DOCSLIB.ORG

MUSIC WEEK APRIL 28, 1984 / AA / * > Wa J Ma

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
MUSIC WEEK APRIL 28, 1984 / AA / * > Wa J Ma MUSIC WEEK APRIL 28, 1984 * j A / > Wa ■ A / PLATINUM LP = GOLD LP = SILVER LP \M7l NEW ENTRY RE-ENTRY O [300.000 units as of Jan '79) (100,000 units as of Jan '79) [60,000 units as of Jon 79) ma Label number (Distributor) This Last Wks on TITLE/Artist (Producer) Label number (Distributor)C; Cassette ^3 WeekThis WeekLast ChartWks on TITLE/Artist (Producer) C: Cassette Week Week Chart " THE ROSE OFTRALEE & IRISH FAVOURITEb c:POLU^'J' 1 4 NOW THAT'S WHAT 1 CALL MUSIC 11 Q virgm/EMi now 2(E) 51 47 6 James Last and his Orchestra (James Last) Polydor POLO 51 ) AGAINST ALL ODDS 4506 j 1 Various (Various) C;TC-NOW2 Club/Phonogram JABL i if; ALARM, The • ■ • • CAN'T SLOW DOWN O „ , 52 54 8 LET THE MUSIC PLAY C: JABLC 1 ALWAYSCOLLECTION AND FOREVER-THE 24 ? 2 27 h Shannon (Mark Ligqott/Chris Barbosa) ARMATRADING. Joan 100 INTO THE GAP O Arista 205 97UF) 41 3 VICTIMS OF CIRCUMSTANCE PolydorC.POLDC5135 POLO 5135 IF) BANANARAMA ...16 ? 3 10 C; 405 971 53 Barclay James Harvest (Pip Williams) BARCLAY JAMES HARVEST . 53 Epic EPC 85930(C) POINTS ON THE CURVE GeffonGEF 25589 (Cl BENSON, George 44 72 THRILLER© C:40/85930 54 34 2 Wang Chung (Chris Hughes/Ross Culluml C: 40/25589 BIGBON COUNTRY JOV1 7310 4 4 Rocket/Phonogram HISPD 24 (F) BOWIE. David 66 VertigofPhonogram VERH 12(F) TOO LOW FOR ZERO© BRAGG, Billy 94 R rm GRACE UNDER PRESSURE C: VERHC 12 55 60 47 Elton John (Chris Thomas) C: REWND 24 ! CAMEL 79 K-Tel/WEA NE 1262 IK) | CARMEL .67 THE WORKS • EMI WORK 11E) 50 26 STAGES © C: CE 2262 COLLINS, Phil 49,69 6 8 8 C: TC-WORK 1 56 Elaine Paige (Tony Visconti) CRUSADERS 99 Warwick WW 5137(C) 1984 Warner Brothers 923985-1 (W) CULTURE CLUB 14 AND 1 LOVE YOU SO C:WW 45137 57 36 30 Van Halen (Tod Templeman) C; 923985-4 , CURE, The 7 27 3 Charisma/Virgin GENLP1 (E) ■ DEAD OR ALIVE - • ... 29 HUMAN'S LIB# WEAWX1 (W) 39 29 GENESIS© C: GENMC1 ( DIRE STRAITS 10,60,83 8 6 7 C: WX1C 58 Genesis (Genesis with Hugh Padgham) DOLBY, Thomas 42 CBS 25554(C) OASIS EURYTHMICSDURAN DURAN 2 3,97 47 7 34 AN INNOCENT MAN© C:40/25554 59 ii'iivi Oasis (Peter Skellern) C: WX 3C FLACK, Roberta 61 0 Vertigo/Phonogram 6359109 (F) FLASHDANCE 76 Vertigo/Phonogramy VERY 11 IF) LOVE OVER GOLD© C: 7150 109 ; FOOTLOOSE 12 5 6 ALCHEMY - DIRE STRAITS LIVE • C: VERYC11 60 70 17 Dire Straits (Mark Knopfler) FRAGGLES, The 38 in K-tel NE 1269 (K) GAVE. Marvin 17 HUMAN RACING © MCA MCF 3197(C) 46 5 GREATEST HITS C: CE 2269 E GENESIS 58 ii 11 8 C: MCFC 3197 61 Roberta Flack (Various) GILMOUR. David 72 BoqqarsU Banquet BEGA 50 (W) ICICLE WORKS, The 62 ORIGINAL SOUNDTRACK FROM FOOTLOOSE CBS 70246IC1 40 5 THE ICICLE WORKS C: BEGC 50 INGRAM, James 33 i? 45 2 62 The Icicle Works (Hugh Jones/David Lord) JACKSON, Joe 