P36-40Spe Layout 1

Total Page:16

File Type:pdf, Size:1020Kb

P36-40Spe Layout 1 lifestyle SUNDAY, MAY 24, 2015 Gossip Amal Clooney wants to appear on the cover of Vogue he British human rights lawyer, whose husband works. The insider added: “Amal thought she’d died and George Clooney is good friends with the fashion gone to heaven.” Meanwhile, Oscar winner George, 54, Tbible’s editor Anna Wintour, has reportedly set her recently gushed about his wife’s “amazing” sense of style. sights on gracing the cover of the magazine. A source close He said: “It’s amazing, because she’s always - since the day I to the 37-year-old beauty told Life & Style Weekly: “One of met her - she’s always had this insanely...it’s eccentric but Amal’s great goals is to land the cover of Vogue. “Amal con- it’s fun, sense of fashion. How she does it while she’s got 11 siders herself the world’s most glamorous attorney and is cases she’s working on, and she was teaching at Columbia, obsessed with fame and fashion. “Amal thinks nothing of and she’s still like, ‘I want to wear that dress.’ It’s crazy. It has going on $20,000 shopping sprees at high-end depart- been sort of fascinating to watch, because she has such ment stores and designer boutiques.” She was also recently great taste.” spotted having dinner with Anna at Lambs Club in New York City, sparking rumours the cover is already in the Kelly Brook planning to Kim thinks the Jenner start a family he 35-year-old star is reportedly thinking about hav- ing a baby with her new boyfriend Jeremy Parisis fol- sisters are ‘grounded’ Tlowing the news her US sitcom ‘One Big Happy’ has been axed after just one season. A source shared: “Kelly he reality TV star insists her teenage half-sis- really are super grounded and responsible.” Kim also was heartbroken that the show’s been cancelled, but she ters, who first found fame on ‘Keeping Up with claims that Kylie is still in school despite rumors she knows she can’t dwell on it. She’s been putting on a brave Tthe Kardashians’ nine years ago, don’t take quit last year to focus on building her own empire. front to her friends and family. “Kelly knows that she’s their luxurious lifestyles for granted and “know She told ‘Access Hollywood’: “She’s home-schooled. made mistakes in her past relationships and has often put when things aren’t normal.” Asked if she has con- She has a year left. She goes to school every single her career first. Now she’s met Jeremy, she doesn’t want to cerns about the 19-year-old model and the 17-year- day.” The starlet, who is dating 25-year-old rapper wait any more - she’s put having a baby firmly at the top of old aspiring singer because they grew up in the Tyga, recently admitted she got temporary lip fillers her priorities.” The ‘Piranha 3D’ actress tragically suffered spotlight, the 34-year-old star, who has 23-month- and Kim fully supports her. She said: “I think it two miscarriages while dating former rugby player and old daughter North with husband Kanye West, said: changed her confidence so much.” But she doesn’t model Thom Evans in 2011 and was forced to put further “I think that is just their reality and I have to think think Kylie will get any other procedures. She said: “I baby plans on hold when she split from fiance David about that in a different way now that I have my think there is limits and there is boundaries for sure, McIntosh last year. The source added to Closer magazine: daughter because she was born into it also and not and you have to know the difference. She did some- “Kelly was desperate for a baby with David, but is now con- by choice. “I think that having so many sisters that thing that made her feel better about herself and vinced that Jeremy has come along at just the right time. grew up differently than Kendall and Kylie, and that’s kind of where you have to draw the line. I’m She’s saying that she has enough money to support a fami- always [being] there to talk about things, they know totally okay with that because I know that’s where it ly and doesn’t want to wait any longer. She says her career when things aren’t normal. They know all their stops for her.” can