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Confidential Draft
FOR IMMEDIATE RELEASE: Thursday, May 26, 2011 PHAIDON PRESS AND THE NATIONAL SEPTEMBER 11 MEMORIAL & MUSEUM ANNOUNCE 10TH-ANNIVERSARY EDITION OF THE PHOTOGRAPHY BOOK ‘AFTERMATH: WORLD TRADE CENTER ARCHIVE’ Award-winning Photographer Joel Meyerowitz Chronicles Post-9/11 Efforts Meyerowitz’s Photographs will be included in 9/11 Memorial Museum Marking the 10th anniversary of 9/11, Phaidon Press with the support of the National September 11 Memorial & Museum announced today the publishing of a commemorative edition of the book ‚Aftermath: World Trade Center Archive‛ by Joel Meyerowitz. The 349-page book, which will be published by Phaidon Press in June, is the only existing photographic record of the monumental recovery effort in the weeks and months after the September 11, 2001 attacks. The publication features 400 color photographs from the World Trade Center site, where Meyerowitz was the only professional photographer granted untethered access to ground zero in the months following the attacks. This commemorative edition, which retails for $39.95, features a new cover with an endorsement from 9/11 Memorial President Joe Daniels. The book will be available at the 9/11 Memorial Preview Site, 20 Vesey St. All net proceeds from sales of books, keepsakes and other items at the Preview Site are dedicated to developing and sustaining the 9/11 Memorial. ‚Aftermath is a testament to the heroism and compassion that were so much a part of the recovery effort at ground zero,‛ Daniels said. ‚Joel’s work and dedication presented on the pages of this book is for every American, as a tribute and historical record ensuring 9/11 is never forgotten on future generations.‛ A selection of Meyerowitz’s photographs will be included in the 9/11 Memorial Museum, which opens in 2012. -
Music & Entertainment Auction
Hugo Marsh Neil Thomas Plant (Director) Shuttleworth (Director) (Director) Music & Entertainment Auction 20th February 2018 at 10.00 For enquiries relating to the sale, Viewing: 19th February 2018 10:00 - 16:00 Please contact: Otherwise by Appointment Saleroom One, 81 Greenham Business Park, NEWBURY RG19 6HW Telephone: 01635 580595 Christopher David Martin David Howe Fax: 0871 714 6905 Proudfoot Music & Music & Email: [email protected] Mechanical Entertainment Entertainment www.specialauctionservices.com Music As per our Terms and Conditions and with particular reference to autograph material or works, it is imperative that potential buyers or their agents have inspected pieces that interest them to ensure satisfaction with the lot prior to the auction; the purchase will be made at their own risk. Special Auction Services will give indica- tions of provenance where stated by vendors. Subject to our normal Terms and Conditions, we cannot accept returns. Buyers Premium: 17.5% plus Value Added Tax making a total of 21% of the Hammer Price Internet Buyers Premium: 20.5% plus Value Added Tax making a total of 24.6% of the Hammer Price Historic Vocal & other Records 9. Music Hall records, fifty-two, by 16. Thirty-nine vocal records, 12- Askey (3), Wilkie Bard, Fred Barnes, Billy inch, by de Tura, Devries (3), Doloukhanova, 1. English Vocal records, sixty-three, Bennett (5), Byng (3), Harry Champion (4), Domingo, Dragoni (5), Dufranne, Eames (16 12-inch, by Buckman, Butt (11 - several Casey Kids (2), GH Chirgwin, (2), Clapham and inc IRCC20, IRCC24, AGSB60), Easton, Edvina, operatic), T Davies(6), Dawson (19), Deller, Dwyer, de Casalis, GH Elliot (3), Florrie Ford (6), Elmo, Endreze (6) (39, in T1) £40-60 Dearth (4), Dodds, Ellis, N Evans, Falkner, Fear, Harry Fay, Frankau, Will Fyfe (3), Alf Gordon, Ferrier, Florence, Furmidge, Fuller, Foster (63, Tommy Handley (5), Charles Hawtrey, Harry 17. -
And Nicolas Winding Refn's the Neon Demon