18 Epic EPC 83468 (C) VENICE IN PERIL Ferroway RON 1 (A) JACKSON, Michael 4.13 10 24 OFFTHE WALL© C:40/83468 63 75 5 Rondo Vcneziano (Gian Piero Reverbori) C; ZCRON 1 JACKSON, Michael Plus The 13 Jackson Five 6754 Virgin V 2285(E) QUICK STEP & SIDE KICK # Arista 204 924 IF) ! JAM, The 12 28 COLOUR BY NUMBERS © C: TCV 2285 64 56 20 Thompson Twins (Alex Sadkln) C: 404 924 i JARRE. Jean-Michel 98 14 JOEL. Billy -9 LAMENT Chrysalis CDL 1459 IF) 74 43 18 GREATEST HITS©- Telstmstar2232(Rl JOHN, Elton 55 15 9 3 C: ZCDL 1459 65 Michael Jackson plus TheJackson 5 (Various) C: STAC 2232 | JONES, Howard 8 BANANARAMA London RAMA 2 (F) FAME AND FASHION (ALLT1MEGREATESTHITSI ?! KEEL, Howard 7 i6 csa C; KRAMC2 66IM3 David Bowie (Various) RCA PL 84919 (R) KOOL&KERSHAW, THE Nik GANG 2118 London SH 8555 (Fl LAMB, Annabel 84 GREATEST HITS # Telstar STAR 2234 (R) 67 44 6 THE DRUM IS EVERYTHING C; KSAC 8555 LAST, James & His Orchestra.. 51 17 13 3 Marvin Gayo (Various) C: STAC 2234 Carmel (Mike Thornel LENNON, John & Yoko Ono ... 96 A&M AMLX 65000 |C) STOMPIN'AT THE SAVOY Warner Brothers 923679-1 (W) LOOSE ENDS 80 14 4 BODY AND SOUL C: CXM 65000 68 84 2 Rufus and Chaka Khan Live (Russ Titleman) C: 923679-4 MADNESS 34,93 18 Virgin V 2185(E) MADONNA 48 THE SMITHS Rough Trade ROUGH 61 ll/RT) FACE VALUE© C: TCV 2185 1 MARILLION 37 19 15 9 C: ROUGHC 61 69 61 3 Phil Collins (Phil Collins/Hugh Padgham) MEAT LOAF 82 SILVER# EMI CLIF 1(E) NICOL.NOW. THAT'S Hector WHAT 1 92 16 32 LABOUR OF LOVE© DEP International/Virgin LPDEP 5(E) 70 49 4 Cliff Richard (Various) C TC-CLIF 1 CALL MUSIC 26 20 Vertigo/Phonogram VERL14 (F) NOW THAT'S WHAT I CALL CAFE BLEU • PolydorTSCLP 1 (Fl l BONJOVI MUSIC II 1 21 17 6 C:TSCMC 1 71 im1 Bon Jovi (Lance Qulnn/Tony Bonglovi) C: VERLC14 The Stylo Council (Peter Wilson/Paul Weller) Harvest SHSP 2400791 (E) OASIS 59 ONE EYED JACKS Burning Rome/Epic EPC 25836 (C) 48 7 ABOUT FACE C: TC-SHSP 2400794 i PREFABPAIGE, Elaine SPROUT 8596 77 nm Spear Of Destiny (Nick Tauber) C: 40/25836 72 David Gilmour (David Gilmour/Bob Ezrin) QUEEN 6, 43 EMI EMC 2400021 IE) REA, Chris 35 TOUCH© RCA PL 70109 (R) 73 62 2 IT'S MY LIFE C:TCEMC 2400024 R.E.M 91 23 18 23 C: PK 70109 Talk Talk (Tim Friese Greene) RICHARD, Cliff 70 SNAP!© Polydor SNAP 1 (F) RICHIE, Lionel 2,41 28 4 ALWAYS AND FOREVER-THE COLLECTION c:TClMfM 74 79 28 The Jam (Various) C: SNAPC 1 RONDO VENEZIANO 63 24 Various IVarlousI Impression LP IMP 411DS) ROSS, Diana 75 PORTRAIT# Telstar STAR 2238 (R) ROXY MUSIC 95 19 22 U2 LIVE "UNDER A BLOOD RED SKY" © Island IMA3 IE| 75 83 19 Diana Ross (Various) C; STAC 2238 ! RUFUS and CHAKA KHAN 25 LIVE 68 76 3 ORIGINAL SOUNDTRACK FROM "FLASH DANCE" C:CANHC5 RUSH 5 26 22 21 NOW, THAT'S WHAT 1 CALL MUSIC © EMI/virgin now 1IEI 76 Various (Various) • Casablanca/Phonogram CANH 5 (F) SCORPIONS 85 iDner Vision IVL 25328 (C) SHANNON 52 SPARKLE IN THE RAIN • Virgin V 2300 IE) 81 43 FANTASTIC© C: 40/25328 SIMPLE MINDS 27 27 20 11 C: TCV 2300 77 Wham! (Stove Brown/George Michael) SMITHS, The 19 SOFT CELL 90 IN THE HEART© De-Lite/Phonogram DSR 4 (Fl 80 8 STREETSOUNDS CRUCIAL ELECTRO C:ZC ELC999 SPANDAU BALLET 81 28 26 16 C: DCR 4 78 Various (Various) Streat Sounds Eleclro ELCST 999 (A) SPEAR OF DESTINY 22 SOPHISTICATED BOOM BOOM Epic EPC 25835(C) STATIONARY TRAVELLER DeccaSKL 5334(F) STEVENS. Shakin' 36 29 li'lV/l Dead Or Alive (Zeus B Held) C: 40/25835 79 57 2 Camel (Andy Latimer) C; KSKC5334 STREET SOUNDS ELECTRO 3. 45 A LITTLE SPICE Virgin V2301 (El i, STREET SOUNDS CRUCIAL 23 39 THE CROSSING© Mercury/Phonogram MERH 27 (F) 80 51 2 Loose Ends (Nick Martinolll) C; TCV2301 STREISAND.ELECTRO Barbra 3798 30 C: MERHC 27 STYLE COUNCIL, The 21 TRUE © Reformation/Chrysalis CDL 1403(F) TALK TALK 73 31 21 13 THE VERY BEST OF MOTOWN LOVE SONGSToistar star: 2239 (R) 81 71 60 Spandau Ballet (Tony Swain/Steve Jolley/Spandau Ballet) C: ZCDL 1403 THOMPSON TWINS 3,64 Various (Various) ® C STAC 2239 U2 25, 86 NO PARLEZ O CBS 25521 (C) UB40 20 32 C: 40/25521 82 Meat Loaf (Todd Rundgrenl ULTRAVOX 15 Paul Young (Laurio Latham) Vertigo/Phonogram 6359034 (F) VAN HALEN 57 IT'S YOUR NIGHT Qwest 923970-1 (Wl MAKIN-MOVIES O C:7150034 VERY BEST OF MOTOWN 33 James Ingram (Quincy Jones) C:923970 4 83 Dire Straits (Jimmy lovine/Mark Knopfler) LOVE SONGS, The 31 Stiff SEEZ 53(C) THE FLAME A&MAMLX 68564 (C) WANG CHUNG 54 34 KEEP MOVING • C: ZSEEZ 53 84 rm Annabel Lamb (Wally Brill/David Anderle) C; CXM 68564 WHAMI 77 Madness (Clive Langer/Alan Winstonley) Harvest SHSP 2400071 (E) WOMACK. Bobby 40 WIRED TO THE MOON Magnet MAGL5057 (R) LOVE AT FIRST STING C:TCSHSP 2400074 YOUNG. Paul 32 35 Chris Rea (Chris Rea/Dave Richards) C: ZC-MAG 5057 85 S corpions (Dieter Dlorksl THE BOP WONT STOP • Epic epc86301 (C) WAR • Island ILPS 9733(E) 36 Shakln' Stevens (Chris Noil/Shakin' Stevens/Richard Hewsonl C: 40/86301 88 U2 (Steve Lillywhite) C: ICT 9733 FUGAZI O EMIMRLKE) LET'S DANCE O EMI America AMI 3029 (E) 37 Mariliion (Nick Tauber) C; TC-MRL1 87 David Bowie (David Bowie/Nile Rodgors) C; TC AML3029 FRAGGLE ROCK RCA PL70221 (R) JAPANESE WHISPERSQ Fiction F1XM 8 (F) 38 The Fragglos (Musical Direction: Philip Balsam/Don Gillis) (Tony Cox) 88 The Cure (Various) C: FIXMC8 ORIGINAL SOUNDTRACK - YENTL® CBS86302(C) SWOON Kitchonwaro'CBS KWLP1 (C) TOP 100 IPs 39 Barbra Streisand (Barbra Streisand/Alan ft Marilyn Bergman) C: 40/86302 89 Prefab Sprout (Prefab Sprout/David Brewis) C: KWC1 on Prestel: THE POET 11 Motown ZL 722051R) THIS LAST NIGHT IN SODOM Some Bizzaro/Phonogram 8IZL 6 (FJ Mercury file page x 40 caa Bobby Womack (B. Womack/A. Oldham/J. Gadson) C: ZK 72205 90 Soft Coll (Soft Cell) C: BIZLC 6 number 332101 LIONEL RICHIE o Motown STMA 8037 (R) RECKONING I.R.S.
