED ABSTRACT This thesis explores the filmmaker Quentin Tarantino’s portrayal of the South and southerners in his films Pulp Fiction (1994), Death Proof (2007), and Django Unchained (2012). In order to do so, it explores and explains Tarantino’s mixture of genres, influences, and filmmaking styles in which he places the South and its inhabitants into current trends in southern studies which aim to examine the South as a place that is defined by cultural reproductions, lacking authenticity, and cultural distinctiveness. Like Godard before him, Tarantino’s movies are commentaries on film history itself. In short, Tarantino’s films actively reimagine the South and southerners in a way that is not nostalgic for a “southern way of life,” nor meant to exploit lower class whites.