Exchanges: The Interdisciplinary Research Journal For Fame and Fashion: The Cannibalism of Creatives in Chuck Palaniuk’s Haunted (2005) and Nicolas Winding Refn’s The Neon Demon (2016) Michael Wheatley Royal Holloway, University of London, UK Correspondence: [email protected] Twitter: @md_wheatley ORCID: 0000-0002-5252-3554 Peer review: This article has been subject to a Abstract double-blind peer review process This research explores the ways cannibalism in Chuck Palahniuk’s novel Haunted (2005) and Nicolas Winding Refn’s film The Neon Demon (2016) are a consequence, and reflective, of the consuming nature of creative industries. The research draws from this exploration that the consumptive Copyright notice: This characteristics of cannibalism often allegorise the processes and careers of article is issued under the artists. Specifically, the sacrificial nature of putting oneself into one’s work, terms of the Creative Commons Attribution the notion of the tortured artist, and the competitive nature of creative License, which permits industries, where the hierarchy is ascended through others’ losses. use and redistribution of the work provided that In the framing narrative of Haunted, seventeen writers are trapped within the original author and an isolated writing retreat under the illusion of re-enacting the Villa source are credited. Diodati and writing their individual masterpieces. When inspiration fails You must give them, they sabotage their food supply in order to enhance their suffering, appropriate credit and thus their eventual memoirs. The writers turn to cannibalism, not only (author attribution), provide a link to the to survive but to remove the competition. By consuming each other, they license, and indicate if attempt to manufacture themselves as ‘tortured artists’, competing to changes were made. -
Notre Dame Scholastic, 1876-1877
lotre Dame Scholastic. Oisoe qLiiasl seiZLpei- vlotnixrixs; vive q^ixasl oras moritjums. Voliune X. NOTEE DAME, INDIAITA, APBIL 7, 1877. Number 31. Night Scene. • , >i Irish Ballads. This night hath glorified the bonhdWss vast Whatever is nseful and good in itself for conforming the O'er which the forming hand of God hath passed; actions of men to the moral law should sometimes at least Behold the heavens spreading as a page, he deemed worthy of special consideration. We not un- And the dear brown earth grown pure in mellow age! frequently hear persons say that such and such a thing, such and such a subject is of no importance whatsoever, and Bright worlds and orbs of light are rolling high, that time should not be lost in studying or reading matter Where nntold visions bless the raptured eye; pertaining to what they are pleased to call contrarium Imni. The moon-lit earth in seas of beanty flows, Now it is evident that an ingenious mind might be at a And all that comes from God before me glows. loss to know what kind of a being that may be; but there Rare beanty bathed in love, thon blessed even, are some persons who find no difficulty in seeing or per Moving in silent grandeur up to heaven, ceiving what it is, and will give their advice and decision How glad my soul would swell thy wordless hymn. accordingly. Every subject is of importance, is good in Rising so pure, like love of Seraphim! itself, and can only be bad in as much' as it is improperly discussed or developed by him who strives to expatiate Shall wealth's dull glare outglow that saintly light, upon it when following his own blind and partial ideas, Or mar the richness of this brilliant night; asserting more than he clearly perceives, thinking he sees And poor pale tints of glory cheat the heart when in reality he does not see, and then, as becoming a While fields lilie these such peerless hues impart ? man of a philosophical turn of mind, boldly making his assertions accordingly. -
Syllabus Paris
Institut de Langue et de Culture Française Spring Semester 2017 Paris, World Arts Capital PE Perrier de La Bâthie / [email protected] Paris, World Capital of Arts and Architecture From the 17th through the 20th centuries Since the reign of Louis XIV until the mid-20th century, Paris had held the role of World Capital of Arts. For three centuries, the City of Light was the place of the most audacious and innovative artistic advances, focusing on itself the attention of the whole world. This survey course offers students a wide panorama on the evolution of arts and architecture in France and more particularly in Paris, from the beginning of the 17th century to nowadays. The streets of the French capital still preserve the tracks of its glorious history through its buildings, its town planning and its great collections of painting, sculpture and decorative arts. As an incubator of modernity, Paris saw the rising of a new epoch governed – for better or worse – by faith in progress and reason. As literature and science, art participated in the transformations of society, being surely its more accurate reflection. Since the French Revolution, art have accompanied political and social changes, opened to the contestation of academic practice, and led to an artistic and architectural avant-garde driven to depict contemporary experience and to develop new representational means. Creators, by their plastic experiments and their creativity, give the definitive boost to a modern aesthetics and new references. After the trauma of both World War and the American economic and cultural new hegemony, appeared a new artistic order, where artists confronted with mass-consumer society, challenging an insane post-war modernity. -
