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Annual Report from 1 August 2010
6 Annual Report and Accounts 2014 - 15 Annual Report August 2014 - July 2015 Introduction Christ Church Cathedral was, as ever, full of exciting activities and events during 2014 - 15, the most significant of which was the appointment of a new Dean, Martyn Percy, who replaced Christopher Lewis on his retirement in September 2014 after eleven years at the helm. Martyn became the forty-sixth Dean of Christ Church since its establishment by Henry VIII in 1546. This year’s cover illustration features the summer 2014 art installation of paper pilgrims produced by Summerfield School pupils displayed in our 15th century watching loft, situated between the Latin Chapel and the Lady Chapel. Worship There are between three and six regular Cathedral services every day of the year. Our congregations are varied: supporting a core of regular worshippers are a significant number of tourists visiting Christ Church from around the world. The Cathedral’s informal Sunday evening reflective service, After Eight, continued throughout the Michaelmas and Hilary terms and covered a wide range of topics. These included ‘A Particular Place’, focusing on a location of special spiritual significance to each of four speakers, ‘Enduring War … Engaging with Peace’, addressing present day conflicts, and ‘When I needed a Neighbour’, a series of dialogues on Christian ministry at the margins of modern life. There were many special events and services among them the following: • Our new year was ushered in with a reminder of the First World War. The centenary of the outbreak -
A Brief History of Christ Church MEDIEVAL PERIOD
A Brief History of Christ Church MEDIEVAL PERIOD Christ Church was founded in 1546, and there had been a college here since 1525, but prior to the Dissolution of the monasteries, the site was occupied by a priory dedicated to the memory of St Frideswide, the patron saint of both university and city. St Frideswide, a noble Saxon lady, founded a nunnery for herself as head and for twelve more noble virgin ladies sometime towards the end of the seventh century. She was, however, pursued by Algar, prince of Leicester, for her hand in marriage. She refused his frequent approaches which became more and more desperate. Frideswide and her ladies, forewarned miraculously of yet another attempt by Algar, fled up river to hide. She stayed away some years, settling at Binsey, where she performed healing miracles. On returning to Oxford, Frideswide found that Algar was as persistent as ever, laying siege to the town in order to capture his bride. Frideswide called down blindness on Algar who eventually repented of his ways, and left Frideswide to her devotions. Frideswide died in about 737, and was canonised in 1480. Long before this, though, pilgrims came to her shrine in the priory church which was now populated by Augustinian canons. Nothing remains of Frideswide’s nunnery, and little - just a few stones - of the Saxon church but the cathedral and the buildings around the cloister are the oldest on the site. Her story is pictured in cartoon form by Burne-Jones in one of the windows in the cathedral. One of the gifts made to the priory was the meadow between Christ Church and the Thames and Cherwell rivers; Lady Montacute gave the land to maintain her chantry which lay in the Lady Chapel close to St Frideswide’s shrine. -
CHRIST CHURCH LIBRARY NEWSLETTER Volume 7, Issue 3 Trinity 2011
CHRIST CHURCH LIBRARY NEWSLETTER Volume 7, Issue 3 Trinity 2011 ISSN 1756-6797 (Print), ISSN 1756-6800 (Online) The Aeschylus of Richard Porson CATALOGUING ‘Z’ - EARLY PRINTED PAMPHLETS Among the treasures of the library of Christ Church is It is often asserted that an individual is that which an edition of the seven preserved plays of they eat. Whether or not this is true in a literal sense, Aeschylus, the earliest of the great Athenian writers the diet to which one adheres has certain, of tragedy. This folio volume, published in Glasgow, predictable effects on one’s physiology. As a result, 1795, by the Foulis (‘fowls’) Press, a distinguished the food we consume can affect our day to day life in publisher of classical and other works, contains the respect to our energy levels, our size, our Greek text of the plays, presented in the most demeanour, and our overall health. And, also as a uncompromising manner. I propose first to describe result, this affects how we address the world, it this extraordinary volume and then to look at its affects our outlook on life and how we interact with place in the history of classical scholarship. The book others. This is all circling back around so that I can contains a title page in classical Greek, an ancient ask the question: are we also that which we read? To life of Aeschylus in Greek, and ‘hypotheses’ or an extent, a person in their early years likely does summaries of the plays, some in Greek and some in not have the monetary or intellectual freedom to Latin. -