wait this time.” friends aren’t just going on private jets, they know they are growing up with a life of privilege, but they Pacino doesn’t ‘remember much’ of the 70s he ‘Godfather’ star says he struggled with fame during his younger years and admitted he turned to drinking, something The has since overcome. He said: “I was having difficulty with all the attention. “I was a drinker, for sure, my career was exploding in the Seventies and, I’m sorry, but I don’t remember much of the Seventies. Now when I come to think about it, I don’t remember much of the Eighties either. “I have a little bit more of a grasp of the Eighties. I no longer drink or take drugs or any of that. I haven’t done for the past 30 years.” The 75-year-old actor said things changed for him after his good friend, drama teacher Charlie Laughton, confronted him. He said: “He was the one who said to me, ‘Al, I’m not asking you to stop or do anything, but to be aware that you are actually drinking and taking stuff’. “That awareness started and a year or so later, I decided to give this stuff up. It saved my life.” Al also insisted he has no regrets about his career after he passed on offers to star in the lead roles in ‘Die Hard’ and ‘Star Wars’. He added to The Sun newspaper: “I don’t even he 29-year-old actress formed a close bond with the think about it. I believe it’s luck. “Sometimes it passes you by and Oscar winner, 39, while filming ‘A Million Ways to Die In sometimes you catch it. But you’ve got to get out of the house.” Tthe West’ last year and believes she would be the per- fect person to take charge in a serious situation. The ‘Les Miserables’ star said: “If the apocalypse comes, I would want her to run the camp where we survive. She would, like, keep our morale up.” Amanda also became friends with Seth MacFarlane on the set of the film and loved getting to work with him again on their upcoming movie, ‘Ted 2’. She told the June issue of America’s Vogue magazine: “It was so much fun. It’s like working with your best friend, coming to work every day knowing that he trusts me.” While she has a few celebrity pals, including Eddie Redmayne, the blonde beauty would still love to meet Annette Bening. She said: “I love her. She never has an insincere moment. She’s not full of s**t at all. She just seems very grounded.” Amanda also looks to some wants to be like of her other idols, including the late ‘His Girl Friday’ star Seyfried Rosalind Russell, for inspiration. She explained: “She was invested in every line in that movie, and she was com- manding the room. That is the reason you keep watching it. I’ve never really done that in my life. Because I’ve gotten away with it. everything’s been based on instinct. But I realize, that is not acting. That’s a piece of acting, but I gotta step it up. “I was watching her do that, and I was Charlize Theron like, ‘Why am I not better? I should be better!’ And I think I might be getting bet- ter.” — BANGSHOWBIZ McCartney requests a first class seat for his prized guitar he Beatles star has admitted the height of the band’s fame in 1963. his iconic 1963 Hofner bass The guitar was kept in the loft of its pre- Tguitar gets the special treat- vious owner for twenty years before ment whenever he flies with it, with being displayed at the now-closed the instrument sometimes being National Centre for Popular Music in treated to it’s own seat and seat- Sheffield, England. It was then sold to a belt. He told The Sun newspaper: “My private dealer in Leeds, who paid guy [assistant John Hammel] looks £23,000 for it, before being auctioned after it like his own child and he won’t off once again recently at a music mem- let anyone take it. “He is very particular orabilia sale in New York, where it com- about it - more than I am. Sometimes it manded the hefty six-figure sum. gets its own little seat and seatbelt.” It is no surprise that Paul, 72, wants to keep a tight reign on the instrument after a guitar once used by fellow Beatles star, the late George Harrison, recently sold for over £300,000. The rare Maton MS- 500 Mastersound is said to have been used by the ‘Hey Jude’ hitmaker during.