Load more

Recommended publications
  • Music & Entertainment Auction
    Hugo Marsh Neil Thomas Plant (Director) Shuttleworth (Director) (Director) Music & Entertainment Auction 20th February 2018 at 10.00 For enquiries relating to the sale, Viewing: 19th February 2018 10:00 - 16:00 Please contact: Otherwise by Appointment Saleroom One, 81 Greenham Business Park, NEWBURY RG19 6HW Telephone: 01635 580595 Christopher David Martin David Howe Fax: 0871 714 6905 Proudfoot Music & Music & Email: [email protected] Mechanical Entertainment Entertainment www.specialauctionservices.com Music As per our Terms and Conditions and with particular reference to autograph material or works, it is imperative that potential buyers or their agents have inspected pieces that interest them to ensure satisfaction with the lot prior to the auction; the purchase will be made at their own risk. Special Auction Services will give indica- tions of provenance where stated by vendors. Subject to our normal Terms and Conditions, we cannot accept returns. Buyers Premium: 17.5% plus Value Added Tax making a total of 21% of the Hammer Price Internet Buyers Premium: 20.5% plus Value Added Tax making a total of 24.6% of the Hammer Price Historic Vocal & other Records 9. Music Hall records, fifty-two, by 16. Thirty-nine vocal records, 12- Askey (3), Wilkie Bard, Fred Barnes, Billy inch, by de Tura, Devries (3), Doloukhanova, 1. English Vocal records, sixty-three, Bennett (5), Byng (3), Harry Champion (4), Domingo, Dragoni (5), Dufranne, Eames (16 12-inch, by Buckman, Butt (11 - several Casey Kids (2), GH Chirgwin, (2), Clapham and inc IRCC20, IRCC24, AGSB60), Easton, Edvina, operatic), T Davies(6), Dawson (19), Deller, Dwyer, de Casalis, GH Elliot (3), Florrie Ford (6), Elmo, Endreze (6) (39, in T1) £40-60 Dearth (4), Dodds, Ellis, N Evans, Falkner, Fear, Harry Fay, Frankau, Will Fyfe (3), Alf Gordon, Ferrier, Florence, Furmidge, Fuller, Foster (63, Tommy Handley (5), Charles Hawtrey, Harry 17.
    [Show full text]
  • And Nicolas Winding Refn's the Neon Demon
    Exchanges: The Interdisciplinary Research Journal For Fame and Fashion: The Cannibalism of Creatives in Chuck Palaniuk’s Haunted (2005) and Nicolas Winding Refn’s The Neon Demon (2016) Michael Wheatley Royal Holloway, University of London, UK Correspondence: [email protected] Twitter: @md_wheatley ORCID: 0000-0002-5252-3554 Peer review: This article has been subject to a Abstract double-blind peer review process This research explores the ways cannibalism in Chuck Palahniuk’s novel Haunted (2005) and Nicolas Winding Refn’s film The Neon Demon (2016) are a consequence, and reflective, of the consuming nature of creative industries. The research draws from this exploration that the consumptive Copyright notice: This characteristics of cannibalism often allegorise the processes and careers of article is issued under the artists. Specifically, the sacrificial nature of putting oneself into one’s work, terms of the Creative Commons Attribution the notion of the tortured artist, and the competitive nature of creative License, which permits industries, where the hierarchy is ascended through others’ losses. use and redistribution of the work provided that In the framing narrative of Haunted, seventeen writers are trapped within the original author and an isolated writing retreat under the illusion of re-enacting the Villa source are credited. Diodati and writing their individual masterpieces. When inspiration fails You must give them, they sabotage their food supply in order to enhance their suffering, appropriate credit and thus their eventual memoirs. The writers turn to cannibalism, not only (author attribution), provide a link to the to survive but to remove the competition. By consuming each other, they license, and indicate if attempt to manufacture themselves as ‘tortured artists’, competing to changes were made.