The French Art World in the 19Th and 20Th Centuries : Summer
The French Art World in the 19th and 20th centuries : Summer Session Professor: Laure-Caroline Semmer Period: Monday-Wednesday-Thursday 14h-16h30 (unless otherwise indicated) Email: / 06 11 16 87 58 Course Abstract This course traces the artistic contribution to modernity in 19th -century and the first decades of 20th century French art, its utopian dimension, its different achievements and its decline. Since the French Revolution, major works of art, art critics and theorists, and artists themselves contributed to change drastically the artist’s role and the role of the arts. Against the backdrop of the newly established bourgeois, industrialized and modernized society in France, the co-existence of opposite art practices and ideologies as well as the quickly following changes and innovations in successive art-movements, such as realism, impressionism, postimpressionism, cubism, fauvism will be analysed with regard to their respective claim for modernity. Through an examination of form and content distinguishable in works of various artistic disciplines (painting, sculpture, architecture, design), students will critically evaluate artistic language and expression that is representative of modern ideologies. This course will examine the visual arts and will utilize theoretical texts for supportive analysis. Course Objectives: Upon completionSAMPLE of the course the student will be able to: - Distinguish major art movements from Neo-Classicism to Modern Art. - Analyze and contextualize key works of 19th and 20th century French Art. - Demonstrate awareness and understanding of their historical, social and esthetical background. - Have a basic reading of essential art critics and art theories dealing with modernity. - Acquire basic knowledge about the foundations of Modern Art. -
MUSIC WEEK APRIL 28, 1984 / AA / * > Wa J Ma
MUSIC WEEK APRIL 28, 1984 * j A / > Wa ■ A / PLATINUM LP = GOLD LP = SILVER LP \M7l NEW ENTRY RE-ENTRY O [300.000 units as of Jan '79) (100,000 units as of Jan '79) [60,000 units as of Jon 79) ma Label number (Distributor) This Last Wks on TITLE/Artist (Producer) Label number (Distributor)C; Cassette ^3 WeekThis WeekLast ChartWks on TITLE/Artist (Producer) C: Cassette Week Week Chart " THE ROSE OFTRALEE & IRISH FAVOURITEb c:POLU^'J' 1 4 NOW THAT'S WHAT 1 CALL MUSIC 11 Q virgm/EMi now 2(E) 51 47 6 James Last and his Orchestra (James Last) Polydor POLO 51 ) AGAINST ALL ODDS 4506 j 1 Various (Various) C;TC-NOW2 Club/Phonogram JABL i if; ALARM, The • ■ • • CAN'T SLOW DOWN O „ , 52 54 8 LET THE MUSIC PLAY C: JABLC 1 ALWAYSCOLLECTION AND FOREVER-THE 24 ? 2 27 h Shannon (Mark Ligqott/Chris Barbosa) ARMATRADING. Joan 100 INTO THE GAP O Arista 205 97UF) 41 3 VICTIMS OF CIRCUMSTANCE PolydorC.POLDC5135 POLO 5135 IF) BANANARAMA ...16 ? 3 10 C; 405 971 53 Barclay James Harvest (Pip Williams) BARCLAY JAMES HARVEST . 53 Epic EPC 85930(C) POINTS ON THE CURVE GeffonGEF 25589 (Cl BENSON, George 44 72 THRILLER© C:40/85930 54 34 2 Wang Chung (Chris Hughes/Ross Culluml C: 40/25589 BIGBON COUNTRY JOV1 7310 4 4 Rocket/Phonogram HISPD 24 (F) BOWIE. David 66 VertigofPhonogram VERH 12(F) TOO LOW FOR ZERO© BRAGG, Billy 94 R rm GRACE UNDER PRESSURE C: VERHC 12 55 60 47 Elton John (Chris Thomas) C: REWND 24 ! CAMEL 79 K-Tel/WEA NE 1262 IK) | CARMEL .67 THE WORKS • EMI WORK 11E) 50 26 STAGES © C: CE 2262 COLLINS, Phil 49,69 6 8 8 C: TC-WORK 1 56 Elaine Paige (Tony Visconti) CRUSADERS 99 Warwick WW 5137(C) 1984 Warner Brothers 923985-1 (W) CULTURE CLUB 14 AND 1 LOVE YOU SO C:WW 45137 57 36 30 Van Halen (Tod Templeman) C; 923985-4 , CURE, The 7 27 3 Charisma/Virgin GENLP1 (E) ■ DEAD OR ALIVE - • .. -
Visualizing Poetry in Practice in Early Modern Italian Art