Recommended publications
  • Music & Entertainment Auction
    Hugo Marsh Neil Thomas Plant (Director) Shuttleworth (Director) (Director) Music & Entertainment Auction 20th February 2018 at 10.00 For enquiries relating to the sale, Viewing: 19th February 2018 10:00 - 16:00 Please contact: Otherwise by Appointment Saleroom One, 81 Greenham Business Park, NEWBURY RG19 6HW Telephone: 01635 580595 Christopher David Martin David Howe Fax: 0871 714 6905 Proudfoot Music & Music & Email: [email protected] Mechanical Entertainment Entertainment www.specialauctionservices.com Music As per our Terms and Conditions and with particular reference to autograph material or works, it is imperative that potential buyers or their agents have inspected pieces that interest them to ensure satisfaction with the lot prior to the auction; the purchase will be made at their own risk. Special Auction Services will give indica- tions of provenance where stated by vendors. Subject to our normal Terms and Conditions, we cannot accept returns. Buyers Premium: 17.5% plus Value Added Tax making a total of 21% of the Hammer Price Internet Buyers Premium: 20.5% plus Value Added Tax making a total of 24.6% of the Hammer Price Historic Vocal & other Records 9. Music Hall records, fifty-two, by 16. Thirty-nine vocal records, 12- Askey (3), Wilkie Bard, Fred Barnes, Billy inch, by de Tura, Devries (3), Doloukhanova, 1. English Vocal records, sixty-three, Bennett (5), Byng (3), Harry Champion (4), Domingo, Dragoni (5), Dufranne, Eames (16 12-inch, by Buckman, Butt (11 - several Casey Kids (2), GH Chirgwin, (2), Clapham and inc IRCC20, IRCC24, AGSB60), Easton, Edvina, operatic), T Davies(6), Dawson (19), Deller, Dwyer, de Casalis, GH Elliot (3), Florrie Ford (6), Elmo, Endreze (6) (39, in T1) £40-60 Dearth (4), Dodds, Ellis, N Evans, Falkner, Fear, Harry Fay, Frankau, Will Fyfe (3), Alf Gordon, Ferrier, Florence, Furmidge, Fuller, Foster (63, Tommy Handley (5), Charles Hawtrey, Harry 17.
    [Show full text]
  • And Nicolas Winding Refn's the Neon Demon
    Exchanges: The Interdisciplinary Research Journal For Fame and Fashion: The Cannibalism of Creatives in Chuck Palaniuk’s Haunted (2005) and Nicolas Winding Refn’s The Neon Demon (2016) Michael Wheatley Royal Holloway, University of London, UK Correspondence: [email protected] Twitter: @md_wheatley ORCID: 0000-0002-5252-3554 Peer review: This article has been subject to a Abstract double-blind peer review process This research explores the ways cannibalism in Chuck Palahniuk’s novel Haunted (2005) and Nicolas Winding Refn’s film The Neon Demon (2016) are a consequence, and reflective, of the consuming nature of creative industries. The research draws from this exploration that the consumptive Copyright notice: This characteristics of cannibalism often allegorise the processes and careers of article is issued under the artists. Specifically, the sacrificial nature of putting oneself into one’s work, terms of the Creative Commons Attribution the notion of the tortured artist, and the competitive nature of creative License, which permits industries, where the hierarchy is ascended through others’ losses. use and redistribution of the work provided that In the framing narrative of Haunted, seventeen writers are trapped within the original author and an isolated writing retreat under the illusion of re-enacting the Villa source are credited. Diodati and writing their individual masterpieces. When inspiration fails You must give them, they sabotage their food supply in order to enhance their suffering, appropriate credit and thus their eventual memoirs. The writers turn to cannibalism, not only (author attribution), provide a link to the to survive but to remove the competition. By consuming each other, they license, and indicate if attempt to manufacture themselves as ‘tortured artists’, competing to changes were made.