Ecclesiology of the Anglican Communion: Rediscovering the Radical and Transnational Nature of the Anglican Communion
A (New) Ecclesiology of the Anglican Communion: Rediscovering the Radical and Transnational Nature of the Anglican Communion Guillermo René Cavieses Araya Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds Faculty of Arts School of Philosophy, Religion and History of Science February 2019 1 The candidate confirms that the work submitted is his own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from this thesis may be published without proper acknowledgement. © 2019 The University of Leeds and Guillermo René Cavieses Araya The right of Guillermo René Cavieses Araya to be identified as Author of this work has been asserted by Guillermo René Cavieses Araya in accordance with the Copyright, Design and Patents Act 1988. 2 Acknowledgements No man is an island, and neither is his work. This thesis would not have been possible without the contribution of a lot of people, going a long way back. So, let’s start at the beginning. Mum, thank you for teaching me that it was OK for me to dream of working for a circus when I was little, so long as I first went to University to get a degree on it. Dad, thanks for teaching me the value of books and a solid right hook. To my other Dad, thank you for teaching me the virtue of patience (yes, I know, I am still working on that one). -
The Viola Da Gamba Society Journal
The Viola da Gamba Society Journal Volume Nine (2015) The Viola da Gamba Society of Great Britain 2015-16 PRESIDENT Alison Crum CHAIRMAN Michael Fleming COMMITTEE Elected Members: Michael Fleming, Linda Hill, Alison Kinder Ex Officio Members: Susanne Heinrich, Stephen Pegler, Mary Iden Co-opted Members: Alison Crum, Esha Neogy, Marilyn Pocock, Rhiannon Evans ADMINISTRATOR Sue Challinor, 12 Macclesfield Road, Hazel Grove, Stockport SK7 6BE Tel: 161 456 6200 [email protected] THE VIOLA DA GAMBA SOCIETY JOURNAL General Editor: Andrew Ashbee Editor of Volume 9 (2015): Andrew Ashbee, 214, Malling Road, Snodland, Kent ME6 5EQ [email protected] Full details of the Society’s officers and activities, and information about membership, can be obtained from the Administrator. Contributions for The Viola da Gamba Society Journal, which may be about any topic related to early bowed string instruments and their music, are always welcome, though potential authors are asked to contact the editor at an early stage in the preparation of their articles. Finished material should preferably be submitted by e-mail as well as in hard copy. A style guide is available on the vdgs web-site. CONTENTS Editorial iv ARTICLES David Pinto, Consort anthem, Orlando Gibbons, and musical texts 1 Andrew Ashbee, A List of Manuscripts containing Consort Music found in the Thematic Index 26 MUSIC REVIEWS Peter Holman, Leipzig Church Music from the Sherard Collection (Review Article) 44 Pia Pircher, Louis Couperin, The Extant Music for Wind or String Instruments 55 Letter 58 NOTES ON THE CONTRIBUTORS 59 Abbreviations: GMO Grove Music Online, ed. D. -
Evangelism and Capitalism: a Reparative Account and Diagnosis of Pathogeneses in the Relationship
Digital Commons @ George Fox University Faculty Publications - Portland Seminary Portland Seminary 6-2018 Evangelism and Capitalism: A Reparative Account and Diagnosis of Pathogeneses in the Relationship Jason Paul Clark George Fox University, [email protected] Follow this and additional works at: https://digitalcommons.georgefox.edu/gfes Part of the Biblical Studies Commons, and the Christianity Commons Recommended Citation Clark, Jason Paul, "Evangelism and Capitalism: A Reparative Account and Diagnosis of Pathogeneses in the Relationship" (2018). Faculty Publications - Portland Seminary. 132. https://digitalcommons.georgefox.edu/gfes/132 This Dissertation is brought to you for free and open access by the Portland Seminary at Digital Commons @ George Fox University. It has been accepted for inclusion in Faculty Publications - Portland Seminary by an authorized administrator of Digital Commons @ George Fox University. For more information, please contact [email protected]. EVANGELICALISM AND CAPITALISM A reparative account and diagnosis of pathogeneses in the relationship A thesis submitted to Middlesex University in partial fulfilment of the requirements for the degree of Doctor of Philosophy by Jason Paul Clark Middlesex University Supervised at London School of Theology June 2018 Abstract Jason Paul Clark, “Evangelicalism and Capitalism: A reparative account and diagnosis of pathogeneses in the relationship.” Doctor of Philosophy, Middlesex University, 2018. No sustained examination and diagnosis of problems inherent to the relationship of Evangeli- calism with capitalism currently exists. Where assessments of the relationship have been un- dertaken, they are often built upon a lack of understanding of Evangelicalism, and an uncritical reliance both on Max Weber’s Protestant Work Ethic and on David Bebbington’s Quadrilateral of Evangelical priorities. -