    [Show full text]
  • Notre Dame Scholastic, 1876-1877
    lotre Dame Scholastic. Oisoe qLiiasl seiZLpei- vlotnixrixs; vive q^ixasl oras moritjums. Voliune X. NOTEE DAME, INDIAITA, APBIL 7, 1877. Number 31. Night Scene. • , >i Irish Ballads. This night hath glorified the bonhdWss vast Whatever is nseful and good in itself for conforming the O'er which the forming hand of God hath passed; actions of men to the moral law should sometimes at least Behold the heavens spreading as a page, he deemed worthy of special consideration. We not un- And the dear brown earth grown pure in mellow age! frequently hear persons say that such and such a thing, such and such a subject is of no importance whatsoever, and Bright worlds and orbs of light are rolling high, that time should not be lost in studying or reading matter Where nntold visions bless the raptured eye; pertaining to what they are pleased to call contrarium Imni. The moon-lit earth in seas of beanty flows, Now it is evident that an ingenious mind might be at a And all that comes from God before me glows. loss to know what kind of a being that may be; but there Rare beanty bathed in love, thon blessed even, are some persons who find no difficulty in seeing or per­ Moving in silent grandeur up to heaven, ceiving what it is, and will give their advice and decision How glad my soul would swell thy wordless hymn. accordingly. Every subject is of importance, is good in Rising so pure, like love of Seraphim! itself, and can only be bad in as much' as it is improperly discussed or developed by him who strives to expatiate Shall wealth's dull glare outglow that saintly light, upon it when following his own blind and partial ideas, Or mar the richness of this brilliant night; asserting more than he clearly perceives, thinking he sees And poor pale tints of glory cheat the heart when in reality he does not see, and then, as becoming a While fields lilie these such peerless hues impart ? man of a philosophical turn of mind, boldly making his assertions accordingly.
    [Show full text]
  • RCA Consolidated Series, Continued
    RCA Discography Part 18 - By David Edwards, Mike Callahan, and Patrice Eyries. © 2018 by Mike Callahan RCA Consolidated Series, Continued 2500 RCA Red Seal ARL 1 2501 – The Romantic Flute Volume 2 – Jean-Pierre Rampal [1977] (Doppler) Concerto In D Minor For 2 Flutes And Orchestra (With Andraìs Adorjaìn, Flute)/(Romberg) Concerto For Flute And Orchestra, Op. 17 2502 CPL 1 2503 – Chet Atkins Volume 1, A Legendary Performer – Chet Atkins [1977] Ain’tcha Tired of Makin’ Me Blue/I’ve Been Working on the Guitar/Barber Shop Rag/Chinatown, My Chinatown/Oh! By Jingo! Oh! By Gee!/Tiger Rag//Jitterbug Waltz/A Little Bit of Blues/How’s the World Treating You/Medley: In the Pines, Wildwood Flower, On Top of Old Smokey/Michelle/Chet’s Tune APL 1 2504 – A Legendary Performer – Jimmie Rodgers [1977] Sleep Baby Sleep/Blue Yodel #1 ("T" For Texas)/In The Jailhouse Now #2/Ben Dewberry's Final Run/You And My Old Guitar/Whippin' That Old T.B./T.B. Blues/Mule Skinner Blues (Blue Yodel #8)/Old Love Letters (Bring Memories Of You)/Home Call 2505-2509 (no information) APL 1 2510 – No Place to Fall – Steve Young [1978] No Place To Fall/Montgomery In The Rain/Dreamer/Always Loving You/Drift Away/Seven Bridges Road/I Closed My Heart's Door/Don't Think Twice, It's All Right/I Can't Sleep/I've Got The Same Old Blues 2511-2514 (no information) Grunt DXL 1 2515 – Earth – Jefferson Starship [1978] Love Too Good/Count On Me/Take Your Time/Crazy Feelin'/Crazy Feeling/Skateboard/Fire/Show Yourself/Runaway/All Nite Long/All Night Long APL 1 2516 – East Bound and Down – Jerry
    [Show full text]
  • Hardy, History, and Recorded Music Tim Armstrong
    0333_994450_15_cha10.fm Page 153 Friday, November 7, 2003 10:47 AM 10 Hardy, History, and Recorded Music Tim Armstrong This chapter is a meditation in three parts on the meaning of music in litera- ture: music as an abstract notation which seems to offer the possibility of encoding temporality and history; music as performed on or by the human instrument—especially the fingertips; and finally, recorded music, that is, music as stored by technology. In his book Music and Morals, the well-known Victorian critic of music, H. R. Haweis, gives an account of English street-music in the period. He describes its characteristic forms in a number of vignettes: the first is the barrel organ, and the last what he calls ‘the String Band Dissolved’, that is a harp-and-fiddle com- bination (1871a, 551–562). I will return to the figure of the organ-grinder at the end of this chapter. But here is Hardy’s ‘string band dissolved’, in his late poem, ‘Music in a Snowy Street’, with its depiction of street-musicians in the snow:1 The weather is sharp But the girls are unmoved: One wakes from a harp, The next from a viol, A strain that I loved When life was no trial. (Hardy 1982–95, 3. 46, ll. 1–6) Hardy goes on to describe this music as evoking memories of ‘the spry springing feet / Of a century ago’ (ll. 9–10), now dead; and even, perhaps, the ghosts of history: O bygone whirls, heys, Crochets, quavers, the same That were danced in the days Of grim Bonaparte’s fame, Or even by the toes 153 0333_994450_15_cha10.fm Page 154 Friday, November 7, 2003 10:47 AM 154 Hardy, History, and Recorded Music Of the fair Antoinette, — Yea, old notes like those Here are living on yet! — But of their fame and fashion How little these know Who strum without passion For pence, in the snow! (47, ll.