    [Show full text]
  • Notre Dame Scholastic, 1876-1877
    lotre Dame Scholastic. Oisoe qLiiasl seiZLpei- vlotnixrixs; vive q^ixasl oras moritjums. Voliune X. NOTEE DAME, INDIAITA, APBIL 7, 1877. Number 31. Night Scene. • , >i Irish Ballads. This night hath glorified the bonhdWss vast Whatever is nseful and good in itself for conforming the O'er which the forming hand of God hath passed; actions of men to the moral law should sometimes at least Behold the heavens spreading as a page, he deemed worthy of special consideration. We not un- And the dear brown earth grown pure in mellow age! frequently hear persons say that such and such a thing, such and such a subject is of no importance whatsoever, and Bright worlds and orbs of light are rolling high, that time should not be lost in studying or reading matter Where nntold visions bless the raptured eye; pertaining to what they are pleased to call contrarium Imni. The moon-lit earth in seas of beanty flows, Now it is evident that an ingenious mind might be at a And all that comes from God before me glows. loss to know what kind of a being that may be; but there Rare beanty bathed in love, thon blessed even, are some persons who find no difficulty in seeing or per­ Moving in silent grandeur up to heaven, ceiving what it is, and will give their advice and decision How glad my soul would swell thy wordless hymn. accordingly. Every subject is of importance, is good in Rising so pure, like love of Seraphim! itself, and can only be bad in as much' as it is improperly discussed or developed by him who strives to expatiate Shall wealth's dull glare outglow that saintly light, upon it when following his own blind and partial ideas, Or mar the richness of this brilliant night; asserting more than he clearly perceives, thinking he sees And poor pale tints of glory cheat the heart when in reality he does not see, and then, as becoming a While fields lilie these such peerless hues impart ? man of a philosophical turn of mind, boldly making his assertions accordingly.
    [Show full text]
  • MUSIC WEEK APRIL 28, 1984 / AA / * > Wa J Ma
    MUSIC WEEK APRIL 28, 1984 * j A / > Wa ■ A / PLATINUM LP = GOLD LP = SILVER LP \M7l NEW ENTRY RE-ENTRY O [300.000 units as of Jan '79) (100,000 units as of Jan '79) [60,000 units as of Jon 79) ma Label number (Distributor) This Last Wks on TITLE/Artist (Producer) Label number (Distributor)C; Cassette ^3 WeekThis WeekLast ChartWks on TITLE/Artist (Producer) C: Cassette Week Week Chart " THE ROSE OFTRALEE & IRISH FAVOURITEb c:POLU^'J' 1 4 NOW THAT'S WHAT 1 CALL MUSIC 11 Q virgm/EMi now 2(E) 51 47 6 James Last and his Orchestra (James Last) Polydor POLO 51 ) AGAINST ALL ODDS 4506 j 1 Various (Various) C;TC-NOW2 Club/Phonogram JABL i if; ALARM, The • ■ • • CAN'T SLOW DOWN O „ , 52 54 8 LET THE MUSIC PLAY C: JABLC 1 ALWAYSCOLLECTION AND FOREVER-THE 24 ? 2 27 h Shannon (Mark Ligqott/Chris Barbosa) ARMATRADING. Joan 100 INTO THE GAP O Arista 205 97UF) 41 3 VICTIMS OF CIRCUMSTANCE PolydorC.POLDC5135 POLO 5135 IF) BANANARAMA ...16 ? 3 10 C; 405 971 53 Barclay James Harvest (Pip Williams) BARCLAY JAMES HARVEST . 53 Epic EPC 85930(C) POINTS ON THE CURVE GeffonGEF 25589 (Cl BENSON, George 44 72 THRILLER© C:40/85930 54 34 2 Wang Chung (Chris Hughes/Ross Culluml C: 40/25589 BIGBON COUNTRY JOV1 7310 4 4 Rocket/Phonogram HISPD 24 (F) BOWIE. David 66 VertigofPhonogram VERH 12(F) TOO LOW FOR ZERO© BRAGG, Billy 94 R rm GRACE UNDER PRESSURE C: VERHC 12 55 60 47 Elton John (Chris Thomas) C: REWND 24 ! CAMEL 79 K-Tel/WEA NE 1262 IK) | CARMEL .67 THE WORKS • EMI WORK 11E) 50 26 STAGES © C: CE 2262 COLLINS, Phil 49,69 6 8 8 C: TC-WORK 1 56 Elaine Paige (Tony Visconti) CRUSADERS 99 Warwick WW 5137(C) 1984 Warner Brothers 923985-1 (W) CULTURE CLUB 14 AND 1 LOVE YOU SO C:WW 45137 57 36 30 Van Halen (Tod Templeman) C; 923985-4 , CURE, The 7 27 3 Charisma/Virgin GENLP1 (E) ■ DEAD OR ALIVE - • ..