Athens Journal of Humanities & Arts - Volume 8, Issue 3, July 2021 – Pages 189-208 Li Pittori Parlano con l’Opere: Visualizing Poetry in Practice in Early Modern Italian Art By James Hutson* The relative sophistication of artists in the early modern era is contested, especially with regards to their educational backgrounds. On one hand, Dempsey-esque intellectual history is vested in touting the structured, literary curricula in art-educational institutions; while on the other, a complete rejection of the ‚artist-philosopher‛ as historical fiction seeks to undermine this hegemonic construct. This study argues that the lack of early formal education in the cases of artist like Annibale Carracci and Nicolas Poussin, who, unlike Peter Paul Rubens, did not have a firm foundation in the classics and languages that would allow them to engage directly with source material, would later be supplemented through their relationships with literary figures in the circles of Torquato Tasso, Giambattista Marino, and the Accademia dei Gelati. In addition to such relationships, informal exchanges, gatherings, and supplemental materials like Giovanni Paolo Gallucci’s Della Simmetria could be called upon when treating poetic subjects. With intimate knowledge of vernacular poetry, literati themselves participating in lectures and studio visits, and, finally, quick reference guides for subject matter, these artists were able to produce works that spoke to both poetic and artistic theory of the day, as one naturally informed the other. Introduction ‚Poets paint with words, painters speak with their works.‛1 This aphorism of Annibale Carracci (1560-1609) followed a superb rendering of the Laocoön in charcoal, expertly rendered from memory. -
Sale of the Donald B. Marron Family Collection to Be Handled by Acquavella Galleries, Gagosian and Pace Gallery in a Collaboration to Honor His Legacy
FOR IMMEDIATE RELEASE Sale of the Donald B. Marron Family Collection to be Handled by Acquavella Galleries, Gagosian and Pace Gallery in a Collaboration to Honor his Legacy “Good contemporary art reflects the society, and great contemporary art anticipates.” —Donald B. Marron Left: Don Marron, Catie Marron © Patrick McMullan Right: Mark Rothko, Number 22 (reds), 1957 © 2020 Kate Rothko Prizel and Christopher Rothko / ARS, New York Courtesy the Donald B. Marron Family Collection, Acquavella Galleries, Gagosian, and Pace Gallery In an unprecedented move, Acquavella Galleries, Gagosian, and Pace Gallery have joined forces with the Marron family to handle the sale of the Donald B. Marron Family Collection. The collaboration will pay homage to Don Marron’s (1934–2019) legacy as one of the 20th and 21st centuries’ most passionate and erudite collectors, a pioneer of corporate collections, a family man, and a dedicated philanthropist. Over the course of six decades, Marron acquired over 300 modern and contemporary masterworks. In May 2020, the three galleries will organize a joint exhibition in New York to showcase the breadth of the Marron family collection. The exhibition will be divided into three significant phases of Marron’s collecting activities, including his work as a young collector in the 1960s and 1970s, as a museum steward, and as a pioneer in reinventing how corporations build art collections around a singular vision. The exhibition will include works from the family collection as well as loans from institutions. The Marron family collection includes two major paintings by Pablo Picasso, Femme au béret et la collerette (Woman with Beret and Collar) (March 6, 1937) and Femme assise (Jacqueline) (May 13–June 16, 1962); Mark Rothko’s Number 22 (reds) (1957); Cy Twombly’s Untitled (Camino Real) (2011); paintings by Willem de Kooning and Gerhard FOR IMMEDIATE RELEASE Richter, and significant works by Brice Marden, including Complements (2004–2007). -
America: the Cookbook