    [Show full text]
  • A Videografia De David Bowie (1969-2017)
    MESTRADO HISTÓRIA DA ARTE, PATRIMÓNIO E CULTURA VISUAL «Sound and Vision»: a videografia de David Bowie (1969-2017). Contributos para o estudo do videoclipe. Volume II Andréa Michelle dos Santos Diogo M 2018 Andréa Michelle dos Santos Diogo «Sound and Vision»: a videografia de David Bowie (1969-2017). Contributos para o estudo do videoclipe Volume II – Apêndices Dissertação realizada no âmbito do Mestrado em História da Arte, Património e Cultura Visual, orientada pelo Professor Doutor Hugo Daniel da Silva Barreira e coorientada pelo Professor Doutor Nuno Miguel de Resende Jorge Mendes Faculdade de Letras da Universidade do Porto setembro de 2018 Índice Índice .......................................................................................................................................... 3 Nota introdutória ........................................................................................................................ 6 APÊNDICES – A ....................................................................................................................... 8 1. Levantamento da produção discográfica de David Bowie (1964-2017) ............................ 8 2. Levantamento da videografia de David Bowie (1969-2017) ........................................... 16 3. Levantamento da filmografia de David Bowie e respetivas personagens interpretadas .. 19 APÊNDICES – B ..................................................................................................................... 20 1. Tabela geral do corpus de estudo ....................................................................................
    [Show full text]
  • David Bowie Changestwobowie Mp3, Flac, Wma
    David Bowie ChangesTwoBowie mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Rock Album: ChangesTwoBowie Country: UK Released: 1981 Style: New Wave, Glam, Pop Rock, Disco MP3 version RAR size: 1628 mb FLAC version RAR size: 1127 mb WMA version RAR size: 1146 mb Rating: 4.9 Votes: 504 Other Formats: AAC ADX VQF MPC TTA WAV XM Tracklist A1 Aladdin Sane (1913-1938-197?) / On Broadway A2 Oh! You Pretty Things A3 Starman A4 1984 A5 Ashes To Ashes B1 Sound And Vision B2 Fashion B3 Wild Is The Wind B4 John I'm Only Dancing (Again) B5 D.J. Companies, etc. Phonographic Copyright (p) – RCA Corporation Copyright (c) – RCA Records Marketed By – RCA Ltd. Mastered At – The Town House Pressed By – EMI Records Printed By – Robert Stace Credits Photography By – Greg Gorman Notes Issued in a single sleeve and includes a dedicated printed advertising inner sleeve, has the BOW LP 3 cat. # printed in the corner. Note: There is also a similar UK version with a label variant - David Bowie - ChangesTwoBowie Barcode and Other Identifiers Other (Date sleeve printed, company): RWG 1181 RS Matrix / Runout (Variant 1, A Side Runout, stamped): BOWLP 3 A - 1U TOWNHOUSE Matrix / Runout (Variant 1, B Side Runout, stamped): BOWLP 3 B - 2U TOWNHOUSE Matrix / Runout (Variant 2, A Side Runout, stamped): BOWLP 3 A - 2U TOWNHOUSE Matrix / Runout (Variant 2, B Side Runout, stamped): BOWLP 3 B - 1U TOWNHOUSE Matrix / Runout (Variant 3, A Side Runout, stamped): BOWLP 3 A - 1U TOWNHOUSE Matrix / Runout (Variant 3, B Side Runout, stamped): BOWLP 3 B - 1U TOWNHOUSE Other versions
    [Show full text]
  • Fashion Books