    [Show full text]
  • RCA Consolidated Series, Continued
    RCA Discography Part 18 - By David Edwards, Mike Callahan, and Patrice Eyries. © 2018 by Mike Callahan RCA Consolidated Series, Continued 2500 RCA Red Seal ARL 1 2501 – The Romantic Flute Volume 2 – Jean-Pierre Rampal [1977] (Doppler) Concerto In D Minor For 2 Flutes And Orchestra (With Andraìs Adorjaìn, Flute)/(Romberg) Concerto For Flute And Orchestra, Op. 17 2502 CPL 1 2503 – Chet Atkins Volume 1, A Legendary Performer – Chet Atkins [1977] Ain’tcha Tired of Makin’ Me Blue/I’ve Been Working on the Guitar/Barber Shop Rag/Chinatown, My Chinatown/Oh! By Jingo! Oh! By Gee!/Tiger Rag//Jitterbug Waltz/A Little Bit of Blues/How’s the World Treating You/Medley: In the Pines, Wildwood Flower, On Top of Old Smokey/Michelle/Chet’s Tune APL 1 2504 – A Legendary Performer – Jimmie Rodgers [1977] Sleep Baby Sleep/Blue Yodel #1 ("T" For Texas)/In The Jailhouse Now #2/Ben Dewberry's Final Run/You And My Old Guitar/Whippin' That Old T.B./T.B. Blues/Mule Skinner Blues (Blue Yodel #8)/Old Love Letters (Bring Memories Of You)/Home Call 2505-2509 (no information) APL 1 2510 – No Place to Fall – Steve Young [1978] No Place To Fall/Montgomery In The Rain/Dreamer/Always Loving You/Drift Away/Seven Bridges Road/I Closed My Heart's Door/Don't Think Twice, It's All Right/I Can't Sleep/I've Got The Same Old Blues 2511-2514 (no information) Grunt DXL 1 2515 – Earth – Jefferson Starship [1978] Love Too Good/Count On Me/Take Your Time/Crazy Feelin'/Crazy Feeling/Skateboard/Fire/Show Yourself/Runaway/All Nite Long/All Night Long APL 1 2516 – East Bound and Down – Jerry
    [Show full text]
  • Hardy, History, and Recorded Music Tim Armstrong
    0333_994450_15_cha10.fm Page 153 Friday, November 7, 2003 10:47 AM 10 Hardy, History, and Recorded Music Tim Armstrong This chapter is a meditation in three parts on the meaning of music in litera- ture: music as an abstract notation which seems to offer the possibility of encoding temporality and history; music as performed on or by the human instrument—especially the fingertips; and finally, recorded music, that is, music as stored by technology. In his book Music and Morals, the well-known Victorian critic of music, H. R. Haweis, gives an account of English street-music in the period. He describes its characteristic forms in a number of vignettes: the first is the barrel organ, and the last what he calls ‘the String Band Dissolved’, that is a harp-and-fiddle com- bination (1871a, 551–562). I will return to the figure of the organ-grinder at the end of this chapter. But here is Hardy’s ‘string band dissolved’, in his late poem, ‘Music in a Snowy Street’, with its depiction of street-musicians in the snow:1 The weather is sharp But the girls are unmoved: One wakes from a harp, The next from a viol, A strain that I loved When life was no trial. (Hardy 1982–95, 3. 46, ll. 1–6) Hardy goes on to describe this music as evoking memories of ‘the spry springing feet / Of a century ago’ (ll. 9–10), now dead; and even, perhaps, the ghosts of history: O bygone whirls, heys, Crochets, quavers, the same That were danced in the days Of grim Bonaparte’s fame, Or even by the toes 153 0333_994450_15_cha10.fm Page 154 Friday, November 7, 2003 10:47 AM 154 Hardy, History, and Recorded Music Of the fair Antoinette, — Yea, old notes like those Here are living on yet! — But of their fame and fashion How little these know Who strum without passion For pence, in the snow! (47, ll.