GABRIELLE LANGHOLTZ AMERICA • A CULINARY ROAD TRIP THROUGH THE 50 STATES • THE COOKBOOK GABRIELLE LANGHOLTZ AMERICA THE COOKBOOK MAP OF THE UNITED STATES 6 LEGEND 9 INTRODUCTION 11 RECIPES 15 GUEST 497 FROM CONTRIBUTIONS: 50 STATES ESSAYS & RECIPES BY STATE STARTERS 17 MAIN COURSES 123 SIDE DISHES 231 DESSERTS 279 BREAKFAST 391 BAKERY 411 PANTRY 455 DRINKS 483 INDEX 712 WA ME MT ND MN VT NH OR WI MA NY RI ID SD CT MI WY PA IA NJ NE MD OH DE IL IN NV WV UT VA CO KS MO KY CA NC TN OK SC AZ AR NM GA AL MS TX LA FL AK HI 8 9 50 STATES BY REGION LEGEND NORTHEAST MID-ATLANTIC SOUTH REGIONS NORTHEAST NE MID-ATLANTIC MA CONNECTICUT - CT DELAWARE - DE ALABAMA - AL SOUTH S SOUTHWEST SW MAINE - ME MARYLAND - MD ARKANSAS - AR MASSACHUSETTS - MA NEW JERSEY - NJ FLORIDA - FL NEW HAMPSHIRE - NH PENNSYLVANIA - PA GEORGIA - GA WEST W MIDWEST MW NEW YORK - NY KENTUCKY - KY RHODE ISLAND - RI LOUISIANA - LA VERMONT - VT MISSISSIPPI - MS NORTH CAROLINA - NC STATES NY SOUTH CAROLINA - SC TENNESSEE - TN VIRGINIA - VA DF WEST VIRGINIA - WV DAIRY-FREE GLUTEN-FREE GF SOUTHWEST WEST MIDWEST ONE-POT 1 ARIZONA - AZ ALASKA - AK ILLINOIS - IL VEGAN NEW MEXICO - NM CALIFORNIA - CA INDIANA - IN OKLAHOMA - OK COLORADO - CO IOWA - IA TEXAS - TX HAWAII - HI KANSAS - KS VEG UTAH - UT IDAHO - ID MICHIGAN - MI VEGETARIAN MONTANA - MT MINNESOTA - MN NEVADA - NV MISSOURI - MO OREGON - OR NEBRASKA - NE LESS THAN 30 MINUTES 30 WASHINGTON - WA NORTH DAKOTA - ND WYOMING - WY OHIO - OH SOUTH DAKOTA - SD 5 WISCONSIN - WI LESS THAN 5 INGREDIENTS 10 11 STARTERS COBB SALAD CA PREPARATION TIME: 15 MINUTES Spread the lettuce on a large serving platter. -
Annual Report 2O11–2O12
annual report 2o11–2o12 1 FY 11/12 home of american illustration art president & chairman’s letter 4 director’s report fiscal year 2011-2o12 5 9 curatorial 10 acquisitions 20 exhibitions 23 education & visitor experience 25 measures of success 27 advancement 29 finance & administration contributors & donors 31 staff 35 in memoriam 36 3 FY 11/12 president & chairman’s letter Dear Friends of Norman Rockwell Museum, On behalf of our fellow Trustees, we are happy to present the 2011-2012 Annual Report of Norman Rockwell Museum. This comes with a magnificent account of the year’s exhibitions in Stockbridge and across the nation, educational and community programs, scholarship to advance illustration art, and curatorial achievements. This remarkable Museum does all of this and more, inspired by the values Norman Rockwell depicted in his iconic paintings. His works portray freedom, tolerance, humanity and kindness, integrity, honesty, and authenticity along with a joyfulness and celebration of life. These values inspire our visitors and staff alike. The Museum concluded its fiscal year on June 30, 2012 in a strong position. As noted a year ago, we eliminated our long-term debt. This year we are pleased to report that we have no short-term Norman Rockwell Museum President Anne Morgan borrowing on our balance sheet. Annual attendance at the Museum has generated good revenue, and and Chairman Thomas we saw nationwide interest and attendance grow for our traveling exhibition program as well. L. Pulling. We are especially grateful for the generosity of our members and donors who care so deeply for this national treasure in the Berkshires. -
Design the Design Book 36 Fashion the Anatomy of Fashion 38 The
Art Design Art & Place 2 The Design Book 36 The Chinese Art Book 4 Art as Therapy 6 Fashion Wild Art 8 The Anatomy of Fashion 38 Art Cities of the Future 10 The Fashion Book (New Edition) 40 Architecture Carlo Scarpa 12 Travel Wallpaper* City Guides 42 General Non-Fiction My World, Your Future 14 Cahiers du cinéma Anatomy of an Actor: Wine Bar Theory 16 Jack Nicholson 44 Meryl Streep 45 Children’s Books Architecture According to Paperbacks Pigeons 18 Art & Today 46 Hervé Tullet: The Big Book Magnum Stories 46 of Art 20 Mary Ellen Mark: Beatrice Alemagna: Bugs Seen Behind the Scene 46 at Christmas 21 Nicholas on Holiday 47 Food/Cook Nicholas in Trouble 47 Alex Atala 22 The Taste of America 24 Coi 26 Photography Steve McCurry Untold: The Stories Behind the Photographs 28 Nan Goldin: Eden and After 30 Bernhard Edmaier: EarthArt 32 Martin Parr 34 All prices subject to change La Universidad Autonoma Art & Place Artist Location Date Site-Specific Art of the Americas Conceived and edited by Phaidon Editors Storm King Art Center is in the lower Hudson Valley, 55 miles north of Manhattan. It was founded in 1960 by businessmen Ralph E. Ogden (1895- 1974) and H. Peter Stern. Since that time it has grown into a world-class collection of twentieth and twenty- first century sculpture installed in 500 acres of landscaped lawns, hills, fields and woodlands. Located between the Schunnemunk and Storm King mountains, the grounds are surrounded in the distance by the Hudson Highlands, a range of low- • An extraordinary collection of outstanding art destinations in the Americas, visited lying mountains, which provide a dramatic backdrop of sky and land for 320 x 270 mm the works.