    Fashion Books Bibliography compiled by Lu Peters Agins, Teri The End of Fashion: How Marketing Changed the Clothing Business Forever; Quill/HarperCollins Alac, Patrik The Bikini: a Cultural History; Parkstone Amies, Hardy ABC of Men’s Fashion; Abrams Amneus, Cynthia A Separate Sphere: Dressmakers in Cincinnati’s Golden Age, 1877-1922; Texas Tech U. Press, 2003 Anawalt, Patricia The Worldwide History of Dress; Thames and Hudson, 2007 Aoki, Shoidi Fruits; Phaidon Press, 2001 Fresh Fruits; Phaidon Press, 2005 Armani, G. et al. Giorgio Armani; Guggenheim Museum, 2003 Arnold, Janet Patterns of Fashion: 1600-1860; Drama, revised 1977 Patterns of Fashion: Cut & Construction of Clothes for Men & Women, 1560-1620; Drama, 1985 Encyclopedia of Women’s Dresses & Construction 1860-1940; Drama, 1977 Arnold, Rebecca Fashion, Desire and Anxiety; I.B. Taurus & Co., Ltd., 2001 Arroyuelo, Javier Roberto Cavalli; Assouline, 2003 Atkins, Jacqueline Wearing Propaganda: Textiles of the Home Front in Japan, Britain, and the United States [Museum exhibit publication]; Yale Press, 2005 Borrelli, Laird Fashion Illustration by Fashion Designers; Thames and Hudson, 2008 Fashion Illustration Next; Thames and Hudson, 2004 Fashion Illustration Now; Thames and Hudson, 2000 Net Mode: Web Fashion Now; Thames and Hudson, 2002 Barnard, Malcolm Fashion as Communication; T.F. ROUTL, 2002 Barthes, Roland The Language of Fashion; Berg, 2006 Bassman, et al. LeBook, NY 2002; LeBook Publishing, 2002. Baudot, Francois Yohji Yamamoto; Editions Assouline ©2007-2008 Lu Peters. All rights reserved. Last updated August 8, 2008. For the latest list, please visit www.lupeters.com. 1 Baumgarten, Watson, Carr Costume Close Up: Clothing Construction and Pattern, 1750-1790; Colonial Williamsburg, 1999 Benaim, Laurence Issey Miyake; Universe/Vendome Press Gres; Assouline, 2003 Yves St.
    [Show full text]
  • Cinema: “To Be Or Not to Be”, “Love Me If You Dare”, “Neuilly Sa Mère !”, “The Exorcist” •Video Games: the Sims, Call of Duty Black Ops, Mario Kart Wii
    Summary News and sports •International news: Egypt and Tunisia •Team sports update: Basketball and rugby •Individual sports update: Tennis, Cars and golf Travel •Welcome to Egypt •Traditional Egyptian food Culture and multimedia •Music news •Books and comics •Cinema: “To be or not to be”, “Love me if you dare”, “Neuilly sa mère !”, “The Exorcist” •Video games: The Sims, Call of duty black ops, Mario kart Wii Fame and fashion •Famous people and gossip: Lady Gaga, Guillaume Canet •Fashion and beauty Horoscope •Horoscope •Games International news •Colzart Benjamin, Cuna Cansu, Gresse Rémy Egypt THIS IS A REVOLUTION! The 2011 Egyptian revolution is a set of events (demonstrations, strikes, destruction of buildings and symbols of power and clashes with security forces) ending on resignation of President Hosni Mubarak. They took place in Egypt, mostly in Cairo and in the big cities of the country from 25 January 2011 to February 11; 2011. Like the Tunisian Revolution, the Egyptian Revolution erupted to react to the Egyptian police forces abuses. Unemployment, lack of housing and lack of freedom expression are also important causes of demonstrations. The main objective of demonstrators is to achieve a regime change, which would end with the resignation of President Hosni Mubarak in power since October 14, 1981 and a fairer distribution of wealth. The end of the movement is February 11, 2011 when there was a transfer of power to the military while President Mubarak stayed away in his residence. Tunisia REVOLUTION FOR FREEDOM The Tunisian revolution burst further to the immolation of a young itinerant salesman of fruits and vegetables, Mohamed Bouazizi, on December 17th, 2010 in the region of Sidi Bouzid; this place became the theater of murderous riots between inhabitants and police.