    [Show full text]
  • A Videografia De David Bowie (1969-2017)
    MESTRADO HISTÓRIA DA ARTE, PATRIMÓNIO E CULTURA VISUAL «Sound and Vision»: a videografia de David Bowie (1969-2017). Contributos para o estudo do videoclipe. Volume II Andréa Michelle dos Santos Diogo M 2018 Andréa Michelle dos Santos Diogo «Sound and Vision»: a videografia de David Bowie (1969-2017). Contributos para o estudo do videoclipe Volume II – Apêndices Dissertação realizada no âmbito do Mestrado em História da Arte, Património e Cultura Visual, orientada pelo Professor Doutor Hugo Daniel da Silva Barreira e coorientada pelo Professor Doutor Nuno Miguel de Resende Jorge Mendes Faculdade de Letras da Universidade do Porto setembro de 2018 Índice Índice .......................................................................................................................................... 3 Nota introdutória ........................................................................................................................ 6 APÊNDICES – A ....................................................................................................................... 8 1. Levantamento da produção discográfica de David Bowie (1964-2017) ............................ 8 2. Levantamento da videografia de David Bowie (1969-2017) ........................................... 16 3. Levantamento da filmografia de David Bowie e respetivas personagens interpretadas .. 19 APÊNDICES – B ..................................................................................................................... 20 1. Tabela geral do corpus de estudo ....................................................................................
    [Show full text]
  • David Bowie Changestwobowie Mp3, Flac, Wma
    David Bowie ChangesTwoBowie mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Rock Album: ChangesTwoBowie Country: UK Released: 1981 Style: New Wave, Glam, Pop Rock, Disco MP3 version RAR size: 1628 mb FLAC version RAR size: 1127 mb WMA version RAR size: 1146 mb Rating: 4.9 Votes: 504 Other Formats: AAC ADX VQF MPC TTA WAV XM Tracklist A1 Aladdin Sane (1913-1938-197?) / On Broadway A2 Oh! You Pretty Things A3 Starman A4 1984 A5 Ashes To Ashes B1 Sound And Vision B2 Fashion B3 Wild Is The Wind B4 John I'm Only Dancing (Again) B5 D.J. Companies, etc. Phonographic Copyright (p) – RCA Corporation Copyright (c) – RCA Records Marketed By – RCA Ltd. Mastered At – The Town House Pressed By – EMI Records Printed By – Robert Stace Credits Photography By – Greg Gorman Notes Issued in a single sleeve and includes a dedicated printed advertising inner sleeve, has the BOW LP 3 cat. # printed in the corner. Note: There is also a similar UK version with a label variant - David Bowie - ChangesTwoBowie Barcode and Other Identifiers Other (Date sleeve printed, company): RWG 1181 RS Matrix / Runout (Variant 1, A Side Runout, stamped): BOWLP 3 A - 1U TOWNHOUSE Matrix / Runout (Variant 1, B Side Runout, stamped): BOWLP 3 B - 2U TOWNHOUSE Matrix / Runout (Variant 2, A Side Runout, stamped): BOWLP 3 A - 2U TOWNHOUSE Matrix / Runout (Variant 2, B Side Runout, stamped): BOWLP 3 B - 1U TOWNHOUSE Matrix / Runout (Variant 3, A Side Runout, stamped): BOWLP 3 A - 1U TOWNHOUSE Matrix / Runout (Variant 3, B Side Runout, stamped): BOWLP 3 B - 1U TOWNHOUSE Other versions
    [Show full text]
  • Fashion Books