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Ordaining the Disinherited: What Women of Color Clergy Have to Teach Us About Discernment Tamara C. Plummer Submitted in partial fulfillment of the requirements for the degree of Master of Arts in Practical Theology at Union Theological Seminary April 16, 2021 TABLE OF CONTENTS Introduction ................................................................................................................................... 3 Conceptual Frame..................................................................................................................... 5 The Episcopal Church ............................................................................................................ 10 Methodology - Story as scripture ............................................................................................. 14 Data: Description and Deconstruction ..................................................................................... 17 Bishop Emma .......................................................................................................................... 18 Rev. Sarai ................................................................................................................................. 25 Rev. Isabella ............................................................................................................................ 31 Rev. Julian ............................................................................................................................... 37 Rev. Juanita ............................................................................................................................ -
John Amner's Sacred Hymnes
Domestic Sacred Music in Jacobean England: John Amner’s Sacred Hymnes … for Voyces and Vyols (1615) Mark Keane Dissertation submitted to the University of Dublin in partial fulfilment of the requirements for the degree Doctor in Music Performance ROYAL IRISH ACADEMY OF MUSIC Supervisor: Dr Denise Neary January 2019 Declaration I hereby certify that this material, which I now submit for assessment on the programme of study leading to the award of Doctor in Music Performance, is entirely my own work, and that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge breach any law of copyright, and has not been taken from the work of others save and to the extent that such work has been cited and acknowledged within the text of my work. Signed: Mark Keane ID No.: 133072051 Date: 24 January 2019 Terms and Conditions of Use of Digitised Theses from Royal Irish Academy of Music Copyright statement All material supplied by Royal Irish Academy of Music Library is protected by copyright (under the Copyright and Related Rights Act, 2000 as amended) and other relevant Intellectual Property Rights. By accessing and using a Digitised Thesis from Royal Irish Academy of Music you acknowledge that all Intellectual Property Rights in any Works supplied are the sole and exclusive property of the copyright and/or other Intellectual Property Right holder. Specific copyright holders may not be explicitly identified. Use of materials from other sources within a thesis should not be construed as a claim over them. -
Partbooks and the Music Collection Will Be Open from 12 May to 13 August 2016 in the Upper Library at Christ Church
Tudor Partbooks and the Music Collection will be open from 12 May to 13 August 2016 in the Upper Library at Christ Church. The exhibition showcases the music-books used by singers in the age of Queen Elizabeth I, with special emphasis on partbooks. This is the result of a successful collaboration with the Tudor Partbooks Project (Oxford University, Faculty of Music) and the Oxford Early Music Festival. The exhibition is curated by Dr John Milsom and Dr Cristina Neagu. Visiting hours: Monday - Friday 10.00 am - 1.00 pm 2:00 pm - 4.30 pm (provided there is a member of staff available in the Upper Library). The new exhibition opened with a concert by Magnificat, featuring pieces from the Christ Church Music Collection. This is one of the world’s premier vocal ensembles, internationally acclaimed for its performance of Renaissance choral masterpieces. Concert programme Robert White Christe qui lux Lamentations William Byrd Come to me grief O that most rare breast Thomas Tallis Salvator mundi (II) Salvator mundi (I) The concert was followed by a talk by Dr John Milsom, leading Tudor music scholar, and a drinks reception in the Cathedral. Tudor partbooks and the music collection Detail from Mus 864b choirbooks 1. CHOIRBOOK LAYOUT: A CLASSIC FOUR-VOICE MOTET In the fifteenth and sixteenth centuries, church choirs typically sang from large choirbooks, in which different areas of the double-page spread displayed the various voice-parts of a composition. This example shows the famous Ave Maria … virgo serena by Josquin Desprez. Each of the motet’s four voices is headed with a large capital A. -