    [Show full text]
  • دٚù​Ùšø¯ بوùš ألبوù
    ديÙÙ​ ŠØ¯ بوي ألبوم قائمة (الألبومات & الجدول الزم ني) Young Americans https://ar.listvote.com/lists/music/albums/young-americans-765031/songs https://ar.listvote.com/lists/music/albums/lazarus-%28soundtrack%29- Lazarus (soundtrack) 28168010/songs Golden Years https://ar.listvote.com/lists/music/albums/golden-years-5579986/songs Glass Spider https://ar.listvote.com/lists/music/albums/glass-spider-5567085/songs Fame and Fashion https://ar.listvote.com/lists/music/albums/fame-and-fashion-5432886/songs Early On https://ar.listvote.com/lists/music/albums/early-on-5326714/songs David Bowie Narrates Prokofiev's Peter https://ar.listvote.com/lists/music/albums/david-bowie-narrates-prokofiev%27s-peter- and the Wolf and-the-wolf-5231607/songs https://ar.listvote.com/lists/music/albums/bowie-%E2%80%93-the-video-collection- Bowie – The Video Collection 4035343/songs VH1 Storytellers https://ar.listvote.com/lists/music/albums/vh1-storytellers-2976270/songs Changestwobowie https://ar.listvote.com/lists/music/albums/changestwobowie-2956076/songs https://ar.listvote.com/lists/music/albums/the-best-of-david-bowie-1980%2F1987- The Best of David Bowie 1980/1987 4050965/songs https://ar.listvote.com/lists/music/albums/bbc-sessions-1969%E2%80%931972- BBC Sessions 1969–1972 4834957/songs Rare https://ar.listvote.com/lists/music/albums/rare-2740512/songs https://ar.listvote.com/lists/music/albums/images-1966%E2%80%931967- Images 1966–1967 3283072/songs The Next Day https://ar.listvote.com/lists/music/albums/the-next-day-2783079/songs
    [Show full text]
  • Influencer Marketing for Brands What Youtube and Instagram Can Teach You About the Future of Digital Advertising ― Aron Levin INFLUENCER MARKETING for BRANDS
    Influencer Marketing for Brands What YouTube and Instagram Can Teach You About the Future of Digital Advertising ― Aron Levin INFLUENCER MARKETING FOR BRANDS WHAT YOUTUBE AND INSTAGRAM CAN TEACH YOU ABOUT THE FUTURE OF DIGITAL ADVERTISING Aron Levin Influencer Marketing for Brands: What YouTube and Instagram Can Teach You About the Future of Digital Advertising Aron Levin Stockholm, Stockholms Län, Sweden ISBN-13 (pbk): 978-1-4842-5502-5 ISBN-13 (electronic): 978-1-4842-5503-2 https://doi.org/10.1007/978-1-4842-5503-2 Copyright © 2020 by Aron Levin This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. Trademarked names, logos, and images may appear in this book. Rather than use a trademark symbol with every occurrence of a trademarked name, logo, or image we use the names, logos, and images only in an editorial fashion and to the benefit of the trademark owner, with no intention of infringement of the trademark. The use in this publication of trade names, trademarks, service marks, and similar terms, even if they are not identified as such, is not to be taken as an expression of opinion as to whether or not they are subject to proprietary rights. While the advice and information in this book are believed to be true and accurate at the date of publication, neither the authors nor the editors nor the publisher can accept any legal responsibility for any errors or omissions that may be made.
    [Show full text]
  • Wxdu.Org 010709
    wxdu.org 1/19/09 11:39 AM WXDU 88.7 FM Duke University Radio PLAYLISTS: Current | Past 10 Days LISTEN NOW: iTunes / Ogg Vorbis HOME SCHEDULE PROGRAMMING FAQs CONTACT US DUU DUKE NOW PLAYING: belle and sebastian - i'm a cuckoo "Hello World" with Mistah Jj and Ilex Cassine (archive) $ Wednesday, January 7, 2009 | 19:00 to 21:00 | Playlist Artist Song Album Label Hercules & Love Affair Hercules Hercules & Love Affair Mute 4hero featuring Face Look Inside Play With Changes Milan the things I long to Glitterbug Supershelter C Sides do Fennesz Perfume for Winter Black Sea Touch Sigur Ros Agaetis Byrjun Agaetis Byrjun Fat Cat Trentmoler Vamp Live in concert EP Poker Flat Rosebuds Is there room? Unwind Merge Julia Holter Minerals 4 Women No Cry vol 3 Monika Computer Piece No Vladamir Ussachevsky Electronic and Acoustic Works New World Records 1 Make a Request Pauline Oliveros Time Perspectives Four Electronic pieces 1959-1966 Sub rosa 919-684-8870 Ursula Bogner Metazoon recordings 1969-1988 Faitiche 919-684-8871 Senor Coconut and his make a request online Kiss Around the World Nacional Orchestra +/- Surprise! You are Here Teenbeat Contact Us Completely Nuts Fula Flute Obama Mansa America WXDU 88.7 FM Records PO Box 90689 Silje Nes Escape Ames Room Fat Cat Duke Station Wormwood: Curious Stories from the Durham, NC 27708 Residents Cain and Abel East Side Digital Bible 919-684-2957 Johanna Beyer Total Eclipse Sticky Melodies New World Records [email protected] Barbara Morgenstern driving my car BM Monika Glycemic Index Max Tundra Parallax Error Bedheads You Domino Blues Robert Erickson East of the Beach Auroras New World David Bowie DJ Fame and Fashion RCA Ascending the 4th Sign of the Apocalypse Otto: or, up with dead people Crippled dick hot wax River Einsturzende Neubauten Vanadium-I-Ching Drawings of O.T.
    [Show full text]