    Fashion Books Bibliography compiled by Lu Peters Agins, Teri The End of Fashion: How Marketing Changed the Clothing Business Forever; Quill/HarperCollins Alac, Patrik The Bikini: a Cultural History; Parkstone Amies, Hardy ABC of Men’s Fashion; Abrams Amneus, Cynthia A Separate Sphere: Dressmakers in Cincinnati’s Golden Age, 1877-1922; Texas Tech U. Press, 2003 Anawalt, Patricia The Worldwide History of Dress; Thames and Hudson, 2007 Aoki, Shoidi Fruits; Phaidon Press, 2001 Fresh Fruits; Phaidon Press, 2005 Armani, G. et al. Giorgio Armani; Guggenheim Museum, 2003 Arnold, Janet Patterns of Fashion: 1600-1860; Drama, revised 1977 Patterns of Fashion: Cut & Construction of Clothes for Men & Women, 1560-1620; Drama, 1985 Encyclopedia of Women’s Dresses & Construction 1860-1940; Drama, 1977 Arnold, Rebecca Fashion, Desire and Anxiety; I.B. Taurus & Co., Ltd., 2001 Arroyuelo, Javier Roberto Cavalli; Assouline, 2003 Atkins, Jacqueline Wearing Propaganda: Textiles of the Home Front in Japan, Britain, and the United States [Museum exhibit publication]; Yale Press, 2005 Borrelli, Laird Fashion Illustration by Fashion Designers; Thames and Hudson, 2008 Fashion Illustration Next; Thames and Hudson, 2004 Fashion Illustration Now; Thames and Hudson, 2000 Net Mode: Web Fashion Now; Thames and Hudson, 2002 Barnard, Malcolm Fashion as Communication; T.F. ROUTL, 2002 Barthes, Roland The Language of Fashion; Berg, 2006 Bassman, et al. LeBook, NY 2002; LeBook Publishing, 2002. Baudot, Francois Yohji Yamamoto; Editions Assouline ©2007-2008 Lu Peters. All rights reserved. Last updated August 8, 2008. For the latest list, please visit www.lupeters.com. 1 Baumgarten, Watson, Carr Costume Close Up: Clothing Construction and Pattern, 1750-1790; Colonial Williamsburg, 1999 Benaim, Laurence Issey Miyake; Universe/Vendome Press Gres; Assouline, 2003 Yves St.
    [Show full text]
  • Cinema: “To Be Or Not to Be”, “Love Me If You Dare”, “Neuilly Sa Mère !”, “The Exorcist” •Video Games: the Sims, Call of Duty Black Ops, Mario Kart Wii
    Summary News and sports •International news: Egypt and Tunisia •Team sports update: Basketball and rugby •Individual sports update: Tennis, Cars and golf Travel •Welcome to Egypt •Traditional Egyptian food Culture and multimedia •Music news •Books and comics •Cinema: “To be or not to be”, “Love me if you dare”, “Neuilly sa mère !”, “The Exorcist” •Video games: The Sims, Call of duty black ops, Mario kart Wii Fame and fashion •Famous people and gossip: Lady Gaga, Guillaume Canet •Fashion and beauty Horoscope •Horoscope •Games International news •Colzart Benjamin, Cuna Cansu, Gresse Rémy Egypt THIS IS A REVOLUTION! The 2011 Egyptian revolution is a set of events (demonstrations, strikes, destruction of buildings and symbols of power and clashes with security forces) ending on resignation of President Hosni Mubarak. They took place in Egypt, mostly in Cairo and in the big cities of the country from 25 January 2011 to February 11; 2011. Like the Tunisian Revolution, the Egyptian Revolution erupted to react to the Egyptian police forces abuses. Unemployment, lack of housing and lack of freedom expression are also important causes of demonstrations. The main objective of demonstrators is to achieve a regime change, which would end with the resignation of President Hosni Mubarak in power since October 14, 1981 and a fairer distribution of wealth. The end of the movement is February 11, 2011 when there was a transfer of power to the military while President Mubarak stayed away in his residence. Tunisia REVOLUTION FOR FREEDOM The Tunisian revolution burst further to the immolation of a young itinerant salesman of fruits and vegetables, Mohamed Bouazizi, on December 17th, 2010 in the region of Sidi Bouzid; this place became the theater of murderous riots between inhabitants and police.