Image and Influence: the Political Uses of Music at the Court of Elizabeth I
Image and Influence: The Political Uses of Music at the Court of Elizabeth I Katherine Anne Butler Royal Holloway, University of London Submitted for the Degree of Doctor of Philosophy Acknowledgements With thanks to all the people who supported me throughout my research, especially: My supervisor, Stephen Rose, My advisors, Elizabeth Eva Leach and Anna Whitelock, The Arts and Humanities Research Council for funding this research, Royal Holloway Music Department for conference grants, My proofreaders, Holly Winterton, Sarah Beal, Janet McKnight and my Mum, My parents and my fiancé, Chris Wedge, for moral support and encouragement. Declaration of Authorship I, Katherine Butler, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: ______________________ Date: ________________________ 2 Abstract In their Cantiones sacrae (1575), court musicians William Byrd and Thomas Tallis declared that ‘music is indispensable to the state’ (necessarium reipub.). Yet although the relationship between Elizabethan politics and literature has been studied often, there has been little research into the political functions of music. Most accounts of court music consist of documentary research into the personnel, institutions and performance occasions, and generally assume that music’s functions were limited to entertainment and displays of magnificence. However, Elizabethans believed that musical concord promoted a social harmony that would ease the process of government; hence politics and music were seen as closely connected. This thesis is an interdisciplinary investigation into the role of music in constructing royal and courtly identities and influencing Elizabeth’s policies and patronage. -
William Byrd Festival 2008
This book has been published by the Church Music Association of America for distribution at the William Byrd Festival 2008. It is also available for online sales in two editions. Clicking these links will take you to a site from which you can order them. Softcover Hardcover A Byrd Celebration William Byrd 1540–1623 A Byrd Celebration LECTURES AT THE WILLIAM BYRD FESTIVAL EDITED BY RICHARD TURBET CMAA Church Music Association of America Cover picture is of the Lincoln Cathedral, England, where William Byrd was the choirmaster and organ- ist for nine years, 1563–1572. Copyright © 2008 Church Music Association of America Church Music Association of America 12421 New Point Drive Harbor Cove Richmond, Virginia 23233 Fax 240-363-6480 [email protected] website musicasacra.com TABLE OF CONTENTS Acknowledgments . .7 Preface . .9 BIOGRAPHY . .11 William Byrd: A Brief Biography . .13 Kerry McCarthy “Blame Not the Printer”: William Byrd’s Publishing Drive, 1588–1591 . .17 Philip Brett Byrd and Friends . .67 Kerry McCarthy William Byrd, Catholic and Careerist . .75 Joseph Kerman MASSES . .85 The Masses of William Byrd . .87 William Peter Mahrt Byrd’s Masses in Context . .95 David Trendell CANTIONES . .103 Byrd’s Musical Recusancy . .105 David Trendell Grave and Merrie, Major and Minor: Expressive Paradoxes in Byrd’s Cantiones Sacrae, 1589 . .113 William Peter Mahrt Savonarola, Byrd, and Infelix ego . .123 David Trendell William Byrd’s Art of Melody . .131 William Peter Mahrt GRADUALIA . .139 Rose Garlands and Gunpowder: Byrd’s Musical World in 1605 . .141 Kerry McCarthy The Economy of Byrd’s Gradualia . .151 William Peter Mahrt 5 6 — A Byrd Celebration ENGLISH MUSIC . -
Newsletter Merton College Boat Club Newsletter | Hilary Term 2018
Boat Club Newsletter Merton College Boat Club Newsletter | Hilary Term 2018 Men'sSuccess First Boat at placing HoRR 119th GenerousNew Filippi F42 shell MC3 purchased Donation for men Half‐divisionTwo‐day racing Torpids on Saturday Secretary of the Boat Club Men's Vice‐Captain Charlotte Oakes Thomas Murphy Men's Captain of Boats Women's Vice‐Captain Samuel Picard Venla Karppinen Women's Captain of Boats Water Safety Advisor Senior Member Paris Jaggers Lukas Koch Jonathan Prag Captain of Coxswains Alumni Officer Boatman Katherine Davies Tyson Rallens Mark Seal Treasurer Social Secretary Secretary of the Friends Jacob White Paul de Jong & Julia Zlotkowska Henry Braun byWords Henrik Hannemann from the river... Contents ... to those who have ventured further afield, but have not Merton men on the Tideway for HoRR p. 2 forgotten their times in a Merton boat on the Isis. The Boat Club has had a rather successful run over the last few From the Club's archives p. 2 years and everything is well poised for this to continue. In order to be able to share more details from the life and New boats renewed boars, and plans for more p. 3 spirit of the Boat Club, as well as to give more detailed accounts of regattas and head races, the idea for this Torpids ‐ only two days of racing, but five bumps p. 4 newsletter was developed. As you will recall from your own student times, there is an unfortunate disparity between Isis Winter Leagues p. 4 having ideas and getting round to enacting the good ones.