    [Show full text]
  • دٚù​Ùšø¯ بوùš ألبوù
    ديÙÙ​ ŠØ¯ بوي ألبوم قائمة (الألبومات & الجدول الزم ني) Young Americans https://ar.listvote.com/lists/music/albums/young-americans-765031/songs https://ar.listvote.com/lists/music/albums/lazarus-%28soundtrack%29- Lazarus (soundtrack) 28168010/songs Golden Years https://ar.listvote.com/lists/music/albums/golden-years-5579986/songs Glass Spider https://ar.listvote.com/lists/music/albums/glass-spider-5567085/songs Fame and Fashion https://ar.listvote.com/lists/music/albums/fame-and-fashion-5432886/songs Early On https://ar.listvote.com/lists/music/albums/early-on-5326714/songs David Bowie Narrates Prokofiev's Peter https://ar.listvote.com/lists/music/albums/david-bowie-narrates-prokofiev%27s-peter- and the Wolf and-the-wolf-5231607/songs https://ar.listvote.com/lists/music/albums/bowie-%E2%80%93-the-video-collection- Bowie – The Video Collection 4035343/songs VH1 Storytellers https://ar.listvote.com/lists/music/albums/vh1-storytellers-2976270/songs Changestwobowie https://ar.listvote.com/lists/music/albums/changestwobowie-2956076/songs https://ar.listvote.com/lists/music/albums/the-best-of-david-bowie-1980%2F1987- The Best of David Bowie 1980/1987 4050965/songs https://ar.listvote.com/lists/music/albums/bbc-sessions-1969%E2%80%931972- BBC Sessions 1969–1972 4834957/songs Rare https://ar.listvote.com/lists/music/albums/rare-2740512/songs https://ar.listvote.com/lists/music/albums/images-1966%E2%80%931967- Images 1966–1967 3283072/songs The Next Day https://ar.listvote.com/lists/music/albums/the-next-day-2783079/songs
    [Show full text]
  • Influencer Marketing for Brands What Youtube and Instagram Can Teach You About the Future of Digital Advertising ― Aron Levin INFLUENCER MARKETING for BRANDS
    Influencer Marketing for Brands What YouTube and Instagram Can Teach You About the Future of Digital Advertising ― Aron Levin INFLUENCER MARKETING FOR BRANDS WHAT YOUTUBE AND INSTAGRAM CAN TEACH YOU ABOUT THE FUTURE OF DIGITAL ADVERTISING Aron Levin Influencer Marketing for Brands: What YouTube and Instagram Can Teach You About the Future of Digital Advertising Aron Levin Stockholm, Stockholms Län, Sweden ISBN-13 (pbk): 978-1-4842-5502-5 ISBN-13 (electronic): 978-1-4842-5503-2 https://doi.org/10.1007/978-1-4842-5503-2 Copyright © 2020 by Aron Levin This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. Trademarked names, logos, and images may appear in this book. Rather than use a trademark symbol with every occurrence of a trademarked name, logo, or image we use the names, logos, and images only in an editorial fashion and to the benefit of the trademark owner, with no intention of infringement of the trademark. The use in this publication of trade names, trademarks, service marks, and similar terms, even if they are not identified as such, is not to be taken as an expression of opinion as to whether or not they are subject to proprietary rights. While the advice and information in this book are believed to be true and accurate at the date of publication, neither the authors nor the editors nor the publisher can accept any legal responsibility for any errors or omissions that may be made.
    [Show full text]